Robert Eggers’ “Nosferatu” Alt Poster by Ben McLeod!

Anyone looking forward to Robert Eggers new film Nosferatu? Ben McLeod is and he made an iconic alt poster for it. You can see more of McLeod’s art here.
Previews and Reviews that are Z's Views

Anyone looking forward to Robert Eggers new film Nosferatu? Ben McLeod is and he made an iconic alt poster for it. You can see more of McLeod’s art here.

I like the retro feel to Jade‘s poster and trailer. It definitely would qualify as a “drive-in” movie that I would look forward to seeing.
Follows a woman who comes between a powerful businessman and a gang leader in their search for a hard drive that could damage the operations of Interpol. The woman is required to use her unique set of skills to retrieve the drive.

I’m a big fan of Jonathan Maberry’s novels. My favorite is his JOE LEDGER series, but everything I’ve ever read by Maberry has been worthy.
MYSTIC: THE MONK ADDISON CASE FILES is on my “must-buy” list. (How about that cover by Lynne Hansen!)
MYSTIC: THE MONK ADDISON CASE FILES drops December 3rd, 2024. Below is the synopsis…
Gerald “Monk” Addison used to be a soldier. Sometimes he’s a bounty hunter. Mostly, he’s a killer of killers.
His body is covered with the faces of victims of serial killers, human traffickers, and other monsters. Their blood is mixed with holy water and then inked onto his skin, allowing him to relive their deaths. To feel what they felt, and to see what they saw. The faces of the killers.And then Monk goes hunting.
He is forever haunted by the ghosts who hire him. A madman mystic. A man driven to darkness and acts of shocking violence. Monk is a good man on a dark and dangerous road in search of personal redemption. In search of red justice.
MYSTIC collects the Monk Addison case files, pitting him against the most dangerous kinds of human monsters. These are stories of a complex and driven hunter of men. They are tales of a mystic hunting the nightmare streets and back alleys.
For full details click here.

Fallout: Season 1 (2024)
Created by: Graham Wagner, Geneva Robertson-Dworet
Based on Fallout by Bethesda Softworks
Director: Jonathan Nolan (Eps. 1-3); Daniel Gray Longino (Ep. 4); Clare Kilner (Ep. 5); Frederick E.O. Toye (Ep. 6); Frederick E.O. Toye, Clare Kilner (Ep. 7); Wayne Yip (Ep. 8)
Teleplay: Geneva Robertson-Dworet & Graham Wagner (Eps. 1-3); Kieran Fitzgerald (Ep. 4); Carson Mell (Ep. 5); Karey Dornetto (Ep. 6); Chaz Hawkins (Ep. 7); Gursimran Sandhu (Ep. 8)
Stars: Ella Purnell, Aaron Moten, Kyle MacLachlan, Walton Goggins, Sarita Choudhury, Leslie Uggams, Michael Cristofer, Mykelti Williamson, Matt Berry, Zach Cherry, Rodrigo Luzzi, Cameron Cowperthwaite, Michael Emerson, Michael Rapaport, Dale Dickey, Jake Garber, Frances Turner, Glenn Fleshler, Angel Desai, Harry Sutton Jr., Fred Armisen.
Tagline: None.
The Plot…
As World War III began, wealthy people who had connections made their way to underground “vaults”. These fallout shelters were prepped so that the inhabitants could stay underground until it was safe to return to the surface.
200 years have passed. The vault people have led a sheltered life. Everyone is polite and kind. When members of another vault are invited over, it turns out that they are surface dwellers who brutally attack the vault folks. One of the vault leaders, Overseer Hank MacLean (MacLachlan) is kidnapped.
Lucy MacLean (Purnell), Hank’s young adult daughter ventures to the surface to rescue her dad. Totally unprepared for the savages, monsters and ghouls living on the surface, Lucy is determined to find her father or die trying.
Thoughts (beware of spoilers)…
I went into season one of Fallout having never played the game or knowing much about it. My main reasons for watching were Walter (Justified) Goggins and Ella (Army of the Dead) Purnell. They did not disappoint.
Fallout is an odd mix of futuristic retro, Mad Max-type characters, gore and silliness. It all comes together pretty well.
I enjoyed Fallout season 1 enough that I’ll tune in if there is a follow-up.
Fallout: Season 1 (2024) rates 3 of 5 stars.



Marv from Frank Miller’s Sin City is one of my all-time favorite characters. I love seeing artists do their “take” on the big lug. Today we have an amazing Marv by Daniel Acuña Perez.
A TROLL WALKS INTO A BAR: A Noir Urban Fantasy Novel by Douglas Lumsden
Publisher: Independently published (November 17, 2019)
First sentence…
If I had failed to notice that he was packing a quarter of a ton of rock-hard muscle into his seven-and-a-half foot frame, or if I hadn’t observed the loose grayish skin that made his face look as if it were made of wet clay, the large close-set ears that rose to a point next to his hairless skull, his blood-red sunken eyes glowing like half-hidden warning lights beneath a stony brow ridge, his predator teeth behind oversized dark ruddy lips, and his large knobby hands with clawed fingers that extended like eight thorny tendrils, I wouldn’t have known he was a troll.
The Overview: Beware of Spoilers…
Our story takes place in a world where trolls, gnomes, were-rats, ocean nymphs, adaro, Dragon Lords, elves and other mystical creatures live along side humans. Alexander Southerland is a human private detective. He’s getting by (barely), by knowing the players and using his smarts.
One night Southerland is enjoying a quiet drink in a bar. His peaceful evening is ruined when a seven-and-a-half-foot tall troll pulls up a chair. The beast is a cop. Detective Stonehammer provides his credentials and a warning. He tells Southerland that a sexy dame is going to come to him wanting help. Southerland is to turn her down. Southerland asks how much she’s paying. Stonehammer says it doesn’t matter since Southerland ain’t takin’ the job. And with that fair warning, the troll leaves.
Against his better judgment, Southerland meets with the woman. Although he initially turns her down, curiosity gets the best of him. She may be playing him, but it doesn’t matter once you’re in too deep. Southerland finds himself in the middle of a gang war, on the run from crooked cops and corrupt politicians… and those are just the humans! Discovering what is in the locked box will either kill or save him. The smart money ain’t on him livin’.
+++++
A TROLL WALKS INTO A BAR is my first book by Douglas Lumsden. Normally, I don’t read fantasy. If you’re story has elves and mystical creatures, I’m not you’re audience. Yet something about the opening pages of Lumsden’s story drew me in. (Oh, and let’s not forget the cool cover!)
I love crime, noir and detective stories. Add the right mix of humor and violence and I’m on board. I don’t normally read stories with elves, gnomes and fantasy aspects. Still, I kept thinking about the tale Lumsden set up. I decided to give A TROLL WALKS INTO A BAR a try.
I’m glad I did. Alexander Southerland is the type of hero I like in a detective yarn. Smart, tough and with enough attitude to get him in tight jams as he tries to (mostly) do the right thing. I even enjoyed the trolls and other creatures. While I’m not ready for a constant diet of this genre, when I do want another taste, I know Douglas Lumsden is open for business with other tales.
Rating:


Cahill U.S. Marshal (1973)
Director: Andrew V. McLaglen
Screenplay: Harry Julian Fink, Rita M. Fink, story by Barney Slater, Jr.
Stars: John Wayne, George Kennedy, Gary Grimes, Neville Brand, Clay O’Brien, Marie Windsor, Morgan Paull, Dan Vadis, Royal Dano, Denver Pyle, Jackie Coogan, Rayford Barnes, Harry Carey Jr., Walter Barnes, Paul Fix, Vance Davis, Hank Worden and Pepper Martin.
Tagline: Break the law and he’s the last man you want to see. And the last you ever will.
The Plot…
United State Marshal and widower, J.D. Cahill (Wayne) is often away from home tracking down robbers and killers. While Cahill is gone, his two sons are left in the care of an old man. Abe Fraser (Kennedy) sees an opportunity to con the boys into helping him and his gang rob the bank. He promises no one will get hurt.
Sadly, during the robbery the town’s sheriff and another man are killed. Cahill’s youngest son hides the loot and refuses to tell where. Fraser tells the brothers that he will return in a short time and will get the cash or kill them. When Marshal Cahill returns the boys are afraid to tell their father what happened.
As Marshal Cahill tracks the robbers, he begins to suspect there’s more to the story. If he doesn’t figure it out, more will die… including his sons.
Thoughts (beware of spoilers)…
Director Andrew McLaglen directed John Wayne in five films. Cahill U.S. Marshal (1973) was the last.
John Wayne wasn’t a fan of the way the film turned out. He was quoted as saying, “It just wasn’t a well done picture. It needed better writing, it needed a little better care in making.”
Part of the problem may have been the fact that Wayne’s mentor, director John Ford died from cancer during filming. Wayne, himself had to have a cancerous lung removed 9 years earlier. Wayne also suffered from emphysema. Ford’s death and Wayne’s declining health made for a rough shooting schedule.
John Wayne’s co-stars in Cahill U.S. Marshal often appeared with Wayne in other films: George Kennedy (3), Clay O’Brien (2); Marie Windsor (3); Royal Dano (2); Denver Pyle (5); Rayford Barnes (3); Harry Carey Jr. (15); Walter Barnes (2); Hank Worden (17) and Paul Fix (26).
Harry Julian Fink and Rita M. Fink also were screenwriters for Big Jake (John Wayne); Dirty Harry, Magnum Force, The Enforcer, Sudden Impact, and The Dead Pool (all starring Clint Eastwood).
Cahill U.S. Marshal (1973) rates 3 of 5 stars.


Max Allan Collins’ QUARRY’S RETURN is scheduled to drop on November 5, 2024. Here’s the scoop…
The hitman hero of the acclaimed Cinemax series comes out of retirement when his daughter, a true-crime writer, is abducted by the subject of one of her books. A nail-biting suspense thriller from the author of ROAD TO PERDITION.
MWA Grand Master Max Allan Collins’ longest-running series, which inspired the show on Cinemax, makes a ferocious return following the Edgar Award-nominated QUARRY’S BLOOD as aging hitman Quarry is forced to come out of retirement when his true-crime-author daughter is abducted by one of the killers she’s written about. Perfect for fans of Liam Neeson thrillers and authors such as Lee Child.

The Last Voyage of the Demeter (2023)
Director: André Øvredal
Screenplay: Bragi Schut, Jr., Zak Olkewicz, story by Bragi Schut, Jr., based on “The Captain’s Log” from DRACULA by Bram Stoker
Stars: Corey Hawkins, Aisling Franciosi, Liam Cunningham, David Dastmalchian, Jon Jon Briones, Stefan Kapicic and Javier Botet.
Tagline: The Legend of Dracula is Born.
The Plot…
The year is 1897. Captain Elliott is making his final voyage. Ready to retire and raise his young grandson, Elliott sails to England leading a small crew. Little does anyone know that one of the large wooden crates they are transporting contains Dracula. No, they have no idea… but soon they will know!
Thoughts (beware of spoilers)…
André Øvredal described The Last Voyage of the Demeter as “basically Alien on a ship in 1897.” He’s not wrong.
The Last Voyage of the Demeter (2023) rates 3 of 5 stars.



How about this alt poster for Conan the Barbarian? It’s by the uber talented Ciarán O Donovan.

Sugar: Season 1 (2024)
Created by: Mark Protosevich
Director: Fernando Meirelles (Eps. 1-2, 5-6, 8); Adam Arkin (Eps. 3-4, 7)
Teleplay: Mark Protosevich (Eps. 1-2, 5); Mark Protosevich and David Rosen (Ep. 3); Mark Protosevich and Donald Joh (Ep. 4); Donald Joh and Sam Catlin (Eps. 6-8)
Stars: Colin Farrell, Kirby, Amy Ryan, Dennis Boutsikaris, Nate Corddry, James Cromwell, Miguel Sandoval, Jon Beavers, Darwin Shaw, Julia Belanova, Jordan Bielsky, Jason Butler Harner, Scott Lawrence, Adrian Martinez, Ben Mankiewicz, Paul Schulze, Julie Dretzin, Jaime Alvarez, Emil Beheshti, Massi Furlan, Cameron Cowperthwaite, Matthew Arkin, Christopher Carrington, Zachary Cowan and Anna Gunn.
Tagline: The wrong way is the only way out.
The Plot…
John Sugar (Farrell) is a private eye. He loves old noir movies and his ’66 Corvette Stingray convertible. Sugar’s specialty is finding missing people. He’s very good at it. Perhaps Sugar’s drive comes from the fact that his sister went missing. She was never found.
Sugar has been hired by legendary movie producer Jonathan Siegel (Cromwell). Siegel’s granddaughter, Olivia has disappeared. Olivia’s father Bernie (Boutsikaris), a famous director, thinks that she’s runaway again with her druggie friends. He reasons she’ll turn up safe and sound because she always does.
As Sugar digs into the case, he discovers secrets that the wealthy Siegel family wouldn’t want revealed. Of course Sugar has secrets of his own. Despite several sources telling Sugar to drop the case, he refuses.
As Sugar gets closer to the truth, others are getting closer to his secrets…
Thoughts (beware of spoilers)…
Sugar is modern noir with a twist. It’s stylish and smart. The audience’s intelligence is respected. Other shows would take a totally different approach to the material and it wouldn’t be near as good.
Every thing about Sugar is top notch. It’s well written, well directed and the actors are at the top of their game. Colin Farrell is perfectly cast as John Sugar.
Mark Protosevich is Sugar‘s creator and he also wrote most of the episodes. Protosevich is known for his screenplays for The Cell (very underrated), Poseidon, I am Legend and Oldboy (2013).
There is a major twist that comes over halfway through the season. Mark Protosevich allowed hints throughout the previous episodes, but didn’t provide the reveal until the end of episode six. I loved it! (And I’m proud to say that I guessed what it would be. When I told my wife my thought, she brushed it off saying, “There’s no way they’d do that.” I’m glad she was wrong since it was so well done.)
Sugar is set-up so that it could end with one season, or return for more. I hope it comes back with each season being one case.
Sugar: Season 1 (2024) rates 5 of 5 stars.



Reinventing Elvis: The ’68 Comeback (2023)
Director: John Scheinfeld
Screenplay: John Scheinfeld
Stars: Elvis Presley, Leslie Uggams, The Beatles, Harry Belafonte, Petula Clark, Darius Rucker.
Tagline: None.
The Plot…
In the mid 1950s, Elvis Presley burst on the scene. He was an instant star and no one was bigger. Elvis was seen as a rebel by many and dangerous by some. By the mid 1960s, Elvis’ star had faded. His music wasn’t hip and a string of bad movies had Elvis doubting himself. Then Elvis was signed for a television special. Steve Binder was set to direct. Binder had ideas for the production, but they were vetoed by Elvis’ manager, Colonel Parker. Elvis faced a tough decision. Follow his manager’s directives or give the new guy a chance.
Elvis knew his career depended on the success of the special…
Thoughts (beware of spoilers)…
Reinventing Elvis: The ’68 Comeback takes us behind the scenes with footage and stories from those who were there.
It’s interesting to note that the parts of the special that were best received were those that Colonel Parker tried to veto. I had a pretty poor opinion of Parker before this documentary and after viewing it, my opinion dropped even further.
I was ten years old when the special aired. I can remember adults talking about how “cool” Elvis was in it. Yeah, Elvis was back, baby.
Reinventing Elvis: The ’68 Comeback (2023) rates 4 of 5 stars.



This is a must-see for me. I am a HUGE Frank Miller fan.
FRANK MILLER: AMERICAN GENIUS documents the unique journey of an unparalleled American artist. The film explores the half-century career of the legendary comic book artist and writer. Made for his fans following a near death experience, the documentary delves into Miller’s radical and defining influence on art, storytelling and culture. Following his small town beginnings in Vermont, to New York City, Hollywood, and beyond; this intimate documentary delves into his failures, successes, self-destruction and re-discovery.
June 6th – Sneak preview at New York’s, the Angelika. With guest moderator Neil Gaiman. @neilhimself
https://angelikafilmcenter.com/nyc/mo…
June 10th – Premiere at Cinemark Theaters. Moderated by Rosario Dawson. @rosariodawson
https://www.cinemark.com/movies/frank…
www.frankmillermovie.com