“Mission Impossible: Fallout” Trivia

Rob Hunter and Film School Rejects present 51 Things We Learned from the Mission: Impossible – Fallout Commentary. Here are three of my favorites…
7. They tested shorter cuts of the film per the studio’s request, but each attempt saw the scores plummet. Cruise told them “it doesn’t matter how long it is, it matters how long it feels.”
17. The HALO sequence saw them jumping out of the plane at 25,000 feet, and it’s all done live in a single shot. The city lights below are added in post, but the jump and fall are 100% real. “We talked about this for a year. How are going to get this shot?” The camera operator for the scene is wearing a camera mounted to the top of his own helmet, and the whole thing is a legitimately thrilling sequence. Here, I’ll let a very excited and proud Cruise tell you about jumping out of the plane for the scene. “Now he’s backwards. He leaves backwards. I’m coming right at him. Now I have to get from there I have to get within three feet, not two feet ten inches, not three feet and two inches. I have to be right at three feet to be in focus. Now I go past him in that and we had a window of three minutes to get that shot. Now I do this spin, now you’re in my face,I’m up on my back, he’s going up and around. It really is a dance between the two of us. I had to always make sure that the sunset was on my left shoulder. Now we’re traveling at 200 miles an hour at times toward the ground. I’m coming in, it’s like a sprint, boom, I have to hit him. When I hit him, I have to hit him, I don’t know where I’m gonna hit him on his body, I just have to try and take him out and down. And not break his neck, my neck, and not entangle the chutes, deploy his chute or my chute. Any of those things could have led to serious problems.” They built the largest wind tunnel in the world to train and considered filming some of the sequence in there, but it didn’t look real enough.
27. The “what if” sequence at 44:13 where they show the hijack and subsequent killing of dozens of police officers under the overpass was a concern as paparazzi and Parisian gawkers lined the other side of the river watching. They hung 300 feet of silk across the archways so that people wouldn’t see police being murdered, and the unintentional but welcome effect is the “eerie light” across the scene.











Here’s how Schmidt describes Stiletto…
That’s John…
That’s me…
And that’s John with his reference working on the art. You can click on the video link below to see and hear how everything went down. We had a blast with viewers texting in questions and even a couple of call-ins to the studio.
























































