Previews and Reviews that are Z's Views
Did you know that William Shatner and Leonard Nimoy appeared together on-screen prior to their work as Kirk and Spock on Star Trek?
They did when they both appeared in an early episode of The Man from U.N.C.L.E. and we have a clip to prove it!
Roger Cormier and Mental_Floss present 16 Nostalgic Facts About Stand by Me. Here are three of my favorites…
3. COCA-COLA ALMOST SHUT DOWN THE MOVIE ENTIRELY.
The soda company bought Embassy Pictures, the film’s original production company, and announced they weren’t going to fund Stand by Me just two days before they were set to start shooting. Television legend Norman Lear—who had worked with Reiner for years on All in the Family—was one of the three owners of Embassy prior to its sale. He believed in the project enough that he agreed to personally foot the film’s $8 million budget.14. STEPHEN KING WAS IMPRESSED.
After Reiner screened the finished product for the author, King excused himself for 15 minutes. When he returned, he said it was the first time one of his stories was successfully put on film. King even applauded Reiner for changing it so that Gordie picks up the gun instead of Chris, wishing he had thought of that in the first place.13. REINER CAME UP WITH THE TITLE.
Columbia Pictures didn’t like the idea of using The Body as the movie title for a variety of reasons. Reiner thought naming it after the Ben E. King song that plays at the end of the movie would be good. Co-writer Raynold Gideon said Reiner’s suggestion was the “least unpopular option.”
As a huge fan, I loved reading this week that Tom Hardy has teamed with New Line Cinema to bring Brian Azzarello and Eduardo Risso’s 100 Bullets to a theater near you. Hardy looks to direct and star in the adaption.
My guess is Hardy will play Lono which would work. If he doesn’t and needs help with the cast, I’ll stick with my 100 Bullets dream cast from 2011.
Source: The Hollywood Reporter.
Jennifer M. Wood and Mental_Floss present 16 Biting Facts About Fright Night. Here are three of my favorites…
2. PETER VINCENT MADE THE STORY CLICK.
It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he’s gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”5. RODDY MCDOWALL DID NOT WANT TO PLAY THE PART LIKE VINCENT PRICE.
Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. ..”16. VINCENT PRICE LOVED THE MOVIE.
Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” admitted Holland. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”
Eric D. Snider and Mental_Floss present 15 Fast Facts About Days of Thunder. Here are three of my favorites…
6. AS WITH SO MANY THINGS, WE CAN THANK PAUL NEWMAN FOR THE FILM’S EXISTENCE.
The legendary actor and part-time racer shared his enthusiasm for motorsports with Tom Cruise when they made The Color of Money together. The two were then introduced to NASCAR team owner Rick Hendrick (the inspiration for Randy Quaid’s character), who let budding racing enthusiast Cruise drive a stock car himself. Cruise’s reaction after taking a car around the track at 175 mph: “Hey, we gotta make a movie about this!”12. AS YOU’D EXPECT, THE RACING SCENES WERE FILMED WITH THE CARS GOING MUCH SLOWER THAN THEY USUALLY WOULD: ONLY 120 MPH.
That’s down from the 200 miles per hour those cars would do in a real race. And still, even at a reduced speed, the work was dangerous. Tony Scott told The New York Times, “There’s a major crash in the middle of the movie at speeds of 120 to 140 miles an hour manned by stunt drivers. Things happen to metal at 140 miles an hour that don’t happen at 60 miles an hour.” Despite that, Scott boasted that the total on-set injuries for the entire production only added up to 13 stitches.15. THE SCENE WHERE NASCAR BOSS BIG JOHN THREATENS TO FIRE TRICKLE AND BURNS IF THEY BUMP EACH OTHER ON THE TRACK AGAIN—THEN FORCES THEM TO DRIVE TO DINNER TOGETHER—WAS BASED ON A REAL INCIDENT WITH GEOFF BODINE AND DALE EARNHARDT.
Bodine and Earnhardt did not, however, destroy two rental cars in the process. But such shenanigans were attributed to 1950s racers Curtis Turner and Joe Weatherly, who were the Cole Trickles of their day.
Eric D. Snider and Mental_Floss present 15 Punchy Facts About Raging Bull. Here are three of my favorites…
1. IT PARTIALLY OWES ITS EXISTENCE TO ROCKY.
Comparisons to that other Oscar-winning boxing movie from four years earlier were inevitable, but the two were actually connected. Rocky was produced by Irwin Winkler and Robert Chartoff, and released by United Artists. When those same producers approached that same studio about doing another boxing movie, the studio said, “A sequel to Rocky? Sure!” That wasn’t what they had in mind (though they did soon enough), but in the meantime, Rocky’s huge success was enough to sell UA on another boxing movie.5. PAUL SCHRADER FIXED THE SCREENPLAY BY ADDING JAKE LAMOTTA’S BROTHER, JOEY.
It’s strange to imagine Raging Bull without the Joe Pesci character, but that’s how Mardik Martin’s first drafts had it. He was adapting LaMotta’s 1970 memoir, Raging Bull: My Story, co-authored by LaMotta’s lifelong friend Peter Savage (born Peter Petrella). The book didn’t feature Joey as a prominent character, and it had Savage doing most of the things that Joey would eventually do in the movie. When Schrader was hired to build on the work Martin had done and take another stab at the screenplay, he decided the story would be more compelling if it involved brothers rather than friends (blood ties and all that), so he introduced the Joey character and excised poor old Pete. This creative license proved problematic later, when Joey LaMotta sued for defamation because the movie had attributed to him a number of unwholesome deeds (like beating the crap out of a neighborhood mobster) that had actually been perpetrated by Savage.9. JOE PESCI WAS RUNNING AN ITALIAN RESTAURANT WHEN DE NIRO AND SCORSESE APPROACHED HIM ABOUT BEING IN THE MOVIE.
Pesci had been a professional actor and musician (he sang and played guitar) off and on since childhood, but he called it quits in the 1970s. His 1975 Broadway show with comedy partner Frank Vincent (whom he would later recruit to play Salvy in Raging Bull) had closed after a week, and his first movie, 1976’s The Death Collector (also featuring Vincent), was a flop. But Robert De Niro happened to see that film in 1978, and was so impressed by Pesci’s performance that he pitched him to Scorsese. The two tracked Pesci down and called him at his restaurant to coax him out of showbiz retirement.
If you’re a Beatles or a conspiracy theory fan, then you’re probably aware of the “Paul is dead” rumor that seemed to be everywhere in 1969.
TodayIFoundOut has a nice overview of the Paul is Dead Hoax which is worth a look.
Jake Rosen and Mental_Floss present 11 Things You Might Not Know About Apollo 13. Here are three of my favorites…
2. Steven Spielberg Made a Crucial Suggestion.
To simulate the weightlessness inside the module, Howard and his crew were contemplating using wires and harnesses, a logistical decision that would’ve had his cast suspended like marionettes for months of shooting. Instead, Spielberg (a friend of Howard’s and frequent collaborator with Hanks) suggested that he look into the KC-135, a NASA-owned airplane that’s able to simulate zero gravity by maneuvering 45 degrees up and then plummeting.Howard’s test shooting went well enough—and his producer, Todd Hallowell, was persistent enough—that NASA granted permission for a crew to film while on board the plane. That meant that …
9. “Houston, We Have a Problem” Was Not the Exact Quote.
One of the most popular lines in culture, Lovell’s grim delivery of his module’s malfunctions to Mission Control was not quoted word for word in the film. In reality, NASA received the message, “Houston, I believe we’ve had a problem,” not, “Houston, we have a problem.” (Maybe present tense made it more impactful.) Filmmakers also decided to have Hanks’ Lovell deliver the line; in fact, it was Swigert who first said it, though Lovell repeated it immediately as “Houston, we’ve had a problem.”12. The Checklist Fetched $388,375 at Auction.
Because it was shown so prominently in the feature film, Jim Lovell’s original checklist book filled with equations and other notes addressing their mission’s issues sold for $388,375 in a November 2011 auction. But the purchase was held up when NASA inquired whether Lovell actually owned the artifact outright. In 2012, President Obama signed a bill into law clarifying that astronauts had ownership of such materials.
Roger Cormier and Mental_Floss present 17 Straightforward Facts About The Sixth Sense. Here are three of my favorites…
1. THE DISNEY EXECUTIVE WHO BOUGHT THE SCRIPT WAS FIRED BECAUSE OF IT.
Walt Disney Studios’ then-president David Vogel didn’t bother to consult with his superiors before paying $2.25 million for the rights to The Sixth Sense, and agreed to let Shyamalan direct the already-expensive film. Vogel’s boss was livid when he found out about the deal, and demanded that Vogel relinquish some of his power. When Vogel refused, he was canned.6. DONNIE WAHLBERG LOST 43 POUNDS TO PLAY VINCENT GREY.
The former New Kid on the Block wanted to prove that he was serious about pursuing an acting career.8. THE COLOR RED WAS SYMBOLIC.
Shyamalan explained that anything “tainted” from the ghost world or that had some connection to it was colored red in the movie, like the basement doorknob, or the dress of the killer mom.
John Farrier and Neatorama present 28 Facts You Might Not Know About The Munsters. Here are three of my favorites…
2. Although the first pilot episode was shot in color, the rest of the series was shot in black and white to save money. It certainly adds to the horror ambiance, don’t you think?
6. Grandpa was Lily’s father, but Al Lewis was a year younger than Yvonne De Carlo.
9. Al Lewis’s long prosthetic nose was eliminated after a few episodes because he kept getting it wet in his cups of coffee.
Tara Aquino and Mental_Floss present 11 Fascinating Facts About Mad Max. Here are three of my favorites…
2. MEL GIBSON WENT TO THE MAD MAX AUDITION TO ACCOMPANY HIS FRIEND, NOT FOR THE PART.
Gibson was black and blue after a recent brawl with “half a rugby team” when his friend asked him to drop him off at his Mad Max audition. Because the agency was also casting “freaks,” they took pictures of Gibson, who was simply waiting around, and asked him to come back when he healed. When he did, Miller gave him the role on the spot. In a clip for Scream Factory, Gibson recalled the moment: “It was real weird. [Miller] said, ‘Can you memorize this?’ and it was like two pages of dialogue with a big speech and stuff. I was like, ‘Yeah, sure.’ I went into the other room and just got a gist of what it was and I came out and just ad-libbed what I could remember. I guess they bought it.”4. REAL-LIFE MOTORCYCLE CLUB THE VIGILANTIES PLAYED TOECUTTER’S GANG FOR MAD MAX.
Forget the money required to train stuntmen; Miller and crew hired real bikers to professionally ride into production. In an interview with Motorcyclist Online, actor Tim Burns said about working with them: “[The Vigilanties] all wanted to ride the bikes as fast as possible, as often as possible, by their nature. Their riding was individually and collectively superb.” Additionally, stuntman Dale Bensch, a member of The Vigilanties, recalled seeing the ad for the shoot at local bike shop, and took a moment to clarify a mishap that had happened during production. Bensch said, “There’s an urban myth that a stuntman was killed, and that was me. The scariest thing was dropping the bike on that bridge. They took the speedo and tach off because they didn’t want to damage more than they had to. They wet the surface to make it easier, but I hung onto the bike too long and it flipped me over with it; that’s why it looked bad. But it’s a famous scene, so it worked out all right!”6. MEL GIBSON ONLY HAD 16 LINES OF DIALOGUE IN THE ROAD WARRIOR.
Upon Fury Road’s release, social media lit up with complaints that Tom Hardy was underutilized, only there to grunt and utter a couple of one-liners. But just to remind you, in Mad Max 2, Mel Gibson only has 16 lines of dialogue in the entire film.
On his use of sparse dialogue, Miller told The New York Times, “Hitchcock had this wonderful saying: ‘I try to make films where they don’t have to read the subtitles in Japan.’ And that was what I tried to do in Mad Max 1, and I’m still trying to do that three decades later with Fury Road.”
Eric D Snider and Mental_Floss present 14 Things You Might Not Know About Aliens. Here are three of my favorites…
1. CONAN THE DESTROYER HELPED IT GET MADE.
The movie, not the guy. Based on the strength of his script for The Terminator (then in pre-production), James Cameron was approached by 20th Century Fox to write an Alien sequel. But the outline he came up with for Alien II got a lukewarm reaction at Fox, and the idea was put on hold for the time being. Then, as luck would have it, the start date for The Terminator was pushed back nine months so that Arnold Schwarzenegger could make Conan the Destroyer, the sequel to his 1982 hit (in which Conan had been merely a Barbarian). This extra three-quarters of a year gave Cameron time to write three-quarters of a full screenplay for Alien II, not just an outline. (He also co-wrote Rambo: First Blood Part II during this time, by the way.) The Fox bosses liked what they read. Cameron was told that if The Terminator proved successful, he could write and direct the Alien sequel.3. SIGOURNEY WEAVER WAS PAID $35,000 FOR THE FIRST FILM, AND $1 MILLION FOR THE SEQUEL.
James Cameron and Gale Anne Hurd (who became Mrs. James Cameron during pre-production) helped Weaver get what she deserved—first by refusing to make the film without her, and also by refusing to keep it a secret that she was the only person in consideration for the lead role. Fox especially didn’t like that second point, as it put Weaver’s agent in a very strong bargaining position. Sure enough, Weaver got a million bucks and a percentage of the profits. It got better for Weaver as the franchise went on, with $4 million for Alien 3 and $11 million for Alien: Resurrection.9. IT’S THE ONLY ACTING THAT CARRIE HENN, WHO PLAYED YOUNG NEWT, EVER DID.
Henn was nine years old and living with her family at a U.S. Air Force base in England when casting agents found her. She loved the experience, remained friends with Sigourney Weaver afterward, was invited to the premiere of Alien 3 (even though she wasn’t in the movie) … and never acted again. Instead, she became a schoolteacher.
Adam D’Arpino and Mental_Floss present 21 Darn Tootin’ Facts About Fargo. Here are three of my favorites…
1. Fargo was almost a TV show back in 1997.
FX’s original series Fargo, which debuted last year to critical praise and enthusiastic viewership, has breathed new life into the funny-accents-meet-brutal-violence formula. However, FX’s take on the Coen Brothers classic actually marks the second major attempt to adapt Fargo for the small screen. In 1997, a pilot directed by Kathy Bates (yes, that Kathy Bates) and starring a pre-Sopranos Edie Falco as Marge Gunderson was passed on by the major networks. Although it never had a full run on television, this first made-for-TV version of Fargo wasn’t lost forever: it aired on the short-lived cable network Trio in 2003, as part of its Brilliant But Cancelled programming series.17. The film’s editor, Roderick Jaynes, is actually Joel and Ethan Coen.
Because the Coens found having their names appear on screen as directors, writers, producers, and editors a bit tacky, they credit their editing work to the fictional “Roderick Jaynes,” who’s listed on all of their films outside of Raising Arizona and Miller’s Crossing. When the fictional Jaynes was for nominated for his first Oscar on Fargo, the Coens wanted to have actor Albert Finney accept the award in character, but because the Academy doesn’t allow for surrogates to accept awards (presumably due to a 1973 incident involving Marlon Brando and a Native American named Sacheen Littlefeather) they had to scratch the plan. Jaynes ended losing to Walter Murch for his work on The English Patient, and would lose again in 2008 (with The Bourne Ultimatum‘s Christopher Rouse beating out the Coens and No Country for Old Men).11. An inside joke led to rumors that Prince had a cameo in the film.
The Coens provided anyone willing to stick around for the extended credits to a bit of a Minnesota insider joke. The role of “Victim in the Field” is credited to a scribble resembling Prince’s “Love Symbol,” which he went by between 1993 and 2000. This spurred rumors that Prince had a hidden cameo in the film. Anyone paying attention, however, would have noticed that the role was clearly played by a much huskier fellow, who also happened to be the film’s storyboard artist (and a longtime Coen collaborator) J. Todd Anderson.
Garin Pirnia and Mental_Floss present 14 Things You Might Not Know About Forrest Gump. Here are three of my favorites…
2. THERE ARE BIG DIFFERENCES BETWEEN FORREST IN THE BOOK AND FORREST IN THE MOVIE.
In the book, Forrest ends up going into space, smoking weed, working with Raquel Welch, confronting cannibals, running for the United States Senate (his campaign slogan is “I Got to Pee”), and playing in a chess tournament. Also, in the book Forrest is described being 6’ 6” tall and weighing 240 pounds, which is why Groom wanted John Goodman to play Forrest in the movie.9. MYKELTI WILLIAMSON COULDN’T GET WORK AFTER THE MOVIE CAME OUT.
“I couldn’t get a job after Forrest Gump,” Williamson told USA Today. “The industry didn’t realize that I was wearing a lip device and that I was the same guy who had appeared in 11 TV series. They thought the director had discovered some weird-looking guy and put him in front of a camera.” He eventually went on Letterman and soon after people realized he wasn’t just some “weird-looking guy.” Williamson successfully obtained roles in Con Air and Heat and had a recurring role on Justified.10. FOR THE 20TH ANNIVERSARY OF THE MOVIE, THE FILMAKERS DISCUSSED FORREST’S POST-1980s FATE.
In September, USA Today caught up with Forrest Gump screenwriter Eric Roth, director Robert Zemeckis, and Tom Hanks to ask them what adventures Forrest would’ve experienced later on. Roth stated that in the script for his unproduced sequel Forrest meets O.J. Simpson and Princess Diana. Hanks thinks Forrest “would have chatted up both Mark Zuckerberg and the Winklevoss twins about how it would be nice if you had a book that would show a person’s face and make a friend,” and that Forrest would’ve helped out in Hurricane Katrina. “Forrest would be the reason that the Navy SEALs find Osama bin Laden,” added Zemeckis.
Garin Pirnia and Mental_Floss present 14 Not So Dirty Facts About Dirty Dancing. Here are three of my favorites…
3. THE FILM GAVE NEWMAN HIS FIRST BIG MOVIE ROLE.
Before starring as Stan, the resort’s social director, Wayne Knight had small roles in a few TV movies, including an uncredited role in the nuclear holocaust drama The Day After. Dirty Dancing showcased his talents, which in 1992 led him to be cast as Newman on Seinfeld.
10. PENNY BRIEFLY TRANSFORMED INTO A POP STAR IN THE LATE 1980s.
Cynthia Rhodes made a name for herself as dancer Tina Tech in 1983’s Flashdance and starred as John Travolta’s dance partner/love interest in Staying Alive that same year. But it was her role as Johnny Castle’s dancing partner, Penny, that garnered her the most notice. A couple of years after Dirty Dancing, she married singer Richard Marx (they’ve since divorced), and she briefly filled in as the lead singer of L.A. pop group Animotion, known for their hits “Room to Move” and “Obsession.”12. GREY PLAYED A VERSION OF HERSELF ON THE SITCOM IT’S LIKE, YOU KNOW…
The short-lived ABC sitcom (1999-2000) featured Grey as a member of a Seinfeld-like gang, except the show swapped out New York City for Los Angeles. She allowed herself to be self-deprecating, even poking fun at her nose job and her Dirty Dancing celebrity. Arthur (Chris Eigeman) meets “Jennifer Grey” and goes, “Oh, like the actress. Dirty Dancing. You spell it the same way as her?” “I am Jennifer Grey,” she responds, then she does a dance to prove it. “You look different,” he says. “Nose job!” She blurts. “Just one?” he retorts. (She had two of them.)
