Every Connection in the Tarantino Cinematic Universe

Ryan Arey at ScreenCrush presents all the many, many connections in the Tarantino Cinematic Universe. It’s a fun and informative piece worth a look!
Previews and Reviews that are Z's Views

Ryan Arey at ScreenCrush presents all the many, many connections in the Tarantino Cinematic Universe. It’s a fun and informative piece worth a look!

Once Upon a Time … in Hollywood (2019)
Director: Quentin Tarantino
Screenplay: Quentin Tarantino
Stars: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Kurt Russell, Zoe Bell, Timothy Olyphant, Julia Butters, Dakota Fanning, Bruce Dern, Mike Moh, Luke Perry and Al Pacino.
The Pitch: “Quentin Tarantino’s 9th Film!”
Tagline: The 9th Film from Quentin Tarantino.
The Overview: Beware of Spoilers…
Once Upon a Time… in Hollywood is an interesting film that isn’t easily summarized because it doesn’t follow the traditional three act format of most films. Instead Tarantino focuses on three main characters, fading movie/tv star Rick Dalton (DiCaprio), his best friend and stunt double, Cliff Booth (Pitt) and Dalton’s next door neighbor and rising star, Sharon Tate (Robbie). Dalton and Booth are fictional characters interacting with fictionalized versions of real Hollywood celebrities of the era. And since this is a fairy tale (Once Upon a Time), liberties are taken.
Dalton is a mash-up of Burt Reynolds and Clint Eastwood with a bit of Steve McQueen thrown in. A former tv star of a popular western bounty hunter series from a decade earlier, Dalton now makes his living guest starring as the bad guy on other folks’ tv shows. He knows his star is fading and worries that his career is over.
Booth is Dalton’s best friend and stunt double. He’s a mash-up of stuntman Hal Needham and Robert Wagner (due to the rumors that he killed his wife on a boat).
Robbie is Sharon Tate, the beautiful young starlet who was just gaining fame when she (along with several of her friends) were brutally murdered by members of the Manson family.
As we follow Dalton & Booth and Robbie, we know that they’re on a trajectory that in the real world leads to brutal murders. The journey Tarantino takes us on is a fun one. The world looks, feels and sounds like 1969. The real joy of the movie is the journey but be advised there are moments of suspense and shocking brutality. As expected, the movie doesn’t have the expected real-world outcome. (How’s that for an oxymoron?)
DiCaprio is excellent in his role as Rick Dalton displaying perhaps his best acting ever which is ironic considering he’s an actor worrying about his career. Pitt is perfect in his role as the best bud, cool sidekick. Margaret Qualley and Julia Butters were especially good in the roles. And it’s always cool to see Kurt Russell and Timothy Olyphant.
Once Upon a Time… in Hollywood is a movie that I think I’m going to grow to like more and more as time goes on. I’ve been thinking about it a lot since I left the theater yesterday. I really liked it. Below the trailer and my rating I’m going to speak about a couple of scenes that give away major plot points. Don’t read on if you don’t like major spoilers.
Rating:
The first scene that I want to discuss is the fight between Bruce Lee and Cliff Booth. In the scene Lee comes off as arrogant and Booth appears to be beating or at the very least holding his own against Lee. Bruce Lee’s daughter has taken offense at the scene saying it puts her dad in a bad light. Initially I one hundred percent agreed with her. Thinking more about the scene I realize that Tarantino set the scene up so we’re seeing it by how Booth remembers it. From Booth’s viewpoint Lee was arrogant and even in this remembered version Booth isn’t beating Lee. From this perspective I don’t have a problem with the scene.
The scenes where Dalton screws up his lines in a scene, goes to his trailer and has a meltdown and then goes up for the next scene and nails it, is some of DiCaprio’s best acting. The payoff is set up in an earlier scene with Julia Butters and it’s a great one.
The most suspenseful scenes occur when Booth goes to the Spahn ranch, then decides to check on old man Spahn and later when Dalton unknowingly confronts members of the Manson family who are ready to kill. Both of these scenes had me fearing that Booth and Dalton were about to die.
I thought that when the Manson followers go in to kill Booth and Dalton’s wife it was excessively brutal and over the top. Looking back, that’s exactly what the Manson murders were — excessively brutal and over the top.
I liked the final scene where Dalton is invited in to meet Sharon Tate. Following the trajectory of the real-life characters I believe that Dalton will go on to become a major movie star and Booth will get a shot directing action movies.
I felt certain going in to the movie that Dalton and Booth would somehow save Sharon Tate and her friends from being murdered. I was surprised when the Manson family members ended up going into Dalton’s house. As the movie progressed I thought maybe Bruce Lee would be at Sharon’s house and he and Booth would have additional words. Dalton would attempt to calm them down when the killers show up. Lee and Booth would save the day and of course Dalton would also get credit and that would get him back into the star light. Kudos to Tarantino for surprising me (and the audience).
I look forward to future viewings of Once Upon a Time… in Hollywood.

Deadline is reporting that Sly Stallone and Dolph Lundgren are teaming for an hour long drama series that has been pitched to several networks including Netflix and Apple streaming services. The series will star Lundgren as a covert operative for the United Nations. Sly is set to serve as a producer through his Balboa Productions.

The American Dreamer poster and trailer are here. It was not what I was expecting. It looks much darker and better. It is now on my radar.

The 1917 trailer looks interesting. Here’s the low-down…
Sam Mendes, the Oscar®-winning director of Skyfall, Spectre and American Beauty, brings his singular vision to his World War I epic, 1917.
At the height of the First World War, two young British soldiers, Schofield (Captain Fantastic’s George MacKay) and Blake (Game of Thrones’ Dean-Charles Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers—Blake’s own brother among them.
1917 is directed by Sam Mendes, who wrote the screenplay with Krysty Wilson-Cairns (Showtime’s Penny Dreadful). The film is produced by Mendes and Pippa Harris (co-executive producer, Revolutionary Road; executive producer, Away We Go) for their Neal Street Productions, Jayne-Ann Tenggren (co-producer, The Rhythm Section; associate producer, Spectre), Callum McDougall (executive producer, Mary Poppins Returns, Skyfall) and Brian Oliver (executive producer, Rocketman; Black Swan).

I like the looks of Obsession.

Wow. If drive-ins were still a thing (how I wish they were), then The Hunt would be a lead feature. (Perhaps Empathy Inc. would be the second movie.)
I don’t have a drive-in nearby but I still plan on seeing The Hunt at some point.
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen… for a very specific purpose … The Hunt.
In the shadow of a dark internet conspiracy theory, a bunch of elites gathers for the very first time at a remote Manor House to hunt humans for sport. But the elites’ master plan is about to be derailed because one of the hunted, Crystal (Betty Gilpin, GLOW), knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman (two-time Oscar® winner Hilary Swank) at the center of it all.
From Jason Blum, the producer of Get Out and The Purge series, and Damon Lindelof, co-creator of the TV series The Leftovers and Lost, comes a new mysterious social thriller.
The Hunt is written by Lindelof and his fellow The Leftovers’ collaborator Nick Cuse and is directed by Craig Zobel (Z for Zachariah, The Leftovers). Blum produces for his Blumhouse Productions alongside Lindelof. The film is executive produced by Zobel, Cuse and Steven R. Molen.

The poster and trailer for Empathy Inc. are here. They remind me of something that you’d see at the drive-in when there was a triple feature and you hoped for something good.
Empathy Inc. might be that something good.

Check out Willem Dafoe and Robert Pattinson who star in The Lighthouse (directed by Robert Eggers) trailer.
The film is shot and black and white, looks like an old film and is almost hypnotic. I can’t say that I’m going to love The Lighthouse but I’ll bet I check it out.
Joe R. Lansdale is best known for his Hap & Leonard series of novels (and television series) but Lansdale’s stand alone novels are also excellent. Case in point, check out More Better Deals coming March 31, 2020.
Ed Edwards is in the used car business. A business built on adjusted odometers, extra-fine print, and the belief that “buyers better beware.” Burdened by an aging, alcoholic mother constantly on his case to do something worthier of his lighter skin tone and dreaming of a brighter future for himself and his plucky little sister, Ed is ready to get out of the game.
When Dave, his lazy, grease-stained boss at the eponymous dealership Smiling Dave’s sends him to repossess a Cadillac, Ed finally gets the chance to escape his miserable life.
The Cadillac in question was purchased by Frank Craig and his beautiful wife Nancy, owners of a local drive-in and pet cemetery. Fed up with her deadbeat husband and with unfulfilled desires of her own, Nancy suggests to Ed- in the throes of their salacious affair- that they kill Frank and claim his insurance policy. It is a tantalizing offer: the girl, the car, and not one, but two businesses. Ed could finally say goodbye to Smiling Dave’s, and maybe even send his sister to college. But does he have what it takes to see the plan through?
Told with Joe Lansdale’s trademark grit, wit, and dark humor, More Better Deals is a gripping tale of the strange characters and odd dealings that define 1960s East Texas.

I just saw the trailer for Carnival Row. Here’s the official description…
Orlando Bloom and Cara Delevingne star in Carnival Row, a Victorian fantasy world filled with mythological immigrant creatures. Feared by humans, they are forbidden to live, love, or fly with freedom. But even in darkness, hope lives, as a human detective and a faerie rekindle a dangerous affair. The city’s uneasy peace collapses when a string of murders reveals a monster no one could imagine.
This doesn’t sound like something I’d normally like. But I watched the trailer and liked the looks of it. I’ll tune in and give it a shot.