{"id":2571,"date":"2008-09-15T10:30:00","date_gmt":"2008-09-15T14:30:00","guid":{"rendered":"http:\/\/craigzablo.com\/?p=2571"},"modified":"2008-09-15T10:30:00","modified_gmt":"2008-09-15T14:30:00","slug":"hitchcocks-10-best-3","status":"publish","type":"post","link":"https:\/\/craigzablo.com\/?p=2571","title":{"rendered":"Hitchcock&#8217;s 10 Best"},"content":{"rendered":"<div style=\"text-align: justify;\"><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"http:\/\/2.bp.blogspot.com\/_aatuWUTj6ic\/SM2WIve877I\/AAAAAAAACFs\/jkcKa8deFBE\/s1600-h\/z091508hitchcock.jpg\"><img decoding=\"async\" style=\"margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;\" src=\"http:\/\/2.bp.blogspot.com\/_aatuWUTj6ic\/SM2WIve877I\/AAAAAAAACFs\/jkcKa8deFBE\/s400\/z091508hitchcock.jpg\" alt=\"\" id=\"BLOGGER_PHOTO_ID_5246014217885904818\" border=\"0\" \/><\/a><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><a style=\"color: rgb(204, 0, 0);\" href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/film\/article4668188.ece\"><span style=\"font-weight: bold;\">TimesOnLine recently posted their choices<\/span><\/a> for the <span style=\"font-weight: bold;\">Hitchcock&#8217;s 50 Most Memorable Moments<\/span>.  Using just their selections, I provide for your perusal, my <span style=\"font-weight: bold;\">Top Ten Hitchcock Moments:<\/span><\/span><\/span><\/p>\n<div style=\"text-align: justify;\">\n<ol>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">North by Northwest<\/span> (1959) <span style=\"font-weight: bold;\">The crop-dusting scene<\/span>:  This is perhaps <span style=\"font-weight: bold;\">Hitchcock\u2019s most famous scene<\/span>: <span style=\"font-weight: bold;\">Cary Grant<\/span> on the run from killers, finds himself alone in the middle of nowhere.  A crop duster appears on the horizon.   As it flies closer, we know even before the machine gun fire, that <span style=\"font-weight: bold;\">Grant<\/span> has been found!\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">Psycho<\/span> (1960) <span style=\"font-weight: bold;\">The shower scene:<\/span>  If the crop dusting scene isn\u2019t <span style=\"font-weight: bold;\">Hitchcock\u2019s most famous<\/span>, then this has to be.  We still believe that <span style=\"font-weight: bold;\">Janet Leigh<\/span>, the star of the movie, is going to come out okay.  Once she takes a shower things will start looking up.  Unfortunately they don\u2019t, and she should have.  Through the shower curtain we can see the murderer quietly sneaking over.  Suddenly the shower curtain is thrown back, <span style=\"font-weight: bold;\">Bernard Herrmann\u2019s score<\/span> blasts and anyone who has ever seen the scene knows that taking a shower will never be the same.\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">The Birds<\/span> (1963) <span style=\"font-weight: bold;\">Climbing frame:<\/span>   When <span style=\"font-weight: bold;\">Tippi Hedren<\/span>  sits on bench and lights up a cigarette we see a single crow on the monkey bars behind her.  As she begins to smoke a few more land.  She\u2019s oblivious to them and what they represent.  Finally she takes notice of a bird that flies into frame and to the monkey bars.  She [and the audience] see for the first time that dozens, perhaps hundreds of birds now cover the playground equipment.\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">The Birds<\/span> (1963)  <span style=\"font-weight: bold;\">The \u201cGod\u201d shot<\/span>:   This film is filled with so many memorable moments, and who can forget this classic scene?  <span style=\"font-weight: bold;\">Hitchcock<\/span> literally gives us a <span style=\"font-weight: bold;\">bird\u2019s eye view<\/span> of the carnage below\u2026 birds attacking, as the gas station explodes and the town goes up in flames\u2026 and as the camera looks in all directions all we can see are more birds!\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">Psycho<\/span> (1960) <span style=\"font-weight: bold;\">The discovery of \u201cMother\u201d in the basement<\/span>:   Theater owners wouldn\u2019t let people come in during the last minutes of the movie so as not to ruin the shocking surprise as we discover for the first time, the secret of \u201cmother.\u201d\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">North by Northwest<\/span> (1959) <span style=\"font-weight: bold;\">The amazing denoument<\/span>:   <span style=\"font-weight: bold;\">Cary Grant<\/span> and <span style=\"font-weight: bold;\">Eva Marie Saint<\/span> have been chased across the country and find themselves trapped on, of all places,  the presidents\u2019 heads on <span style=\"font-weight: bold;\">Mount Rushmore<\/span>. She is barely hanging on as <span style=\"font-weight: bold;\">Grant<\/span> stretches to pull her up and suddenly\u2026a happy ending.   Like in <span style=\"font-weight: bold;\">Vertigo<\/span> where we don\u2019t see how <span style=\"font-weight: bold;\">Jimmy Stewart<\/span> manages to get back to safety, it just doesn\u2019t matter.\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">Saboteur<\/span> (1942) <span style=\"font-weight: bold;\">The Statue of Liberty dangle<\/span>: <span style=\"font-weight: bold;\">Bob Cummings<\/span> finally confronts the foreign agent at the top of the <span style=\"font-weight: bold;\">Statue of Liberty<\/span>.   During the struggle, the agent goes over the side, barley saved by <span style=\"font-weight: bold;\">Cummings\u2019 grip<\/span> on his sleeve. As <span style=\"font-weight: bold;\">Cummings<\/span>  struggles to bring him up the sleeve begins to slowly rip\u2026 one stitch at a time. Then comes the fall that seems to last almost as long!\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">Lifeboat<\/span> (1944) <span style=\"font-weight: bold;\">Starring Alfred Hitchcock: <\/span> <span style=\"font-style: italic;\"> Alfred Hitchcock<\/span> was the first director that I knew by name.  I used to love looking for his cameos in movies and this was perhaps his most clever.  He appears in a newspaper diet ad.\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">Psycho<\/span> (1960) <span style=\"font-weight: bold;\">Marion Crane\u2019s car journey to the Bates motel: <\/span>  Poor <span style=\"font-weight: bold;\">Janet Leigh<\/span> has gotten in way over her head, but she\u2019s the heroine of the story so despite the bad weather and the worries so clearly seen from her expressions, we know everything will turn out okay in the end.\n<p><\/span><\/span><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><\/span><\/span><\/li>\n<li><span style=\"font-size:100%;\"><span style=\"font-family: arial;\"><span style=\"font-weight: bold;\">Rear Window<\/span> (1954) <span style=\"font-weight: bold;\">Lisa is caught in Thorwarld\u2019s apartment<\/span>:   <span style=\"font-weight: bold;\">Grace Kelly<\/span> plays <span style=\"font-weight: bold;\">Lisa, Jimmy Stewart\u2019s girlfriend<\/span>.  <span style=\"font-weight: bold;\">Stewart<\/span> is convinced that the neighbor across the courtyard has killed his wife.  <span style=\"font-weight: bold;\">Lisa<\/span> goes in to the neighbor\u2019s apartment to search for evidence as <span style=\"font-weight: bold;\">Stewart<\/span> watches from his window, immobilized with two broken legs.  He [and we] are shocked when the murderer suddenly returns to find <span style=\"font-weight: bold;\">Lisa<\/span> in his apartment!\n<p><\/span><\/span><\/li>\n<\/ol>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>TimesOnLine recently posted their choices for the Hitchcock&#8217;s 50 Most Memorable Moments. Using just their selections, I provide for your<\/p>\n","protected":false},"author":912,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[54],"tags":[],"class_list":["post-2571","post","type-post","status-publish","format-standard","hentry","category-movies","comments-off"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/craigzablo.com\/index.php?rest_route=\/wp\/v2\/posts\/2571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/craigzablo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/craigzablo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/craigzablo.com\/index.php?rest_route=\/wp\/v2\/users\/912"}],"replies":[{"embeddable":true,"href":"https:\/\/craigzablo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2571"}],"version-history":[{"count":0,"href":"https:\/\/craigzablo.com\/index.php?rest_route=\/wp\/v2\/posts\/2571\/revisions"}],"wp:attachment":[{"href":"https:\/\/craigzablo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/craigzablo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/craigzablo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}