Category: Crime

How Sly Stallone Made the Cover of a French Graphic Novel

Today we have the Colin WIlson cover to the French graphic novel Du Plomb Dans La Tête written by Matz and illustrated by Colin Wilson.  If you think the the tough-guy on the cover looks like Sylvester Stallone, you’d be right.

See, Du Plomb Dans La Tête was the basis for Stallone’s film Bullet to the Head.

What’s interesting to note is the character (that Sly ended up playing) from the original graphic novel was drawn to look a bit like Sly as Jack Carter.  When Sly took on the role for Bullet to the Head, Walter Hill (the director) opted for a different look and Sly agreed.  So in the movie Sly doesn’t look like Jack Carter but on the Du Plomb Dans La Tête cover he does.

And now you have the rest of the story (as Paul Harvey would say).

Palle Schmidt’s Stiletto is Coming!

That’s the cover to Stiletto a crime graphic novel by Palle Schmidt premiering in March.  I just finished reading  The Devil’s Concubine and was impressed by Schmidt’s great story and art.  My review will be coming soon, but here’s a spoiler, Schmidt’s The Devil’s Concubine gets my highest recommendation.

Stiletto which was nominated for the Danish Pingprisen award, a rarity for crime comics.  Lion Forge is going to release Stiletto, as three 48-page issues, priced at $5.99 each.

Here’s how Schmidt describes Stiletto…

“Stiletto looks like a buddy cop movie at first glance, but you’ll definitely be surprised to see where it goes,” says Denmark-based writer and artist, Palle Schmidt. “This is a gritty neo-noir full of twists and turns, corruption, betrayal, and greed. I spent years working on the book, really pouring my heart and soul into the project.”

You can get more info and see more art for Stiletto at Bleeding Cool.

Jack Carter and John Wick by John Beatty!

On November 23, 2018, aka Black Friday, John Beatty and I met in his studio to do a livestream broadcast of John’s John Wick / Jack Carter drawing for my Stallone Sketch Collection. Click on the photo above to see a much bigger version.  We were joined in the studio by Ron Wendt who took the photos below.

That’s John…

That’s me…

And that’s John with his reference working on the art.  You can click on the video link below to see and hear how everything went down.  We had a blast with viewers texting in questions and even a couple of call-ins to the studio.

John is considering adding tones to the Carter / Wick piece and if he does I’m sure I’ll join him in studio, so maybe you will consider swinging by as well.  John draws live most Monday through Fridays and loves to interact with those who tune in.  You should give it a go and tell him I sent ya.

Dead Film Franchises Begging to Be Revived

ComingSoon ran a piece called Dead Film Franchises Begging to Be Revived.  Of the films listed, here are the three I felt most deserving and a couple of more that didn’t make the list but should have…

Kill Bill – Tarantino has talked up a sequel for many years now.  The set-up was right there in Kill Bill, Volume 1:  Ambrosia Kelley (who played Vivica Fox’s daughter) is now grown and would return to take revenge on The Bride.

Blade – I didn’t care for Blade; loved Blade II and thought Blade: Trinity was good.  So, why not bring back Snipes for another outing?

Dirty Harry – My initial thought was, “No.”  But the idea of Scott Eastwood picking up his dad’s role as Harry Callahan got me thinking that it could work.  My biggest concern is that the social climate is much different now than it was when the original Dirty Harry was released.

Two movie franchises that didn’t make the list but should have…

Billy Jack – I’d love to see a remake of Born Losers, the film that introduced Billy Jack to the world.  Get someone like Kurt Sutter to take the reigns and you’d have a winner.

Escape from – Snake Plissken continues to be a popular character with fans.  Have Wyatt Russell (Kurt’s son) put on the eye patch and let’s go.

 

10 Remakes Better Than the Originals

Scott Beggs and Mental Floss took a look at 10 Remakes That Are Better Than the Originals. Here’s what Beggs had to say about three of my favorites that made his list (and my commentary after)…

3.  THE THING (1982)
Itself a remake of An Affair to Remember (just kidding), John Carpenter’s paranoid horror film captured a Cold War sensibility of neighborly distrust. Its predecessor, The Thing From Another World, stood out even among the mountain of now-cheesy 1950s sci-fi creature features, but Carpenter injected the zeitgeist even deeper into the film’s tissue to create a movie with complexity and a radical flamethrower.

Craig – While I wouldn’t agree that Carpenter’s remake is better – how do you improve on a classic? – I do agree that Carpenter’s update has also achieved a cult classic status.  I remember seeing Carpenter’s version on opening weekend in a nearly empty theater and coming out really liking the film but not loving it.  The Thing (pun intended) of it is, the movie like the creature in the movie grows on you,

4. SCARFACE (1983)
The movie that spawned a million dorm room posters and impressions of Al Pacino is a remake of Howard Hawks’s 1932 film that was neutered by the Hays Code. That version still shows the violent rise of a gangster based on Al Capone, but it had to explicitly condemn everything shown on screen and tack on the subtitle The Shame of a Nation (just in case audiences thought killing people was something to aspire to). It’s absolutely one of the most important genre pictures in the vault, but Brian De Palma’s Miami-set festival of bullets successfully updated it with a slathering of the greasy greed of the 1980s. Like its forebear, De Palma’s movie had its own struggles with the ratings board, earning a debilitating X rating because of its intense violence.

Craig – I agree with DePalma’s Scarface is better than the original, but I would also argue that the original was just as controversial pushing the envelope of violence and sexual innuendo.

 

9. THE CRAZIES (2010)
Fans chewed their fingernails off when Overture Films announced a remake of George Romero’s 1973 zombies-by-another-name horror flick, but it turned out to be ripe for remake pickings. The government assault on a town suffering from the military’s own biological weapon was effectively moody but had problems that Breck Eisner’s version cleaned up considerably. Justified star Timothy Olyphant is perfect as the beleaguered small-town sheriff, and the film works as a tense survival thriller with a boatload of spine-jolting scares.

Craig – I really liked the remake much more than the original.  And like both John Carpenter’s The Thing and Brian DePalma’s Scarface liked The Crazies remake better with each additional viewing.

Midnight Mystery #1 / Z-View

Midnight Mystery #1 is part of a four-issue mini-series published by Alterna Comics.

Writer: Bernie Gonzalez
Artist: Bernie Gonzalez
Colorist: Bernie Gonzalez
Letterer: Wes Lochner
Cover Artist: Bernie Gonzalez

*** Beware – spoilers may be found below ***

Follow the strange adventures of detective Zeke King as he goes from case to horrifying case. In this issue: King’s latest case goes from freaky to fatal when he’s hired to find the lost son of a deceased horror host! The mystery begins in this new supernatural horror series!

Bernie Gonzalez’s Midnight Mystery is the Alterna series I was most looking forward to and it lived up to all of my expectations.  Gonzalez created a fun issue that quickly introduces us to Zeke King’s world and things to come.  I grew up watching Sammy Terry introduce late night monster movies and love that Count Karloff (a perfect name for a horror host) is used in the first Zeke King arc.  The issue ends with a cliffhanger and left me wanting more.  What better praise for a comic?

Gonzalez’s writing, like his art, is clear and supports the story in a lean, efficient way.  Many folks compare Gonzalez’s art to Darwyne Cooke and I don’t disagree but I also see the influence of Alex Toth and Paul Grist.

Bring on issue 2!
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