Search Results for: dead body road

Dead Body Road: Bad Blood #2 / Z-View

Dead Body Road: Bad Blood #2 is part of a six-issue mini-series published by Image Comics.

Writer: Justin Jordan
Artist: Benjamin Tiesma
Colorist: Matt Lopes
Letterer: Pat Brosseau
Cover Artist: Matteo Scalera and Moreno Dinisio

*** Beware – spoilers may be found below ***

Hunter Hale is on the run from Monk Sinclair, boss of everything underground in their county…at least until Bree Hale declares war on him to defend her brother.

Dead Body Road: Bad Blood 2 picks up where issue one left off.  The chase is on.  Hunter Hale is scared and on the run with Monk Sinclair’s woman. Monk is following leads and growing more enraged with each passing moment.  Bree (Hunter’s sister) doesn’t know what Hunter has gotten himself into, but she knows if she doesn’t reach him first, Hunter won’t live to tell her.

Justin Jordan,  Benjamin Tiesma, Matt Lopes and Pat Brosseau are back with another great issue.  And let’s not forget the cover by Matteo Scalera and Moreno Dinisio.

Dead Body Road: Bad Blood continues with a story that should entertain all crime / action fans.


Rating:

Dead Body Road: Bad Blood #1 / Z-View

Dead Body Road: Bad Blood #1 is part of a six-issue mini-series published by Image Comics.

Writer: Justin Jordan
Artist: Benjamin Tiesma
Colorist: Matt Lopes
Letterer: Pat Brosseau
Cover Artist: Matteo Scalera and Moreno Dinisio

*** Beware – spoilers may be found below ***

Bree Hale has left a lot behind in her life. Crime. The military. But she can’t leave behind her own family, and when the local crime boss puts a hit out on her brother, there’s nothing she won’t do to save him. Absolutely nothing. Skybound’s pulse-pounding action series returns, with writer JUSTIN JORDAN (REAVER, LUTHER STRODE) and artist BENJAMIN TIESMA delivering an explosive tale of revenge like you’ve never seen before!

I am huge fan of Dead Body Road.  If you haven’t read it you shouldDead Body Road: Bad Blood isn’t a sequel (but could be set in the same universe) and is on track to be just as good.

Writer, Justin Jordan, has returned and this time he’s brought with him artist Benjamin Tiesma. Tiesma is an excellent choice.  Jordan and Tiesma are joined by colorist Matt Lopes and letterer Pat Brosseau who create a solid team.

Bree Hale is a woman with a mysterious past that involved both military and criminal experience.  Bree has left that all behind (she hopes) and now runs a bar where the biggest problem is dealing with folks who drink to much.

When a detective comes in asking questions about her brother, she can honestly say she hasn’t seen or heard from him.  The detective isn’t convinced, but what can he do?  At closing time a hardcase Bree’s never seen before comes in looking for her brother.  She tells him the same thing she told the detective.  He leaves but Bree knows it isn’t over. She’s being dragged into whatever mess her brother has made and it could get them both killed.

Dead Body Road: Bad Blood is everything a good crime comic should be.  I cannot wait for issue two.


Rating:

Dead Body Road: Bad Blood is Coming!

Dead Body Road was/is a six issue mini-series published by Image in 2014.  Written by Justin Jordan with art by Matteo Scalera (pencils & inks) and Moreno Dinisio (colors).  I loved the series and would suggest if you’re a fan of crime fiction you seek it out.

I’m also going to suggest that you keep an eye out for Dead Body Road: Bad Blood.  Justin Jordan returns with a new artist, Benjamin Tiesma, and new colorist, Mat Lopes, and letterer Pat Brosseau. Matteo Scalera will return to provide covers for the series along with Moreno Dinisio.  The synopsis sounds great…

Bree Hale has left a lot behind in her life. Crime. The military. But she can’t leave behind her own family, and when the local crime boss puts a hit out on her brother, there’s nothing she won’t do to save him. Absolutely nothing.

Dead Body Road: Bad Blood #1 (Diamond Code MAR200042) will be available at comic book shops on Wednesday, May 20.

Z-View: Dead Body Road #6


Dead Body Road is a six issue mini-series published by Image.

Writer: Justin Jordan

Penciler / Inker: Matteo Scalera

Colorist: Moreno Dinisio

There’s a man digging a hole in the desert. Let’s see just how many bodies will fit. Orson Gage’s bloody revenge saga ends here.

 

Dead Body Road #6  Justin Jordan and Matteo Scalera continue to create a comic that consistently entertains.

The Good

  • Justin Jordan and Matteo Scalera.  And when I say, “good” I mean great.
  • Justin Jordan’s message to the readers at the end of each issue.  Excellent feature!
  • Noir at it’s best.

The Bad:

  • Some people are going to be put off by the violence and profanity.
  • More people are going to be sad because the series ends here.

The Ugly:

  • Realizing “we wanted the wrong things” too late.

Dead Body Road #6  is a comic for mature audiences due to violence and language.  If you’re a fan of crime/revenge stories then this is for you.  

Rating: 5 out of 5

Dead Body Road is available in a Trade Paperback that collects all six issues.

 

Z-View: Dead Body Road #5


Dead Body Road is a six issue mini-series published by Image.

Writer: Justin Jordan

Penciler / Inker: Matteo Scalera

Colorist: Moreno Dinisio

Holed up and under siege, Gage and his accomplices may have run out of road…but not bullets. Or heads to put them through.

 

Dead Body Road #5  Justin Jordan and Matteo Scalera continue to create a comic that consistently entertains.

The Good

  • Justin Jordan and Matteo Scalera.  And when I say, “good” I mean great.
  • Justin Jordan’s message to the readers at the end of each issue.  Excellent feature!

The Bad:

  • Some people are going to be put off by the violence and profanity.
  • When you think you’ve got the drop on someone only to discover – “Surprise” – someone has the drop on you.

The Ugly:

  • Riding your motorcycle into a building with guns blazing only to meet a man with an axe.

Dead Body Road #5  is a comic for mature audiences due to violence and language.  If you’re a fan of crime/revenge stories then this is for you.  

Rating: 5 out of 5

 

Z-View: Dead Body Road #4


Dead Body Road is a six issue mini-series published by Image.

Writer: Justin Jordan

Penciler / Inker: Matteo Scalera

Colorist: Moreno Dinisio

Gage has taken one of his wife’s murderers captive in the back of his van. In pursuit is a fleet of bikers and other murderous ********.  Are you ready for an interrogation at 100 MPH?!

 

Dead Body Road #4  Last month I said “Great writing, great art and a crime/revenge story that moves.”  This was never more true than in this issue!  Justin Jordan and Matteo Scalera continue to be a team to watch.

The Good

  • Justin Jordan and Matteo Scalera continue to impress.  How do you create a comic book issue that consists entirely of a car chase [Ok. A van being chased by a motorcycle gang] without it becoming boring or repetitive?  Read this issue and you’ll know.
  • This is the first comic I want to read each time it comes out.
  • “Is he snoring?”

The Bad:

  • Some people are going to be put off by the violence and profanity.
  • Last month I asked: “Quint.  Is anyone badder?”  This month we learn the answer.

The Ugly:

  • There is a large panel that truly gross but appropriate to the story.

Dead Body Road #4  is a comic for mature audiences due to violence and language.  If you’re a fan of crime/revenge stories then this is for you.  

Rating: 5 out of 5

 

Z-View: Dead Body Road #3


Dead Body Road is a six issue mini-series published by Image.

Writer: Justin Jordan

Penciler / Inker: Matteo Scalera

Colorist: Moreno Dinisio

Will a standoff in a diner lead Gage one dead body closer to his revenge? Or is it just a pit stop on the highway to Hell?

 

Dead Body Road #3  Great writing, great art and a crime/revenge story that moves.  Justin Jordan and Matteo Scalera are a team to watch.

The Good

  • Justin Jordan and Matteo Scalera have created a crime classic — and we’re just halfway into the story.
  • The comic feels real… or at least movie real.  It is full of violence, profane language, and takes us into a world where tough ex-cops seek revenge against thieves, murderers and motorcycle gangs.  I love it.

The Bad:

  • Some people are going to be put off by the violence and profanity.
  • Quint.  Is anyone badder?

The Ugly:

  • Not a single panel.

Dead Body Road #3  is a comic for mature audiences due to violence and language.  If you’re a fan of crime/revenge stories then this is for you.  

Rating: 5 out of 5

 

Dead Body Road #2 / Z-View


Dead Body Road is a six issue mini-series published by Image.

Writer: Justin Jordan

Penciler / Inker: Matteo Scalera

Colorist: Moreno Dinisio

You won’t kill me.

Yet.   Won’t kill you yet.   Can hurt you though.

Dead Body Road #1 set the bar high.  Great writing, great art and a crime/revenge story that hit all the right marks.  If you liked loved Dead Body Road #1 then you’re going to dig Dead Body Road #2.

Gage is on the trail of his wife’s killers.  This points him toward Rachael.  Her husband was part of the gang that robbed the bank and killed Gage’s wife.  Problem is, some of the gang have gotten to Rachael first.  She’s tough, but in over her head.

Gage is outnumbered and outgunned but left with no other option than to save Rachael and avenge his wife.  

Justin Jordan and Matteo Scalera continue to impress as they move the story forward.  These guys are a team to watch.

Dead Body Road #2  is a comic for mature audiences due to violence and language.  If you’re a fan of crime/revenge stories then this is for you.  

Rating: 4 out of 5

Z-View: Dead Body Road #1


Dead Body Road is a six issue mini-series published by Image.

Writer: Justin Jordan

Penciler / Inker: Matteo Scalera

Colorist: Moreno Dinisio

The men involved in his wife’s death must die.   All of them.

Dead Body Road #1 sets the bar high.  Great writing, great art and a crime/revenge story that hits all the right marks without being cliché.

Gage is an ex-cop.  His wife Anna (also a cop) was killed in what looks like a robbery gone bad.  Everybody in the building was murdered and the bad guys got away… just not together.  When the robbery turned into the OK Corral, one of the thieves (the one with the item being stolen) high-tailed it.

Now he has Gage, and the other crooks hot on his trail.  It won’t be good for him no matter who catches him first.  And how bad would it be if the crooks and Gage get to him at the same time?

Justin Jordan has created a crime story that starts with a bang and doesn’t let up.  There’s a lot going on and each scene propels us deeper into something that is much more than your typical ex-cop seeks revenge against those who killed his family tale.  This could have been a simple story of revenge, but Jordan has layered in much more.

Matteo Scalera creates visuals that have the maximum impact for each scene.  Car chases are usually boring — especially in comics.  Scalera pulls off a four page sequence that not only advances the story, but makes you feel the speed and danger of the chase.  His characters have character.

Dead Body Road #1  is a comic for mature audiences due to violence and language.  If you’re a fan of crime/revenge stories then this is for you.  Dead Body Road #1 gets my highest recommendation.

Rating:

Justin Jordan Seeks Revenge in DEAD BODY ROAD

Dead Body Road by Justin Jordan and Matteo Scalera is a six issue mini-series that tells the story of an ex-cop named Gage who is killing those he feels are responsible for his wife’s death.  According to Jordan it’s amodern-day western, crime thriller, with noir sensibilities.

You can see more of the art and read an interview with Justin Jordan over at Newsarama.

Do You Plan to Travel “Dead Body Road”

I’m diggin’ that crime comics are taking off.  Dead Body Road by Justin Jordan and Matteo Scalera premieres in November.

Dead Body Road is a six issue mini-series that tells the story of an ex-cop named Gage who is killing those he feels are responsible for his wife’s death.  According to Jordan it’s a modern-day western, crime thriller, with noir sensibilities.

Can I put in my order now?

Thanks and a quickloader to CBR.com.

[And if you’re looking for a great crime comic to read NOW, you can’t do better than the FREE webcomic Gravedigger by Christopher Mills and Rick Burchett.]

The Package by Elliot Blake & Alexis Ziritt /Z-View

The Package is a graphic novel created by Elliot Blake and Alexis Ziritt published through Kickstarter and available on Comixology.

Writer: Elliot Blake

Artist: Alexis Ziritt

Cover: Alexis Ziritt

 

Hitman Fred Cutler is sent to Mexico by his boss to retrieve a package. The package never arrives, but hired killers do. When Fred comes to, he discovers a bomb has been sewn into his chest. And if he wants to live, he’s going to have to kill his boss, L.A.’s most notorious gangster, Rafi Vega.

The Good

  • I love the cover by Alexis Ziritt.
  • Elliot Blake has created an excellent revenge story with a couple of unexpected twists.
  • The pinups by Emma Rios, Andrew Maclean, Robert Wilson IV and Eric Bonhomme.
  • The running gun battle when hitmen show up in Mexico.
  • I could easily see this very cool graphic novel turned into a very cool movie.
  • The price.

The Bad:

  • When you don’t know enough to get quiet around Rafi.
  • What happens when you keep “testing” Charlie.
  • Waking up a few days after being shot to find a bomb has been placed into your chest.
  • Nearly everyone — definitely all the major players in this tale.
  • It’s too bad some people may be put off by the roughness of the Ziritt’s art.  For me, it works — gritty art to compliment a gritty crime story.

The Ugly:

  • When Fred finds out what the package is.

The Package  is a comic for mature audiences due to profanity and violence.  If you’re a fan of Sin City; Dead Body Road, Criminal and Tarantino’s Reservoir Dogs, then you’ll dig The Package.  

RIP: Quincy Jones

Quincy Jones died yesterday at the age of 91.  No cause of death was given.

Quincy Jones loved music from an early age.  In high school Mr. Jones played trumpet and arranged music.  After high school Quincy Jones received a scholarship to Seattle University.  He left after one semester with a scholarship to attend Boston’s Berklee’s College of Music.  Mr. Jones left college to tour with Lionel Hampton’s band as a pianist and trumpeter.  It was on this tour that Quincy Jones began to get a reputation for his musical arrangements.

After the tour, Mr. Jones worked creating musical arrangements for stars such as Duke Ellington, Count Basie, Gene Kupra and Sarah Vaughn.  Quincy Jones continued to take freelance arrangement jobs and he toured with several bands.  He then took a job as musical director of Mercury Records New York division.  

In 1961, two things happened:  He became the Vice President of Mercury Records and was hired to compose the music for The Pawnbroker.  Quincy Jones became so in demand to produce music for movies that he left Mercury Records.  For the remainder of his career Quincy Jones wrote, performed, arranged and produced music for films, television, records and live performances. 

Some of Quincy Jones composer credits include: The Pawnbroker; Mirage; The Slender Thread; Bob Hope Presents the Chrysler Theatre; Walk Don’t Run; The Deadly Affair; Enter Laughing; Ironside (movie); Hey Landlord (7 episodes); In the Heat of the Night; In Cold Blood;  Ironside (12 episodes); The Split; McKenna’s Gold; The Italian Job; Bob & Carol & Ted & Alice; John and Mary; Catus Flower; The Out of Towners; They Call Me Mister Tibbs!; The Bill Cosby Show (52 episodes); The Anderson Tapes; The Hot Rock; The New Centurians; The Getaway; Roots (2 episodes) and The Color Purple.

Quincy Jones was nominated for 9 Academy Awards and won 2:

  • 1968 Nominee: Best Music, Original Song – “The Eyes of Love” from Banning shared with Bob Russell
  • 1968 Nominee: Best Music, Original Music ScoreIn Cold Blood
  • 1969 Nominee: Best Music, Original Song“For Love of Ivy” from For Love of Ivy shared with Bob Russell
  • 1979 Nominee: Best Music, Original Song Score and Its Adaptation or Best Adaptation Score for The Wiz
  • 1986 Nominee: Best Music, Original Score for The Color Purple shared with: Jeremy Lubbock · Rod Temperton · Caiphus Semenya · Andraé Crouch · Chris Boardman · Jorge Calandrelli · Joel Rosenbaum · Fred Steiner · Jack Hayes · Jerry Hey · Randy Kerber
  • 1986 Nominee: Best Music, Original Song from The Color Purple for “Miss Celie’s Blues (Sister)” shared with: Rod Temperton · Lionel Richie
  • 1986 Nominee: Best Picture for The Color Purple shared with: Steven Spielberg · Kathleen Kennedy · Frank Marshall
  • 1995 Winner for the Jean Hersholt Humanitarian Award
  • 2025 Winner Honorary Award

Quincy Jones was nominated for 4 Primetime Emmy Awards and won 1:

  • 1970 Nominee: Outstanding Achievement in Music Composition – For a Series or a Single Program of a Series (In Its First Year Only)The Bill Cosby Show
  • 1977 Winner: Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for Roots Part I shared with Gerald Fried
  • 1995 Nominee: Outstanding Informational Series for Punk shared with: Jeffrey Peisch · Andrew Solt · Robert B. Meyrowitz · David Salzman · Ted Haimes · Greg Vines · Marc Sachnoff · David Axlerod
  • 1996 Nominee: Outstanding Variety, Music or Comedy Special for The 68th Annual Academy Awards shared with: David Salzman

Quincy Jones was nominated for 80 Grammys and won 28.  

  • 1961 Nominee: Best Arrangement for “Let The Good Times Roll”
  • 1961 Nominee: Best Jazz Performance Large Group for “The Great Wide World Of Quincy Jones”
  • 1962 Nominee: Best Performance by an Orchestra For Dancing for “I Dig Dancers”
  • 1963 Nominee: Best Original Jazz Composition for “Quintessence”
  • 1963 Nominee: Best Performance by an Orchestra – For Dancing for “Big Band Bossa Nova” shared with Stan Getz · Gary McFarland
  • 1963 Nominee: Best Instrumental Arrangement for “Quintessence”
  • 1964 Nominee:  Best Instrumental Jazz Performance – Large Group for “Quincy Jones Plays The Hip Hits”
  • 1964 Nominee: Best Performance by an Orchestra- For Dancing for “Quincy Jones Plays The Hip Hits”
  • 1965 Nominee: Best Instrumental Jazz Performance – Large Group or Soloist with Large Group for “Quincy Jones Explores The Music Of Henry Mancini”
  • 1965 Nominee: Best Original Jazz Composition for “The Witching Hour”
  • 1965 Nominee: Best Instrumental Performance – Non-Jazz for “Golden Boy (String Version)”
  • 1965 Nominee: Best Instrumental Arrangement for “Golden Boy (String Version) (Single)”
  • 1968 Nominee: Best Original Score Written for a Motion Picture or Television Show for In the Heat of the Night
  • 1970 Nominee: Best Instrumental Arrangement for “Walking In Space”
  • 1970 Nominee: Best Instrumental Theme for “Mackenna’s Gold (Main Title) (Album)”
  • 1970 Nominee: Best Original Score Written for a Motion Picture or a Television Special for Mackenna’s Gold
  • 1970 Nominee: Best Original Score Written for a Motion Picture or a Television Special for The Lost Man
  • 1971 Nominee: Best Instrumental Arrangement for “Gula Matari (Single)”
  • 1971 Nominee: Best Contemporary Instrumental Performance for “Soul Flower”
  • 1971 Nominee: Best Instrumental Composition for “Gula Matari”
  • 1971 Nominee: Best Jazz Performance, Large Group or Soloist with Large Group for “Gula Matari”
  • 1973 Nominee: Best Pop Instrumental Performance by an Arranger, Composer, Orchestra and/or Choral Leader for “Money Runner”
  • 1973 Nominee: Best Instrumental Arrangement for “Money Runner”
  • 1973 Nominee: Best Original Score Written for a Motion Picture or a Television Special for $
  • 1974 Nominee: Best Pop Instrumental Performance for “You’ve Got It Bad Girl (Instrumental Portions) (Album)”
  • 1975 Nominee: Best Pop Vocal Performance by a Duo, Group or Chorus for “Body Heat (Album)”
  • 1975 Nominee: Best Pop Instrumental Performance for “Along Came Betty (Track)”
  • 1977 Nominee: Best Instrumental Composition for “Midnight Soul Patrol” shared with: Johnny Mandel · Louis Johnson
  • 1978 Nominee: Best Arrangement for Voices for “Oh Lord, Come By Here” shared with: James Cleveland
  • 1978 Nominee: Best Inspirational Performance for “Oh Lord, Come By Here” shared with: James Cleveland
  • 1978 Nominee: Best Instrumental Composition for “Roots Medley (Motherland, Roots Mural Theme)”
  • 1979 Nominee: Best Instrumental Composition for “End Of The Yellow Brick Road”
  • 1979 Nominee: Best Arrangement for Voices for “Stuff Like That”
  • 1979 Nominee: Producer of the Year
  • 1980 Nominee: Best Disco Recording for “Don’t Stop ‘Til You Get Enough (Single)”
  • 1980 Nominee: Producer of the Year
  • 1982 Nominee: Album of the Year for “The Dude (Album)”
  • 1982 Nominee: Best Pop Instrumental Performance for “Velas (Track)”
  • 1983 Nominee: Producer of the Year
  • 1984 Nominee: Producer of the Year, Non-Classical
  • 1984 Nominee: Best R&B Instrumental Performance for “Billie Jean (Instrumental Version)” shared with: Jerry Hey
  • 1984 Nominee: Best Rhythm & Blues Song for “P.Y.T. (Pretty Young Thing) (Single)” shared with James Ingram
  • 1985 Nominee: Best Rhythm & Blues Song for “Yah Mo B There” shared with James Ingram · Michael McDonald · Rod Temperton
  • 1986 Nominee: Best Recording for Children for “We Are the World” shared with: George Duke
  • 1988 Nominee: Album of the Year for “Bad” shared with: Michael Jackson
  • 1988 Nominee: Producer of the Year, Non-Classical
  • 1989 Nominee: Record of the Year for “Man In The Mirror” shared with: Michael Jackson
  • 1990 Nominee: Producer of the Year, Non-Classical
  • 1990 Nominee: Producer of the Year
  • 1991 Nominee: Best Pop Instrumental Performance for “Setembro (Brazilian Wedding Song)”
  • 1994 Nominee: Best Music Video, Long Form for “Miles And Quincy Live At Montreux” shared with Rudi Dolezal · Hannes Rossacher · Miles Davis Quintet · Jim Beach · Gavin Taylor
  • 1997 Nominee: Best Instrumental Arrangement with Accompanying Vocal(s) for “Do Nothin’ Till You Hear From Me (Track)”
  • 2002 Nominee: Best Instrumental Arrangement for “Soul Bossa Nova”
  • 2002 Winner: Best Spoken Word Album for “Q – The Autobiography Of Quincy Jones” shared with: Elisa Shokoff · Steve Strassman
  • 1964 Winner: Best Instrumental Arrangement for “I Can’t Stop Loving You” artist: Count Basie
  • 1970 Winner: Best Instrumental Jazz Performance, Large Group or Soloist with Large Group for “Walking In Space”
  • 1972 Winner: Best Pop Instrumental Performance for “Smackwater Jack”
  • 1974 Winner: Best Instrumental Arrangement for “Summer In The City”
  • 1979 Winner: Best Instrumental Arrangement for “The Wiz Main Title – Overture Part One” shared with: Robert Freedman
  • 1981 Winner: Best Instrumental Arrangement for “Dinorah, Dinorah” artist: George Benson shared with: Jerry Hey
  • 1982 Winner: Producer of the Year
  • 1982 Winner: Best Cast Show Album for “Lena Horne – The Lady And Her Music, Live On Broadway” artist: Lena Horne
  • 1982 Winner: Best Arrangement on an Instrumental Recording for “Velas” artist: Quincy Jones shared with Johnny Mandel
  • 1982 Winner: Best Instrumental Arrangement Accompanying Vocal(s) for “Ai No Corrida” artist: Quincy Jones shared with: Jerry Hey
  • 1982 Winner: Best R&B Performance by a Duo or Group with Vocal for “The Dude”
  • 1984 Winner: Album of the Year for “Thriller” shared with Michael Jackson
  • 1984 Winner: Record of the Year for “Beat It” shared with Michael Jackson
  • 1984 Winner: Best Recording for ChildrenE.T. the Extra-Terrestrial for the “E.T. the Extra-Terrestrial album” shared with Michael Jackson
  • 1985 Winner: Best Arrangement on an Instrumental for “Grace (Gymnastics Theme)” artist: Quincy Jones shared with: Jeremy Lubbock
  • 1986 Winner: Record of the Year for “We Are the World” (various artists)
  • 1986 Winner: Best Pop Performance by a Duo or Group with Vocals for the album “We Are the World” (The artist USA for Africa did not receive a Grammy Award for this win)
  • 1986 Winner: Best Music Video, Short FormWe Are the World for the music video “We Are The World – The Video Event.” (The artist USA for Africa did not receive a Grammy Award for this win.) shared with: Tom Trbovich
  • 1989 Winner: Trustees Award
  • 1991 Winner: Best Arrangement on an Instrumental for “Birdland” artist Quincy Jones shared with: Rod Temperton · Ian Prince · Jerry Hey
  • 1991 Winner: Best Instrumental Arrangement Accompanying Vocal(s) for “The Places You Find Love” artists: Siedah Garrett and Chaka Khan shared with: Clif Magness · Jerry Hey · Glen Ballard
  • 1991 Winner: Producer of the Year, Non-Classical
  • 1991 Winner: Best Rap Performance by a Duo or Group for “Back On The Block” shared with Ice-T · Kool Moe Dee · Big Daddy Kane · Melle Mel · Quincy Jones III
  • 1991 Winner: Best Jazz Fusion Performance for “Birdland”
  • 1991 Winner: Album of the Year for “Back On The Block”
  • 1992 Winner: Legend Award
  • 1994 Winner: Best Large Jazz Ensemble Performance for “Miles And Quincy Live At Montreux” shared with Miles Davis · Miles Davis Quintet
  • 2019 Winner: Best Music Film – for Quincy shared with: Alan Hicks · Rashida Jones · Paula DuPré Pesmen

Quincy Jones’ music has been a part of my life for almost as long as I’ve been alive. The music he created improved each television or movie project he was part of.  His collaborations with Michael Jackson are classic.  His leadership in getting We Are the World made for charity has yet to be matched.  Quincy Jones was a musical genius and his efforts made life a bit better.

Our thoughts and prayers go out to Quincy Jones’ family friends and fans.

RIP: Bill Cobbs

Bill Cobbs died Tuesday, June 25, 2024.  Mr. Cobbs was 90.

After high school, Bill Cobbs served eight years in the Air Force.  Upon his discharge, he returned to his hometown of Cleveland.  There Mr. Cobbs took jobs as a salesman.  He also began acting at the African American Performing Arts Center and Karamu House Theatre in Cleveland.  He had found his calling.

At the age of 36, Bill Cobbs moved to New York to pursue a career in acting.  Mr. Cobbs first acting roles were in street theater, small theater productions and ultimately the Eugene O’Neill Theatre on Broadway.  Bill Cobbs first feature film appearance was in The Taking of Pelham One Two Three.  For the remainder of his career, Mr. Cobbs took roles on television and feature films.

Television appearances of Bill Cobbs include: First Ladies Diary: Rachel Jackson; Good Times; Baby, I’m Back; The Member of the Wedding; Rage of Angels; The Equalizer; One Life to Live; Sesame Street (2 episodes); Kate & Allie (2 episodes); Spenser for Hire; L.A. Law; The Slap Maxwell Story (20 episodes); Homeroom (13 episodes); Designing Women; Married People; Decoration Day; True Colors; Carolina Skeletons; I’ll Fly Away (13 episodes); Coach; I’ll Fly Away: Then and Now; Empty Nest; Northern Exposure; Kingfish: A Story of Huey P. Long; The Watcher; Divas; ER; Walker, Texas Ranger; The Wayans Bros; Always Outnumbered; The Wild Thornberrys; For Your Love (2 episodes); The Gregory Hines Show (21 episodes); The Outer Limits (2 episodes); The Sopranos; The Practice; The Others (13 episodes); For All Time; The Michael Richards Show (9 episodes); The Fighting Fitzgeralds; Touched By An Angel; Rugrats; Six Feet Under; Philly; The West Wing; My Wife and Kids (2 episodes); N.Y.P.D. Blue (2 episodes); 10-8: Officers On Duty; JAG (4 episodes); Soul Food; The Drew Carey Show (9 episodes); Star Trek: Enterprise; Yes, Dear (2 episodes); October Road; Army Wives; One Tree Hill; C.S.I.: Crime Scene Investigation; The Glades; Criminal Minds: Suspect Behavior; Harry’s Law; Go On (10 episodes); Back in the Game; Rake (4 episodes); Hand of God (2 episodes); Greenleaf (4 episodes); Dino Dana (6 episodes); Agents of S.H.I.E.L.D. and Incandescent Love.

Feature film appearances of Bill Cobbs include: The Taking of Pelham One Two Three; Greased Lightning; A Hero Ain’t Nothin’ But a Sandwich; The Hitter; Trading Places; Silkwood; The Brother From Another Planet; The Cotton Club; The Color of Money; Streets of Gold; Suspect; Dominic & Eugene; Bird; The January Man; New Jack City; The Hard Way; The People Under the Stairs; The Bodyguard; Demolition Man; Fatal Instinct; The Hudsucker Proxy; Things to Do in Denver When You’re Dead; Fluke; That Thing That You Do; Ghosts of Mississippi; Air Bud; Hope Floats; I Still Know What You Did Last Summer; Random Hearts; Sunshine State; Enough; A Mighty Wind; Special Ed; Night at the Museum; The Muppets; Oz the Great and Powerful; Of Mind and Music and Night at the Museum: Secret of the Tomb.

Bill Cobbs had a career where many folks might not have known his name, but knew when he appeared onscreen, the show just got better.  I don’t remember when I first saw Mr. Cobbs act.  It may have been in that episode of Good Times.  I do know that when I think of Bill Cobbs, the first thing that comes to mind is his performance in Demolition Man. Looking at Bill Cobbs’ partial resume above, it becomes clear how talented he was.  If there was a Hall of Fame for character actors, Bill Cobb would be a shoe-in.

Out thoughts and prayers go out to Bill Cobb’s family, friends and fans.