The Black Terror: Seduction of Deceit: Day 2

This week we’re taking a look at “The Black Terror: Seduction of Deceit” written by Beau Smith & Chuck Dixon with art by Dan Brereton.  Today’s art is a drawing that Brereton did and Eclipse used in an ad to congratulate Dan on winning the Russ Manning Award as Best New Artist for his work on the series.

The Black Terror series took place in an alternate universe where organized crime had become a legitimate enterpise.  In this hard-boiled setting, the Black Terror waged a one man war against crime.  Despite his best efforts, the Black Terror realized that he wasn’t making a dent in the criminal underworld.  So he decided that the only way to take down the organization is from within.  

To this end, he “did in” a couple of low level hoods and began to work his way up into the organization.  The mobsters only knew him as Ryan Delvecchio, a tough, on-the-rise thug; not his alter-ego, the criminal killer known as The Black Terror.  When Delvecchio is hand-picked to become part of an elite Mafia hit squad, he’s in the perfect position to take out the major players in organized crime… that is if the Feds don’t kill him first.

Man, I wish that someone would reprint this series in a hardcover edition.  More tomorrow when we hit Day 3.

Best of The Twilight Zone

It’s no secret that I’m a huge fan of The Original Twilight Zone.  Regular ZONErs know that I also enjoy playing around with lists.  So, when I saw that Time and CNN had put together a list of the Top Ten All Time Favorite Twilight Zone Episodes, I decided to play along.  Using just the selections in their Top Ten, I came up with My Top Five.

The Black Terror: Seduction of Deceit Week: Day 1

One of my all time favorite comics is “The Black Terror: Seduction of Deceit” written by Beau Smith & Chuck Dixon with art by Dan Brereton.  “The Black Terror: Seduction of Deceit” was a three issue mini-series published by Eclipse Comics in 1989/1990Beau Smith described the story as “hardboiled, psychological and pulp-like” and Brereton’s painted art as “moody” and “cinematic”.  He was right.

Today’s art is a preview piece that Brereton did to help promote the series.  It sure worked for me.  I loved Beau Smith’s concept, the look of the character and Brereton’s art.  I was in and hoped that the series would live up to it’s promise… and boy, did it!

Otis Frampton’s Rambo

Otis Frampton is an extremely talented artist who loves drawing for his fans. Every Sunday [okay, ALMOST, every Sunday], Otis has a live UStream broadcast that he calls the 7×7 Sunday. Lucky fans can get a headsketch of ANY character drawn live by Otis on a 7X7 inch bristol board for 7 bucks postage paid. It’s the best deal going.

I’ve been lucky enough to get four pieces from Otis and the Rambo shown above is my first. I’ll be showing the rest in the coming weeks. In the mean time, check out Otis’ Gallery. Most likely, after seeing more of his work, I’ll be competing against you in Otis’ next 7×7 Sunday.

Frank Miller Week: Day 7

It’s Day 7 of Frank Miller Week.  So, how do we bring the week to a close?  Which character should we use?  Daredevil, the hero that shot Miller to fame?  RoninMiller’s first creator-owned project that helped to change the look and perception of American comics?  Dark KnightMiller’s masterpiece?  Maybe we should jump ahead to Sin City and show a piece of from the series that is Miller’s most personal creation?

Believe me, I gave it a lot of thought.  I think that Miller’s cover to Amazing Heroes #69 [April 15, 1985] is perfect.  It showcases both a Marvel and DC character.  One character [Batman], Miller re-shaped into his own creation.  The other [Electra], was his own creation.  This cover was a fan boy’s dream team up.  And nearly 25 years later, I’m still diggin’ it.

Matt Wagner & “Green Hornet: Year One”

CBR.com has posted that Dynamite Entertainment is going to publish “Green Hornet: Year One” and Matt Wagner is on board to write it and provide covers.  Here’s what publisher, Nick Barrucci had to say about Wagner’s involvement:

“He loves the Green Hornet, loves the original Britt Reid, and once we got into the conversation, he was really hyped about doing the origin story. It’s just a perfect marriage. You’ve got one of the most respected creators in comics writing one of the most classic characters in comics. It’s fantastic, and it’s a ‘Year One’ story like you’ve never seen before. Matt has been really incredible at nailing the essence of the character while still making it accessible to a modern audience. He’s fantastic.”

You can read the full piece by clicking here.

Frank Miller Week: Day 6

Frank Miller Week: Day 6.  That’s Miller’s cover to Peter Parker #60.  It was cover dated November 1981.  At the time, Miller was still going strong with his amazing run as writer and penciller on Daredevil [Klaus Janson was inking each issue and more than equal to the task]. 

I saw Peter Parker #60 and despite knowing little about the interior art or story, felt that the cover was worth the price of admission.  I loved everything about it… the pose, the bold inks, the colors, the lighting, the backgrounds.  Although generic enough to be the cover for ANY Spider-Man book, I felt that Miller had knocked this one out of the park.

Tomorrow we’ll wrap up Frank Miller Week with a look at a piece that is a fanboy’s dream.

Frank Miller Week: Day 5

Frank Miller Week: Day 5.  Today we have Miller’s cover to Comics Interview #2 promoting “Ronin”, his new creator-owned series for DC Comics.   “Ronin” was a six issue series [later collected into a graphic novel] published in 1983/1984 about a Ronin whose tale began in feudal Japan and ended in a post-apocalyptic New York City.  It was unlike any comic I’d ever read before.  Miller was breaking away from traditional American comics in both content and art style.  And I was loving every step of the way.

Tomorrow, we’ll jump back in time to 1981 and check out a cover that Frank Miller created for Marvel Comics that provides a taste of where his art was heading with Ronin.

Frank Miller Week: Day 4

Day 4 of Frank Miller Week and we have a Batman piece that Miller pencilled and Dan Adkins inked back in 1979.  It appeared on the inside back cover of a fanzine circa 1981/1982Frank was still seven years away from his groundbreaking “The Dark Knight Returns” and it shows.  At this point in his career, Miller was drawing a more traditional version of Batman than he would later bring to the table.

Frank Miller Week: Day 3

For Day 3 of Frank Miller Week we have the third and final post card used by Marvel back in the early 80’s. This one was generic enough in it’s message that it could go to anyone that wrote in.  Don’t believe me?  Well then click right here and see for yourself!  Oh, and Joe Rubinstein provided the inks on this card.

Tomorrow we’ll take a look at a Batman piece that Frank drew about seven years before starting on his classic The Dark Knight Returns.

Frank Miller Week: Day 2

Today we have the art that appeared on post cards sent to artists who submitted samples to Marvel.  You can see what the post card looked like by clicking here.  I always liked Miller’s take on Captain America.   Joe Rubinstein provided the amazing inks on this piece.  Although Miller only did a small amount of work with Cap, he always wrote him like a respected soldier and a natural leader.  The drawings weren’t bad either.  ; )

Tomorrow we’ll take a look at the third and final Marvel Miller post card. [Say that three times fast.]

Frank Miller Week: Day 1

One of my all time favorite comic book creators is Frank Miller. Miller is a writer and an artist. He is the creative genius behind “Sin City”, “The Dark Knight Returns”, “Batman: Year One”, “Ronin”, an amazing run on “Daredevil” and so many other comics.   So as you’ve probably already guessed [especially if you read the title of this post], it’s FRANK MILLER WEEK: DAY 1 @ the ZONE.

The piece we have today appeared on a post card that Marvel sent to fans who had sent in potential scripts.  You can see what the post card looked like by clicking hereJoe Rubinstein provided the beautiful inks on this piece.   Tomorrow we’ll see more rare Frank Miller art when we take a look at the card that Marvel sent to artists submitting work.

I Am Jules

Here’s a survey that I took part in via my Facebook page.  Since I’m a Tarantino fan [especially his early work], I thought it’d be interesting to see which character the survey paired me up with.  Jules from    “Pulp Fiction” is one of the coolest characters in Tarantino’s universe, so no complaints there.  While I don’t think that I’m brutal or dangerous, I do have a “deep-seated sense of justice and righteousness” and a “strong moral code”.  I’d like to think that I learn from my mistakes, and so far in life everything does seems to happen for a reason. 

Yeah, I have no problems being matched up with Jules. I wonder if anyone does the survey and finds out that he/she matches up with “The Gimp“?

Dick Giordano’s Demolition Man

Dick Giordano, the comics legend is back! During his fifty plus years in the biz he’s done everything from ink all the greats (including himself) to serve as Editor-in-Chief of DC Comics, to co-founding his own comic company.

I recently had the good fortune to pick up six model sheet headsketches of Sly that Mr. Giodano did before starting work on DC Comics adaptation of “Demolition Man”. This is the fourth.