CROSSROAD BLUES: A NICK TRAVERS GRAPHIC NOVEL

CROSSROAD BLUES: A NICK TRAVERS GRAPHIC NOVEL by Ace Atkins and Marco Finnegan is set to drop May 1st and I can’t wait.

After a New Orleans college professor goes missing while searching for the rumored lost recordings of bluesman Robert Johnson—who, as legend has it, sold his soul to the devil at a Mississippi crossroads—Nick Travers is sent to find him. Clues point to everyone from an eccentric albino named Cracker to a hitman who believes he is the second coming of Elvis Presley.

I first discovered Atkins writing when he was tapped to continue the Robert B. Parker Spenser novels.  I was so impressed I searched out more of Atkins work and this led me to his other novels as well as the first Nick Travers graphic novel, Last Fair Deal Gone Down.  Needless to say, I was hooked.

Source: Comicosity.

11 Dizzying Facts About “Vertigo”

Tara Aquino and Mental Floss present 11 Dizzying Facts About Vertigo.  Here are three of my favorites…

1. ALFRED HITCHCOCK BLAMED JIMMY STEWART FOR VERTIGO’S FAILURE.
Marred by mixed reviews, the $2.5 million Vertigo did comparatively less than Hitchcock’s previous movies, and was widely recognized as a failure. Frustrated with its reception, Hitchcock partly blamed star Jimmy Stewart’s aging appearance. At the time of filming, Stewart—who had starred in Hitchcock’s three previous films—was 50 years old which, according to the director, was too old to convincingly play then-25-year-old Kim Novak’s love interest.

5. AN UNCREDITED CAMERAMAN CAME UP WITH THE FAMOUS “VERTIGO EFFECT.”
According to associate producer Herbert Coleman, it wasn’t Hitchcock who came up with the film’s famous camera technique (which essentially involves zooming forward while pulling the camera backward); rather, it was an uncredited second unit cameraman, Irwin Roberts. “He didn’t get screen credit on Vertigo because they gave the screen credit to another close friend of ours [Wallace Kelley] who did all the process work on the stage,” Coleman said.

9. ALFRED HITCHCOCK CHANGED THE SETTING FROM PARIS TO SAN FRANCISCO.
The French source novel, D’entre les Morts, was set in Paris, but Hitchcock believed that San Francisco was more interesting. As noted by Auiler, with the city’s vertiginous streets and hilly landscape, the location perfectly matched the film’s themes. In a city where there were such extreme physical highs and lows, awful for anyone with acrophobia, Scottie’s vertigo became a character in and of itself.

Steranko Vintage Pencil Art!

If you’re a fan of fanzines, then you’ve got to check out Ken Meyer, Jr.’s monthly column Ink Stains.  Each month Ken (who is an amazing artist) posts… well, let’s let Ken explain…

I have a collection of over 200 fanzines from the 60’s-80’s that I plan to scan and talk about, one at a time. I hope to have some of the participants answer a few questions. Many of those participants are established comics professionals now, while some have gone on to other things. I will show a few snippets from each zine and give you a link to download a pdf of the whole thing, which I hope all of you will do!

These two Steranko pieces appeared with other art by Steranko, Frank Frazetta, Berni Wrightson, Michael Kaluta, Steve Hickman, Kenneth Smith and others in Spa Fon 5 (Ink Stains #100).

As always, thanks to Ken for bringing back great memories of fandom!