Category: Movies

Sleepless (2017)

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Sleepless (2017)

Director: Baran bo Odar

Screenplay: Andrea Berloff based on the French film Sleepless Night

Stars: Jamie Foxx, Michelle Monaghan, Dermot Mulroney, Scoot McNairy, Gabrielle Union and Octavius J. Johnson

The Pitch: “Hey, let’s remake Sleepless Night!”

Tagline: Don’t judge a cop by his cover.

The Overview:  Beware of Spoilers…

 

Sleepless starts off with a lot of potential and then quickly becomes turns into a brainless action fest.  That’s not a bad thing if you’re not hoping for more, but based on the trailer I was.

Sleepless opens with a drug ripoff that turns into a shootout leaving the drug couriers dead. The two masked men who ripped off the 25 million dollars worth of cocaine get away and we learn that they are cops.  Vincent Downs (Foxx) and his partner show up at the station and Downs requests to investigate the case.  Pretty smart move since he and his partner committed the crime.  This is probably the last smart thing that happens in the movie.

Downs and his partner go to the crime scene and discover another pair of detectives are also working the case.  To make matters worse both the drug dealer and the drug buyer are on to Downs (how do they figure this out before the cops?) and so they kidnap Downs’ son.

Downs’ has a son and a wife.  He doesn’t live with them because he was never home.  Son tolerates dad who is always late or doesn’t show up for scheduled visits.  Wife is ready to move on to another man who has been in her life.  This family life could be expected from a drug dealing no good cop.

Downs gets a call and is told to bring the cocaine to the drug dealer’s casino.  Yep, just bring 25 million of coke to the casino and you’ll get your son back.  So what does Downs do?  He takes the satchel of coke to the casino.  Ah, but he has a plan.  He’ll go into the men’s room and hide half in the ceiling.  Then he’ll wait to give his son back before giving them the rest of the drugs.

Can you think of another place that has more cameras than a casino?  Not the brightest plan.  What follows are a bunch of fights as Downs gets his son back, loses his son, fights the drug dealers and fights the other cops investigating the crime.  There are fights in the hallway, fights in the kitchen, the disco, the spa, the pool and the parking garage.  You’ll see more people with guns get their guns taken away by unarmed folks than in any other movie I can remember.

The thing that bugs me is that this could have been a better movie with just a little more thought.  Nits I will pick…

  • Downs takes all the coke to the casino and then hides half of it in the casino.  What’s the point?  Doesn’t he know about cameras?
  • When the female cop trailing Downs discovers he’s brought the stolen coke to the casino she doesn’t call it in.   Instead she takes the coke and hides it in a locker in the spa in the same casino?!?
  • When Downs goes to get the coke he hid so they will give him his son he discovers it is missing.  So he goes to the kitchen and packs up sugar.  The drug dealers take it without checking because cops are supposedly on their way up.
  • In fight scene after fight scene someone with a gun has it taken away from them by an unarmed person.
  • In a scene in the parking garage, one of the thugs puts on a mask and begins firing off tear gas rounds.  The tear gas has no effect on anyone.  Perhaps he was just firing off smoke grenades, but if that is the case why is he wearing a mask and the smoke would hinder his and his partner’s vision as well.
  • Downs’ wife shows up at the parking garage just in time to kill a thug and save his life.
  • It turns out (major spoiler alert and cliché) that Downs is a good cop who has been undercover for two years.  His dedication to the case is an admirable thing.  Ignoring his family was all in the line of the job.  Aww!  His son and wife are going to forgive him and all will be well in the Downs’ household.
  • The cliché I was hoping that they’d avoid was that the bad cop was actually the female detective’s partner.

If it sounds like I hated Sleepless, I didn’t.  If you go in expecting a fairly mindless action flick, you should like it.  I was just hoping for so much better.

Rating:

“The Thing from Another World” (1951) / Z-View

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The Thing from Another World (1951)

Director: Christian Nyby, Howard Hawks (uncredited)

Screenplay: Charles Lederer based on the story Who Goes There by John W. Campbell Jr.

Stars: Kenneth Tobey, Margaret Sheridan, Robert Cornthwaite, Douglas Spencer, James Young, Dewey Martin, Robert Nichols, William Self, Eduard Franz and James Arness, Billy Curtis.

Tagline: What do you know about it?  What does science know about it?  What does ANYONE know about THE THING?

The Plot…

A small band of scientists and soldiers stationed in the Arctic discover a flying saucer buried in the polar ice.  Not far from the ship they find an alien also frozen in the ice.  When they bring the block of ice containing the creature back to their base camp, they have no idea the horror that is in store.

Thoughts (beware of spoilers)…

There are more uncredited stuntmen (14) on this picture than credited actors (11).

Although the thing is on screen for less than three minutes, the film’s Make-up Artist (Lee Greenway) spent five months making eighteen sculptures of the monster before Howard Hawks was satisfied with one.

The Thing from Another World is a Classic!

 

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16 Epic Facts About “Spartacus”

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Roger Cormier and the Mental_Floss present 16 Epic Facts About Spartacus.  Here are three of my favorites…

1. YUL BRYNNER TRIED TO MAKE HIS OWN SPARTACUS MOVIE FIRST.

A Spartacus film starring Brynner and Anthony Quinn was on the slate for United Artists, with the titles Spartacus and The Gladiators already trademarked. UA even paid for a full-page ad to be published in Variety in February 1958 for The Gladiators. However, Douglas and his film company owned the movie rights to Howard Fast’s novel, Spartacus, and when Universal Pictures backed Douglas—along with Ustinov, Olivier, and Laughton all preferring Trumbo’s script over the script for Brynner’s project—Douglas had won. Brynner’s film was never made.

3. STANLEY KUBRICK WAS NOT THE FIRST DIRECTOR.

David Lean (1957’s The Bridge on the River Kwai) turned down an offer to direct, and Laurence Olivier was asked but declined because he thought both acting and directing would be too much. Douglas believed that the original director, Anthony Mann, was scared of the large scope of the movie, and he also didn’t like how close he was to the British actors, so he fired him after two weeks of filming. Douglas turned to Kubrick, his director on Paths of Glory (1957), who agreed for a salary of $150,000.

8. KUBRICK TOLD THE HIRED CINEMATOGRAPHER TO TAKE A SEAT.

Because Kubrick was a cinematographer himself and very exacting in what he wanted, he eventually told Russell Metty, the man hired by Anthony Mann, to do nothing and let Kubrick do all the work for him. Metty would win his first and only Oscar for Best Cinematography for “his” work on Spartacus.

Stagecoach (1939)

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Stagecoach (1939)

Director: John Ford

Screenplay: Dudley Nichols  from an original story by Ernest Haycox

Stars: John Wayne, Claire Trevor, Andy Devine and John Carradine

The Pitch: “Hey,let’s make a western that’s more than just white hats vs black hats.”

Tagline: Danger holds the reins as the devil cracks the whip ! Desperate men ! Frontier women ! Rising above their pasts in a West corrupted by violence and gun-fire !

The Overview:  Beware of Spoilers…

 

Stagecoach is not only one of the best westerns ever made, but one of the best movies ever made.  It has it all, danger, romance, humor, mystery and more.  It could actually be the film that laid the ground work for disaster/apopcalyptic movies.  Throw a group of strangers together and drop in a disaster and see what shakes out.

The strangers include: The stage driver and his partner riding shotgun, an alcoholic doctor and a prostitute (who’ve been run out of town), a gambler, a pregnant woman, a bank manager (who has a bag of stolen money) and an escaped convict seeking revenge for the murder of his father and brother.

The stagecoach is traveling through Apache territory in the middle of an uprising.  As they get deeper and deeper into Indian territory, the odds of their surviving are dropping fast.

This is the movie that made John Wayne a star.

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15 Facts About “Silence of the Lambs” That You Didn’t Know

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Cory Mahoney and the Hollywood.com present 15 Facts About Silence of the Lambs That You Didn’t Know.  Here are three of my favorites…

3. The moth cocoons Buffalo Bill placed in his victims throats were actually made from a combination of Tootsie Rolls and gummy bears, in case they were swallowed. 

7. Silence of the Lambs the only horror movie ever to win Best Picture at the Oscars.

Only two others have even been nominated: The Exorcist and Jaws.

9. Jonathan Demme always had characters speak directly into the camera for conversations with Clarice, yet he always filmed Jodie Foster looking slightly off camera.
The idea was to make audiences directly experience her point-of-view to more easily empathize with her character. We think anyone who has watched those gripping last few moments of the film can confirm the success of this technique.

13 Things You Probably Didn’t Know About “Arsenic and Old Lace”

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Lou Lumenick and the New York Post present 13 Things You Probably Didn’t Know About Arsenic and Old Lace.  Here are three of my favorites…

The Broadway version was too good for his own good

The main draw on Broadway was Boris Karloff as the critic’s homicidal brother, who is described as looking “like Boris Karloff’’ because of botched plastic surgery.

Much to Karloff’s chagrin, the producers insisted that he remain on Broadway while Josephine Hull and Jean Adair, as the aunts, and John Alexander, as their brother who thinks he’s Teddy Roosevelt, reprised their roles in the movie.

Grant almost didn’t have the part

Grant wasn’t the first choice for the film, but Bob Hope wasn’t available because of a schedule conflict (Capra needed to shoot the film just before reporting for World War II military duty).

Grant, who donated his entire $100,000 salary to wartime charities, insisted, “Jimmy Stewart would have been much better [than me] in the film.’’ Stewart later starred opposite Josephine Hull in “Harvey’’ — for which she won an Oscar for Best Supporting Actress.

 

An auteur filled Karloff’s shoes

When Karloff left to head up a road company of “Arsenic and Old Lace,’’ he was replaced on Broadway by Erich von Stroheim. Karloff’s rival Bela Lugosi played the part for five weeks onstage in Los Angeles.

The Traveler (2010)

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The Traveler (2010)

Director: Michael Oblowitz

Screenplay:  Joseph C. Muscat

Stars: Val Kilmer, Dylan Neal and Paul McGillion

The Pitch: “Hey,let’s make a murder mystery with supernatural revenge overtones.”

Tagline: How do you catch a killer you’ve already caught?

The Overview:  Beware of Spoilers…

Late one evening a stranger walks into a deserted under-staffed police station and begins confessing to murders he hasn’t yet committed.

Interesting premise that falls way short in reality.  The underlying premise is that an innocent man has been killed by the officers in the station and that the stranger is there to get revenge.  What follows is a lot of stupid decisions made by characters that results in torture and gore.  Then at the end there is a reveal that makes all that we’ve seen even worse.  Bah!

 

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Hold That Hypnotist (1957)

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Hold That Hypnotist (1957)

Director: Austen Jewell

Screenplay: Dan Pepper

Stars: Huntz Hall, Stanley Clements and Jane Nigh

The Pitch: “Hey,let’s make another Bowery Boys movie.”

Tagline: They’re HYSTERICAL…They’re HYPNUTICAL!

The Overview:  Beware of Spoilers…

Satch gets hypnotized and has visions of an earlier life when he was a pirate and wakes with the knowledge of a buried treasure.  Less laughs than most Bowery Boys films and one of the weakest in the series.

 

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San Quentin (1937)

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San Quentin (1937)

Director: Lloyd Bacon

Screenplay:
Peter Milne and Humphrey Cobb

Stars: Pat O’Brien, Humphrey Bogart, Ann Sheridan, Barton MacLane and Joe Sawyer.

The Pitch: “Hey,let’s make a dramatic romance focused around a prison.”

Tagline: “IT’S EASIER TO FIGHT TEN PRISON RIOTS THAN TAME ONE DIZZY DAME!”

The Overview:  Beware of Spoilers…

Captain Stephen Jameson (O’Brien) tasked with bringing discipline to the prisoners of San Quentin goes there to make a difference.  Jameson falls in love with the sister (Sheridan) of one of the convicts (Bogart).  When the convict escapes Jameson vows to bring him in.

One of the most unintentionally funny movie endings ever.

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Riot in Cell Block 11 (1954)

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Riot in Cell Block 11 (1954)

Director: Don Siegel

Screenplay: Richard Collins

Stars: Neville Brand, Emile Meyer, Frank Faylen, Leo Gordon, Robert Osterloh, Paul Frees, Don Keefer, Alvy Moore, Dabbs Greer and Whit Bissell.

The Pitch: “Hey,let’s make a dramatic expose on prison life.”

Tagline: YOU ARE CAUGHT IN THE SCORCHING CENTER OF A PRISON RIOT! YOU feel the savage frenzy of 4000 caged humans! YOU see the horror of the wolf pack on a vengeance kick! YOU sweat out every second with tortured hostages! YOU rock with the impact of brute force against bullets!

The Overview:  Beware of Spoilers…

James Dunn (Brand) leads a prison riot intended to bring about better conditions for all prisoners.  Unfortunately, Dunn’s partner in the uprising is Crazy Mike Carnie (Gordon) who sees this as his chance to get back at guards and maybe more.

Leo Gordon is a force of nature in this.

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Fingers at the Window (1942)

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Fingers at the Window (1942)

Director: Charles Lederer

Screenplay: Rose Caylor and Lawrence P. Bachmann from a story by Rose Caylor

Stars: Lew Ayres, Laraine Day and Basil Rathbone

The Pitch: “Hey,let’s make a scary love story!”

Tagline: DANGER AT NIGHTFALL!

The Overview:  Beware of Spoilers…

An axe-murderer is terrorizing the city of Chicago with six killings so far.  When Oliver Duffy (Ayers) sees a strange looking man following a woman late one night he stops to warn her.  Although skeptical at first, Edwina (Day) comes to realize Oliver isn’t kidding.  Oliver walks her home and a second attempt on her life is made.

Soon enough they realize that the other murders were just a ruse and she is the real target.  But who wants to kill her and why?  Oliver and Edwina may die finding out.

 

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