Category: Movies

“London After Midnight” starring Lon Chaney – A Rare Still!

I continue to hold out hope that someday a print of London After Midnight will be found.  London After Midnight starred Lon Chaney, was directed and co-produced by Tod Browning.  There is no known copy of the film (the last known print was destroyed in a fire in the 1960s) and is considered to be the most “sought-after” lost film. From WikipediA…

London After Midnight (also marketed as The Hypnotist) is a lost 1927 American silent mystery film with horror overtones directed and co-produced by Tod Browning and starring Lon Chaney, with Marceline Day, Conrad Nagel, Henry B. Walthall and Polly Moran. The film was distributed by Metro-Goldwyn-Mayer, and was based on the scenario “The Hypnotist”, also written by Browning.

I truly hope that a copy of the film is found for fans, like me, to see.

“The Cosmic Hoax: An Expose” (2021) / Z-View

The Cosmic Hoax: An Expose (2021)

Director: Michael Mazzola

Writer: Michael Mazzola

Stars: Steven M. Greer, Paola Harris, Carol Rosin and Daniel Sheehan.

Tagline:  None

The Plot…

Dr. Steven Greer believes that our government (and other governments) know about and are in contact with different aliens species. This has been going on for over 100 years.  Greer creates an interesting timeline and provides interviews with other like-minded people/”experts” as well as other evidence (although nothing conclusive).  It makes for an interesting presentation.

Thoughts (beware of spoilers)

I’m a sucker for well done docs on this (and other conspiracies).  Do not think that my viewing or high rating means I am a believer though.

The Cosmic Hoax: An Expose (2021) rates 4 of 5 stars.

“Captain America: The First Avenger” (2011) starring Chris Evans & Hugo Weaving / Z-View

Captain America: The First Avenger (2011)

Director: Joe Johnston

Screenplay: Christopher Markus, Stephen McFeely based on Captain America comics created by Joe Simon, Jack Kirby

Stars: Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell, Sebastian Stan, Tommy Lee Jones,  Dominic Cooper, Stanley Tucci, Toby Jones, Neal McDonough, Derek Luke, Kenneth Choi, Martin T. Sherman and Stan Lee.

Tagline:  The first Avenger

The Plot…

World War II rages.  Steve Rogers (Evans) wants to be a soldier and do his part in the war effort.  Although a patriotic young man, Rogers is small, frail, unhealthy and keeps getting turned down.  While attempting again to enlist, Dr. Erskine (Tucci) overhears Rogers’ story.  Erskine is head of a secret program designed to create “super soldiers”.  Steve Rogers would be a perfect candidate.

The process changes Rogers from a frail unhealthy man into a perfect physical specimen.  That combined with Rogers’ ethics and humanity make him worthy of the title Captain America.

Meanwhile in Germany, Johann Schmidt (Weaving) aka The Red Skull is the leader of Hydra, Schmidt is working to create a weapon of mass destruction.  It will be up to Captain America and a small band of soldiers to go behind enemy lines and put an end to the Red Skull’s plans.

Thoughts (beware of spoilers)

Captain America is one of the first comics I ever read as a child.  Seeing Cap and his cast of characters (especially the Red Skull) on screen was this kid’s dream come true.

Captain America: The First Avenger (2011) rates 5 of 5 stars.

“The Continental: From the World of John Wick” | Opening Fight Scene – Sneak Peek

This looks better and better.

The three-part event will explore the origin behind the iconic hotel-for-assassins centerpiece of the John Wick universe through the eyes and actions of a young Winston Scott, as he’s dragged into the Hell-scape of 1970’s New York City to face a past he thought he’d left behind. Winston charts a deadly course through the hotel’s mysterious underworld in a harrowing attempt to seize the hotel where he will eventually take his future throne.

“Batman & Bill” (2017) / Z-View

Batman & Bill (2017)

Director: Don Argott, Sheena M. Joyce

Stars: Marc Tyler Nobleman, Bill Finger, Fred Finger, Portia Finger, Thomas Andrae, Jerry Bails, Otto Binder,
Athena Finger, Judy Flam, Stacey C. Friends, Carmine Infantino, Stan Lee, Todd McFarlane, Daniela Nobleman  
and Bob Kane.

Tagline: None.

The Plot…

For decades one of the biggest “secrets” that insiders knew was that Bob Kane wasn’t the sole creator of Batman. Despite this knowledge, every appearance of The Dark Knight contained the credit “Created by Bob Kane”.  The truth of the matter is Bill Finger was the creator of Batman’s costume, Robin, Catwoman, The Joker, The Riddler, Commissioner Gordan, the Batcave, Gotham City and more.  Yet Bill Finger received no credit or compensation while Bob Kane got rich and famous.

Batman & Bill is the story of one man’s quest to right this wrong.  Despite overwhelming odds justice finally prevailed.  This is that story.

Thoughts (beware of spoilers)

Although the general public didn’t know about Bill Finger, it wasn’t a secret among comic book professionals and many fans. Bob Kane for years claimed he was the sole creator of Batman.  The publishers of Batman and all its spinoffs knew differently.  It wasn’t until after Bill Finger’s death that Kane started to give Finger some credit.  Still, Kane was the only one listed on any Batman comic, movie or merchandise.

When Marc Tyler Nobleman learned of this injustice, he made it his life’s mission to right that wrong.  He had nothing to gain, but like a true superhero wanted justice to be served.  And it finally was.

Batman & Bill (2017) rates 4 of 5 stars.

“Give ’em Hell Malone” (2009) starring Thomas Jane & Ving Rhames / Z-View

Give ’em Hell Malone (2009)

Director: Russell Mulcahy

Screenplay: Mark Hosack

Stars: Thomas Jane, Ving Rhames, Elsa Pataky, Chris Yen, French Stewart, Leland Orser, Chris Yen, William Abadie, Doug Hutchison, David Andriole  and Gregory Harrison.

Tagline: Hard to love… Harder to kill.

The Plot…

Malone (Jane), a private detective, is hired to retrieve a suitcase.  When he recovers the goods, Malone finds himself in a building full of hard cases trying to kill him.  Although wounded, he survives.  Now Malone is determined to find out what the case contained and who set him up… even if he has to kill a lot of people to get answers.

Thoughts (beware of spoilers)

Give ’em Hell Malone is full of hits and misses, but man, it swings for the fence every chance it gets.  The film reminds me of a cross between Streets of Fire, Sin City and every tough private eye film ever made.  I mean that in the best way possible.

Give ’em Hell Malone opens in the middle of a protracted gun battle!  There’s a mystery about the contents of the suitcase Malone is hired to retrieve.  Give ’em Hell Malone is set in an undefined time period. It feels retro yet modern. 

The movie features a great cast playing over the top characters:

  • Malone – the hero who takes a beating and keeps moving forward
  • Boulder (Rhames) – Malone’s one time friend who now works for someone who wants Malone dead
  • Matchstick (Hutchison) – the burn-scarred psycho pyromaniac
  • Frankie the Crooner (Stewart) – the small time entertainer (and I mean small time)
  • Murphy (Orser) – Malone’s friend who learns that saying the wrong thing can make things get hot fast.
  • Evelyn (Pataky) – Murphy’s sexy sister who has an agenda of her own
  • Mauler (Yen) – the little assassin with big knives
  • Whitmore (Harrison) – the man with the power working behind the scenes

Give ’em Hell Malone isn’t a great film, but it is a fun one.  Not every scene works, but in every scene you can see what they were working for.  If you’re in the right frame of mind, a fan of noir, old-time detective movies and more modern films like Sin City and Streets of Fire, then you’d probably enjoy Give ’em Hell Malone a shot.  There has been talk of a sequel and I’d love it to happen.

Give ’em Hell Malone (2009) rates 4 of 5 stars.

“Bloodthrist” – The Poster and Trailer are Here!

Bloodthrist has the look and feel of a drive-in movie.  And who doesn’t like a good drive-in movie once in a while?

Lionsgate’s BLOOTHIRST, starring Costas Mandylor, Tara Reid and Robert LaSardo, will be available on digital and on demand on October 31. After the apocalypse, only two tribes remain: desperate humans and the roving vampires that feed on them. Across the desolate West, John Shepard (Costas Mandylor, Saw IV) seeks the aging head vampire, hoping to destroy him and free mankind. But when Shepard and his posse of native sons and farmer’s daughters joins forces with a local militia, they learn that they’re closer to the Master than they think…

“Killers of the Flower Moon” – The Final Trailer is Here!

The final trailer for Killers of the Flower Moon – a Martin Scorsese picture. In theaters everywhere October 20.

At the turn of the 20th century, oil brought a fortune to the Osage Nation, who became some of the richest people in the world overnight. The wealth of these Native Americans immediately attracted white interlopers, who manipulated, extorted, and stole as much Osage money as they could before resorting to murder. Based on a true story and told through the improbable romance of Ernest Burkhart (Leonardo DiCaprio) and Mollie Kyle (Lily Gladstone), Killers of the Flower Moon is an epic western crime saga, where real love crosses paths with unspeakable betrayal. Also starring Robert De Niro, Jesse Plemons, John Lithgow, Brendan Fraser, Tantoo Cardinal, Cara Jade Myers, JaNae Collins, and Jillian Dion, Killers of the Flower Moon is directed by Academy Award winner Martin Scorsese from a screenplay by Eric Roth and Scorsese, based on David Grann’s best-selling book.

Hailing from Apple Studios, Killers of the Flower Moon was produced alongside Imperative Entertainment, Sikelia Productions and Appian Way. Producers are Scorsese, Dan Friedkin, Bradley Thomas and Daniel Lupi, with DiCaprio, Rick Yorn, Adam Somner, Marianne Bower, Lisa Frechette, John Atwood, Shea Kammer and Niels Juul serving as executive producers.

George Romero’s “Night of the Living Dead” Alt Print by Paul Mann!

Paul Mann, Bottleneck Gallery and Image Ten have teamed to create a new alt poster for George Romero’s Night of the Living Dead.  There are three variants of this limited edition print.  All are 24×36 and hand-numbered.  You can see a bigger version of this one as well as the green and blue variants by clicking here. (You can even get one if supplies last.)

“Mr. Sardonicus” (1961) / Z-View

Mr. Sardonicus (1961)

Director: William Castle

Screenplay: Ray Russell

Stars: Oscar Homolka, Ronald Lewis, Audrey Dalton, Guy Rolfe and William Castle.

Tagline:  YOU decide the fate of Mr. Sardonicus during the “Punishment Poll”! Vote “mercy” or “no mercy” right in your theatre seat!

The Plot…

The year is 1880.  Sir Robert Cargrave (Lewis), a world famous physician gets a letter from Maude (Dalton), his former lover.  She requests that he come meet with her husband in a matter of great importance.  Because Cargrave still has feelings for Maude he goes.

Her husband is the rich and feared  Baron Sardonicus (Rolfe).  Upon arrival at Castle Sardonicus, Cargrave is greeted by Krull (Homolka), Sardonicus’ disfigured servant.  When he meets Maude, she says that if Cargrave cannot cure her husband, Baron Sardonicus will take it out on her!  Baron Sardonicus enters the room so she cannot say more.  Cargrave is shocked to see that Sardonicus wears a mask.

We learn that Baron Sardonicus’ face is hideously disfigured.  Sardonicus expects Dr. Cargrave to cure him.  If he doesn’t then Maude will be “punished”.  As Dr. Cargrave decides his next move, he learns that as deformed as Sardoniscus’ face is, his sadistic behaviors are even worse.

Thoughts (beware of spoilers)

William Castle, the King of Movie Gimmicks, came up with a winner.  Before the start of the film, William Castle tells the audience that the cards they were given on entry will decide the ending of the film.  Before the last scene, Castle will return to tell the audience to hold up cards with glow-in-the-dark thumbs.  Sardoniscus will either be given “mercy” or not depending on how the majority of the audience votes. Thumbs up equals mercy.  Thumbs down, no mercy.   Truth be told, there was only one ending – no mercy.

Most William Castle films focus on horror and jump scares.  Mr. Sardonicus places emphasis on suspense.

Mr. Sardonicus (1961) rates 3 of 5 stars.

“The Mother” starring Jennifer Lopez / Z-View

The Mother (2023)

Director: Niki Caro

Screenplay: Misha Green, Andrea Berloff, Peter Craig from a story by Misha Green[1]

Stars: Jennifer Lopez, Lucy Paez, Omari Hardwick, Joseph Fiennes, Jesse Garcia, Yvonne Senat Jones, Gael García Bernal and Edie Falco.

Tagline:  None.

The Plot…

“The Mother” (Lopez) is an unnamed ex-military, soldier brokering an arms deal between two of her former lovers, ex-SAS Captain Adrian Lovell (Fiennes) and arms dealer Hector Álvarez (Bernal).  When she discovers that they are both also involved in child trafficking, she turns FBI informant.

While “The Mother” is at a safe house being interrogated, and nearly ready to give birth, the safe house is attacked.  All of the FBI agents except, William Cruise (Hardwick) are murdered.  Cruise is badly wounded, but saved by “The Mother”, who is also wounded and nearly loses her baby.  Realizing she is a marked woman and her child would always be in danger, “The Mother” agrees to put the baby up for adoption with three conditions:
1.  The baby will be put in a good, safe home
2.  Cruise will send her a birthday photo every year
3.  Cruise will let her know if the child is ever in danger

Cruise agrees. The child is adopted and named Zoe (Paez). “The Mother” moves to Alaska to live off the grid.

Twelve years later Cruise contacts “The Mother”.  Zoe who is in grave danger.  Álvarez has learned where she is and is planning to kidnap her.  Together Cruise and “The Mother” move to save Zoe, but will they be too late?

Thoughts (beware of spoilers)

Jennifer Lopez is more than capable to play an action hero.  Unfortunately, The Mother is content to coast.  The story hits all the marks you’d expect.  It feels like moviemaking by numbers.  There are no surprises. It does have enough star power and action to hold our attention.  Unfortunately except for Lopez, the stars are under-used.  I’d have loved to have seen Omari Hardwick and Edie Falco given more to do.

While “The Mother” is an okay way to spend a couple of hours, Jennifer Lopez and her co-stars deserved better.  So did the audience.

The Mother (2023) rates 2 of 5 stars.