Category: Movies

Revolver: Hit or Miss?

Posted on by
Have you seen THIS TRAILER for Revolver? I hadn’t until just a few minutes ago.

It looks like it could be really good. With a screenplay by Guy Ritchie and Luc Besson and a cast that includes Jason Statham, Ray Liotta and Vincent Pastore, you’d have to believe it’s going to be good, right? Then when you read THIS PLOT SUMMARY you have to ask, how can this not be a winner?

So why do I still have some doubts?

Heart of the Movie Quotes

Posted on by
I was in the mood for a list today and decided that the American Film Institutes’s Top 100 Movie Quotes might be interesting to play with. So I looked at the list and decided to see if I could narrow it down to 25 quotes that contained the essence of their movie.This list may not have the most famous [“Frankly, my dear, I don’t give a damn!” – Gone with the Wind], the funniest [“I’ll have what she’s having.” – When Harry Met Sally] or the dumbest [“Nobody puts baby in a corner.” – Dirty Dancing], but it does have 25 quotes which get to the heart of their movies. So here there are in no particular order…

  • “Toto, I’ve got a feeling we’re not in Kansas anymore,” “The Wizard of Oz,” 1939.
  • “The stuff that dreams are made of,” “The Maltese Falcon,” 1941.
  • “Bond. James Bond,” “Dr. No,” 1962.
  • “There’s no place like home,” “The Wizard of Oz,” 1939.
  • “You can’t handle the truth!”, “A Few Good Men,” 1992.
  • “Mama always said life was like a box of chocolates. You never know what you’re gonna get,” “Forrest Gump,” 1994.
  • “I see dead people,” “The Sixth Sense,” 1999.
  • “It’s alive! It’s alive!”, “Frankenstein,” 1931.
  • “Houston, we have a problem,” “Apollo 13,” 1995.
  • “You’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?”, “Dirty Harry,” 1971.
  • “A boy’s best friend is his mother,” “Psycho,” 1960.
  • “Keep your friends close, but your enemies closer,” “The Godfather Part II,” 1974.
  • “Well, here’s another nice mess you’ve gotten me into!”, “Sons of the Desert,” 1933.
  • “Mrs. Robinson, you’re trying to seduce me. Aren’t you?”, “The Graduate,” 1967.
  • “Gentlemen, you can’t fight in here! This is the War Room!”, “Dr. Strangelove,” 1964
  • “Get your stinking paws off me, you damned dirty ape,” “Planet of the Apes,” 1968.
  • “Of all the gin joints in all the towns in all the world, she walks into mine,” “Casablanca,” 1942.
  • “They’re here!”, “Poltergeist,” 1982.
  • “Forget it, Jake, it’s Chinatown,” “Chinatown,” 1974.
  • “Soylent Green is people!”, “Soylent Green,” 1973.
  • “Yo, Adrian!”, “Rocky,” 1976.
  • “Oh, no, it wasn’t the airplanes. It was Beauty killed the Beast,” “King Kong,” 1933.
  • “My precious,” “The Lord of the Rings: The Two Towers,” 2002.
  • “I feel the need — the need for speed!”, “Top Gun,” 1986.
  • “I’ll get you, my pretty, and your little dog, too!”, “The Wizard of Oz,” 1939.

 

Top 20 Horror Films

Posted on by

Since tomorrow is Halloween, I thought that I’d find a list of the Top Horror Movies and see how I’d rate ’em. So I went to the Internet Movie Data Base and checked out their list of the Top 50 Horror Movies of All Time [as voted on by users of IMDB].

I have to say that I was surprised by some of the movies that made the grade. I was expecting more classic horror films to appear on the list [Dracula, Wolfman, The Creature from the Black Lagoon] as well as some lesser known, but still very good horror movies like Them! or Frailty.

Ok… we have what we have. Taking their list of the top 50, I whittled it down to my top 20 and here they are in alphabetical order with some comments:

Alien (1979): Saw it on its original theatrical run and enjoyed it. A haunted house in outer space!
Aliens (1986): Even better than Alien… as much a war movie as a horror movie. Love it!
Birds, The (1963): One of the scariest movies I ever saw as a kid. Still a favorite.
Bride of Frankenstein (1935): Even better than Frankenstein. A true classic.
Dawn of the Dead (1978): Saw it in a theater the 2nd time [my date couldn’t take it the 1st time]
Exorcist, The (1973): the scariest movie I ever saw as an adult.
Frankenstein (1931): A classic!
Freaks (1932): It makes the list, but wouldn’t be near the top.
Halloween (1978): Saw it in a drive-in and it was scary without sound! LOL!
Invasion of the Body Snatchers (1956): Another classic from [before] my childhood.
Invisible Man, The (1933): I didn’t appreciate it until I was an adult!
Jaws (1975): Horror? Okay… it is a fun and scary movie.
King Kong (1933): Another classic.
Night of the Hunter, The (1955): A great film… maybe Mitchum’s best performance ever.
Night of the Living Dead (1968): One of my favorites!
Psycho (1960): Some pretty scary scenes the first time around.
Rosemary’s Baby (1968): I saw it in a drive-in as a kid…. creepy stuff.
Shining, The (1980): redrum…redrum… redrum…
Thing, The (1982): Not as good as the original, but still good. LOL!
Unknown, The (1927): Never cut off your arms for a lover.

Comments?

 

Two Less Than One?

Posted on by
Usually when I like two things, I like ’em just as much or more when they’re combined. Vampires/Detectives [Joe Pitt novels by Charlie Huston]… M&Ms with peanuts [candy by Mars]… well, you get the idea.

I’m not sure I’m diggin’ the Predien… Aliator?? Whatever they want to call it.

And I was really looking forward to AVP: Requiem.

Good, Baby, Good

Posted on by
Based on Dennis Lehane’s novel of the same name; Gone, Baby, Gone is a powerful drama wrapped around the mystery of a kidnapped girl and the secrets of everyone involved. When three days have passed without any progress the missing little girl’s aunt hires two young private detectives from the neighborhood to get information unavailable to the police. As the mystery unravels and secrets are revealed the detectives [and audience] are left with tough moral questions and no easy answers.

The Good: The relationship between Cassie Affleck and Michelle Monaaghan. The bar scene. The mean streets of Boston. The real people from these streets given cameos and speaking parts. Ed Harris. The screenplay by Ben Affleck and Aaron Stockard. The direction by Ben Affleck. The ending.

The Bad: The house with the ex-con child molesters [well done, but bad stuff].

The Ugly: The handsome woman… the choices that have to be made.

Gone, Baby, Gone is a Good, Baby, Good.

The Perfect Drive-In Movie

Posted on by
It’s been a long time since I’ve made it a point to see a movie on opening day, but “30 Days of Night” was worth the effort. As regular ZONErs know, I’ve been anxious to see “30 Days of Night” for quite a while. I’m happy to report that it didn’t disappoint.Now don’t get me wrong. “30 Days of Night” isn’t a classic. It’s what I’d call a perfect drive-in movie. You know, the type of movie that Tarantino and Rodriguez were shooting for with “Grindhouse.” It’s a fun ride, provides some cool scares and presents the genre with a slightly different twist.

The Good: I loved the set-up. Creepy things happening and no one knows why. The isolation of the city. The stranger who just creeps out everyone… then makes ominous threats as things get worse. Ebin’s reaction to get everyone inside and safe even though he doesn’t know what’s going on. The way the vampires were fast and vicious. “Get in the truck. Just get in the truck, now!” The attack of Ebin and his wife as they were driving. How they were saved. How the fat guy who Sly beats up in the opening of “Get Carter” has matured into a tough as nails wilderness man. The main vampire.

The Bad: No real feeling of 30 days passing. More could have been done with this angle. We should have felt the isolation getting worse… the lack of food, water, etc. as it began to wear down the survivors. Not enough growing sense of the vampires are going to find us… it would have been cool to have the vampires going from house to house and sometimes finding other survivors as they get closer to the current hiding spot of our heroes. A little more set-up could have paid off better by showing that Ebin is truly a scrapper. The manner in which the main vampire is killed.

The Ugly: The chops on the vampires… and the stranger.

“30 Days of Night” will definitely find a home in my movie collection. If you liked the graphic novel or horror movies, you should enjoy the ride.

Why the Hullabaloo?

Posted on by

Christopher Mills commented on my last post about 30 Days of Night and opened up an interesting discussion.

Chris said:

You know, I don’t really get what’s so great about 30 Days of Night.

I’ve read the first two graphic novels, and, honestly, I was underwhelmed.

The art was pretty, but the visual storytelling was virtually nonexistent, and there was nothing particularly fresh about the plot other than the titular gimmick of an Arctic Circle setting – which I first saw in an indy vampire film a decade ago called “Jugular Wine.”

But then, I haven’t really been impressed with anything I’ve read by Niles. His “I Am Legend” comic was more a transcription than an adaptation, and the few other things of his I’ve read (admittedly, not that much) played out like a regurgitation of B-movie plots.

Now, much the same could be said of my stuff, and I don’t begrudge him his success, I just don’t get all the hullabaloo…

—
Craig responds:  Chris, like most projects that have a lot of buzz, I think that it’s a combination of things coming together at the right time. Horror movies are doing well now and people want to see them. Perhaps it’s because of the times in which we live.I was more impressed with the first graphic novel. The concept was new to me and I’d imagine a lot of other people as well. I’ll have to keep an eye out for “Jugular Wine.” You and I both read a lot of graphic novels/comics so Templesmith’s art probably didn’t seem as groundbreaking to us, but to casual readers it probably shocked them. “30 Days of Night” was [at least to a lot of folks] what adults [or at least young adults] want in comics so of course they’d love to see a movie adaptation.

I first discovered Steve Niles through his “I Am Legend” adaptation and I’d agree with your assessment of it. Still, it was cool to see him bring it to comics. I’d forgotten all about Niles until I read his novel Guns, Drugs and Monsters. I loved it. From there I sought out his other novel and of course “30 Days of Night.”  Niles and I exchanged a few e-mails and I met him at a convention. He seemed like an ordinary guy who made good… and he knew how lucky he was. He was humble and appreciative of his fans. When the movie deal was announced, I was happy to see that he’d hit the lottery.

As for the movie itself, it looks great. The publicity machine has been hitting on all cylinders building the anticipation and everything I’ve seen makes me think that I’m going to have a fun couple of hours this weekend when I get out to see it.  Thanks to Christopher Mills for the topic and now you should head over to his blog and check out his post on the new Star Trek movie!