Category: Art

Frank Miller Week: Day 2

Today we have the art that appeared on post cards sent to artists who submitted samples to Marvel.  You can see what the post card looked like by clicking here.  I always liked Miller’s take on Captain America.   Joe Rubinstein provided the amazing inks on this piece.  Although Miller only did a small amount of work with Cap, he always wrote him like a respected soldier and a natural leader.  The drawings weren’t bad either.  ; )

Tomorrow we’ll take a look at the third and final Marvel Miller post card. [Say that three times fast.]

Frank Miller Week: Day 1

One of my all time favorite comic book creators is Frank Miller. Miller is a writer and an artist. He is the creative genius behind “Sin City”, “The Dark Knight Returns”, “Batman: Year One”, “Ronin”, an amazing run on “Daredevil” and so many other comics.   So as you’ve probably already guessed [especially if you read the title of this post], it’s FRANK MILLER WEEK: DAY 1 @ the ZONE.

The piece we have today appeared on a post card that Marvel sent to fans who had sent in potential scripts.  You can see what the post card looked like by clicking hereJoe Rubinstein provided the beautiful inks on this piece.   Tomorrow we’ll see more rare Frank Miller art when we take a look at the card that Marvel sent to artists submitting work.

Dick Giordano’s Demolition Man

Dick Giordano, the comics legend is back! During his fifty plus years in the biz he’s done everything from ink all the greats (including himself) to serve as Editor-in-Chief of DC Comics, to co-founding his own comic company.

I recently had the good fortune to pick up six model sheet headsketches of Sly that Mr. Giodano did before starting work on DC Comics adaptation of “Demolition Man”. This is the fourth.

Marshall Rogers Week: Day 7

MARSHALL ROGERS WEEK at the ZONE concludes, as it had to, with Marshall’s take on Batman. Over the years there have been a hundreds of artists who’ve worked on the Dark Knight.  Few have had the lasting impact that Marshall Rogers did as a young buck breaking in to the business. While credit must also be given to the stories that Steve Englehart wrote and the inks that Terry Austin provided, no one can argue that Marshall Rogers work on the character was pure joy.

Sadly, Marshall Rogers passed away in 2007. He was only 57 and should have had many more years to amaze us with his talents. But instead of mourning over what could have been, we should celebrate what was. To that end, I hope you’ve enjoyed MARSHALL ROGERS WEEK @ the ZONE.

Marshall Rogers Week: Day 6

Marshall Rogers Week: Day 6 and we have for your viewing pleasure the cover to Mr. Miracle #24. It was the last of a six issue run that Marshall had starting in September 1977 and concluding in June 1978.

I’d been a fan of Jack Kirby’s Mr. Miracle comic when I was a kid and so it was very cool to discover that the series had been re-started with the same numbering and this new artist named Marshall Rogers.  It wouldn’t be long before Marshall would shoot to fame with his groundbreaking work [along with Steve Englehart and Terry Austin] on Batman.

You can probably guess the character that will bring to a close Marshall Rogers Week at the ZONE.  Tune in tomorrow and find out if you’re right!

Marshall Rogers Week: Day 5

Marshall Rogers Week: Day 5.  Today we have the cover to Marshall’s Strange portfolio which featured his orginal characters.  It was published in a limited edition of 1200 copies [I have #220] by Schanes & Schanes in 1979.   The cool thing about the portfolio was that it was all Marshall’s work.  He created the characters, he pencilled, inked and added the wash tones.

Tomorrow we’ll take a look at Marshall Rogers’ take on a classic Jack Kirby character.  It’d be a miracle if you couldn’t figure out which one.

Marshall Rogers Week: Day 4

Marshall Rogers Week: Day 4. Today we have one of my all-time favorite Marshall Rogers pieces. It was published as the front cover of The 1978 Atlanta Comics and Fantasy Fair program book and features Marshall re-design of DC Comics Blackhawk character. Although I’ve never been a Blackhawk fan, I would have loved to see what Marshall could have done with his version of the character.

Tomorrow, we’ll take a look a some characters that Marshall created. Hope you can swing back by!

Marshall Rogers Week: Day 3

It’s Marshall Rogers Week: Day 3 and we have a pinup that Marshall pencilled and inked for Marvel’s Savage Sword of Conan #44 [September 1979].  I’ve always really liked this pin-up.  Marshall didn’t draw Conan as the traditional musclebound brute.  I also liked the all black winged creatures.  It would have been interesting to see Marshall draw a Conan story — the younger Conan when he was a thief.   

Tomorrow we’ll take a look at a redesign on a classic DC character that Marshall did for a con cover.  It is one of my favorite Marshall Rogers pieces ever.

Marshall Rogers Week: Day 2

It’s Marshall Rogers Week: Day 2 and we have a pinup that Marshall penciled and inked. The piece appeared in Rampaging Hulk #2 cover dated April 1977.   Although Bloodstone is a pretty cool looking character, he’s never been a major player in the comics world.

Tomorrow we’ll take a look at a character that has been a major player in the comics world, not to mention novels and movies — well, I guess I did mention it, but you know what I mean — at least you will if you come back tomorrow!

Marshall Rogers Week: Day 1

Marshall Rogers seemed to just burst on the scene with his work [along with Steve Englhart and Terry Austin] on DC’s Detective comic series featuring BatmanMarshall, at about the same time,  did a couple of really well done issues of Mr. Miracle.   From there he went on to do Detectives, Inc., a graphic novel that he pencilled and inked [written by Don McGregor, his co-creator].  Other favorite favorite Marshall Rogers projects included the Demon with a Glass Hand graphic novel [with Harlan Ellison], his run on Doctor Strange for Marvel, his Strange portfolio, his Batman portfolio, and Coyote for Eclipse Comics.

The Batman pinup above appeared in Visions #2 which was a fanzine published in 1980.

Sadly, Marshall Rogers passed away in 2007 at the age of 57.   Luckily for fans, his work lives on.  Join us here tomorrow for Day 2 of Marshall Rogers Week at the ZONE.

Bill Marimon’s Jack Carter

Bill Marimon provides his take on Sly as Jack Carter. I’ve known Bill aka “The Raytrix” for years. He’s humble, funny, and a talented artist. Bill showed up on Saturday at Mini-MegaCon. He wasn’t set up as a guest, but I was able to persuade him to do a couple of Stallone sketches. This is the first. I’ll post the second soon. In the mean time check out Bill’s home on the web. There’s plenty there to hold you over.

John Beatty Week: Day 7

We come to the close of John Beatty Week with Day 7 and a piece that John did for a series he toyed with doing back in the early 80’s.  It was going to be a creator-owned series about a former soldier traveling through an apopalyptic future.  I really loved this piece and John allowed me to print it as the cover of a letter-zine [called ZONE] that I mailed out to friends back in 1985.

Click here to see a bigger version of the piece.

“Last Days of American Crime” Preview

I’ve been a fan of Rick Remender’s work for years.  It seems like I’ve been looking forward to his “Last Days of American Crime” for almost as long.   You can imagine how satisfied I am that it’s finally seeing print.  After looking at this preview, presented by the good folks at CBR.com, you’ll also know how excited I am that Greg Tocchini is on board for the art.  My guess is you’ll be excited as well.

John Beatty Week: Day 6

John Beatty Week: Day 6. Brings us the third and final portfolio piece that John created in 1978. Mike Zeck was a major influence on John’s growth as an artist, and Mike had recently done a really nice Sub-Mariner story, so…

Tomorrow, we’ll finish up John Beatty Week with a piece that John pencilled, inked and toned back in the early 80’s.

John Beatty Week: Day 5

John Beatty Week: Day 5. Today with have the second of three portfolio pieces that John created in 1978.   Gotta love John’s use of zip-a-tone! Again, if you look closely you should be able to spot John’s name and year the piece was done hidden in the rocks.

Tomorrow, for Day Six of John Beatty Week, we’ll have the third and final piece of John’s 1978 portfolio.