Twilight Zone: “Mute” [Season 4, Episode 5] / Z-View

Twilight Zone: “Mute[Season 4, Episode 5]
Original Air Date: January 31, 1963

Director: Stuart Rosenberg

Writer: Richard Matheson

Starring: Barbara Baxley, Frank Overton, and Irene Dailey.

The Overview: Beware of Spoilers…

A little girl raised by recluse parents to communicate only telepathically has trouble adjusting to civilization when she becomes an orphan.

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Mike Zeck’s Debut on Master of Kung Fu!

Years ago, I used to own the original art to the page shown above by Mike Zeck and John Tartaglione.  But that’s not the reason I posted it today.

You see one of my daily stops on the internet highway is Diversions of the Groovy Kind.  DotGK recently posted…

“The Phoenix Gambit Part I: Temples of Time” by Doug Moench, Mike Zeck (his MOKF debut!), and John Tartaglione from Master of Kung Fu #59 (September 1977)…

and there you can see the entire issue.  And THAT is the reason for showing the art.

Twilight Zone: “He’s Alive” [Season 4, Episode 4] / Z-View

Twilight Zone: “He’s Alive[Season 4, Episode 4]
Original Air Date: January 24, 1963

Director: Stuart Rosenberg

Writer: Rod Serling

Starring: Dennis Hopper, Ludwig Donath, Paul Mazursky.

The Overview: Beware of Spoilers…

Peter Vollmer [Hopper] is a white supremacist trying to get a Neo-Nazi movement started.  The only crowds he draws come to insult or beat him up until a mysterious man begins to give Vollmer advice.  Soon Vollmer is more charismatic and his following begins to grow as does his paranoia.

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Twilight Zone: “Valley of the Shadow” [Season 4, Episode 3] / Z-View

Twilight Zone: “Valley of the Shadow[Season 4, Episode 3]
Original Air Date: January 10, 1963

Director: Perry Lafferty

Writer: Charles Beaumont

Starring: David Opatoshu, Ed Nelson and Natalie Trundy.

The Overview: Beware of Spoilers…

Driving the back roads, Phillip Redfield [Nelson] ends up in the small town of Peaceful Valley.  Redfield sees something that puts his life at risk and is captured.  As townsfolk argue Redfield looks for a way out.

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16 Fascinating Facts About Marlon Brando

Roger Cormier and Mental_Floss present 16 Fascinating Facts About Marlon Brando.  Here are three of my favorites…

5. HE BROKE HIS NOSE DURING A PERFORMANCE OF STREETCAR WHEN HE WAS BOXING WITH SOMEONE BACKSTAGE.
To alleviate the boredom of playing Kowalski on stage for, at that time, over one year, Brando started to fight with one of the stagehands, who was an amateur boxer. The stagehand took it easy on Brando until the actor insisted he fight for real. The stagehand then popped him in the nose, and blackened his eyes. Having just been punched in the face, and with his nose bleeding, Brando stepped back on to the stage. His co-star, Jessica Tandy, hid her surprise at his appearance by ad-libbing the line “You bloody fool” and playing it off as if Stanley had just been in a street fight.

After the performance, Brando walked to the nearest hospital to get himself fixed up. Irene Selznick, the show’s producer, told Brando to get his nose reset. She was glad he did not to listen to her. “I honestly think that broken nose made his fortune,” she said. “It gave him sex appeal. He was too beautiful before.”

 

7. BRANDO INITIALLY TURNED DOWN ON THE WATERFRONT, AND DIDN’T CARE FOR HIS PERFORMANCE IN IT.
After Brando returned the unread script—twice—Frank Sinatra was cast as Terry Malloy. While costumes were being fitted for the crooner to star, Brando changed his mind after producer Sam Spiegel convinced the actor to put his politics aside and re-team with his A Streetcar Named Desire director Elia Kazan, who had testified as a witness before the House Committee on Un-American Activities in 1952.

When Brando first saw the movie, he was “so depressed” by his performance that he left the screening room without saying a word. Brando won his first (of two) Best Actor Oscars for the role.

 

9. BRANDO AND SINATRA FEUDED DURING GUYS AND DOLLS.
Still upset over having the role of Terry Malloy taken away from him, Sinatra held a grudge, and repeatedly referred to Brando as “Mumbles.” Sinatra also declared that he didn’t go for Brando and “that Method crap.”

The two ended up starring in Guys and Dolls (1955) together, with Sinatra as Nathan Detroit and Brando as Sky Masterson. To get back at Sinatra for his adamant dislike of rehearsing, Brando purposely screwed up at the end of scenes to necessitate a retake. In one scene, Brando reportedly messed up nine times in a row because Sinatra had to eat a piece of cheesecake every time. After the ninth mistake, Sinatra threw his plate to the ground, jammed his fork on the table, and screamed at the director, “These ****** New York actors! How much cheesecake do you think I can eat?”

Twilight Zone: “The Thirty Fathom Grave” [Season 4, Episode 2] / Z-View

Twilight Zone: “The Thirty Fathom Grave[Season 4, Episode 2]
Original Air Date: January 10, 1963

Director: Perry Lafferty

Writer: Rod Serling

Starring: Mike Kellin, Simon Oakland, David Sheiner and Bill Bixby.

The Overview: Beware of Spoilers…

The crew of a navy warship hears tapping from inside a submarine sunk 20 years earlier… and one of the ships crew members is starting to behave strangely.

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10 Facts About Tarzan That Will Surprise You

Mathew Baugh and Listverse present 10 Facts About Tarzan That Will Surprise You.  Here are three of my favorites…

Tarzan Was Not Raised By Gorillas
Everybody knows Tarzan was raised by gorillas. It’s part of the established Tarzan lore . . . right? Well, this is a common misconception. In fact, it’s so common that a number of movies have gotten it wrong.

Tarzan was actually raised by a species of ape unknown to science. These creatures resemble gorillas in size and strength, but they differ in other ways. These great apes often walk upright, hunt animals, eat meat, and have a spoken language. They call themselves the “mangani,” and Burroughs describes them as “huge,” “fierce,” and “terrible.” He adds that they’re “a species closely allied to the gorilla, yet more intelligent.” Thanks to their smarts and strength, the mangani are “the most fearsome of these awe-inspiring progenitors of man.”

Edgar Rice Burroughs Killed Jane
The first actress to play Jane Porter was Enid Markey in Tarzan of the Apes. Unfortunately, Ms. Markey was a brunette, which went against Burroughs’s image of Jane. In the novels, Jane is actually a blonde. (She isn’t British, either. She’s actually from Maryland.) It didn’t help that Burroughs hated Markey’s performance. In fact, he supposedly hated it so much that he killed off Jane in his next story.

In the first chapter of Tarzan the Untamed, Tarzan is away from home when World War I breaks out. When he returns, he finds that German soldiers have looted and burned his home, killing many of his servants and friends in the process. And shockingly, they’ve murdered Jane.

Tarzan Auditioned For A Tarzan Movie
Edgar Rice Burroughs had a love/hate relationship with Hollywood. He loved the exposure and extra income, but he hated the way movies changed his character. He particularly disliked Elmo Lincoln, the first movie Tarzan, who was afraid of heights. Lincoln was also a beefy man with a 132-centimeter(52 in) chest in contrast to the lean, athletic Tarzan of the books.

Nor was Burroughs happy with Johnny Weissmuller (pictured above), the most famous movie Tarzan. He wanted Tarzan to be articulate, but Weissmuller’s version could barely speak English.

The author took out his frustration in Tarzan and the Lion Man. In this novel, our hero rescues a movie crew filming in the African jungle. Along the way, Burroughs mocks the actors, directors, and moviemaking in general. But the coup de grace comes in the last chapter. After his adventure, Tarzan visits Hollywood, and he’s taken to meet a casting director:

The casting director sized Clayton up. ‘You look all right to me; I’ll take you up to Mr. Goldeen; he’s production manager. Had any experience?’

‘As Tarzan?’

The casting director laughed. ‘I mean in pictures.’

‘No.’

‘Well, you might be all right at that. You don’t have to be a Barrymore to play Tarzan. Come on, we’ll go up to Mr. Goldeen’s office.’

They had to wait a few minutes in the outer office, and then a secretary ushered them in.

‘Hello, Ben!’ the casting director greeted Goldeen. ‘I think I’ve got just the man for you. This is Mr. Clayton, Mr. Goldeen.’

‘For what?’

‘For Tarzan.’

‘Oh, m-m-m.’

Goldeen’s eyes surveyed Clayton critically for an instant; then the production manager made a gesture with his palm as though waving them away. He shook his head. ‘Not the type,’ he snapped. ‘Not the type, at all.’

10 Hush-Hush Facts About “L.A. Confidential”

Mathew Jackson and Mental Floss present 10 Hush-Hush Facts About L.A. Confidential.  Here are three of my favorites…

1. THE SCRIPTING PROCESS WAS TOUGH.
Writer-director Curtis Hanson had been a longtime James Ellroy fan when he finally read L.A. Confidential, and the characters in that particular Ellroy novel really spoke to him, so he began working on a script. Meanwhile, Brian Helgeland—originally contracted to write an unproduced Viking film for Warner Bros.—was also a huge Ellroy fan, and lobbied hard for the studio to give him the scripting job. When he learned that Hanson already had it, the two met, and bonded over their mutual admiration of Ellroy’s prose. Their passion for the material was clear, but it took two years to get the script done, with a number of obstacles.

“He would turn down other jobs; I would be doing drafts for free,” Helgeland said. “Whenever there was a day when I didn’t want to get up anymore, Curtis tipped the bed and rolled me out on the floor.”

 

3. JAMES ELLROY DIDN’T THINK THE BOOK COULD BE ADAPTED.
Though Wolper was intrigued by the idea of telling the story onscreen, Ellroy and his agent laughed at the thought. The author felt his massive book would never fit on any screen.

“It was big, it was bad, it was bereft of sympathetic characters,” Ellroy said. “It was unconstrainable, uncontainable, and unadaptable.”

 

10. ELLROY APPROVED OF THE MOVIE.
To adapt L.A. Confidential for the screen, Hanson and Helgeland condensed Ellroy’s original novel, boiling the story down to a three-person narrative and ditching other subplots so they could get to the heart of the three cops at the center of the movie. Ellroy, in the end, was pleased with their choices.

 

“They preserved the basic integrity of the book and its main theme, which is that everything in Los Angeles during this era of boosterism and yahooism was two-sided and two-faced and put out for cosmetic purposes,” Ellroy said. “The script is very much about the [characters’] evolution as men and their lives of duress. Brian and Curtis took a work of fiction that had eight plotlines, reduced those to three, and retained the dramatic force of three men working out their destiny. I’ve long held that hard-boiled crime fiction is the history of bad white men doing bad things in the name of authority. They stated that case plain.”

Twilight Zone: “The Changing of the Guard” [Season 3, Episode 37] / Z-View

Twilight Zone: “The Changing of the Guard[Season 3, Episode 37]
Original Air Date: June 1, 1962

Director: Robert Ellis Miller

Writer: Rod Serling

Starring: Donald Pleasence, Liam Sullivan and Philippa Bevans.


The Overview: Beware of Spoilers…

Professor Ellis Fowler upon being forced to retire feels that he hasn’t had the impact he hoped his career would bring.  Fowler decides to commit suicide but before he goes through with it, he is visited by people from his past.

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