The “Central Intelligence” Trailer and Poster with Dwayne Johnson & Kevin Hart is Here!

Central Intelligence with Dwayne Johnson and Kevin Hart looks to be a fun ride… but will folks think is just another Ride Along?
Previews and Reviews that are Z's Views

Central Intelligence with Dwayne Johnson and Kevin Hart looks to be a fun ride… but will folks think is just another Ride Along?

Sarene Leeds and Mental_Floss present 11 Magical Facts About I Dream of Jeannie. Here are three of my favorites…
1. BARBARA EDEN DIDN’T LIKE THAT JEANNIE AND TONY NELSON GOT MARRIED.
The palpable sexual tension between Hagman’s astronaut character and the mischievous genie who lived under the same roof for the first four seasons of the series was what kept the series exciting—the objectification of Eden’s character notwithstanding. Here was a midriff-baring beauty, willing and able to fulfill her master’s every wish and command, and he still managed to keep her out of his bedroom for most of Jeannie’s run. By 1969, the sexual revolution was well under way, and it was time for Tony and Jeannie to get together. Except, as we all know, that kind of creative decision usually sounds the death knell for a TV show, and I Dream of Jeannie was no different. The characters tied the knot during the 1969-1970 season, which ended up being the series’ last.In an interview with the Today show’s Willie Geist earlier this year (video above), Eden made no bones about her feelings regarding the Nelson marriage: “It ruined the show,” she said. “Because [Jeannie] wasn’t human … She thought she was, and [Tony] knew she wasn’t … I think it broke credibility.”
2. THE FAMILIAR-SOUNDING JEANNIE THEME SONG DIDN’T EXIST UNTIL THE SECOND SEASON.
You know the tune: Matthew Broderick did an unforgettable 12-second dance to it in Ferris Bueller’s Day Off. But the bouncy riff that will always be synonymous with I Dream of Jeannie didn’t first appear until the series’ second season, when a new, in-color animated opening sequence was introduced. The first season, which was filmed in black and white, tried a couple of different openers: First there was the expository one that brought the audience up to speed on how Jeannie and Tony met; eventually, the exposition was dropped for this jazzy, albeit abbreviated, animated sequence.8. I DREAM OF JEANNIE HAD A FUN LITTLE CONNECTION WITH FELLOW NBC SITCOM THE MONKEES.
While The Monkees only lasted two seasons, it had a sweet brother-sister-type relationship with I Dream of Jeannie while it was on the air, as they were both on NBC and shared the same music supervisor, Don Kirshner. About midway through the fall 1966, in The Monkees episode “The Spy Who Came in From the Cool,” Davy Jones rubs a small table lamp (see above video, 14:10). In true Jeannie fashion, a beautiful harem-costumed genie (not Barbara Eden) emerges from a puff of smoke and assures her “master” that she will help him. A bemused Jones remarks, “Imagine that—wrong show!”The following year, in the Jeannie episode “Jeannie, the Hip Hippie” (see above), Jeannie puts together a rock band featuring Tommy Boyce and Bobby Hart, who penned some of The Monkees’ most famous songs. At one point, an instrumental version of one of the duo’s biggest hits for the band, “Last Train to Clarksville,” can be heard. Plus, Hart is holding a copy of The Monkees’ first album in one scene.

Emily Becker and Mental_Floss present 10 Vigilant Facts About The Boondock Saints. Here are three of my favorites…
1. THE SCRIPT WAS INSPIRED BY SEVERAL REAL-LIFE EVENTS.
Writer-director Troy Duffy based the story for The Boondock Saints on things he saw when he was working as a bartender in Los Angeles, including watching a drug dealer steal money from a dead body. The film also opens with the story of Kitty Genovese, a young woman who was murdered in Queens in 1964 and whose story has become a bit of an urban legend after it was widely (but inaccurately) reported that, despite her cries for help and dozens of witnesses, no one came to her rescue.3. TROY DUFFY WAS HIS OWN BIGGEST OBSTACLE IN GETTING THE FILM MADE.
Like most artists, Duffy had a very clear vision for the film. This led to some contentious meetings with potential collaborators, including getting into an argument with Ewan McGregorover the death penalty during their first meeting. Duffy’s volatile personality ended up costing him his deal with Miramax, leading him to have to shop the film around to other distributors. Eventually, the film was picked up by Franchise Pictures, despite the negative chatter now surrounding both Duffy and his movie.9. A THIRD FILM IS PRETTY MUCH CONFIRMED.
When asked whether a third film might be coming during a Reddit AMA last December, Norman Reedus, who played Murphy MacManus (and, more famously, is The Walking Dead’s Daryl Dixon), responded, “Yeah it’s on. In the works, happening.” Though no official announcement of it has been made, that hasn’t stopped some outlets from reporting on what it might look like.

Roger Cormier and Mental_Floss present 17 Bankable Facts About The Color of Money. Here are three of my favorites…
5. JACKIE GLEASON PASSED ON MAKING A CAMEO.
Gleason famously played Minnesota Fats in The Hustler, and his character played a big part in the book version of The Color of Money. “We desperately wanted the character to return,”Newman told The New York Times, ”but every time we put him in, it seemed like we were trying to glue an arm on a man and make it stick.” Added Scorsese: ”We finally presented a script to Gleason with Fats in. But he felt it was an afterthought.” As such, Gleason passed.14. SCORSESE GOT THE IDEA FOR GOODFELLAS WHILE SHOOTING THE COLOR OF MONEY.
In a rare moment of downtime, “I read a review of [Nicholas Pileggi’s] Wiseguy when I was directing The Color of Money, and it said something about this character Henry Hill having access to many different levels of organized crime because he was somewhat of an outsider,”Scorsese told Rolling Stone. “He looked a little nicer. He was able to be a better frontman and speak a little better. I thought that was interesting, because you could get a cross section of the layers of organized crime—from his point of view, of course. So I got the book, started reading it and was fascinated by the narrative ability of it.”15. DAVID GEFFEN WAS UPSET OVER THE SOUNDTRACK.
Robbie Robertson put the soundtrack together, which is best known for featuring Eric Clapton and Robertson’s “It’s in the Way That You Use It” and Warren Zevon’s “Werewolves of London.” Geffen would not allow Robertson permission to use his own voice at any point on the album, because he felt that the singer’s first solo record was being delayed on account of his work on the soundtrack. The Band performer still managed to get music from the likes of Clapton, Don Henley, B.B. King, Robert Palmer, and Willie Dixon.

Eric D. Snider and Mental_Floss present 14 Colorful Facts About Reservoir Dogs. Here are three of my favorites…
11. A MISTAKE LED TO ONE OF THE FILM’S MYSTERIES.
In the climactic showdown, Joe’s pointing a gun at Mr. Orange (on the floor, already dying), Mr. White is pointing a gun at Joe, and Nice Guy Eddie (Joe’s son, played by Chris Penn) is pointing a gun at Mr. White. Joe shoots Orange, White shoots Joe, Eddie shoots White … butfour gunshots are heard, and everyone who wasn’t already on the ground ends up that way. So who shot Nice Guy Eddie? (You can find T-shirts asking that question.) The only logical answer, and the way it was supposed to have played out, is that Mr. White did. He shot Joe, then shot Eddie at the same time Eddie was shooting him. But according to Chris Penn, when they filmed it, the squib on Keitel’s (Mr. White’s) body went off slightly prematurely, Keitel went down as he fired his second shot (which looks like it’s still aimed at Joe), and then Penn’s squib exploded as planned. Penn noticed right away that it was ambiguous, but Tarantino decided to leave it that way.4. IT WENT THROUGH SEVERAL CASTING PERMUTATIONS.
In the early stages, Tarantino was going to play Mr. Pink himself, with producer Lawrence Bender as Nice Guy Eddie. Steve Buscemi was later considered for Nice Guy Eddie, but ended up playing Mr. Pink, a role for which Michael Madsen (Mr. Blonde) auditioned. Samuel L. Jackson and Ving Rhames both almost played Holdaway (the cop Tim Roth works with in flashbacks). Robert Forster, who later appeared in QT’s Jackie Brown, auditioned for the part of Joe, which went to Lawrence Tierney.5. THERE WERE SOME UNUSUAL OFFERS FROM PRODUCERS.
While searching for producers to finance the film and save them from having to make it themselves on a minuscule budget, Tarantino and Bender fielded several offers that sounded good but had a catch to them. One producer offered $1.6 million, but only if the ending was changed so that everyone who was dead came back to life, the whole thing having been a hoax or a con of some kind. Another offered $500,000 … but only if his girlfriend could play Mr. Blonde. (Bender said it was such a bizarre idea that he and Tarantino actually considered it.)

If you’re a Burt Reynolds fan [and who isn’t?] then I encourage you to check out Ned Zeman’s profile/interview: Burt Reynolds isn’t Broke but He’s Got a Few Regrets at Vanity Fair.

Hollywood.com provides us with 7 of the Creepiest Coincidences in Movie History. I thought this was the creepiest of the bunch…
3. Poltergeist
In the classic horror film, Poltergeist, there’s a poster hanging above Robbie’s bed that reads “1988 Superbowl XXII”You’d expect a little kid to a have a football poster up in his room, but what makes this weird is the fact Poltergeist was released in 1982, but Superbowl XXII wouldn’t be played for another six years.
So why did they use a poster from a future game? Well, no one really knows, but on January 31, 1988, the day Superbowl XXII was held, Heather O’Rourke (the actress who played Robbie’s younger sister) became violently ill. She passed away the next day at Rady Children’s Hospital in San Diego, less than five miles away from Jack Murphy Stadium where Super Bowl XXII was played.

Kara Kovalchik and Mental_Floss present 12 Fiendishly Fun Facts About The Munsters. Here are three of my favorites…
2. THE CHOICE OF MONSTER CHARACTERS WAS STRICTLY INTENTIONAL (AND ROYALTY-FREE).
Universal Studios owned Universal Television, which owned The Munsters. Universal Studios also owned the copyrights to most of the classic monsters, including Dracula, the Wolf Man, and Frankenstein’s monster. The studio had been running their old classic horror films on television since the 1950s and found that there was still an impressive audience for these decades-old monster movies. When Connelly and Mosher pitched their series idea, CBS executives knew that they had one advantage that ABC lacked with The Addams Family: the ability to use the Universal monster characters. The Munsters regularly topped The Addams Family in the ratings, mainly because of the instant identifiability of (and built-in fan base for) Dracula, Frankenstein’s bride, et al.10. HERMAN’S COSTUME WAS A PERSONAL TORTURE CHAMBER FOR FRED GWYNNE.
Even though Gwynne would eventually reminisce that Herman was one of his favorite characters, the time he spent on The Munsters set was often fairly miserable, thanks to the various devices necessary to transform him into the lovable Frankenstein monster. On his feet he wore asphalt paver’s boots with four-inch soles, and his thighs, arms, and torso were covered in 40 pounds of foam rubber padding. He contended with back pain daily caused by the weight of the suit and inflexibility of the shoes. His head was fitted with a foam latex piece to flatten the top of his head and then he had to endure two hours in the makeup chair. He perspired freely under the heavy costume and hot studio lights and lost 10 pounds in one month despite consuming gallons of lemonade between takes. The producers eventually rented a compressed air tank and would poke the nozzle inside Gwynne’s collar to blow cool air on him.11. THE COSTUME HAD ONE BENEFIT: IT EXCUSED GWYNNE FROM PERSONAL APPEARANCES.
As The Munsters gained popularity, its stars received more and more requests to appear at various functions. The producers, of course, sent the actors out as often as possible since such appearances not only promoted the show, they also propelled the sales of the variousMunsters merchandise that saturated the market at the time. Only Fred Gwynne was able to relax on his days off (for the most part), since the time and expense required to get him into character outweighed the publicity value of cutting ribbons at supermarket openings. One of the rare times he played Herman in public was alongside Al Lewis in the 1964 Macy’s Thanksgiving Day Parade. Gwynne confessed to TV Guide that he’d been taking slugs from a bottle of whiskey the entire time, because he “had to get bombed so I could say ‘hello’ to the little kiddies for 40 blocks.”

This Killing the Butcher poster has the right ingredients. Lone guy going behind enemy lines to kill a Nazi butcher, yeah, that could work.
Who knows, John McTiernan could be back, baby!
Source: Critical Movie News.

Stacy Conradt and Mental_Floss present 13 Foreboding Facts About The Omen. Here are three of my favorites…
9. GREGORY PECK AND RICHARD DONNER HAD ONE ARGUMENT DURING FILMING.
Peck wanted to angrily smash a bunch of stuff during the scene where Robert finds out his wife has died. Donner disagreed; he wanted to cut in on Thorn well after the discovery, not in the moment. According to Donner, he and Peck argued about the scene for an entire day before Peck told him, “You’re wrong. I’m right. But you’re the director, and therefore I have to do it your way.” After the scene was shot, Peck reviewed the dailies and conceded that Donner had been right about how to film Thorn’s reaction.11. THE MOVIE CAME WITH A TERRIFYING AD CAMPAIGN.
To promote the movie, gloom-and-doom posters and promotional materials went up all over the U.S. They contained uplifting messages such as:
- “Good morning. You are one day closer to the end of the world.”
- “Remember … you have been warned.”
- “It is a warning foretold for thousands of years. It is our final warning. It is The Omen.
12. THE PRODUCTION MAY HAVE BEEN CURSED.
Like many other horror movies, some spooky things happened to the cast and crew that made them wonder if they had angered some higher power. Here are just a few of the incidents:
Peck, writer David Seltzer, and executive producer Mace Neufeld were on planes that were struck by lightning or had a near-miss.
The crew had planned to charter a plane to get some aerial shots, but had to switch at the last minute due to a scheduling conflict. The original plane ended up crashing, killing everyone on it.
Director Richard Donner’s hotel was bombed by the IRA the day after they shot the safari park scene.
A zookeeper at the safari park was killed in the lion area, which also happened the day after filming.
The stuntman standing in for Peck was attacked by Rottweilers during the graveyard scene; they managed to bite through the protective gear he was wearing.
After the film wrapped, special effects director John Richardson and his assistant, Liz Moore, moved on to the film A Bridge Too Far. While filming in the Netherlands, the duo was in a serious car accident. Richardson survived, but Moore was decapitated. This was especially eerie since Richardson was responsible for the infamous decapitation scene in The Omen.

Roger Cormier and Mental_Floss present 15 Rapid Facts About Speed. Here are three of my favorites…
4. STEPHEN BALDWIN TURNED DOWN PLAYING JACK.
In addition to that Baldwin brother, Tom Cruise, Tom Hanks, Wesley Snipes, and Woody Harrelson were all approached to play the lead. Director Jan de Bont thought Keanu Reeves was a great fit after seeing him in Point Break.5. HALLE BERRY TURNED DOWN PLAYING ANNIE.
Berry wasn’t interested, nor were Meryl Streep or Kim Basinger. Yost wanted Ellen DeGeneres for the role (DeGeneres recently claimed she was never officially asked.) Demolition Man star Sandra Bullock won the role, and was paid $200,000.13. IT TESTED THROUGH THE ROOF.
At a test screening, some audience members walked up the aisles backward so that they would miss as little of the movie as possible before going to the bathroom. It helped convince 20th Century Fox to move up the release date from August to June.

Roger Cormier and Mental_Floss present 16 Repeatable Facts About Groundhog Day. Here are three of my favorites…
1. TOM HANKS AND MICHAEL KEATON TURNED DOWN PLAYING PHIL.
Hanks was busy, and figured if he starred in the film audiences would just expect him to become nice because he’s always nice anyway. Keaton didn’t understand the script. He admitted to regretting the decision.13. NOBODY REALLY KNOWS HOW LONG MURRAY WAS STUCK IN THE SAME DAY.
Ramis refuted an earlier estimate of 10 years, guessing in 2009 it was more like “30 to 40 years.” In Rubin’s original script, Murray was looping for 10,000 years, and he marked the time by reading one page in one of the B&B’s library books every day.16. MURRAY AND RAMIS’ FRIENDSHIP FELL APART ONCE FILMING ENDED.
Ramis admitted that his old friend and fellow Stripes and Ghostbusters star was “really irrationally mean and unavailable” at times, and often late to set, though he attributed the behavior to a divorce Murray was going through at the time. Outside of a few words at one wake and one bar mitzvah, Murray stopped speaking entirely to Ramis for 20 years, only to finally bury the hatchet on Ramis’ death bed before he passed away from complications due to autoimmune inflammatory vasculitis in 2014.

Joy Lanzendorfer and Mental_Floss present 9 Mournful Facts About Edgar Allan Poe’s The Raven. Here are three of my favorites…
1. AS POE WAS WRITING THE POEM, HIS WIFE WAS DEATHLY ILL.
When Poe was writing “The Raven,” his wife, Virginia, was suffering from tuberculosis. It was a weird marriage—Virginia was Poe’s first cousin and only 13 years old when they married—but there’s no doubt that Poe loved her deeply. Having lost his mother, brother, and foster mother to tuberculosis, he knew the toll the disease would take. “The Raven” is a poem written by a man who’d lost many loved ones, and was soon expecting to lose one more.6. “THE RAVEN” WAS AN IMMEDIATE HIT.
After Graham’s Magazine rejected the poem, Poe published it in The American Review under the pseudonym “Quarles.” In January 1845, it came out in The New York Mirror under Poe’s real name. Around the country, it was reprinted, reviewed, and otherwise immortalized. It soon became so ubiquitous, it was used in advertising.And then there were the parodies. Within a month after “The Raven” came out, there was a parody poem, “The Owl,” written by “Sarles.” Others soon followed, including “The Whippoorwill,” “The Turkey,” “The Gazelle,” and “The Parrot.” You can read many of themhere. Abraham Lincoln found one parody, “The Polecat,” so hilarious that he decided to look up “The Raven.” He ended up memorizing the poem.
7. “THE RAVEN” MADE POE INTO A CELEBRITY …
Poe was soon so recognizable that children followed him in the street, flapping their arms and cawing. Then he’d turn around and say, “nevermore!” and they would run away, shrieking. Trying to capitalize off this fame, he gave lectures that included dramatic readings of the poem. They were apparently something to see. His lecture was “a rhapsody of the most intense brilliancy … He kept us entranced for two hours and a half,” said one attendee. Yet another said that Poe would turn down the lamps and recite “those wonderful lines in the most melodious of voice.” Another said, “To hear him repeat ‘The Raven,’ which he does very quietly, is an event in one’s life.”

Hitfix polled more than 100 luminaries for the world of horror to come up with their list of The 100 Greatest Horror Movies of All Time.
Here’s their top ten and my comments on each…
1. “The Exorcist” (1973; d. William Friedkin): While it’s hard to argue with the popularity of The Exorcist as the greatest horror movie of all time – it is arguably the scariest – I’d put Romero’s Night of the Living Dead in the number one spot.
2. “The Shining” (1980; d. Stanley Kubrick): I like Kubrick’s take on Stephen King’s novel [even if King doesn’t] but it wouldn’t make my top ten.
3. “The Texas Chain Saw Massacre” (1974; d. Tobe Hooper): Texas Chainsaw Massacre wouldn’t make my top ten… or top 50.
4. “Rosemary’s Baby” (1968; d. Roman Polanski): I’d like to see this one again. I liked it when I saw it, but the last time was years ago. I wonder if it would hold up. The fact that it placed so high on the list indicates it would.
5. “Alien” (1979; d. Ridley Scott): I prefer Aliens.
6. “The Thing” (1982; d. John Carpenter): Yeah, I love that people are coming around to love this film. It was ahead of its time.
7. “Halloween” (1978; d. John Carpenter): Love the love that John Carpenter received on this list!
8. “Psycho” (1960; d. Alfred Hitchcock): A classic!
9. “Night of the Living Dead” (1968; d. George A. Romero): You know I love this movie!
10. “Jaws” (1975; d. Steven Spielberg): Jaws is a great film but I always have a bit of trouble placing it in the horror category.

Hollywood.com presents 25 Titanic Facts You Never Knew. Here are three of my favorites…
1. The movie features 2 hours and 40 minutes of scenes set in 1912. This is the exact amount of time the Titanic took to sink.
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The film also has 37 seconds between the iceberg warning and the actual collision, which is the same amount of time that transpired in real life.
3. It was the first movie to receive two Academy Award nominations for the same character.
Both Kate Winslet and Gloria Stuart were nominated (Best Actress and Best Supporting Actress, respectively) for playing the role of Rose. The next time two actors were nominated for playing the same role was 2001’s Iris, also starring Winslet.
8. And Jack’s ice-fishing story is a Titanic survivor’s quote about the North Atlantic water.
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He was dissuading Rose not to jump off the back of the boat, in the scene where they meet.