Category: Crime

9 Things You May Not Know About Billy the Kid

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Evan Andrews and History.com present 9 Things You May Not Know About Billy the Kid.  Here are three of my favorites…

The Kid’s first arrest came for stealing clothes from a laundry.
Henry McCarty’s first run-in with the law came in 1875, when he assisted a local street tough known as “Sombrero Jack” in stealing clothing from a Chinese laundry. Henry hid the loot in his boarding house, but was arrested after his landlord turned him in to the sheriff. The crime only carried a minor sentence, but rather than face punishment, the wiry youth escaped the jailhouse by shimmying up a chimney. McCarty then fled town and embarked on a career as a roving ranch hand, gambler and gang member. He became handy with a Winchester rifle and a Colt revolver, and in August 1877 he killed his first man during a dispute in an Arizona saloon. That same year, he adopted the alias “William H. Bonney” and became known as “Billy the Kid” or simply “The Kid.”

He played a prominent role in a frontier feud.
Billy the Kid first earned his reputation as a gunslinger in 1878, when he participated in a bloody frontier war in Lincoln County, New Mexico. The conflict centered on a business rivalry between British-born rancher John Tunstall and a pair of Irish tycoons named James Dolan and Lawrence Murphy. Dolan and Murphy’s outfit—known as “The House”—had long held a monopoly over the dry goods and cattle trades in Lincoln County. When they tried to intimidate Tunstall’s upstart operation, the Englishman enlisted the Kid and several other gunmen to protect his property. The tensions finally boiled over in February 1878, when Tunstall was murdered by a posse organized by Sheriff William Brady, a supporter of The House.

Following Tunstall’s death, the Kid and several other former employees organized themselves into a vigilante group called “The Regulators” and swore revenge. In what became known as the “Lincoln County War,” the Regulators assassinated Sheriff Brady and spent the next several months shooting it out with The House’s forces. In July 1878, the feud reached its climax with a deadly, five-day firefight in the town of Lincoln, after which the Regulators disbanded and the two sides sealed a flimsy peace agreement. The Kid left the war with a reputation as one of the West’s most skilled gunmen, but he remained wanted for the murder of Sheriff Brady. He would spend the rest of his life on the run from the authorities.

The Kid made a famous jailbreak.
In late 1880, Lincoln County Sheriff Pat Garrett tracked the Kid to a cabin in Stinking Springs, New Mexico, and forced his surrender. The outlaw was found guilty of the murder of Sheriff William Brady and confined to the Lincoln courthouse. He was scheduled for a date with the hangman, but on the evening of April 28, 1881, he engineered the most daring getaway of his criminal career. During a trip to the outhouse, the Kid slipped out of his handcuffs, ambushed a guard and shot the man to death with his own pistol. He then armed himself with a double-barreled shotgun and gunned down a second guard who was crossing the street. Once in control of the courthouse, the Kid collected a small arsenal of weapons, cut his leg shackles with a pickaxe and fled town on a stolen horse. News of the brazen escape was soon reprinted in newspapers across the country, making the Kid the most wanted man in the West.

11 Surprising Facts About “In the Line of Fire”

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Jennifer M. Woods and Mental Floss present 11 Surprising Facts About In the Line of Fire.  Here are three of my favorites…

3. AT ONE POINT, ROBERT REDFORD WAS ATTACHED TO STAR.
Though Clint Eastwood will forever be associated with the role of ultra-dedicated Secret Service agent Frank Horrigan, he was hardly the first choice for the role. As the script made its way around Hollywood over the years, a number of other actors were either attached to or offered the project, including Robert Redford. Dustin Hoffman, Sean Connery, James Caan, Tommy Lee Jones, and Val Kilmer were among the other names wanted for the role of Horrigan.

6. FRANK HORRIGAN WAS INSPIRED BY ONE OF JFK’S SECRET SERVICE AGENTS.
Though the movie is a work of fiction, main character Frank Horrigan was partly inspired by Clint Hill, one of John F. Kennedy’s Secret Service agents who was on duty the day the 35th president was assassinated in Dallas. In 1975, Hill sat down for an emotional interview with Mike Wallace on 60 Minutes, where he broke down and admitted that he felt responsible for what had happened that terrible day.

“I still feel today a sense of failure and responsibility because that was our job: to keep the president safe, to protect him at all costs,” Hill said. “And on that particular day, we were unable to do that.” Much of Horrigan’s desire to right that wrong came from Hill’s interview.

8. WOLFGANG PETERSEN WAS A LITTLE INTIMIDATED BY CLINT EASTWOOD.
Though he was already a highly acclaimed director with two Oscar nominations on his resume (for writing and directing 1981’s Das Boot), Petersen admitted that the idea of directing a Hollywood icon like Eastwood was a slightly terrifying prospect.

“I must admit, I was initially a bit intimidated at the prospect of directing Clint, but any fears I had disappeared after our first meeting, and once we started shooting he never challenged my direction,” Petersen told the Los Angeles Times. “At the beginning he told me, ‘I won’t interfere, but if you want my advice I’ll be there for you—otherwise I’ll leave you alone.’ I took up his offer and consulted him a lot.”

Lavender Jack by Dan Schkade

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Lavender Jack is a new free weekly comic by Dan Schkade that reminds me of the comics I used to read as a kid.  And that’s a good thing.

When a masked man begins terrorizing the wealthy upper class, exposing their dirty secrets, the Mayor calls in a veteran detective. What begins as a game of cat and mouse leads to a rabbit hole of mysterious organizations, betrayal, & lost love.

Schkade’s writing and art are perfect for Lavender Jack and they should be since he created the character.  Jenn Manley Lee’s colors enhance the strip.  I’m usually not a fan of web comics but I plan to be a regular reader.  You might as well if you give it a shot!

Brooklyn Blood by Paul Levitz and Tim Hamilton

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Brooklyn Blood by Paul Levitz and Tim Hamilton looks to be the kind of story fans of crime fiction and horror stories will love.

In Brooklyn, a serial killer is on the loose–and when strange clues lead down a paranormal path, a detective confronts his inner demons to solve the case.

After returning from a tour in Afghanistan, detective Billy O’Connor returns home to a Brooklyn he doesn’t recognize. As he tries to return to his normal routines, his PTSD is easily triggered and he suffers severe hallucinations. Once he begins to work a gruesome homicide case, however, O’Connor has difficulty sorting out what’s real–and after he uncovers some strange clues, he’ll have to face the unthinkable to bring the killer to justice.

From New York Times Bestselling authors Paul Levitz (75 Years of DC Comics: The Art of Modern Myth-Making) and Tim Hamilton (Ray Bradbury’s Farenheit 451: The Authorized Adaptation), this volume collects all sixteen chapters originally serialized in Dark Horse Presents Volume 3 #17-#22 and #24-#33!

31 Things We Learned from Tony Scott’s “Revenge” Commentary

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Yesterday we looked at the films of Tony Scott.  That brought to mind one of my favorite Tony Scott movies, Revenge.   Today we take a look at Rob Hunter and Film School Rejects’ 31 Things We Learned from Tony Scott’s Revenge Commentary.  Here are three of my favorites and my thoughts…

1. John Huston apparently worked for ten years attempting to bring this adaptation to the screen, and when that was no longer a possibility Scott, who had kept a close eye on the project, came aboard. Huston’s big roadblock was his producer, Ray Stark, who felt squeamish as to the story’s harsher elements. Scott says the theatrical cut of this film is Stark’s while this director’s cut is his preferred version. “He should never have made Revenge,” says Scott, “because it was something that was very contrary to his taste.”
Craig’s Thoughts:  I could definitely have seen Revenge as a John Huston film.  Revenge feels like a modern throw-back to The Postman Always Rings Twice or Double Indemnity.  And did you notice Scott said the director’s version is his preferred version of Revenge?  I didn’t even know there was a director’s version.  There is and I’m ordering a copy today.

19. Rocky the dog’s death scene strikes me as something that probably wouldn’t fly these days. They attached “an explosive pack” aka a squib to the dog’s chest and a snatch wire to his back, and when the dog barked Scott instructed the effects guys to trigger the exploding pack and yank the cable so the dog would fly into the wall. Scott tried to get a second take, but Rocky refused to bark again. “But he’s still around, he’s sixteen,” he promises. He also notes that test audiences gave them grief for what they did to the dog without mentioning that Costner gets beat to near death and Stowe has her face slashed in the same scene.
Craig’s Thoughts:  Yeah, the dog death scene would never fly today.  I’m surprised it did then, but that’s what makes this film seem realistic.  What Costner goes through to rescue Stowe and what she endures until rescued… whew!

30. The final face-off between Cochran and Tibey was shot in Mexico, but Stark and the studio requested Scott shoot additional footage with more dialogue to help explain both men’s motivations. Scott hated it and cut all of the new footage from the film.
Craig’s Thoughts:  I am so stoked to see this film again, especially since it will be the director’s cut a version totally new to me.

Revenge Unrated Director’s Edition Blu-Ray

 

Ranking the Films of Tony Scott

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Film School Rejects presents Celebrating the Films of Tony Scott.    Here are my three favorites and thoughts on each following FSR’s comments.

6. The Last Boy Scout (1991)
The second film in Scott’s unofficial “sloppy quadrilogy” (along with Beverly Hills Cop 2, The Fan, and Domino) is the best of the bunch for various reasons, but first out of the gate is the script by Shane Black. He’s riffing on his own Lethal Weapon, but while Richard Donner’s film wants to be liked, Black’s in a far more aggressive and mean-spirited mood here. Scott’s direction meets him beat for beat delivering memorable action set-pieces and a pair of charismatic leads (Bruce Willis, Damon Wayans) against an ugly story populated by uglier supporting characters. It’s a terrifically scuzzy affair delivered without the exaggerated stylistic flourishes that mar those previously mentioned titles, and it entertains like gritty gangbusters. – Rob

Craig’s Thoughts:  I was a huge fan of Shane Black (coming of Lethal Weapon and Predator) and Bruce Willis was the perfect choice to star.  I loved the combination of action and humor and remember liking The Last Boy Scout more than most folks.  The scene with the killer in the alley is priceless.

 

8. Revenge (1990)
My Kevin Costner love is well-documented and most certainly plays a role in my appreciation for this darkly somber character drama, but luckily I’m also a sucker for doomed love stories. It’s a far more sedately paced film than you’ll find across much of Scott’s filmography, and while time is given to the ridiculously steamy affair between Costner and Madeleine Stowe, even more is afforded to his desperate search for her after they’ve been violently separated. It’s not a pleasant movie for anyone involved, but its grip on human nature is undeniable as a man’s best and worst intentions and abilities lead to tragic consequences. Scott released a director’s cut of the film years later that actually runs 23 minutes shorter, and as with Mel Gibson’s Payback there’s value in both distinctly different versions. – Rob

Craig’s Thoughts:  I ended up liking Revenge a whole lot more than I thought I would.  And again, a lot more than the critics.  I’ve never seen the shorter director’s cut.  I may have to search that out.

 

3. Man on Fire (2004)
Based on A. J. Quinnell’s novel of the same name, this was a passion project for Scott that he wanted to make since the 1980’s with Marlon Brando as his lead. The original plan was adapt the novel as his second feature and set it in Italy as the country was rife for kidnappings at the time. But the director’s lack of experience saw the project escape him only to be adapted by Élie Chouraqui in 1987. Fortunately, though, he got to realize his dream eventually and the long wait paid off, because Man on Fire is a goddamn masterpiece. Denzel’s characters have rarely been this emotionally-charged or vicious as he plays a washed-up former mercenary who’s hellbent on revenge when the young girl he’s tasked with protecting gets kidnapped by some scumbags. This desire for both vengeance and redemption reignites his spark — and things get bloody. The brutality is ample and our sick demand for violent thrills is more than satiated, but the movie is also peppered with some touching and moving moments which make it so much more than your average body count action flick. – Kieran

Craig’s Thoughts:  My favorite Tony Scott movie.  Can you imagine Brando in the role?  Maybe at his peak, but Brando in the 80’s?  Yikes!

One other thought – It was difficult not to include True Romance. I love that movie and on a different day it may have edged out The Last Boy Scout.

11 Screenwriters Who Hated Their Own Movies

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Rudie Obias and Mental Floss present 11 Screenwriters Who Hated Their Own Movies.  Here are three of the eleven that I enjoyed despite the person(s) who wrote them didn’t.

1. QUENTIN TARANTINO // NATURAL BORN KILLERS (1994) During the early 1990s, Quentin Tarantino sold his screenplay for Natural Born Killers to Oliver Stone and used the money to fund his debut film, Reservoir Dogs, which was released in 1992. Two years later, Stone released the film with Woody Harrelson and Juliette Lewis in starring roles.

While it was a box office hit, Tarantino despised the production because of the changes and alterations to much of his original content. “I hate that f*cking movie,” Tarantino told The Telegraph in 2013. “If you like my stuff, don’t watch that movie.”

Years after its release, the producers of Natural Born Killers sued Tarantino when he tried to publish the original screenplay as a book, as he had done with his original script for True Romance. The producers believed that Tarantino forfeited his rights when he sold it to them, but a judge ruled in Tarantino’s favor.
(Craig’s thoughts: Oliver Stone, like Tarantino has an over-powering style of movie-making.  Tarantino was probably most upset because the movie felt more like a Stone film than a Tarantino movie.  I liked Natural Born Killers.)

 

3. KURT SUTTER // PUNISHER: WAR ZONE (2008)  Before Marvel’s The Punisher made a comeback as a TV series on Netflix in 2017, Sons of Anarchy creator Kurt Sutter was hired to write a sequel to The Punisher starring Thomas Jane and John Travolta. In 2007, Sutter started writing a new script and wanted to ground the antihero in a grittier reality and move the character from Florida to New York City.

However, after Jane dropped out of the project, Marvel Studios wanted to start over with a new sequel that felt more like the comic book version of Frank Castle instead of the more realistic idea that Sutter envisioned. The end result was so far removed from what Sutter had written that he asked for his name to be removed from what would turn into Punisher: War Zone.

“I threw away the first draft written by Nick Santora and did a page one rewrite,” Sutter wrote of the project in 2008. “I changed the locations, the characters, the story. I dropped Frank in a real New York City with real villains, real cops, real relationships. To me, the Punisher deserved more than the usual comic book redress. It shouldn’t just follow the feature superhero formula. Apparently, I was the only one who shared that vision.”

(Craig’s thoughts: I’ve only seen Punisher War Zone once, but I liked it a lot better than The Punisher starring Jane and Travolta.  I agree with Sutter that The Punisher needed to be grounded in a grittier reality and thought War Zone did a fine job.  Perhaps another viewing is in order.)

 

4. AND 5. LANA AND LILLY WACHOWSKI // ASSASSINS (1995)  During the mid-1990s, Lana and Lilly Wachowski sold the screenplays for Assassins and The Matrix to producer Joel Silver for $1 million per film. Assassins was the first to go into production, and Richard Donner signed on to direct with Sylvester Stallone and Antonio Banderas attached to co-star.

Although Assassins was one of the hottest unproduced screenplays at the time (you can read the Wachowskis’ original version here), Donner didn’t like the darker tone and artsy symbolism, so he hired screenwriter Brian Helgeland to do a page-one rewrite to make it into a standard action thriller instead. The Wachowskis were not happy with the decision to tone down their screenplay, so the siblings wanted their names to be taken off the project, but the Writers Guild of America denied their request.

“The film was not really based on the screenplay,” Lana said in a 2003 interview. “The one thing that sort of bothered us is that people would blame us for the screenplay and it’s like Richard Donner is one of the few directors in Hollywood that can make whatever movie he wants exactly the way he wants it. No one will stop him and that’s essentially what happened. He brought in Brian Helgeland and they totally rewrote the script. We tried to take our names off of it but the WGA doesn’t let you. So our names are forever there.”

If there’s a silver lining to this story it’s that the experience with Assassins led the Wachowskis to want more control over their work—so they decided to become directors; they made their directorial debut with Bound in 1996.

(Craig’s thoughts: I was excited when it was announced Richard Donner was directing Sly in Assassins.  Although not as great as I hoped it would be, Assassins was still a lot of fun.  I’ve never read the Wachowskis’ original script so I have no idea if that might have been the way to go.  Still, the money that they received from selling Assassins led to The Matrix (the original) and THAT is a classic.)