Category: Horror

Jennifer M. Wood and Mental Floss present 14 Flesh-Eating Facts About Cabin Fever.  Here are three of my favorites…

6. THE SAME STUDIOS THAT PASSED ON PRODUCING THE FILM ENGAGED IN A BIDDING WAR FOR THE FINISHED PRODUCT.
Though Roth’s original plan for the film was to sell the script and have a studio produce it, no one was interested in buying it (hence the aforementioned eight-year process of getting it made). But a successful showing at the 2002 Toronto International Film Festival changed all that: the film sparked a bidding war, with Lionsgate ultimately emerging victorious. Roth was paid $3.5 million for the film, and promised $12 million in prints and advertising. Of the many studios competing to acquire Cabin Fever, most had already passed on producing it.

8. PETER JACKSON WAS A FAN.
After hearing about Cabin Fever from several of his The Lord of the Rings collaborators, Peter Jackson requested that a print be sent to him in New Zealand, where he was filming The Return of the King. Impressed by what he was seeing, Jackson shut down production on his own film—twice!—to screen Cabin Fever for his cast and crew. Eventually, Jackson invited Roth to The Lord of the Rings set, where he offered to supply Roth with a quote about the film for his production materials. It read: “Brilliant! Fantastic! Horror fans have been waiting years for a movie like Cabin Fever. I loved it!”

9. QUENTIN TARANTINO DECLARED ROTH “THE FUTURE OF HORROR.”
In a 2004 interview with Premiere, Quentin Tarantino talked at length about his admiration for Cabin Fever, and called Roth “the future of horror.” The admiration was mutual. Tarantino and Roth would go on to become good friends and regular collaborators. In addition to directing Thanksgiving, one of the fake trailers in the middle of Tarantino and Robert Rodriguez’s Grindhouse, and playing Dov in the film, Roth had a major role as Sergeant Donny Donowitz in Tarantino’s Inglourious Basterds (2009).

Andrew LaSane and Mental_Floss present 11 Transformative Facts About The Fly.  Here are three of my favorites…

1. IT WAS PRODUCED BY MEL BROOKS.
Known as a master of comedy, Mel Brooks is also a fan of the horror genre. Producer Stuart Cornfeld convinced the reluctant studio to distribute the film if he could find the money to make it, and Mel Brooks was the first person he went to for help (the two had previously collaborated on David Lynch’s The Elephant Man in 1980). It was Brooks who encouraged Cronenberg to take the movie as far as he wanted. “[Brooks] said ‘I want you to go all the way. Let yourself go, and don’t hold back.’ There were no restraints,” Cronenberg recalled. “They were willing to lose that percentage of the audience that would have liked the love interest stuff, but couldn’t take the horror.”

2. BROOKS CAME UP WITH THE FILM’S MOST FAMOUS LINE.
“Be afraid, be very afraid” is a quote that many people have heard, but not everyone knows comes from The Fly. Cronenberg revealed in a commentary track that the iconic line was invented by Mel Brooks while discussing how characters should react to the early stages of Seth Brundle’s transformation. The quote also became one of the film’s taglines.

5. JEFF GOLDBLUM AND GEENA DAVIS WERE A COUPLE.
Goldblum was the one who campaigned for then-girlfriend Geena Davis to co-star in the film as journalist/love interest Veronica Quaife, a.k.a. Ronnie. Goldblum admits in a special features documentary that he became jealous of her scenes with actor John Getz and had to be told to leave the set because of his emotional attachment. Their relationship also affected the way they performed the roles. “The problem really in working with a couple who were so close and had been together for quite some time was that Geena, who was an adept mimic, she would basically do Jeff,” Cronenberg said in his commentary track. “She was like Jeff in her linguistic rhythm, her speech rhythm, and her body language because Jeff has a very strange and infectious way of speaking and moving …one of the things we had to do was to disconnect Geena and Jeff for the sake of the movie.”

Tara Aquino and Mental_Floss present 10 Mind-Blowing Facts About Scanners.  Here are three of my favorites…

4. CRONENBERG SHOT TWO ENDINGS TO SCANNERS.
According to Michael Ironside, who played Darryl Revok, he and Stephen Lack filmed a less exciting version of the ending. “With one ending, we had this psycho-battle between my brother and I and it didn’t work, we shot it right up until Christmas and sent the script to [special effects wizard] Dick Smith in New York and asked him what he could come up with in terms of cutting edge makeup,” Ironside explained. “You know, something that would give us a more memorable battle and a different ending. Dick then came up with the idea of the exploding heads and that was a very collaborative thing.”

5. ACCORDING TO LACK, THE SCANNERS SCRIPT WASN’T EVEN WRITTEN WHILE FILMING.
It’s no surprise that Cronenberg allegedly called Scanners his most frustrating film to make. In addition to delays in filming, the script wasn’t even completed when production commenced. “Not only was Scanners not rehearsed, but it wasn’t written,” Lack told Film Comment. “David was coming in with pink, blue, and yellow pages for the day for the version of the script that we were doing, and he was working on it right there. As a result I had to deal with the dialogue in such a way that I was not reacting to things, because the information hadn’t been given to my character in the linear progression of the story. If you chop it up and look at it, 50 percent of my dialogue is not an assertion of anything but rather a question: ‘You called me a Scanner, what does that mean?’ ‘You’re part of an organization, who are you?’ Everything is a freaking question!”

6. MICHAEL IRONSIDE WORE DUSTIN HOFFMAN’S EYES FROM LITTLE BIG MAN IN A CRUCIAL SCENE.
Scanners was all about making its special effects work at all costs, which is why Ironside’s story about his peculiar eyes at the end of the film fits in perfectly. “There’s a scene … where I’m set on fire and my head comes up and those scleras they put on your eyes, they had scratched all my corneas,” Ironside recalled. “So the contact lenses they had made for me to change my eye color didn’t fit properly because my eyes had been scratched. Dick Smith happened to have with him Dustin Hoffman’s eyes from Little Big Man and they were actually oversized, and you wouldn’t normally do this because they have to be fitted, but when you see me come out from under that coat at the end of Scanners, those blue eyes of mine are Dustin Hoffman’s from Little Big Man.”