Category: Movies

21 Things We Learned from the “Tropical Thunder” Commentary

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Rob Hunter and Film School Rejects present 21 Things We Learned from the Tropical Thunder Commentary.  Here are three of my favorites…

9. Downey’s promise to himself — or, Osisris’ promise that he makes in the film — was that he doesn’t “drop character till I done a DVD commentary.” He commits to it here and is a man of his word.

19. “This moment,” says Stiller, “I wasn’t really expecting even when we shot it.” He’s referring to Tom Cruise‘s shift into dance moves after Les Grossman (Cruise) explains to Peck how they’re going to make an insurance claim against Tugg’s death. “I don’t think anybody was really expecting that he was going to go to that place.”

21. Downey finally drops the Osiris voice as the character does the same onscreen, but it’s clear he’s not keen on saying goodbye. “This is Lincoln Osiris signing off forever now. Thank you people. Thanks for letting me float with you. I love you ladies and gentlemen. Man, it’s hard to let go.” He then pauses briefly… and begins speaking in Kirk Lazarus’ Australian accent.

10 Mind-Blowing Facts About “Scanners”

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Tara Aquino and Mental_Floss present 10 Mind-Blowing Facts About Scanners.  Here are three of my favorites…

4. CRONENBERG SHOT TWO ENDINGS TO SCANNERS.
According to Michael Ironside, who played Darryl Revok, he and Stephen Lack filmed a less exciting version of the ending. “With one ending, we had this psycho-battle between my brother and I and it didn’t work, we shot it right up until Christmas and sent the script to [special effects wizard] Dick Smith in New York and asked him what he could come up with in terms of cutting edge makeup,” Ironside explained. “You know, something that would give us a more memorable battle and a different ending. Dick then came up with the idea of the exploding heads and that was a very collaborative thing.”

5. ACCORDING TO LACK, THE SCANNERS SCRIPT WASN’T EVEN WRITTEN WHILE FILMING.
It’s no surprise that Cronenberg allegedly called Scanners his most frustrating film to make. In addition to delays in filming, the script wasn’t even completed when production commenced. “Not only was Scanners not rehearsed, but it wasn’t written,” Lack told Film Comment. “David was coming in with pink, blue, and yellow pages for the day for the version of the script that we were doing, and he was working on it right there. As a result I had to deal with the dialogue in such a way that I was not reacting to things, because the information hadn’t been given to my character in the linear progression of the story. If you chop it up and look at it, 50 percent of my dialogue is not an assertion of anything but rather a question: ‘You called me a Scanner, what does that mean?’ ‘You’re part of an organization, who are you?’ Everything is a freaking question!”

6. MICHAEL IRONSIDE WORE DUSTIN HOFFMAN’S EYES FROM LITTLE BIG MAN IN A CRUCIAL SCENE.
Scanners was all about making its special effects work at all costs, which is why Ironside’s story about his peculiar eyes at the end of the film fits in perfectly. “There’s a scene … where I’m set on fire and my head comes up and those scleras they put on your eyes, they had scratched all my corneas,” Ironside recalled. “So the contact lenses they had made for me to change my eye color didn’t fit properly because my eyes had been scratched. Dick Smith happened to have with him Dustin Hoffman’s eyes from Little Big Man and they were actually oversized, and you wouldn’t normally do this because they have to be fitted, but when you see me come out from under that coat at the end of Scanners, those blue eyes of mine are Dustin Hoffman’s from Little Big Man.”

10 Facts About “Invasion of the Body Snatchers”

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Mark Mancini and Mental_Floss present 10 Facts About Invasion of the Body Snatchers.  Here are three of my favorites…

1. IT’S BASED ON A MAGAZINE SERIAL.
In November and December of 1954, Collier’s magazine ran a three-part series that would come to be called “the year’s most original story of suspense.” Written by Jack Finney, The Body Snatchers wowed producer Walter Wanger, who began negotiating the story’s movie rights before he’d even read part two.

5. ORIGINALLY, THE MOVIE WAS SUPPOSED TO BE A LOT FUNNIER.
“I felt that pods growing into a likeness of a person would strike the characters as preposterous,” Siegel recalled. “I wanted to play it that way, with the characters not taking the threat seriously.” Hoping to offset the scares, he filmed a number of comedic scenes, which were later cut out by Allied Artists, the film’s distributor. “In their hallowed words, ‘horror films are horror films and there’s no room for humor,’” Siegel explained. “I translated [this] to mean that in their pod brains there was no room for humor.”

8. THE PROLOGUE AND EPILOGUE WERE LAST-MINUTE ADDITIONS.
Allied Artists didn’t just cut a few jokes here and there; the studio also insisted on a completely different ending. Originally, the movie was going to close with a shot of Dr. Bennell watching hopelessly as truckloads of pods drive out into the distance. Wanting to end the film on a more hopeful note, Allied Artists came up with a slightly happier conclusion. Over his strong objections, Siegel was told to film a new intro and a new final scene (“I reluctantly consented,” he said.) The revamped opening puts Bennell in a police station, where he tells the story as anextended flashback. After the famous “You’re next!” sequence, his tale ends and, after a while, the authorities begin to believe him.

12 Futuristic Facts About “Escape from New York”

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Matthew Jackson and Mental_Floss present 12 Futuristic Facts About Escape from New York.  Here are three of my favorites…

3. THE NAME “SNAKE PLISSKEN” CAME FROM A REAL PERSON.
When writing the original script for the film, Carpenter was in search of a name for his main character, and it just so happened that a friend of a friend actually knew a person named “Snake Plissken,” who Carpenter described as “a kinda high school tough guy,” complete with a snake tattoo. It was too perfect to pass up.

“Anybody with a snake tattooed on them some place … that’s my kinda hero,” Carpenter said.

 

4. CARPENTER HAD TO FIGHT FOR KURT RUSSELL AS SNAKE.
At the time of the film’s production, Kurt Russell was an actor best known for his work in Disney projects like The Computer Wore Tennis Shoes. He wasn’t an action star, but Carpenter thought he was the right choice to play Snake. The studio, on the other hand,wanted a star like Tommy Lee Jones or Chuck Norris for the part. Carpenter dismissed Norris as too old, and preferred Russell over Jones, so he fought for his young star, and eventually won.

9. JAMIE LEE CURTIS HAS A CAMEO.
Three years prior to Escape From New York, Carpenter directed his breakout hit: the slasher film Halloween, which also proved to be the breakout film for star Jamie Lee Curtis. If Halloween hadn’t worked out, it’s doubtful Carpenter ever would have made Escape From New York, so he called upon his Halloween star to participate when it finally happened. You won’t see Curtis in the film, but you will hear her: She voices both the narrator and the computer.

18 Fascinating Facts About “The Crow”

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Erin McCarthy and Mental_Floss present 18 Fascinating Facts About The Crow.  Here are three of my favorites…

1. IT’S BASED ON A COMIC BOOK, WHICH WAS INSPIRED BY TWO TRAGEDIES.
In 1981, 21-year-old James O’Barr was drawing combat manuals in the Marines when he decided to start The Crow. He hoped it would be a healthy way of dealing with the death of his fiancée, who had been killed by a drunk driver. “I tried all the typical angst-ridden outlets, like substance abuse and going to clubs or parties every night and just basically trying to keep yourself numb for as long a period of time as possible,” O’Barr told The Baltimore Sun in 1994. “Eventually I was smart enough to realize that that was a dead end, and so I thought perhaps putting something down on paper I could exorcise some of that anger.”

Pivotal to his comic book’s plotline was another tragedy O’Barr heard about: A couple killed over an engagement ring. “I thought it was outlandish, a $30 ring, two lives wasted,” he said in a book about the production called The Crow: The Movie. “That became the beginning of the focal point, and the idea that there could be a love so strong that it could transcend death, that it could refuse death, and this soul would not rest until it could set things right.”

 

4. THE PRODUCERS KNEW WHO THEY WANTED TO DIRECT AND STAR.
Pressman had Alex Proyas, an Australian director who at that point had helmed music videos and commercials, but no features, in mind to direct The Crow. Though Proyas was very much in demand in Hollywood, he was waiting for the right project—and The Crow was it. He signed on in 1991.

The producers first looked at musicians to fill the role of Eric Draven, among them Charlie Sexton, a rocker from Texas. But ultimately, their first choice was Brandon Lee. At that point, Lee—son of famed actor/martial artist Bruce Lee—had appeared in a few films, but hadn’t had a breakout role yet. “We had considered some more established actors and we were concerned that certain of these actors did not have the athletic ability,” Pressman said in The Crow: The Movie. “Other people had the athletic ability but not the acting talents. Brandon combined it all. When Brandon walked into this office, it was an immediate flash. We knew we had our Eric Draven that instant.”

17. O’BARR DONATED MOST OF HIS PROFITS FROM THE FILM TO CHARITY.
O’Barr bought his mom a car, and a surround system for himself, then donated the rest. “I was really good friends with Brandon, so it just felt like blood money to me,” he said at a comics convention in 2009. “I didn’t want to profit at his expense. And I kept that secret for as long as I could. It’s not charity if you get credit for it.”

Who’s Batman to You?

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Who’s Batman to You?

Lewis Wilson and Robert Lowery are pretty unknown to me.  I’ve seen photos and clips but that’s all.

Adam West was the first live action Batman I saw as a kid and is still one of the best to play Batman.  West’s look and delivery was perfect for the type of Batman the 60’s classic tv show wanted.

I was not a Michael Keaton fan.  He didn’t look like the Bruce Wayne or Batman that I always pictured.  I also wasn’t a fan of the Batsuit being armor.  It makes sense but not for the Batman that I grew up with.

Val Kilmer made a decent Batman and a good Bruce Wayne.

George Clooney was in the worst Batman movie but made a good Batman and Bruce Wayne.

Christan Bale (except for the scratchy Batman voice) was excellent in both roles.

I have high hopes for Ben Affleck’s portrayal of Bruce/Batman… not as much for the movie.

Source: ComingSoon.net.

A Conversation with “Streets of Fire” Co-Writer Larry Gross

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Streets of Fire is a movie that I truly enjoy.  Streets of Fire didn’t receive great reviews and box office when first released, but over the years I’ve met more people who liked it than not.

Recently /Film posted A Conversation with Streets of Fire Co-Writer Larry Gross which presents an oral history of sorts.  The article is definitely a read for Streets of Fire or movie fans.

How Streets of Fire came together to create an alternate universe – comic book movie not based on any comic book – rock and roll fable – musical is interesting. I particularly enjoyed reading who they wanted and just missed signing for the leads [Tom Cruise and Darryl Hannah].  Can you imagine Tom Cruise as Tom Cody or some of the others who auditioned for the part [Eric Roberts, Patrick Swayze, Willem Dafoe]?  Although the movie tested well, the release fell flat and that makes for interesting behind-the-scenes reading as well.

So what are you waiting for?  Click over and enjoy A Conversation with Streets of Fire Co-Writer Larry Gross

11 Magical Facts About “Willow”

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Andrew LaSane and Mental_Floss present 11 Magical Facts About Willow.  Here are three of my favorites…

3. IT WAS CRITICIZED FOR BEING A COPY OF STAR WARS.
Having thought of the two worlds simultaneously, George Lucas may have cribbed some of his own work and other well-known stories a little too much for Willow, and some critics noticed.“Without anything like [Star Wars’] eager, enthusiastic tone, and indeed with an understandable weariness, Willow recapitulates images from Snow White, The Wizard of Oz,Gulliver’s Travels, Mad Max, Peter Pan, Star Wars itself, the Hobbit saga, Japanese monster films of the 1950s, the Bible and a million fairy tales,” wrote Janet Maslin of The New York Times. “One tiny figure combines the best attributes of Tinkerbell, the Good Witch Glinda and the White Rock Girl.”

Later in her review, Maslin continued to point of the similarities between the two films: “When the sorcerer tells Willow to follow his heart, he becomes the Obi-Wan Kenobi of a film that also has its Darth Vader, R2-D2, C-3P0 and Princess Leia stand-ins. Much energy has gone into the creation of their names, some of which (General Kael) have recognizable sources and others (Burglekutt, Cherlindrea, Airk) have only tongue-twisting in mind. Not even the names have anything like Star Wars-level staying power.”

6. THE DEATH DOGS WERE REAL DOGS IN COSTUME.
The big bad in the film, Bavmorda, has demon dogs that terrorize Willow’s village. The dogs are more boar-like than canine, but they were portrayed by Rottweilers. The prop team outfitted the dogs with rubber masks and used animatronic heads for close-up scenes.

 

10. JOHN CUSACK AUDITIONED FOR THE PART OF MADMARTIGAN.
Val Kilmer famously played the role of the reluctant hero two years after played Iceman in Top Gun (1986), but he was not the only big name to audition for the role. Davis revealed in a commentary track that he once read with John Cusack, who in 1987 had already starred inSixteen Candles (1984), Stand by Me (1986), and Hot Pursuit (1987).

20 Truths About the “X-Files”

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Jennifer M. Wood and Mental_Floss present 20 Truths About the X-Files.  Here are three of my favorites…

1. THE IDEA FOR THE SHOW ORIGINATED WITH A PUBLIC OPINION SURVEY.
Chris Carter’s interest in the paranormal was piqued when he read Pulitzer Prize-winning writer/psychiatrist/Harvard Medical School professor John E. Mack’s analysis of a 1991 Roper Poll survey, which stated that at least 3.7 million Americans may have been abducted by aliens. “Everybody wants to hear that story,” Carter told Entertainment Weekly. “[Abduction] is tantamount to a religious experience.”

6. IN REAL LIFE, SCULLY IS THE BELIEVER.
In a 1994 interview with Entertainment Weekly, Gillian Anderson admitted that Duchovny was a skeptic and she was the believer. “Psychokinesis appeals to me,” she said. “ESP, telling the future, I love that stuff.”

10. CARTER DIDN’T THINK OF THE SHOW AS SCIENCE FICTION.
“I actually resisted the ‘science fiction’ label in the beginning, because the show is actually based in science,” Carter told WIRED. “If it weren’t for Scully, I think the show could be just kind of loopy. So the science and the accuracy of the science is all-important to the success of the storytelling. I think Steven Spielberg called Close Encounters of the Third Kind ‘speculative science’ and I would say The X-Files, for me, has always fit more into that category.”

15 Uncensored Facts About “Midnight Cowboy”

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Garin Pirnia and Mental_Floss present 15 Uncensored Facts About Midnight Cowboy.  Here are three of my favorites…

4. VOIGHT WORKED FOR SCALE.
Voight was so desperate to play Joe Buck that he worked for scale: “‘Tell them I’ll do this part for nothing,’” Voight recalled to The Telegraph. “They took me at my word, and they gave me minimum for Midnight Cowboy.” At the end of the shoot, they sent him a $14.73 bill for meals on the last day of filming.

7. VOIGHT AND HOFFMAN WERE COMPETITIVE WITH EACH OTHER.
What made the chemistry between Hoffman and Voight work so well is they were constantly competing with one another. Hoffman became a movie star before Voight did, and that brought some jealousy to the set. “We were like Marvin Hagler and Sugar Ray Leonard, two fighters going at it,” Hoffman told the Los Angeles Times. “We knew the movie depended on the bond between us. All through shooting, we’d say to each other, out of the side of our mouths, like a fighter in a clinch, ‘Buddy, is that the best you can do?’”

8. HOFFMAN PLACED PEBBLES IN HIS SHOE TO ACQUIRE RATSO’S LIMP.
“Why pebbles? It’s not like you’re playing a role on Broadway for six months where you’re so used to it, limping becomes second nature,” Hoffman told Vanity Fair. “The stone makes you limp, and you don’t have to think about it.”