Drive All Night potential to be a fun ride. Finally we get an art poster! The trailer has a real 80s vibe and the synopsis is has me looking forward to seeing the movie.
NEO-NOIR FEATURE ‘DRIVE ALL NIGHT’ TO DEBUT AT 2021 CINEQUEST! DRIVE ALL NIGHT, a new feature film starring Yutaka Takeuchi (Marvel’s ‘The Defenders’) will make its World Premiere in competition at the Cinequest Film Festival, running March 20-30, 2021. Voted Best Film Festival by readers of USA Today, Cinequest draws an audience of over 110,000 to its annual event celebrating innovation, discovery and creativity in the heart of Silicon Valley. “Cinequest is always searching for films that stretch the boundaries of storytelling, and visions from artists who are looking to reinvent genres. ‘Drive All Night’ is a spectacular example of a story we have never seen before. It took us by surprise, took us on a ride, and it swept us up in one of the most unpredictable journeys,” said Michael Rabehl, Programming Director at Cinequest.
‘Drive All Night’ follows Dave (Yutaka Takeuchi), a reclusive swing-shift taxi driver, whose night takes an unexpected turn after he picks up a mysterious passenger, Cara (Lexy Hammonds), a young woman hiding a dark secret. As she makes him drive through the city on a series of bizarre excursions, things get increasingly more surreal the further into the night they go. Sarah Dumont (‘Scouts Guide to the Zombie Apocalypse,’ ‘The Royals’) plays Morgan, a sympathetic waitress who works at a diner that Dave often frequents, while Johnny Gilligan plays Lenny, an obsessive hitman guided by strange visions, who pursues our protagonists through the night.
‘Drive All Night’ is the debut film from award-winning writer-director Peter Hsieh. While Hsieh is most known for his staged plays that have been produced and workshopped at theaters across the country, including Nylon Fusion, Hollywood Fringe, San Jose Rep’s Emerging Artist Lab (SJREAL), T. Schreiber Studio, and the Asian American Theatre Company, ‘Drive All Night’ marks his first foray into feature filmmaking. “I wanted to develop a complex and layered narrative that became increasingly more dream-like and surreal as the story developed. My goal is to take the audience down the rabbit hole on a fever dream trip through wonderland and hopefully have them come out the other side both baffled and entertained,” said Hsieh.