Category: Art

Ray-Anthony Height’s Rocky

I had the good fortune to meet Ray-Anthony Height at MegaCon this year. I was talking with a con buddy who had a table near where Ray was set up and I saw him knock out one cool sketch after another. It didn’t take long before I checked to see if Ray would be interested in doing a Stallone sketch. He was, and created the nice Rocky piece that you see above.

You can see more of Ray-Anthony Height’s art here and here. And if you’re so inclined, tell him I sent ya!

The Rawhide Kid Rides Again

When I was a little kid first reading comics, one of my favorite characters was the Rawhide Kid.  In 2003, Marvel decided to bring back the Rawhide Kid in a mini-series called Blaze of Glory.  It was supposedly a humorous take on the Kid as being gay.  I said “supposedly humorous” because I didn’t read it.

Marvel is bringing back that Rawhide Kid in a new mini-series called The Sensational Seven.  Although the change in the Rawhide Kid’s character still bugs me, I might give this series a shot.  Written by Ron Zimmerman with art by Howard Chaykin the story will bring together some of the most popular Marvel western characters along with real western legends.

When Wyatt, Morgan and Virgil Earp are taken prisoner, The Rawhide Kid sets off to rescue them.  Along the way he meets up with The Two Gun Kid,  Kid Colt, Red Wolf, Doc Holiday, Annie Oakley, Billy the Kid and others.

If this sounds like something that you’d like, then you might want to check out Zimmerman’s interview at CBR.com where he talks about his plans for the series.

Andrew Robinson Hulks Out

Here’s a pencil sketch of the The Hulk for a Marvel trading card set.  It was drawn by Andrew Robinson and appeared [in much smaller form] in Rough Stuff #4 [April 2007]. Yep, the same Andrew Robinson who drew The Punisher and Nick Fury cards.  Here’s what Andrew said about the piece:

“I think this is the only time [for publication] that I’ve drawn the Hulk, and man, did I have a good time.”

Looking at the drawing, I can’t help but smiling.  The funny thing about the Hulk is that I’ve never really cared for the character.  Outside of his “guest appearances” to fight Ben Grim or Spider-Man, or the X-Men, I probably have read less than a handful of Hulk comics.  The best of those being Hulk drawn by Jim Starlin and Alex Nino in the Hulk’s own magazine.  But, although I’m not a fan of Hulk stories, I am a fan of Hulk drawings.  Perhaps it’s because there are so many ways that artists can draw him.  Andrew Robinson’s take is one of my favorites.

Andrew Robinson & Nick Fury @ War

As promised, here’s a pencil sketch of the Nick Fury for a Marvel trading card set. The art is by Andrew Robinson and appeared [in much smaller form] in Rough Stuff #4 [April 2007]. Here’s what Andrew said about the piece:

“Nick and the commandos in one war and I was in another, the battle of tangents.  In this case I used Photoshop after finishing the sketch, to cut out background figures and move them slightly to avoid bad tangents.  For example Nick’s right arm seems to be leaning on a commando’s back.  So to correct this bad tangent, I just moved the background figure to the left.”

Andrew Robinson: Pencil Punisher

Here’s a pencil sketch of the Punisher for a Marvel trading card set.  The art is by Andrew Robinson and appeared [in much smaller form] in Rough Stuff #4 [April 2007].  Here’s what Andrew said about the piece:

“When I think of the Punisher I see him as being very stoic.  For this composition I was inspired by the propaganda posters of WWII.  The straight lines in his form help define his defiant attitude as he pulls a ‘John Wayne’ in the midst of enemy fire.”

If you’d like to see the finished card, then click here.  We’ll be back tomorrow with another of Andrew’s card pencils.

Mitch Byrd: Quite a Character

I love Mitch Byrd’s art.  Check out the pencil sketch above and you’ll get a taste of why.  Although Mitch doesn’t do a lot of comic work, when he does, it’s always exciting.  This piece comes from Sketch magazine #37 and an article that Mitch wrote about making each character in a scene distinctive.