Category: Music

RIP: James Foley

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It was announced today that James Foley died earlier this week after a long battle with brain cancer.  Mr. Foley was 71.

James Foley graduated from the State University of New York at Buffalo.  Mr. Foley then earned a Masters of Fine Arts degree in film study and production from USC (the University of Southern California).  It was there Hal Ashby saw one of James Foley’s student films and asked him to submit something to Ashby’s production company.  Unfortunately the production company folded before anything came of the offer.  Still, word was out about James Foley, a young director to keep an eye on.

Because of the buzz created by Hal Ashby, James Foley secured his first feature film, Reckless starring Aidan Quinn and Daryl Hannah.  James Foley would continue to direct feature films, television projects and music videos for the rest of his career.

Some of James Foley’s television and video projects include: Madonna: Dress You Up (Opening Sequence); Madonna Live: The Virgin Tour (Opening Sequence); Madonna: Live to Tell; Madonna: Papa Don’t Preach; Madonna: True Blue; Madonna: Who’s That Girl;  Madonna: The Look of Love; Deep Purple: King of Dreams; Twin Peaks; Gun; Hannibal; Red Zone; House of Cards (12 episodes); Wayward Pines; Billions (2 episodes); Fifty Shades Darker and Fifty Shades Free.

Some of the feature films directed by James Foley include: Reckless; At Close Range; Who’s That Girl; After Dark, My Sweet; Glen Garry Glen Ross; Fear; The Chamber; The Corrupter and Confidence.

My favorite James Foley film is Glen Garry Glen Ross.  Foley’s direction made a film that lacked physical action, fights or gun battles and instead focused on dialogue exciting and tension filled.

Out thoughts and prayers go out to James Foley’s family, friends and fans.

“Sly Lives” (2025) / Z-View

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Sly Lives (2025)

Director:  Questlove

Stars: Sly Stone, Greg Errico, Larry Graham, Jerry Martini, Vernon Reid, D’Angelo, Cynthia Robinson, Clive Davis, Jimmy Jam, Nile Rodgers, Terry Lewis, André 3000, George Clinton  and Chaka Khan.

Tagline: Baited…by a million dollars – and all they had to do was REACH!

The Plot…

Follows the rise and fall of Sly Stone.

Thoughts (beware of spoilers)…

At the age of 19, Sly Stone (whose real name was Sylvester Stewart) was a popular LA disc jokey and record producer.  He started the group Sly and the Family Stone.  At the time they were unique because of the group’s make-up (men and women, multiple races).  Sly wrote and produced many of their songs.

Some of Sly and the Family Stone hits include: Dance to the Music, Everyday People, Stand!, I Want to Take You Higher, Hot Fun in the Summertime, Thank You (Falettinme Be Mice Elf Agin) and Everybody Is a Star.

The band’s popularity was on the rise, they were selling out concerts with multiple hit records and then Sly became addicted to drugs.  This led to him being late or even missing show dates.  His output dwindled along with the band’s popularity.  Multiple drug arrests, the breakup of the band and continued drug dependency…

Yet, Sly Stone’s music stood the test of time.  Sly and the Family Stone influenced many other bands of the era.  A younger generation of song writers discovered and sampled his music.  It took years but Sly Stone finally got his life together.

Sly Lives! is an excellent documentary that presents the life and career of Sly Stone… warts and all.

Sly Lives (2025) rates 5 of 5 stars

“Panama Hattie” (1942) starring Red Skelton, Ann Southern and Rags Ragland / Z-View

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Panama Hattie (1942)

Director:  Norman Z. McLeod, Roy Del Ruth, Vincente Minnelli

Screenplay: Jack McGowan, Wilkie C. Mahoney (as Wilkie Mahoney), Herbert Fields, Mary C. McCall Jr. (uncredited), Lillie Messginer (uncredited), Vincent Minelli (uncredited), Joseph Schrank (uncredited), based on the 1940 American musical with music and lyrics by Cole Porter and book by Herbert Fields and B. G. DeSylva.

Stars: Red Skelton, Ann Sothern, Rags Ragland, Ben Blue, Marsha Hunt, Virginia O’Brien, Alan Mowbray, Dan Dailey, The Berry Brothers and Lena Horne.

Tagline: Swing as Ann Sings – Laugh as Red Clowns – Thrill to the Navy Stirring Battle-cry

The Plot…

Panama Hattie is Hattie Maloney, a nightclub owner/singer in the Panama Canal Zone.  Hattie has three Navy buddies, Red, Rags and Rowdy.  They want Hattie to perform at big party they are organizing.  Hattie is also getting ready to meet her fiancé’s young daughter for the first time.  Kitty-Belle, an Admiral’s daughter also wants to marry Hattie’s fiancé.  Oh, and Red, Rags and Rowdy think that they’ve discovered some Nazi spies.

Thoughts (beware of spoilers)…

Panama Hattie is all over the place.  But considering the movie was based on a play, brought to the screen with eight writers and three directors, it isn’t surprising.  There’s a little something for everyone if you’re looking for music, comedy and dancing.

I like Red Skelton and the under-rated Rags Ragland.  My favorite parts of the movie involve them.  As to the musical aspects, Virginia O’Brien has the best songs (especially about her getting drunk at the Savoy!), and The Berry Brothers the best dance.  Oh, and Lena Horne made her MGM film debut in this film.  Ms. Horne sings in a nightclub.  Her scene was easily cut (without effecting the plot) when the film was shown in the South.

This film was made during World War II and the entire cast joins to sing the final song about the US joining the fight.  The movie ends and immediately a card for War Bonds appears.

Panama Hattie (1942) rates 3 of 5 stars

“The Devil and the Daylong Brothers” (2025) starring Brendan Bradley, Nican Robinson & Jordon Bolden / Z-View

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The Devil and the Daylong Brothers (2025)

Director: Brandon McCormick

Screenplay:  Nicholas Kirk, Brandon McCormick

Stars: Brendan Bradley, Nican Robinson, Jordon Bolden, Mark Ashworth, Brad Carter, Adam Boyer, Eugene H. Russell IV, Kate Kovach, Matt Mangum and Keith Carradine.

Tagline: None.

The Plot…

Ish (Bradley), Enoch (Robinson) and Abe (Bolden) are the Daylong brothers.  They had the same father but different mothers.  Before they were born, their daddy sold their souls to the devil.  Now grown, the Daylong brothers are on a mission to win their souls back.  The boys have a list of people they have to kill then the devil will return their souls.

We all know how deals with the devil turn out… right?   Right?

Thoughts (beware of spoilers)…

I knew that The Devil and the Daylong Brothers would be a stylish crime drama with memorable characters and outrageous action.  I didn’t know that it was a musical.  Think O Brother, Where Art Thou? meets Quentin Tarantino.  It took me a second to get in the grove, but once I did I enjoyed the ride.

The Devil and the Daylong Brothers (2025) rates 3 of 5 stars

RIP: Robert McGinnis

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It has been announced the Robert McGinnis died on March 10, 2025.  Mr. McGinnis was 99.

As a teenager, Robert McGinnis worked as an apprentice at Walt Disney Studios.  During World War II, Mr. McGinnis served in the Merchant Marines.

Robert McGinnis was an artist whose work appeared on over 1200 book covers, over 40 film posters as well as magazine and record album covers.

Mr. McGinnis is perhaps best known for the posters and art that he created for James Bond movies.  Robert McGinnis created the art for Thunderball; You Only Live Twice; On Her Majesty’s Secret Service; Diamonds Are Forever; Live and Let Die and The Man with the Golden Gun.  Others films Mr. McGinnis created posters for include Breakfast at Tiffany’s; How to Steal a Million; The Odd Couple; Barbarella; Duck You Sucker!; Sleeper and Gator.

In 1958, Robert McGinnis began creating covers for Dell Publishing.  Although probably best known for his work on Gold Medal paperback crime/noir novels, Mr. McGinnis’ art could be found on covers for books in genres such as Detective, Mystery, Gothic, Historical Fiction as well as Romance and Fantasy.  In 2004, Robert McGinnis began doing covers for Hard Case Crime. Mr. McGinnis’ art could also be found in magazines such as The Saturday Evening Post, National Geographic, Reader’s Digest, Good Housekeeping, McCall’s and Guideposts.

Some of the album covers featuring Robert McGinnis art include Casino Royale (Soundtrack); Barbarella (Soundtrack); Tommy Steele – Half A Sixpence (Soundtrack); On Her Majesty’s Secret Service (Soundtrack); Sweet Charity (Soundtrack); Cotton Comes to Harlem (Soundtrack); Diamonds are Forever (Soundtrack); Come Back Charleston Blue (Soundtrack); Ennio Morricone – Giù La Testa; The Optimists Orchestra (Soundtrack); Live and Let Die (Soundtrack); The Man with the Golden Gun (Soundtrack); Bingo Long and Traveling All Stars and Motor Kings (Soundtrack); Gator (Soundtrack); Semi-Tough (Soundtrack); The Jigsaw Seen – Songs Mama Used To Sing; The Day of the Dolphin (Soundtrack) and Scorpio (Soundtrack).

In 1985, Robert McGinnis was named Romantic Artist of the Year by the Romantic Times magazine.  In 1993, Mr. McGinnis was inducted into the Society of Illustrators Hall of Fame.

Robert McGinnis was one of my favorite artists.  His pulp covers are classics.  Of course the same could be said for his movie posters, magazine illustrations and well, just about anything he created.  I think it’s time to revisit my Art of Robert McGinnis book and search out Robert McGinnis: Painting the Last Rose of Summer the documentary of his life and art by Paul Jilbert.

Our thoughts and prayers go out to the family, friends and fans of Robert McGinnis.

RIP: Wings Hauser

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Wings Hauser born General Dwight Hauser died on March 15, 2025of natural causes.  Mr. Hauser was 77.

Wings was born in Hollywood, California.  His father, Dwight Hauser was a director and producer.  His brother, Eric Hauser, is also an actor.  Wings got the nickname Wings while playing high school football and it stuck.  Although Wings Hauser made his film debut with a small role in First to Fight in 1967, instead of acting he pursued a singing career.

In 1975, RCA released the album Your Love Keeps Me Off the Streets with Wings Hauser using the stage name Wings Livinryte.  The album wasn’t a success, but the same year Wings scored a role on Cannon.  He was credited as Wings Livinryte.  It soon became clear that Wings would have more success acting.  Mr. Hauser would branch out into screenwriting and directing as well.

Some of the television projects that feature Wings Hauser include: Cannon; The Young and the Restless (15 episodes); Movin’ On; Baretta; Emergency; Aspen; Magnum PI; The Fall Guy; Ghost Dancing; Jessie; Hunter; Hardcastle and McCormick; MacGruder and Loud; Airwolf; The Long Hot Summer (2 episodes); The A-Team (2 episodes); Dark Horse; The Last Precinct (8 episodes); The Highway Man; Perry Mason: The  Case of the Scandalous Scoundrel; Freddy’s Nightmares; Hardball; China Beach (4 episodes); Lightning Force (13 episodes); The Young Riders; Space Rangers; Roseanne (5 episodes); Route 66; Walker Texas Ranger; Marker; High Tide; Kung Fu: The Legend Continues; JAG; Murder, She Wrote (4 episodes); Beverly Hills 90210 (6 episodes); Arli$$ (2 episodes); Kingpin (4 episodes); CSI: Miami; Third Watch; Eyes; House; Monk; Mystery Woman: Wild West Mystery; Cold Case; Bones; Saving Grace; The Mentalist; Criminal Minds; The Defenders; CSI: Crime Scene Investigation; Hawaii Five-0; Rizzoli & Isles and Castle.

Some of the feature films that Wings Hauser appeared in include: First to Fight; Who’ll Stop the Rain; Vice Squad; Hear No Evil; Mutant; A Soldier’s Story; Jo Jo Dancer, Your Life is Calling; Tough Guys Don’t Dance; Beastmaster 2: Through the Portal of Time; Tales from the Hood; Original Gangstas; Life Among the Cannibals; The Insider; The Blue Lizard; The Stone Angel and Eve N’ God: This Female is Not Yet Rated (TM).

I probably first saw Wings Hauser in Baretta.  Whatever the role was, it wasn’t long before I began to recognize Wings Hauser because he appeared in so many programs and movies that I watched.  A profile of Wings Hauser in Entertainment Weekly once called him “the biggest star you’ve never heard of”.  Thing of it was, movie and television fans not only knew of him, they appreciated seeing him listed in the credits.

Out thoughts and prayers go out to Wing Hauser’s family, friends and fans.

“Streets of Fire” Trivia!

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Matthew Jackson at Mental Floss presents 14 Epic Facts About ‘Streets of Fire’.  Before you click over to get all the facts and details, here are my three favorites with my thoughts…

  • The film was intended to be part of a trilogy. I would have loved to have seen The Far City and Cody’s Return.  Is it too late?
  • The ending was originally much darker.  In this instance I agree with the studio and Michael Pare: It (the new ending) added honor and nobility to Tom Cody instead of just a guy who will not f******* lose.”
  • Streets of Fire was initially a flop.  Universal Pictures didn’t really know how to market Streets of Fire. It was so unique… an “action-romance-musical-comic book hybrid”.  Thankfully over the years Streets of Fire gained a following.  So… as to the trilogy… is it too late?  Either to revisit the characters now older… or recast and pick up where we left off.

“Trap” (2024) written & directed by M. Night Shyamalan, starring Josh Hartnett / Z-View

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Trap (2024)

Director:  M. Night Shyamalan

Screenplay: M. Night Shyamalan 

Stars: Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Alison Pill, Marcia Bennett, M. Night Shyamalan, Lochlan Miller and Hayley Mills.

Tagline:  30,000 fans. 300 cops. 1 serial killer. No escape.

The Plot…

From all appearances Cooper (Harnett) is a great guy.  He’s a firefighter, outgoing and friendly.  Cooper is married with two kids.  A real family man.

Because his daughter, Riley (Donoghue) earned great grades on her last report card, Cooper takes her to a Lady Raven (S, Shyamalan) concert.  As they enter the arena, Cooper notices a huge police presence.  When they get inside, there are even more cops.  They seem to be everywhere.  Well, safety should be a priority for events this well attended.

Once the concert starts, Cooper notices men are being escorted out by the police.  Now curious and concerned, Cooper tells his daughter he’s going to the restroom.  Then using his charm, Cooper learns a secret.  The police are there because they got a lead that the serial killer known as The Butcher is in attendance.  Every exit is covered.  Police and FBI are there in force.  They have a description of The Butcher and anyone fitting it, will be questioned before he is allowed out.

Cooper is concerned.  Not because a serial killer is at the concert.  No.  Cooper is concerned because he is The Butcher.

Thoughts (beware of spoilers)…

Saleka Shyamalan makes her film debut.  She is M. Night Shyamalan’s daughter and a singer/songwriter.  Saleka wrote and performed all of the songs in the movie.  The official Trap movie soundtrack is titled Lady Raven and features all of the songs from the movie.

The concert feels real.  Kudos to M. Night, Saleka and all involved.

Some aspects come off as very contrived, but M. Night Shyamalan is adept at keeping things moving.  This way viewers go with the flow.  I was expecting Cooper to get caught or escape then fade to credits.  M. Night Shyamalan had a different idea.  There’s no big twist (as in some of his films) but there are some unexpected turns.  I enjoyed the ride.

Trap (2024) rates 3 of 5 stars.

“Jungle Gents” (1954) starring Leo Gorcey, Huntz Hall and the Bowery Boys with Woody Stode & Clint Walker! / Z-View

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Jungle Gents (1954)

Director:  Edward Bernds

Screenplay: Edward Bernds, Elwood Ullman

Stars: Leo Gorcey, Huntz Hall, Bernard Gorcey, Laurette Luez, Harry Cording, David Gorcey, Benny Bartlett, Murray Alper, Pat Flaherty, Joel Fluellen, Roy Glenn, Emory Parnell, Emil Sitka, Woody Strode and Clint Walker.

Tagline:  You’ll Go WILD with LAFFS!

The Plot…

Sach’s new medicine gives him the power to smell diamonds. Slip (L. Gorcey), Satch (Hall), Louie (B. Gorcey), and others are headed to the jungles of Africa to find a diamond mine.  Little do the boys know that a group of crooks are following.  Soon the guys are fighting the gangsters and natives.

Where is Anatta (Luez), the Jungle Girl when you need her?

Thoughts (beware of spoilers)…

Clint “Cheyenne” Walker makes his film debut.

Woody Stode appears uncredited as a native.

Jungle Gents (1954) rates 3 of 5 stars.

RIP: Quincy Jones

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Quincy Jones died yesterday at the age of 91.  No cause of death was given.

Quincy Jones loved music from an early age.  In high school Mr. Jones played trumpet and arranged music.  After high school Quincy Jones received a scholarship to Seattle University.  He left after one semester with a scholarship to attend Boston’s Berklee’s College of Music.  Mr. Jones left college to tour with Lionel Hampton’s band as a pianist and trumpeter.  It was on this tour that Quincy Jones began to get a reputation for his musical arrangements.

After the tour, Mr. Jones worked creating musical arrangements for stars such as Duke Ellington, Count Basie, Gene Kupra and Sarah Vaughn.  Quincy Jones continued to take freelance arrangement jobs and he toured with several bands.  He then took a job as musical director of Mercury Records New York division.  

In 1961, two things happened:  He became the Vice President of Mercury Records and was hired to compose the music for The Pawnbroker.  Quincy Jones became so in demand to produce music for movies that he left Mercury Records.  For the remainder of his career Quincy Jones wrote, performed, arranged and produced music for films, television, records and live performances. 

Some of Quincy Jones composer credits include: The Pawnbroker; Mirage; The Slender Thread; Bob Hope Presents the Chrysler Theatre; Walk Don’t Run; The Deadly Affair; Enter Laughing; Ironside (movie); Hey Landlord (7 episodes); In the Heat of the Night; In Cold Blood;  Ironside (12 episodes); The Split; McKenna’s Gold; The Italian Job; Bob & Carol & Ted & Alice; John and Mary; Catus Flower; The Out of Towners; They Call Me Mister Tibbs!; The Bill Cosby Show (52 episodes); The Anderson Tapes; The Hot Rock; The New Centurians; The Getaway; Roots (2 episodes) and The Color Purple.

Quincy Jones was nominated for 9 Academy Awards and won 2:

  • 1968 Nominee: Best Music, Original Song – “The Eyes of Love” from Banning shared with Bob Russell
  • 1968 Nominee: Best Music, Original Music Score – In Cold Blood
  • 1969 Nominee: Best Music, Original Song – “For Love of Ivy” from For Love of Ivy shared with Bob Russell
  • 1979 Nominee: Best Music, Original Song Score and Its Adaptation or Best Adaptation Score for The Wiz
  • 1986 Nominee: Best Music, Original Score for The Color Purple shared with: Jeremy Lubbock · Rod Temperton · Caiphus Semenya · Andraé Crouch · Chris Boardman · Jorge Calandrelli · Joel Rosenbaum · Fred Steiner · Jack Hayes · Jerry Hey · Randy Kerber
  • 1986 Nominee: Best Music, Original Song from The Color Purple for “Miss Celie’s Blues (Sister)” shared with: Rod Temperton · Lionel Richie
  • 1986 Nominee: Best Picture for The Color Purple shared with: Steven Spielberg · Kathleen Kennedy · Frank Marshall
  • 1995 Winner for the Jean Hersholt Humanitarian Award
  • 2025 Winner Honorary Award

Quincy Jones was nominated for 4 Primetime Emmy Awards and won 1:

  • 1970 Nominee: Outstanding Achievement in Music Composition – For a Series or a Single Program of a Series (In Its First Year Only) – The Bill Cosby Show
  • 1977 Winner: Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for Roots Part I shared with Gerald Fried
  • 1995 Nominee: Outstanding Informational Series for Punk shared with: Jeffrey Peisch · Andrew Solt · Robert B. Meyrowitz · David Salzman · Ted Haimes · Greg Vines · Marc Sachnoff · David Axlerod
  • 1996 Nominee: Outstanding Variety, Music or Comedy Special for The 68th Annual Academy Awards shared with: David Salzman

Quincy Jones was nominated for 80 Grammys and won 28.  

  • 1961 Nominee: Best Arrangement for “Let The Good Times Roll”
  • 1961 Nominee: Best Jazz Performance Large Group for “The Great Wide World Of Quincy Jones”
  • 1962 Nominee: Best Performance by an Orchestra – For Dancing for “I Dig Dancers”
  • 1963 Nominee: Best Original Jazz Composition for “Quintessence”
  • 1963 Nominee: Best Performance by an Orchestra – For Dancing for “Big Band Bossa Nova” shared with Stan Getz · Gary McFarland
  • 1963 Nominee: Best Instrumental Arrangement for “Quintessence”
  • 1964 Nominee:  Best Instrumental Jazz Performance – Large Group for “Quincy Jones Plays The Hip Hits”
  • 1964 Nominee: Best Performance by an Orchestra- For Dancing for “Quincy Jones Plays The Hip Hits”
  • 1965 Nominee: Best Instrumental Jazz Performance – Large Group or Soloist with Large Group for “Quincy Jones Explores The Music Of Henry Mancini”
  • 1965 Nominee: Best Original Jazz Composition for “The Witching Hour”
  • 1965 Nominee: Best Instrumental Performance – Non-Jazz for “Golden Boy (String Version)”
  • 1965 Nominee: Best Instrumental Arrangement for “Golden Boy (String Version) (Single)”
  • 1968 Nominee: Best Original Score Written for a Motion Picture or Television Show for In the Heat of the Night
  • 1970 Nominee: Best Instrumental Arrangement for “Walking In Space”
  • 1970 Nominee: Best Instrumental Theme for “Mackenna’s Gold (Main Title) (Album)”
  • 1970 Nominee: Best Original Score Written for a Motion Picture or a Television Special for Mackenna’s Gold
  • 1970 Nominee: Best Original Score Written for a Motion Picture or a Television Special for The Lost Man
  • 1971 Nominee: Best Instrumental Arrangement for “Gula Matari (Single)”
  • 1971 Nominee: Best Contemporary Instrumental Performance for “Soul Flower”
  • 1971 Nominee: Best Instrumental Composition for “Gula Matari”
  • 1971 Nominee: Best Jazz Performance, Large Group or Soloist with Large Group for “Gula Matari”
  • 1973 Nominee: Best Pop Instrumental Performance by an Arranger, Composer, Orchestra and/or Choral Leader for “Money Runner”
  • 1973 Nominee: Best Instrumental Arrangement for “Money Runner”
  • 1973 Nominee: Best Original Score Written for a Motion Picture or a Television Special for $
  • 1974 Nominee: Best Pop Instrumental Performance for “You’ve Got It Bad Girl (Instrumental Portions) (Album)”
  • 1975 Nominee: Best Pop Vocal Performance by a Duo, Group or Chorus for “Body Heat (Album)”
  • 1975 Nominee: Best Pop Instrumental Performance for “Along Came Betty (Track)”
  • 1977 Nominee: Best Instrumental Composition for “Midnight Soul Patrol” shared with: Johnny Mandel · Louis Johnson
  • 1978 Nominee: Best Arrangement for Voices for “Oh Lord, Come By Here” shared with: James Cleveland
  • 1978 Nominee: Best Inspirational Performance for “Oh Lord, Come By Here” shared with: James Cleveland
  • 1978 Nominee: Best Instrumental Composition for “Roots Medley (Motherland, Roots Mural Theme)”
  • 1979 Nominee: Best Instrumental Composition for “End Of The Yellow Brick Road”
  • 1979 Nominee: Best Arrangement for Voices for “Stuff Like That”
  • 1979 Nominee: Producer of the Year
  • 1980 Nominee: Best Disco Recording for “Don’t Stop ‘Til You Get Enough (Single)”
  • 1980 Nominee: Producer of the Year
  • 1982 Nominee: Album of the Year for “The Dude (Album)”
  • 1982 Nominee: Best Pop Instrumental Performance for “Velas (Track)”
  • 1983 Nominee: Producer of the Year
  • 1984 Nominee: Producer of the Year, Non-Classical
  • 1984 Nominee: Best R&B Instrumental Performance for “Billie Jean (Instrumental Version)” shared with: Jerry Hey
  • 1984 Nominee: Best Rhythm & Blues Song for “P.Y.T. (Pretty Young Thing) (Single)” shared with James Ingram
  • 1985 Nominee: Best Rhythm & Blues Song for “Yah Mo B There” shared with James Ingram · Michael McDonald · Rod Temperton
  • 1986 Nominee: Best Recording for Children for “We Are the World” shared with: George Duke
  • 1988 Nominee: Album of the Year for “Bad” shared with: Michael Jackson
  • 1988 Nominee: Producer of the Year, Non-Classical
  • 1989 Nominee: Record of the Year for “Man In The Mirror” shared with: Michael Jackson
  • 1990 Nominee: Producer of the Year, Non-Classical
  • 1990 Nominee: Producer of the Year
  • 1991 Nominee: Best Pop Instrumental Performance for “Setembro (Brazilian Wedding Song)”
  • 1994 Nominee: Best Music Video, Long Form for “Miles And Quincy Live At Montreux” shared with Rudi Dolezal · Hannes Rossacher · Miles Davis Quintet · Jim Beach · Gavin Taylor
  • 1997 Nominee: Best Instrumental Arrangement with Accompanying Vocal(s) for “Do Nothin’ Till You Hear From Me (Track)”
  • 2002 Nominee: Best Instrumental Arrangement for “Soul Bossa Nova”
  • 2002 Winner: Best Spoken Word Album for “Q – The Autobiography Of Quincy Jones” shared with: Elisa Shokoff · Steve Strassman
  • 1964 Winner: Best Instrumental Arrangement for “I Can’t Stop Loving You” artist: Count Basie
  • 1970 Winner: Best Instrumental Jazz Performance, Large Group or Soloist with Large Group for “Walking In Space”
  • 1972 Winner: Best Pop Instrumental Performance for “Smackwater Jack”
  • 1974 Winner: Best Instrumental Arrangement for “Summer In The City”
  • 1979 Winner: Best Instrumental Arrangement for “The Wiz Main Title – Overture Part One” shared with: Robert Freedman
  • 1981 Winner: Best Instrumental Arrangement for “Dinorah, Dinorah” artist: George Benson shared with: Jerry Hey
  • 1982 Winner: Producer of the Year
  • 1982 Winner: Best Cast Show Album for “Lena Horne – The Lady And Her Music, Live On Broadway” artist: Lena Horne
  • 1982 Winner: Best Arrangement on an Instrumental Recording for “Velas” artist: Quincy Jones shared with Johnny Mandel
  • 1982 Winner: Best Instrumental Arrangement Accompanying Vocal(s) for “Ai No Corrida” artist: Quincy Jones shared with: Jerry Hey
  • 1982 Winner: Best R&B Performance by a Duo or Group with Vocal for “The Dude”
  • 1984 Winner: Album of the Year for “Thriller” shared with Michael Jackson
  • 1984 Winner: Record of the Year for “Beat It” shared with Michael Jackson
  • 1984 Winner: Best Recording for Children – E.T. the Extra-Terrestrial for the “E.T. the Extra-Terrestrial album” shared with Michael Jackson
  • 1985 Winner: Best Arrangement on an Instrumental for “Grace (Gymnastics Theme)” artist: Quincy Jones shared with: Jeremy Lubbock
  • 1986 Winner: Record of the Year for “We Are the World” (various artists)
  • 1986 Winner: Best Pop Performance by a Duo or Group with Vocals for the album “We Are the World” (The artist USA for Africa did not receive a Grammy Award for this win)
  • 1986 Winner: Best Music Video, Short Form – We Are the World for the music video “We Are The World – The Video Event.” (The artist USA for Africa did not receive a Grammy Award for this win.) shared with: Tom Trbovich
  • 1989 Winner: Trustees Award
  • 1991 Winner: Best Arrangement on an Instrumental for “Birdland” artist Quincy Jones shared with: Rod Temperton · Ian Prince · Jerry Hey
  • 1991 Winner: Best Instrumental Arrangement Accompanying Vocal(s) for “The Places You Find Love” artists: Siedah Garrett and Chaka Khan shared with: Clif Magness · Jerry Hey · Glen Ballard
  • 1991 Winner: Producer of the Year, Non-Classical
  • 1991 Winner: Best Rap Performance by a Duo or Group for “Back On The Block” shared with Ice-T · Kool Moe Dee · Big Daddy Kane · Melle Mel · Quincy Jones III
  • 1991 Winner: Best Jazz Fusion Performance for “Birdland”
  • 1991 Winner: Album of the Year for “Back On The Block”
  • 1992 Winner: Legend Award
  • 1994 Winner: Best Large Jazz Ensemble Performance for “Miles And Quincy Live At Montreux” shared with Miles Davis · Miles Davis Quintet
  • 2019 Winner: Best Music Film – for Quincy shared with: Alan Hicks · Rashida Jones · Paula DuPré Pesmen

Quincy Jones’ music has been a part of my life for almost as long as I’ve been alive. The music he created improved each television or movie project he was part of.  His collaborations with Michael Jackson are classic.  His leadership in getting We Are the World made for charity has yet to be matched.  Quincy Jones was a musical genius and his efforts made life a bit better.

Our thoughts and prayers go out to Quincy Jones’ family friends and fans.

RIP: Kris Kristofferson

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Kris Kristofferson died peacefully at his home on September 28, 2024.  Mr. Kristofferson was 88.  No cause of death was given.

After graduating high school Kris Kristofferson enrolled in Pomona College in California.  He hoped to become a writer.  Mr. Kristofferson excelled in football, rugby, as well as track and field while at Pomona.  Because of his athletic prowess, Kris Kristofferson was featured in the March 31, 1958 edition of Sports Illustrated.  Mr. Kristofferson graduated summa cum laude with a Bachelor of Arts degree in literature.

Kris Kristofferson was then awarded a Rhodes Scholarship to the University of Oxford.  While there he achieved honors in rugby and boxing.  It was at this point that Mr. Kristofferson began writing and recording songs with Top Rank Records under the name Kris Carson.  Due to the lack of success with this venture, Mr. Kristofferson enlisted in the U.S. Army.

While in the service Mr. Kristofferson completed Ranger school, became a helicopter pilot and earned the rank of Captain.  He also continued performing with a band when possible.  When his enlistment was coming to an end, Mr. Kristofferson was given the opportunity to teach at West Point.  He instead opted to leave the service and move to Nashville.

Kris Krisofferson continued to work at odd jobs and later as a helicopter pilot while he pursued a music career.  Within a few years singers such as Ray Stevens, Jerry Lee Lewis and Roger Miller began recording Mr. Kristofferson’s songs.  Mr. Kristofferson also got his own recording contract.  In 1971, Kris Kristofferson’s album Me & Bobby McGee became a hit.  It was also the same year that Mr. Kristofferson made his feature film debut.  For the remainder of his career, Kris Kristofferson performed as a singer, song writer, as well as an actor in feature films and television.

Kris Kristofferson’s awards and honors include…

  • 1970 CMA winner – Song of the Year for “Sunday Mornin’ Comin’ Down”
  • 1972 Grammy Awards nominee – Best Country Song for “Me And Bobby Mc Gee”
  • 1972 Grammy Awards nominee – Best Country Song for “For The Good Times”
  • 1972 Grammy Awards nominee – Song of the Year for “Me And Bobby Mc Gee”
  • 1972 Grammy Awards nominee – Song of the Year for “Help Me Make It Through The Night”
  • 1972 Grammy Awards winner – Best Country Song for “Help Me Make It Through The Night” Sammi Smith
  • 1973 CMA nominee – Song of the Year for “Why Me Lord”
  • 1974 Grammy Awards nominee – Best Country Song for “Why Me”
  • 1974 Grammy Awards nominee – Best Country Vocal Performance, Male for “Why Me”
  • 1974 Grammy Awards winner – Best Country Vocal Performance by a Duo or Group for “From The Bottle To The Bottom”; shared with: Rita Coolidge
  • 1975 Grammy Awards nominee – Best Country Vocal Performance by a Duo or Group for “Loving Arms”; shared with: Rita Coolidge
  • 1976 Grammy Awards winner – Best Country Vocal Performance by a Duo or Group for “Lover Please”; shared with: Rita Coolidge
  • 1977 Golden Globe Awards winner – Best Actor in a Motion Picture – Comedy or Musical for A Star Is Born
  • 1985 Academy Awards nominee –  Best Music, Original Song Score for Songwriter
  • 1985 CMA nominee – Music Video of the Year for The Highwaymen: Highwayman shared with: Johnny Cash · Willie Nelson · Waylon Jennings · Peter Israelson
  • 1985 CMA nominee – Single of the Year for “Highwayman” shared with: Willie Nelson · Waylon Jennings · Johnny Cash
  • 1986 Grammy Awards nominee – Best Country Performance by a Duo or Group with Vocal for “Highwayman”; shared with: Willie Nelson · Johnny Cash · Waylon Jennings
  • 1990 CMA nominee – Vocal Event of the Year for “Highwaymen” shared with: Waylon Jennings · Johnny Cash · Willie Nelson
  • 1991 CMA nominee – Vocal Event of the Year for “Highwaymen” shared with: Waylon Jennings · Johnny Cash · Willie Nelson
  • 1991 Grammy Awards nominee – Best Country Vocal Collaboration for “Highwayman 2” shared with: Johnny Cash · Willie Nelson · Waylon Jennings
  • 2004 Country Music Hall of Fame
  • 2012 CMA nominee – Musical Event of the Year for “Roll Me Up and Smoke Me When I Die” shared with: Jamey Johnson · Willie Nelson · Snoop Dogg
  • 2014 Grammy Awards winner – Lifetime Achievement Award
  • 2017 Grammy Awards nominee – Best Americana Album for “The Cedar Creek Sessions”

Television projects that feature Kris Kristofferson include: Freedom Road; The Lost Honor of Kathryn Beck; The Last Days of Frank and Jesse James; Stagecoach; Amerika (7 episodes); The Tracker; The Larry Sanders Show; Dead Man’s Gun; Two for Texas; Dead Man’s Gun (narrator; 44 episodes); Where the Red Fern Grows; The Break; Lives of the Saints and Texas Rising (5 episodes).

Feature films that Kris Kristofferson appeared in include: The Last Movie; Cisco Pike; Pat Garrett & Billy the Kid; Bring Me the Head of Alfredo Garcia; Alice Doesn’t Live Here Anymore; The Sailor Who Fell From Grace with the Sea; Vigilante Force; A Star is Born; Semi-Tough; Convoy; Heaven’s Gate; Songwriter; Trouble in Mind; Big Top Pee-Wee; Mellennium; Lone Star; Fire Down Below; Blade; Payback; Planet of the Apes; Eye See You; Blade II; Blade Trinity and The Jacket; Dreamer.

I probably first saw Kris Kristofferson in A Star is Born. My favorite Kris Kristofferson role was in Lone Star, followed closely by his appearances in Payback; Eye See You and the Blade movies.  Two movies that Mr. Kristofferson starred in are The Tracker and Trouble in Mind.  I remember liking them both, but haven’t see them in years.  I going to try to rectify that.

What a life Kris Kristofferson led.  If you were creating a hero for a story and you said he was an ex-Ranger, three sport college athlete with the heart of a poet, your editor would say, “C’mon.  That guy is too good to be true.”  And he’d be wrong.  Kris Kristofferson was THAT guy.

Out thoughts and prayers go out to Kris Kristofferson’s family, friends and fans.

“Daytime Revolution” – The Poster and Trailer are Here!

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Here we have the poster and trailer for Daytime Revolution.

Deal me in.

For one extraordinary week beginning on February 14th, 1972, the revolution was televised. Daytime Revolution takes us back in time to the week that John Lennon and Yoko Ono descended upon a Philadelphia broadcasting studio to co-host the iconic Mike Douglas Show, at the time the most popular show on daytime television with an audience of 40 million viewers a week.

What followed was five unforgettable episodes of television, with Lennon and Ono at the helm and Douglas bravely keeping the show on track. Acting as both producers and hosts, Lennon and Ono handpicked their guests, including controversial choices like Yippie founder Jerry Rubin and Black Panther Chairman Bobby Seale, as well as political activist Ralph Nader and comic truth teller George Carlin.

Their version of daytime TV was a radical take on the traditional format, incorporating candid Q&A sessions with their transfixed audience, conversations about current issues like police violence and women’s liberation, conceptual art events, and one-of-a-kind musical performances, including a unique duet with Lennon and Chuck Berry and a poignant rendition of Lennon’s “Imagine.”

A document of the past that speaks to our turbulent present, Daytime Revolution is a time capsule reminding us of art’s power to break down barriers, and the bravery of two artists who never took the easy way out as they fought for their vision of a better world.

“Wolf Totem” by The Hu Band!

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I don’t often post about music.  When I do, it is usually in reference to an “oldies” artist or song.  So, what are the odds that I’d post about a modern band from Mongolia that has a harder edge than I normally prefer?

I’ve watched The Hu’s video Wolf Totem video several times since I first saw it yesterday.  I love the fact that the band leans into their Mongolian heritage.  I’d like to see what the video’s director could do with a feature film.

Wolf Totem by The Hu Band.