David Walker Talks Shaft

David Walker Talks Shaft is an interview with the writer of the excellent Shaft comic series conducted by David Avallone for Bleeding Cool. It’s worth a read.
Previews and Reviews that are Z's Views

David Walker Talks Shaft is an interview with the writer of the excellent Shaft comic series conducted by David Avallone for Bleeding Cool. It’s worth a read.

Midday Music Day 45. If by Bread.
Yesterday’s song reminded me of a song that could have been recorded by today’s band, Bread.

Did you catch Ed Brubaker’s interview at CBR.com where Brubaker Discusses Creator-Owned Comics and Why He Doesn’t Miss Superheroes?
It’s worth a look.

Midday Music Day 43. I’d Love You to Want Me by Lobo.
Keeping it slow… this one could have been done by Bread.

Rob Hunter and Film School Rejects have posted 30 Things We Learned from Ridley Scott’s “Blade Runner” Commentary.
Here are three of my favorites…
1. It was Scott’s choice to have the opening credits be simply text against a black screen. “I knew my opening shot would be so spectacular,” he says, “that I didn’t want the titles to upstage them in any form.”
29. He points out a detail during the end sequence with Deckard hanging from a building that I’ve never noticed in my numerous watches of the film. Just as Deckard loses his grip he spits at Roy in a final act of bravado, and it’s that action, that refusal to beg for his life, that leads Roy to save his life.
30. Regarding whether or not Deckard is a replicant, Scott is okay with either interpretation, but he himself believes the answer to be yes. He says the expression on Deckard’s face after noticing the origami unicorn outside his apartment door is confirmation. Gaff was there, the unicorn is from Deckard’s dreams, and Gaff would have had access to Deckard’s file which would probably include mention of the unicorn dream implant. I guess we’ll find out for sure in the sequel…

Midday Music Day 43. How Can You Mend a Broken Heart by The Bee Gees.
Let’s slow things down a bit…

Final wills are interesting because they give insight into what a dying person finds important. Usually the person plans out their final will with the hope that it won’t be used any time soon.
That is not what Alan Boyle’s 10 Final Messages From People Facing Certain Death is about. Instead, his piece looks at, well, here’s how he describes it…
Death can take us at any time. But when you realize you have only hours or minutes left to live, you get a chance to deliver a final message to the world. Perhaps it’ll be a phone call or a text message or even just a note scratched into a nearby surface. They’ll be your last words. Make them count.
Source: Listverse.com

Midday Music Day 42. More Than a Woman by The Bee Gees.
Good times/great memories – cruising in my Mustang… drive-in movies… and of course Saturday Night Fever.

Cory Mahoney and Hollywood.com have posted 21 Wonderful Facts About The Wizard of Oz. There are some new [at least to me] facts and here are three of my favorites…
1. The snow the wakes Dorothy up from the poppy field was 100% asbestos.
Even though the health hazards had been known for years. [Hey – that is not a wonderful fact! – Craig]
4. And that horse [the horse of a different color see in Oz] originally had a much larger part in the film. The horse, which was originally a striped with different colors and could speak, joined the Scarecrow, Tin Man, and Cowardly Lion, along with the Wizard, to save Dorothy from the Witch.
6. Because Margaret Hamilton’s performance as the Wicked Witch of the West was so frightening, many of her scenes were trimmed or deleted entirely.
They were thought to be too frightening.

Midday Music Day 41. Fanny (Be Tender with My Love) by The Bee Gees.

Meena Jang and The Hollywood Reporter have posted Jackie Chan: His 7 Most Intrepid Stunts with links to videos!

Midday Music Day 40. Fool (If You Think It’s Over) by Chris Rea.
Today we have an optomistic sad song and one of my favorite “one hit wonders.”

Sean Hutchinson and Mental_Floss have posted 17 Things You Might Not Know About Scarface. Here are three of my favorites…
5. A budding screenwriting star brought De Palma back.
Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, and Stone agreed to do the movie for two reasons. First, his 1981 film The Hand had bombed at the box office, so he needed the work. He also wanted to work with Lumet, who eventually dropped out of the project because he felt Stone’s screenplay became too over the top and too violent. De Palma, who had moved on to potentially direct Flashdance, then read Stone’s script and loved how exaggerated it was, so he dropped Flashdance and rejoined Scarface.10. Tony is only referred to as “Scarface” once, and it’s in Spanish.
Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to him as “cara cicatriz,” meaning “scar face” in Spanish.14. Steven Spielberg directed a single shot.
De Palma and Spielberg had been friends since the two began making studio movies in the mid ‘70s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low angle shot where the attackers first enter the house.

The very cool Rambo: First Blood, Part II poster was created by Anthony Petrie and is available from Grey Matter art…
“First Blood: Part II” By Anthony PetrieGrey Matter Art under license from StudioCanal, is pleased to announce the next poster in our officially licensed Rambo series. A limited edition screen print for the iconic 80’s film, “Rambo: First Blood Part II”, by the very talented artist, Anthony Petrie…

Midday Music Day 39. How Much I Feel by Ambrosia.
Is there a sadder love song?