Category: Movies

The “Hell on the Border” Poster and Trailer are Here! 

The Hell on the Border poster and trailer are here!  With this cast, I wish it looked better.  Maybe it will surprise me.

This epic, action-packed Western tells the incredible true story Bass Reeves (David Gyasi), the first black marshal in the Wild West. Having escaped from slavery after the Civil War, he arrives in Arkansas seeking a job with the law. To prove himself, he must hunt down a deadly outlaw (Frank Grillo) with the help of a grizzled journeyman (Ron Pearlman). As he chases the criminal deeper into the Cherokee Nation, Reeves must not only dodge bullets, but severe discrimination in hopes of earning his star—and cement his place as a cowboy legend.

Things You Might Not Know About Lon Chaney Sr.!

Lon Chaney is my favorite silent movie star.  (Take that, Chaplin fans!)  Hopefully you will enjoy that Jane Rose and Mental Floss present 9 Transformative Facts About Lon Chaney Sr. as much as me.  Here are three of my favorites…

1. LON CHANEY SR. WAS KNOWN AS “THE MAN OF 1,000 FACES.”
Unlike many of Hollywood’s leading men, who trade on their good looks and recognizable faces, Lon Chaney Sr. made his name by donning a series of disguises and elaborate makeups, completely changing his appearance from film to film. Chaney, an early character actor, gravitated toward bizarre and distinct roles—playing a series of criminals, toughs, circus performers, clowns, pirates, ghouls, and vampires. His ability to disappear into his roles soon earned him the moniker “The Man of 1,000 Faces.” It also made him the subject of a popular joke at the time: “Don’t step on that spider! It might be Lon Chaney!”

3. SOME OF LON CHANEY SR.’S MOST MEMORABLE FILMS WERE MADE WITH DIRECTOR TOD BROWNING AT THE HELM.

Chaney had been working in movies for more than a decade before he began his frequent collaborations with director Tod Browning, who is best known for putting Bela Lugosi on the map with the 1931 film Dracula (and most infamously known for directing the 1932 movie Freaks). But when they did finally come together, it was a meeting of macabre minds. To begin with, Chaney and Browning had several things in common: Both had experienced past brushes with personal tragedy (Browning had been the driver in a car accident that killed actor Elmer Booth; Chaney’s first wife had tried to kill herself); both came from a Vaudevillian background; and both had a penchant for spectacle and the grotesque.

Among Chaney and Browning’s collaborations were the 1925 silent version of The Unholy Three, in which Chaney plays a sideshow ventriloquist masquerading as a kindly grandmother; the 1927 film The Unknown, in which Chaney plays a fugitive masquerading as an armless knife thrower, who later blackmails a surgeon to amputate his arms in order to win the woman he loves (the film is one of several in which Chaney and Browning concocted a bizarre character and built an entire film around it); and the 1927 film London After Midnight, in which Chaney plays a vampire-like figure. Tragically, this film is also famous forbeing lost; the last known copy was destroyed in a 1965 MGM vault fire.

7. LON CHANEY SR. HATED PUBLICITY.
Chaney was a mysterious presence both onscreen and off. He disliked hobnobbing with the Hollywood set, going to premieres, giving interviews, and/or signing autographs (except for fans behind bars—Chaney was a self-taught penologist, or student of prisons and convict rehabilitation). He once boasted that he would “fix it so no one will write my autobiography after I’m gone.”

In fact, details of Chaney’s life were so scarce that actor James Cagney had a difficult time researching the part of Chaney for 1957 biopic Man of a Thousand Faces. While he was no doubt genuinely reclusive to an extent, Chaney’s reticence may have in fact been the smartest publicity move of all, as his mystery only added to his allure.

Things Learned from Martin Scorsese’s “The Set-Up” Commentary

Rob Hunter and Film School Rejects present 21 Things We Learned from Martin Scorsese’s The Set-Up Commentary.

The Set-Up is one of my favorite films (not favorite boxing films, favorite films period).  If you haven’t seen it, do yourself a favor and search it out.

And now, for three of my favorite commentary items (beware of spoilers)…

15. One of the elements that appealed to Wise with the story is that the fight at the heart of the film isn’t some championship bout… it’s just a regional, late on the card fight.

20. He says traditionally this kind of film sees the protagonist not surrender, they get their self-respect, and morally everyone feels uplifted, but it happens here in a different way. The ending in the alley sees his true redemption as he pays the price but is now allowed out of the hellscape his life had become. “It’s really a happy ending,” says Scorsese about Stoker having his hand crushed with a brick by crooks holding him incorrectly accountable “in a truthful way. And maybe there’s a hope to that, a hope for the weaker ones in the world.”

2. The film opens with a clock face showing 9:05 and Wise closes the film with the same clock roughly the length of the film later.

The Best Serial Killer Movies of All Time

 Jim Vorel & Paste Movies Staff present The 50 Best Serial Killer Movies of All Time.

Their list is an interesting one in that it contains a few movies that don’t normally spring to mind as serial killer movies (but are!).  Movies like Arsenic and Old Lace, The Cabinet of Dr. Caligari and Halloween are technically movies about serial killers but is that the first thing you think of when you hear those titles?

My top three serial killer movies would be…

3.  Cell

2.  Se7en

1.  The Silence of the Lambs