Category: Celebs

‘Thief’: How Michael Mann’s Cinema Debut Stole the World’s Attention

Thief: How Michael Mann’s Cinema Debut Stole the World’s Attention.  That’s right, amigos, Michael Mann’s Thief gets the Cinephilia & Beyond treatment.

Click on the link and you’ll find…

  • Mann’s final draft script for Thief
  • Thief the first heist video
  • James Caan on Thief
  • Omar Ahmed’s video essay on Michael Mann’s Thief
  • Michael Mann on Filmmaking (video)
  • An Evening with Michael Mann (video)
  • Many Behind-the-Scenes Photos
  • and more!

In Praise of Burt Reynolds: The Last Good Ol’ Boy Movie Star

 created an excellent profile of Burt Reynolds for Rolling Stone.  In Praise of Burt Reynolds: The Last Good Ol’ Boy Movie Star is well worth a read.  Here’s a few tidbits…

…even at the height of his fame, Reynolds was never really taken seriously as an actor. Part of the problem, perhaps, was that he was so damned good-looking…

Nobody had more onscreen or offscreen swagger in his stride or a more knowing twinkle in his eye. He was Cary Grant crossed with Tom Jones – funny, sharp, self-aware and surprisingly unpretentious…

And maybe his natural inclination towards fun was part of the problem. Even in his prime, well before all the Cannonball Runs and Stroker Aces and Rent-a-Cops began piling up like a trash strike, he paid scant attention to “building his brand” as a serious actor. The man preferred instead to do whatever happened to strike his fancy at the time…

Now, thanks to Rifkin, Reynolds is back with what’s arguably his best performance since Boogie Nights…

Source: Al Bundy’s Socks.

 

Miller & Wheeler’s “Cursed” Picked Up by Netflix!

 

About a week ago it was announced that Frank Miller will provide the art and team with writer Thomas Wheeler for Cursed, a young adult novel that…

…tells the story of King Arthur from the point of view of Nimue, the 16-year-old girl who first wielded Excalibur and ultimately became the Lady of the Lake.

Although the book won’t be out until 2019, Netflix has decided to pick it up as a series!  For full details check out Netflix Orders TV Series ‘Cursed’ From Frank Miller & Tom Wheeler Based On Book Reimagining King Arthur Legend at Deadline.com.

Stanley Kubrick’s ‘The Shining’ Got the Cinephilia and Beyond Treatment!

Stanley Kubric / The Shining / Horror fans are going to love it that Stanley Kubrick’s ‘The Shining’ Got the Cinephilia and Beyond Treatment!

Click on the link and you’ll find…

  • Kubrick’s Original Treatment for The Shinning
  • A rare interview with Kubrick
  • Rare Behind the Scenes Footage
  • Another rare Kubrick Interview
  • The Visions of Stanley Kubrick Video
  • View from The Overlook Video
  • Kubrick Talks About The Shining Video Interview
  • and much more!

11 Dizzying Facts About “Vertigo”

Tara Aquino and Mental Floss present 11 Dizzying Facts About Vertigo.  Here are three of my favorites…

1. ALFRED HITCHCOCK BLAMED JIMMY STEWART FOR VERTIGO’S FAILURE.
Marred by mixed reviews, the $2.5 million Vertigo did comparatively less than Hitchcock’s previous movies, and was widely recognized as a failure. Frustrated with its reception, Hitchcock partly blamed star Jimmy Stewart’s aging appearance. At the time of filming, Stewart—who had starred in Hitchcock’s three previous films—was 50 years old which, according to the director, was too old to convincingly play then-25-year-old Kim Novak’s love interest.

5. AN UNCREDITED CAMERAMAN CAME UP WITH THE FAMOUS “VERTIGO EFFECT.”
According to associate producer Herbert Coleman, it wasn’t Hitchcock who came up with the film’s famous camera technique (which essentially involves zooming forward while pulling the camera backward); rather, it was an uncredited second unit cameraman, Irwin Roberts. “He didn’t get screen credit on Vertigo because they gave the screen credit to another close friend of ours [Wallace Kelley] who did all the process work on the stage,” Coleman said.

9. ALFRED HITCHCOCK CHANGED THE SETTING FROM PARIS TO SAN FRANCISCO.
The French source novel, D’entre les Morts, was set in Paris, but Hitchcock believed that San Francisco was more interesting. As noted by Auiler, with the city’s vertiginous streets and hilly landscape, the location perfectly matched the film’s themes. In a city where there were such extreme physical highs and lows, awful for anyone with acrophobia, Scottie’s vertigo became a character in and of itself.