Category: Celebs

17 Action-Packed Facts About “Crimson Tide”


Roger Cormier 
and Mental_Floss present 17 Action-Packed Facts About Crimson Tide.  Here are three are my favorites…

2. QUENTIN TARANTINO WAS AN UNCREDITED WRITER.

Though Michael Schiffer earned the film’s sole screenplay credit (based on a story by Schiffer and Richard P. Henrick), Tarantino contributed some words to the script as well. He wrote the scene in which members of the crew talked about their favorite submarine movies. Tarantino and Tony Scott had worked together two years earlier, when Scott directed Tarantino’s script for True Romance.

3. DENZEL WASHINGTON CONFRONTED TARANTINO ON THE SET.

Washington was very open with his anger about Tarantino’s use of racial slurs. The Pulp Fiction writer-director’s request that they have their argument privately was reportedly denied by Denzel. In a 2012 interview with GQ, Washington said that he has since apologized to Tarantino, and pointed out that his own daughter had just acted in Tarantino’s Django Unchained.

14. HACKMAN ACCIDENTALLY PUNCHED WASHINGTON.

Though Hackman insisted to Larry King that it was an accident, he said it made things tense.

27 Things We Learned from George Miller’s “The Road Warrior” Commentary

Rob Hunter and Film School Rejects present 27 Things We Learned from George Miller’s The Road Warrior Commentary. Here are three are my favorites…

3. For as much as the film is known for its vehicular action, Semler says they simulated a lot of travel too. “If you can see the road moving behind, we’re moving. If you don’t see anything moving behind, we’re not moving.”

16. Miller loves the bit with the mechanic (Steve J. Spears) in the swing evaluating the truck the engine and the blond guy repeating it much louder. It wasn’t planned, and the pair just started doing it on their own. “This is nice,” says Semler. Miller agrees saying it’s one of the lighter moments in the movie. On that same topic the duo count how many times Max smiles throughout the film, and they get as high as three.

22. The compound explosion was so big that they had to notify airlines in advance in case of any jets passing overhead.

15 Epic Facts About “Gladiator”

Roger Cormier and Mental_Floss present 15 Epic Facts About Gladiator. Here are three are my favorites…

1. STEVEN SPIELBERG GREENLIT THE MOVIE AFTER ASKING THREE QUESTIONS.

Screenwriter David Franzoni received a three-picture deal with Dreamworks SKG after writing the script for Amistad. During a “surprisingly brief” pitch meeting with Spielberg for what would become Gladiator, Franzoni told the Writers Guild of America that the director “really had three basic questions. My gladiator movie, it was about ancient Roman gladiators—not American, Japanese, whatever else? Yes, I said. Taking place in the ancient Coliseum? Yes. Fighting with swords and animals to the death and such? Yes. Great, let’s make the movie.”

10. CROWE WASN’T THRILLED WITH THE SCRIPT (OR LACK THEREOF).

While appearing on Inside the Actors Studio, Crowe said that only 32 pages of the script were completed when shooting commenced. Co-writer William Nicholson recounted how Crowe once told him, “Your lines are garbage but I’m the greatest actor in the world, and I can make even garbage sound good.” Initially, Crowe didn’t care for the now-famous line “And I will have my vengeance, in this life or the next,” but repeatedly failed to ad-lib anything better.

13. JOHNNY CASH WAS A FAN OF THE FILM.

Before he was hired to play the legendary singer in Walk the Line, Phoenix recalled to The Guardian how he once met Johnny Cash by pure coincidence, and how he “started quoting to me the most sadistic dialogue from Gladiator with obvious relish.”

Eight Bizarre Facts About Rod Serling and “The Twilight Zone”

Jake Rosen and Mental_Floss present Eight Bizarre Facts About Rod Serling and The Twilight Zone. Here are three are my favorites…

2. The Episode That Won an Oscar
When Serling’s budget for the series tightened in the fifth and final season, he decided on an unusual cost-cutting measure: the writer paid $10,000 (by some accounts, $25,000) for the rights to broadcast An Occurrence at Owl Creek Bridge, a French short based on the Ambrose Bierce story about a Confederate sympathizer who escapes the hangman’s noose at the end of the Civil War. No dubbing was needed: the short was virtually silent, and its haunting cinematography was a perfect fit for the show. The year prior, it had won an Oscar for Best Short Subject. Bierce’s story was also adapted into an episode of the other popular anthology of the day, Alfred Hitchcock Presents, marking the only time the two series used the same source material.

4. Six Dimensions
When Serling recorded his famous opening narration for the pilot episode in 1959, he began by intoning that there was “a sixth dimension” to explore. A CBS executive heard it and asked the writer why he had skipped a fifth dimension—weren’t there only four? Serling, puzzled, hadn’t really considered it. “Oh,” he said. “Aren’t there five?” The narration was re-recorded before any angry letters from physicists poured in.

8. God Complex
Though he spoke fondly of Serling through his entire career, Zone teleplay writer Richard Matheson (“Steel,” “The Invaders”) found one mandate puzzling: According to Matheson, only Serling could use the word “God” in his teleplays. It was off-limits to the rest of the writing team. “I used to get ticked off at Rod because he could put ‘God’ in all his scripts,” Matheson said. “If I did it, they’d cross it out.” Matheson never asked, and was never told, the reason behind the rule. Chalk it up to a mystery worthy of The Twilight Zone.

15 Things You Might Not Know About “The Green Mile”

Michael Arbeiter and Mental_Floss present 15 Things You Might Not Know About The Green Mile.   Here are three are my favorites…

2. BRUCE WILLIS HELPED CAST A STARRING ROLE.
The character John Coffey’s unique blend of imposing stature and gentle demeanor made casting the part a tricky task. Luckily, Bruce Willis had the right man for the job. Upon hearing of the casting search for the character, Willis was sure his friend and Armageddon costar Michael Clarke Duncan was a perfect fit for the role. Willis used his A-list pull to contact Darabont and suggest his greenhorn friend for the film.

7. DUNCAN WASN’T ACTUALLY THAT TALL.   At 6 feet 5 inches tall, Duncan was a large man by anyone’s measure. However, he was practically average height on the set of The Green Mile, alongside costars David Morse (6 feet 4 inches) and James Cromwell (6 feet 6 inches). Blocking tactics gave Duncan the appearance of towering over his costars.

13. THE GREEN MILE WAS THE HIGHEST GROSSING STEPHEN KING MOVIE.

While The Shining claims the longstanding cult esteem and The Shawshank Redemption might top the lot in basic cable omnipresence, the somewhat less heralded The Green Mile that managed to hit an impressive $136.8 million in domestic ticket sales and $286.8 million worldwide.

15 Things You Probably Didn’t Know About “American History X”

Sean Hutchinson and Mental_Floss present 15 Things You Probably Didn’t Know About American History X.   Here are three are my favorites…

2. TONY KAYE [Director] TRIED TO DISOWN THE FILM.

Kaye was unsatisfied with the final cut of the movie, so he tried to use Alan Smithee—the official pseudonym (coined in 1969 and discontinued in 2000) for directors looking to disown their projects—in the credits. The Directors Guild of America blocked the effort, however, because DGA guidelines stipulated that directors could only use the Smithee pseudonym if they agreed not to publicly disparage the film, something the overly vocal Kaye had already done.

5. EDWARD NORTON WAS ALLEGEDLY CAST WITHOUT KAYE’S APPROVAL.

Norton stepped in when Phoenix passed on the project—reportedly against Tony Kaye’s wishes. Kaye wanted to find another actor, but let Norton keep the part because Kaye simply couldn’t find anyone better prior to the start of shooting.

9. NORTON TURNED DOWN A ROLE IN SAVING PRIVATE RYAN FOR AMERICAN HISTORY X.

He would have played Private Ryan (Matt Damon got the part instead).

 

7 Things We Learned About “Breaking Bad” from Vince Gilligan

Jennifer M. Wood and Mental_Floss present 7 Things We Learned About Breaking Bad from Vince Gilligan’s AMA. Here are three of my favorites.

1. ON THE SET OF BREAKING BAD, BRYAN CRANSTON WOULD REGULARLY TELL AARON PAUL THAT JESSE PINKMAN WAS BEING KILLED OFF.

“He loved to tease Aaron Paul mercilessly,” explained Gilligan. “This came about after I told Aaron Paul early in the series that I had planned to kill off his character. From then on, every time a new script came out, Bryan would hurry to read it first so he could put on a sorrowful face and say to Aaron, ‘Gee buddy, I’m so sorry. You’re going out with a bang, at least.’ And Aaron, God bless him, seemed to fall for it every time.”

3. WALTER WHITE WAS THE HARDEST CHARACTER TO KILL OFF.

“I have to say the death of Walter White affected me the most,” admitted Gilligan, “because what it represented was the end of the story and the completion of this seven-year journey we had taken together—the cast, crew, writers and directors of Breaking Bad. That was the most affecting death to write. I actually teared up when I wrote it. I think a close second was the death of Mike Ehrmantraut.”

4. YOU MAY VERY WELL BE ABLE TO EAT AT LOS POLLOS HERMANOS IN THE NEAR FUTURE.

Gus Fring’s fictional chicken joint may become a nonfictional chicken joint. “Believe it or not, there is talk of a Pollos Hermanos becoming a real restaurant,” confirmed Gilligan. “This is not an idea that I generated personally. But it’s one that’s been presented to me, through the good folks at Sony, and the idea came to them from a businessman who has an interest in doing just that. Speaking for myself, I’d love to see that happen!”

27 Groovy Facts About “Austin Powers”

Roger Cormier and Mental_Floss present 27 Groovy Facts About Austin Powers.  Here are three of my favorites, baby.

1. MIKE MYERS STARTED THINKING UP THE AUSTIN POWERS CHARACTER DRIVING HOME ONE DAY.

Burt Bacharach’s “The Look of Love” was playing on the car radio, leading Myers to think about where the “swingers” of the world went off to. This inevitably led to the comedian asking his then-wife Robin Ruzan if she “swung” and if he was “making her horny.” Told to stop and to just write this new character down somewhere, Myers wrote the first draft of Austin Powers: International Man of Mystery in three weeks.

2. IT’S WIDELY BELIEVED THAT DR. EVIL IS BASED ON LORNE MICHAELS.

Anonymous former writers and actors from the legendary sketch show claimed that Dr. Evil did an excellent job of mimicking SNL‘s head honcho, from his overall control-freak behavior to the physical mannerisms, including the famous upturned pinkie. It was even rumored that Dana Carvey was angry with Myers for more than a decade because he felt that Myers stole his Lorne Michaels impression for Dr. Evil. A few months after The Spy Who Shagged Me came out, Myers appeared in an SNL sketch insisting to Michaels that Dr. Evil was not based on him.

15. ROB LOWE GOT THE ROLE OF YOUNG NUMBER TWO BY DOING A SPOT-ON ROBERT WAGNER IMPRESSION.

He did the impersonation for Myers one day while the two were golfing. A couple of months later, he was presented with a script with him already cast in the role. Lowe actually appeared in, but was cut out of, the first movie; he played a friend of John Smith, one of Dr. Evil’s henchman, who gets “decapitated by an ill-tempered mutated sea bass.” Lowe is forced to deliver that news at Smith’s bachelor party.

15 Things You Might Not Know About “One Flew Over the Cuckoo’s Nest”

Michael Arbeiter and Mental_Floss present 15 Things You Might Not Know About One Flew Over the Cuckoo’s Nest.  Listed below are three of my favorites…

7. MANY SCENES WERE SHOT WITHOUT THE ACTORS’ KNOWLEDGE.

To complete this realistic immersion, Forman led his performers in unscripted group therapy sessions in which he directed the actors to develop their characters’ psychological maladies organically. He would often capture footage of the actors, both in and out of character, without explicitly mentioning that the cameras were rolling. The film’s final cut includes a shot of a visibly irritated Fletcher reacting to a piece of direction fed to her by Forman.

8. FORMAN AND NICHOLSON HAD A TREMENDOUS SPAT OVER THE FILM’S PLOT.

While the intensity of the turmoil varies from rumor to rumor, reports from the set were consistent on one fact: The star refused to speak with Forman for a large chunk of the production process. Nicholson took issue with Forman’s suggestion that the hospital inmates would be an unruly bunch upon the initial arrival of McMurphy. Instead, the actor insisted that such disavowal of the medical staff’s authority should only begin after the introduction of McMurphy into their lives and routines.

Although the version of the story that we see in the film today is more closely associated with Nicholson’s alleged reading, suggesting that Forman ultimately took his advice, Nicholson refused to interact with his director from that point forward. When the star and Forman needed to communicate with one another, they used cinematographer Bill Butler as a middleman.

13. ONE FLEW OVER THE CUCKOO’S NEST WAS THE FIRST FILM TO WIN ALL “BIG FIVE” ACADEMY AWARDS IN 41 YEARS.

Not since 1934’s It Happened One Night swept the Oscars had a film walked away with awards for Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay. One Flew Over the Cuckoo’s Nest took home the lot, with Nicholson and Fletcher winning the top acting awards. The feat would not be matched again for another 16 years, with Silence of the Lambs becoming the next (and last to date) movie to earn the distinction.

21 Facts About “The Matrix” That Will Blow Your Mind

Hollywood.com presents 21 Facts About The Matrix That Will Blow Your Mind.  Here are three of my favorites…

2. The film differentiates the Matrix and the real world through color.

The scenes that take place within the Matrix are tinted green; those that happen in the real world have more of a normal coloring. The fight scene between Neo and Morpheus has a yellow tint, since it takes place in neither.

7. Morpheus, in Greek mythology, is the god of dreams.

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Which is ironic, since he’s the man who wakes people from their dream states and introduces them to reality.

8. Keanu Reeves only has 80 lines in the first 45 minutes of the film.

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Of those 80 lines, 44 are questions. That’s over his half his dialogue, and it amounts to about one question per minute.