Category: Movies

“Dr. Phibes Rises Again” (1972) / Z-View

Dr. Phibes Rises Again (1972)

Director:  Robert Fuest

Screenplay:  Robert Fuest, Robert Blees based on characters created by James Whiton and William Goldstein

Starring:  Vincent Price, Robert Quarry, Valli Kemp, Milton Reid, Peter Cushing, Terry-Thomas, Caroline Munro and Gary Owens

Tagline: He lives!

The Overview:  Beware of Spoilers…

Three years after the events in The Abominable Dr. Phibes, the moon and planets literally align to bring Dr. Phibes (Price) back from his self-imposed suspended animation.  According to an ancient papyrus that Phibes locked away, there is a secret location in Egypt that contains the River of Life.  This river has special powers that will bring Phibes’ wife back from the dead and provide them with eternal life.

Phibes learns that Darius Biederbeck (Quarry) has stolen the papyrus, so Phibes recruits his mute assistant Vulnavia to help him get it back.  They will kill anyone who gets in their way.  And so they do.  The strange murders get the police involved.  Phibes and Bierderbeck race to Egypt to find the River of Life, with the police in hot pursuit.

Dr. Phibes Rises Again isn’t quite as strange as The Abominable Dr. Phibes, but it’s close.  If you liked the original, you should enjoy this follow-up.  I was disappointed that Darrus Biederbeck’s manservant, Cheng (Reid) was killed so soon, but at least he got to go out in an amusing way.  Dr. Phibes Rises Again is one of those movies where you don’t question what you’re seeing and just go with the flow like you’re on the River of Life.

Dr. Phibes Rises Again rates 2 of 5 stars.

Quentin Tarantino’s CINEMA SPECULATION is coming!

Quentin Tarantino’s Cinema Speculation is coming and sounds like something many of us will like.  Here’s the lowdown…

The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT’s and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

Cinema Speculation by Quentin Tarantino pre-orders are available now!  (And if you prefer Cinema Speculation by Quentin Tarantino on Kindle)

“Witness to Murder” (1954) / Z-View

Witness to Murder (1954)

Director:  Roy Rowland

Screenplay:  Chester Erskine, Nunnally Johnson (uncredited)

Starring:  Barbara Stanwyck, George Sanders, Gary Merrill,  Jesse White and Claude Akins

Tagline: No one would believe what she saw that night… not the police… not her friends… no one — but the murderer himself!

The Overview:  Beware of Spoilers…

Looking out of her window one evening, Cheryl Draper (Stanwyck) witnesses a murder committed in an apartment across the way.  The murderer sees the police arrive, and by the time they get to his room, he’s hidden the body in an empty apartment.  Albert Richter (Sanders) greets the police as if he’s been awakened from a sound sleep and he couldn’t be more accommodating.  The police report back to Miss Draper that she was mistaken.

The next day Miss Draper sees Richter putting a trunk into his car and driving away.  She’s convinced that he’s disposing of the body.  Draper decides to get into his apartment to find evidence and then go to the police.  Unfortunately for Cheryl Draper, it’s like the movie’s tag line says: No one believes what she saw that night… not the police… not her friends… no one — but the murderer himself!

Witness to Murder was released in 1954, the same year as Alfred Hitchcock’s Rear Window.  The release year isn’t the only thing the films have in common,  The plots of each have someone witness a murder in an apartment across the way and no one believes it but the murderer.  Hitchcock’s film is a classic, and Witness to Murder is under-rated.

Witness to Murder wastes no time to get the story going.  The black and white photography adds a feeling of menace.  Although Barbara Stanwyck is the first billed star, it is George Sanders who steals the show.  While the “insane” woman aspect of the movie is dated, Sanders’ portrayal of a sociopathic killer who is always steps ahead of the witness and cops could have been written today.  Several familiar faces show up: George Sanders, Gerry Merrill, Jesse White (the Maytag repairman!) and even an unbilled Claude Akins.

Witness to Murder is a fun ride.  Clocking in at a fast-paced one hour and twenty-three minutes, it’s a journey you might enjoy.  I did and that’s why I give Witness to Murder 4 of 5 stars.

RIP: Bo Hopkins

Bo Hopkins died yesterday after suffering a heart attack.  Mr. Hopkins was eighty.

Although he was named William at birth and called Billy as he was growing up, his stage name became Bo when producers of his first off-Broadway play suggested a name change.  Bo was the name of the character he was playing.

Bo Hopkins decided on an acting career after serving in the army.  He began getting parts in local plays, then moved to New York for more stage acting.  Later Mr. Hopkins moved to Hollywood to seek his fame and fortune.  His first roles were guest appearances on television shows.   Then Bo Hopkins got his breakout role in Sam Peckinpah’s The Wild Bunch.  For the remainder of his career Mr. Hopkins alternated between television appearances and feature films.

Some of Bo Hopkins’ television appearances are on: The Virginian, Gunsmoke, The Wild Wild West, The Andy Griffith Show, The Rat Patrol, The Guns of Will Sonnett, Bonanza, Ironside, Nichols, Hawaii Five-O, Barnaby Jones, The Rockford Files (4 episodes), Charlie’s Angels, Fantasy Island, The A-Team, The Fall Guy, Dynasty (18 episodes), Matlock and Murder She Wrote.

Feature Films on Bo Hopkins’ resume include: The Wild Bunch, Monte Walsh, The Getaway, The Man Who Loved Cat Dancing, American Graffiti, White Lightning, The Killer Elite, Midnight Express, More American Graffiti and Shade.

I first time I saw Bo Hopkins was on The Wild, Wild West, but the role that comes to mind when his name is mentioned is in The Wild Bunch.  Bo Hopkins appeared in quite a few television shows throughout his career and many of them were shows I watched.  I quickly came to realize that if Bo Hopkins showed up in the credits, things were about to go down.  Then he began appearing in movies often opposite of the tough guy stars: Lee Marvin, Steve McQueen, Burt Reynolds and James Caan to name a few.  Bo Hopkins made a great adversary.  I also love that Bo Hopkins appeared in Shade with Sly Stallone.  Any time Bo Hopkins name appeared in the credits, I knew we were in for something special.

Our thoughts and prayers go out to his family, friends and fans.

“A Fistful of Dollars” Trivia!

Rob Hunter at Film School Rejects came up with 21 Things We Learned from the Fistful of Dollars Commentary.  Before you click over, here are three of my favorites and my thoughts on each…

Eastwood was paid $15,000 for the film with a six-week Spanish “holiday” included. Other actors originally considered for the role, including Charles Bronson, James Coburn, Henry Fonda, and others, all asked for too much money. (I always find it interesting to see who was offered a role compared to who ended up playing it.  Of the three listed, Charles Bronson is my hands-down favorite.  Eastwood is iconic as the Man with No Name, but it would have been interesting to see what Charles Bronson could have done with that role. – Craig)

The opening title credits were designed by Luigi Lardani and based in part on the popular James Bond title credits of the time. (If you watch the opening credits, the 007 title credits influence is clear.  It was a smart idea to use modern title credits for a movie set in the old west.  – Craig)

You know this already, but the film is very directly based on Akira Kurosawa’s Yojimbo (1961). Kurosawa had already acknowledged that his samurai films were in some ways a reworking of traditional Hollywood westerns, but A Fistful of Dollars is a very, very clear remake of Yojimbo — “the trouble was that nobody had cleared the rights.” Kurosawa eventually wrote to Leone after seeing the western and said “I like your film very much, it’s a very interesting film, unfortunately it’s my film not your film.” They settled out of court with the Japanese director going on to earn more from this film than from any of his own releases. (Wow!  I knew that A Fistful of Dollars was a reworking of Yojimbo, but had no idea that Kurosawa’s settlement made him more money than any of his own films!  I also love his quote: “I like your film very much… unfortunately it’s my film not your film.” – Craig)

RIP: Ray Liotta

Word has come that Ray Liotta died in his sleep at the age of 67.  No cause of death was given.

In 1978, Ray Liotta graduated from the University of Miami with a Bachelor of Fine Arts degree.  He then moved to New York, and within six months landed a regular role on the soap opera Another World.  Three years later, he left the series and moved to LA where he worked in both movies and television for the rest of his career.

Some of Ray Liotta’s memorable television appearances include: St. Elsewhere, Casablanca, The New Mike Hammer, Frasier, The Rat Pack (tv movie), Family Guy, ER, Texas Rising, The Making of the Mob, Modern Family and Shades of Blue.

Ray Liotta’s most notable feature films include: Something Wild, Field of Dreams, Goodfellas, Unlawful Entry, No Escape, Cop Land, Hannibal, Blow, Narc, John Q, Identity, Control, Revolver, Local Color, Smokin’ Aces, Crossing Over, Killing Them Softly, The Iceman, Sin City: A Dame to Kill For and No Sudden Move.

I first became aware of Ray Liotta in Goodfellas.  Here was this young actor holding his own with DeNiro and Pesci in a Martin Scorsese film!  Who does that almost straight out of the shoot?  Think about this — within six months of graduating college, Ray Liotta had an agent and a regular gig on television.  Then when he went to California, he quickly began getting roles in films and television.  Ray Liotta worked continuously from the very start of his career.  That didn’t happen by accident or luck.  It happened because Ray Liotta was one of the best actors working.

My favorite Ray Liotta role is as Gary Figgis in Cop Land.  Word is Mr. Liotta wanted the starring role as Freddy Heflin.  The director wanted Stallone for the part.  Some actors would have walked away.  Not Ray Liotta, he took the supporting role and turned in one of his all-time best performances.  There are some real heavyweight actors in Cop Land including Robert DeNiro and Harvey Keitel.  Often the performance fans talk about first is Ray Liotta’s.

I love it whenever Ray Liotta turns up in a television show or movie.  He steals any scene he’s in and makes the production better. If you want to see Ray Liotta in a performance that deserves more attention, check out Narc written and directed by Joe Carnahan. In 2021, Ray Liotta co-starred in No Sudden Move (one of my favorite movies of the year) and turned in a masterful performance.  That same year he appeared as two characters in The Many Saints of Newark and once again showcased his acting chops.  Those two appearances made me excited for what the future held for Ray Liotta.  Although he has a few yet to be released appearances coming, Ray Liotta died too young.

Our thoughts and prayers go out to Ray Liotta’s family, friends and fans.

“The Killer is Loose” (1956) / Z-View

The Killer is Loose (1956)

Director:  Budd Boetticher

Screenplay:  Harold Medford from a story by John Hawkins and Ward Hawkins

Starring:  Joseph Cotten, Rhonda Fleming, Wendell Corey,  Alan Hale Jr., Michael Pate and John Larch

Tagline: He was no ordinary killer… She was no ordinary victim… This is no ordinary motion picture!

The Overview:  Beware of Spoilers…

Leon Poole (Corey) is a mild-mannered teller who police learn was the inside man on an an attempted bank robbery.  As police go to arrest Poole at his apartment, he decides to shoot it out with them.  When Detective Sam Wagner (Cotten) returns fire, he accidently kills Poole’s wife.

Poole is captured, tried and convicted. Before Poole is escorted out of the courtroom, and while staring at Detective Wagner’s wife, Poole calmly states that he will one day get his revenge.

Two years later Poole escapes from prison.  It turns out that Poole is a sociopath who has nothing on his mind other than killing Detective Wagner and his wife.  As the murders pile up, it is clear that Poole is on his way to extract his revenge and no amount of police will stop him!

“Beast” Starring Idris Elba – The Poster and Trailer are Here!

Above we have the poster and below the trailer for Beast starring Idris Elba.  It’s got to be better than Endangered Species… right?

Director: Baltasar Kormákur
Writers: Ryan Engle
Producers: Will Packer, James Lopez, Baltasar Kormákur
Executive Producers: Jaime Primak Sullivan, Bernard Bellew
Cast: Idris Elba, Sharlto Copley, Iyana Halley, Leah Sava Jeffries

Sometimes the rustle in the bushes actually is a monster.

Idris Elba (Fast & Furious Presents: Hobbs & Shaw, The Suicide Squad) stars in a pulse-pounding new thriller about a father and his two teenage daughters who find themselves hunted by a massive rogue lion intent on proving that the savannah has but one apex predator.

Elba plays Dr. Nate Daniels, a recently widowed husband who returns to South Africa, where he first met his wife, on a long-planned trip with their daughters to a game reserve managed by Martin Battles (Sharlto Copley, Russian Doll series, Maleficent), an old family friend and wildlife biologist. But what begins as a journey of healing jolts into a fearsome fight for survival when a lion, a survivor of blood-thirsty poachers who now sees all humans as the enemy, begins stalking them.

Iyana Halley (The Hate U Give, This is Us series) plays Daniels’ 18-year-old daughter, Meredith, and Leah Sava Jeffries (Rel series, Empire series) plays his 13-year-old, Norah.

From visceral, experiential filmmaker Baltasar Kormákur, the director of Everest and Universal Pictures’ 2 Guns and Contraband, Beast is produced by Will Packer, the blockbuster producer of Girls Trip, the Ride Along franchise, and ten movies that have opened No. 1 at the U.S. box office, including Night School, No Good Deed and Think Like a Man, by James Lopez, president of Will Packer Productions, and by Baltasar Kormákur. The film is written by Ryan Engle (Rampage, Non-Stop) from an original story by Jaime Primak Sullivan and is executive produced by Jaime Primak Sullivan and Bernard Bellew.

“Murder at Yellowstone City” Starring Gabriel Byrne, Thomas Jane and Richard Dreyfuss – The Poster and Trailer are Here!

Westerns are making a comeback.  Murder at Yellowstone City starring Gabriel Byrne, Thomas Jane and Richard Dreyfuss has a cool poster and the trailer ain’t bad.

Murder at Yellowstone City is coming to theaters this June 24th!

The once peaceful and booming Yellowstone City has fallen on hard times, but when a local prospector strikes gold, things seem to be turning around. Any hope is soon shattered when the prospector is found dead and the Sheriff quickly arrests a mysterious newcomer. But nothing is so simple in this sleepy western town, and more than a few of the locals have secrets to keep and reasons to kill. As the brutal murders continue, pitting neighbor against neighbor, Yellowstone City goes down a bloody path to a final showdown that not all will survive.

Starring Gabriel Byrne, Thomas Jane, Isaiah Mustafa, Anna Camp, Nat Wolff, and Richard Dreyfuss

Directed by Richard Gray