Category: Crime

Rob Hunter and Film School Rejects present 24 Things We Learned from Ben Affleck’s Gone, Baby, Gone Commentary.   Here are three of my favorites…

7. Affleck worried about a shot of Jerry Springer on Helene McCready’s (Amy Ryan) TV thinking it might be too cliched, but “literally one in every two houses that I went into had Springer on while we were scouting in the afternoon.”

8. The extra with the hole in his throat was in the bar when they arrived for shooting so Affleck just asked him to stay. The man moving quickly behind him is actually Affleck who was passing by unaware they were grabbng the shot. Stockard wonders if this is Affleck’s stab at a Hitchcock cameo, but the director denies it.

3. One of the changes they made from the novel was adjusting the private eyes’ ages from being in their 40s to being in their 30s, “but that presented its own challenges,” says Stockard.

Garin Pirnia and Mental Floss present 15 Thrilling Facts About Basic Instinct. Here are three of my favorites…

1. THE SCRIPT SOLD FOR A RECORD $3 MILLION.
Back in the day, spec scripts could sell for millions of dollars. Joe Eszterhas joined that club when he sold Basic Instinct—a script that took him just 13 days to write—for $3 million in 1990. Eszterhas told The A.V. Club that the media liked to focus on a writer’s failures, which occurred when Eszterhas’ Showgirls tanked at the box office. “CBS Evening News came with a helicopter crew and found me on a beach in Florida and interviewed me about the money I got for Basic Instinct,” Eszterhas said. “The other thing that I don’t think was quite fair was that after that whole period, where scripts—mine and Shane Black’s and half a dozen other writers’ scripts—went for a lot of money, the media zeroed in on the box office for some of those scripts, and they always zeroed in on the failures … When Basic Instinct went on to earn $400 million worldwide, there were no stories that said, ‘[Executive producer] Mario Kassar paid three million bucks for this.’”

2. CATHERINE AND NICK WERE BASED ON REAL PEOPLE.
Before he became a multimillionaire screenwriter, Eszterhas was a police reporter for Cleveland’s The Plain Dealer. “I met a cop who just liked the action too much,” Eszterhas told Nerve. “He was always in the middle of shootings. He was a great cop on one level, but on another, you suspected he liked it too much. That’s what Nick Curran does in Basic Instinct. As Catherine says in the movie, he got too close to the flame. He loved the flame.”

Tramell also comes from a person Eszterhas knew in Ohio, this time a go-go dancer in Dayton. One night he picked the stranger up and they went back to his hotel room to have some fun. “She reached into her purse, and she pulled out a .22 and pointed it at me,” he told Nerve. “She said, ‘Give me one reason why I shouldn’t pull this trigger.’ I said, ‘I didn’t do anything to hurt you. You wanted to come here, and as far as I know, you enjoyed what we just did.’ And she said, ‘But this is all guys have ever wanted to do with me, and I’m tired of it.’ We had a lengthy discussion before she put that gun down. Those two random characters are where those parts of Basic Instinct come from.”

3. MICHAEL DOUGLAS AND PAUL VERHOEVEN APPROACHED THE MOVIE AS IF IT WERE A DETECTIVE NOVEL.
Verhoeven wanted to make a modern version of a Hitchcock thriller—except with a lot more sex. “In traditional films, the killer lurks in a house and the victim walks into the kitchen, turns on the radio, makes coffee, opens a book, gets comfortable—and then the killer strikes,” he told The New York Times. “In this film, the killer hides—but on the bed. The situation is the same, but the two people are facing each other in bed, not the kitchen.”

Douglas agreed with the film noir aspect of the movie. “Fatal Attraction was a picture close to home for a lot of people because you could identify with those characters,” he also told theTimes. “It was a reality tale, while Basic Instinct is like a detective novel that people like to read in the privacy of their homes. It’s almost Gothic. It’s certainly more dramatic. And the real question here is: Is anybody really worthy of redemption?”

Andrew LaSane and Mental Floss present 10 Hardcore Facts About New Jack City. Here are three of my favorites…

1. IT WAS MARIO VAN PEEBLES’S DIRECTORIAL DEBUT. 
Mario Van Peebles—an actor and the son of filmmaker Melvin Van Peebles—has admitted that making his debut as a feature director with New Jack City was tough. He had directed episodes of shows like 21 Jump Street and Wiseguy, but the film was a different beast, especially in terms of the tone. “It’s tricky,” he told The Morning Call. “New Jack is a dangerous movie to make, I didn’t want to do a direct glorification of the Tone-Loc lifestyle. I had to be careful about that. I thought about the old Scarface movie, which was probably meant as a deterrent to crime because it depicts all the violence of that kind of lifestyle. But for kids who don’t have any way out, ‘Live Fast and Die Young’ is like a motto. For people with no opportunities, gangsters become role models.”

5. ICE T WAS LUKEWARM ON THE IDEA OF PLAYING AN UNDERCOVER NEW YORK CITY COP.
After he was given the script and realized that his character, Scotty Appleton, was a cop, Ice T was hesitant. His lifestyle and his music represented the exact opposite of what he would have to play on screen. “I started to survey all the people around me, people whose opinions I trusted the most,” Ice T wrote in Ice.  “‘Yo, I got offered this movie role,’ I said over and over. ‘But here’s the thing: they want me to be the man. I thought my old crime partners might start laughing. Or snap my head off. But they all had the same response. They got these puppy faces, turned real quiet for for a moment, then asked me, ‘Word? Ice, could I be in the movie?'”

6. MARTIN LAWRENCE WAS THE ORIGINAL POOKIE.
Chris Rock’s portrayal of the drug addict Pookie earned him praise from Roger Ebert and other reviewers, but he was not the first choice for the role. In a recent interview about the legacy of New Jack City, screenwriter Barry Michael Cooper revealed that comedian Martin Lawrence had the better audition and had secured the part. “He’ll admit it himself, his audition wasn’t great, at all,” Cooper said of Chris Rock. “Martin Lawrence, he came in and killed that audition. The person taping had to shut the camera off; everybody was on the floor [laughing].”

But shortly before production began, Lawrence’s mentor and fellow comedian Robin Harris passed away. “He didn’t take it well,” Cooper said. “He stepped out of the movie, and that’s when they gave the role to Chris Rock.” Lawrence later referenced the film in an episode of his sitcom, Martin, dressing like and quoting Snipes’ Nino Brown character while dragging around a stuffed dog.