“The Godfather, Part II” Art by Steranko!

Here’s something you don’t often see — Steranko art for The Godfather, Part II. You can see a bigger version at Cool Comic Art on Twitter.
Previews and Reviews that are Z's Views

Here’s something you don’t often see — Steranko art for The Godfather, Part II. You can see a bigger version at Cool Comic Art on Twitter.

I’m not sure of the artist who created this poster for The Thing, but I sure do like it!
Source: Jennifer Elm.

Tara Aquino and Mental Floss present 11 Dizzying Facts About Vertigo. Here are three of my favorites…
1. ALFRED HITCHCOCK BLAMED JIMMY STEWART FOR VERTIGO’S FAILURE.
Marred by mixed reviews, the $2.5 million Vertigo did comparatively less than Hitchcock’s previous movies, and was widely recognized as a failure. Frustrated with its reception, Hitchcock partly blamed star Jimmy Stewart’s aging appearance. At the time of filming, Stewart—who had starred in Hitchcock’s three previous films—was 50 years old which, according to the director, was too old to convincingly play then-25-year-old Kim Novak’s love interest.5. AN UNCREDITED CAMERAMAN CAME UP WITH THE FAMOUS “VERTIGO EFFECT.”
According to associate producer Herbert Coleman, it wasn’t Hitchcock who came up with the film’s famous camera technique (which essentially involves zooming forward while pulling the camera backward); rather, it was an uncredited second unit cameraman, Irwin Roberts. “He didn’t get screen credit on Vertigo because they gave the screen credit to another close friend of ours [Wallace Kelley] who did all the process work on the stage,” Coleman said.9. ALFRED HITCHCOCK CHANGED THE SETTING FROM PARIS TO SAN FRANCISCO.
The French source novel, D’entre les Morts, was set in Paris, but Hitchcock believed that San Francisco was more interesting. As noted by Auiler, with the city’s vertiginous streets and hilly landscape, the location perfectly matched the film’s themes. In a city where there were such extreme physical highs and lows, awful for anyone with acrophobia, Scottie’s vertigo became a character in and of itself.

Here’s the trailer for Mask. Charles Mask Lewis was the visionary behind Tapout. From all accounts, Lewis was a generous kind human being who died way too young.

Here’s the trailer for The Radiant One. What a creepy vibe. Yeah, I’ll watch it.

Check out the video below and I’ll bet you agree that IMDB Me is a cool idea. Willem Dafoe and an “interviewer” go through Dafoe’s film credits. Dafoe provides insight, trivia and appears to have as much fun as the viewer. I’d love to see more of these.

This may be the coolest thing on the net right now: The Shape of Water Trailer as a 50’s Horror Movie!

Chris Visions created this beauty for me last year for pick-up at HeroesCon. I’d been a Chris Visions fan for some time and the opportunity to get a commission from him was one I’d couldn’t pass up.
Check out Chris’ site when you have some time to spare. You’ll be amazed at his talent!
Rocky was my first Chris Visions commission. I hope it won’t be my last.

Although the poster for What Still Remains is pretty weak, the trailer is interesting.

I love this Frankenstein and his Bride commission by Eduardo Risso. You can see (and your should) a much larger version at The Bristol Board.

So, how do you like the poster and trailer for The Outsider?

Sly Stallone posted this image on his official Instagram page. Can I buy my ticket now?

The Last Movie Star starring Burt Reynolds (Burt Reynolds!) poster and trailer are here. I can’t tell you how excited I am to see Reynolds back on the big screen and The Last Movie Star looks like the perfect vehicle for him.

Once a week Joblo.com posts Awesome Art We’ve Found Around the Net. As you can imagine, they post awesome art that they, well, you get the idea.
I always enjoy seeing what JoBlo has found because with each post they list the artist’s name and a link to more of his/her art. That’s where I saw this Escape From New York (by Martin Ansin) poster.