"Big" John Checks In
For all of you following “Big” John Beatty’s trip to Manila… we’ve received our first e-mail from him. He made it [despite a late connection from Japan].
Previews and Reviews that are Z's Views
For all of you following “Big” John Beatty’s trip to Manila… we’ve received our first e-mail from him. He made it [despite a late connection from Japan].
It’s time for our hourly “300” update…
Newsarama is reporting that “300” producer Gianni Nunnari, was asked about other comic projects is working on and he responded by saying Frank Miller’s Ronin!
Ronin was a six issue miniseries published by DC after Frank’s initial run on Daredevil. It’s the story of a young Ronin in feudal Japan who seeks to avenge his master who was killed by a demon.
If the story pans out and the producer can get a director with the same passion that Zack Snyder has shown in translating “300” to the big screen, we could be in for another great ride. To check out “Ronin” click HERE.

It was an amazing ending to one of the most exciting basketball games I’ve ever had a chance to witness. More importantly, my son said it was the best game that he’d ever seen and he saw it in person. Talk about a Magical night…
“Big” John Beatty boarded a plane this morning for the start of a journey that may last him the rest of his days. You see, he’s off to meet a young lady that may be the love of his life. John and Bella met nearly six months ago through the internet. They’ve been talking and e-mailing and video conferencing nearly daily since then. So they decided it was time to meet face to face!
This morning John boarded a plane that will fly him from Orlando to Detroit to Japan to Manila. Whew! That’s one heck of a trip. Big J says that he’ll e-mail when he can, and update his blog if possible.
Let’s all wish the big guy a safe trip. If he doesn’t scare off Bella when he meets her after spending all those hours on the plane, this thing may just work out!


FX, Day 2, got off to a much better start. I was able to breeze right in. John Higashi was already there and we met at Jason Palmer’s table. Then it was over to Matt Wagner. Matt said that he had finished my Jack Carter sketch, but wasn’t happy with it and wanted to re-do it. I told him that I didn’t want him to have to do double work, but he said it was no problem.
John and I decided to walk artists’ alley. We visited with Andrew Robinson, Mike Perkins [I set up a Judge Dredd Stallone sketch], Gene Ha, Whilce Portacio, Billy Tucci, Andy Smith, and others.
I swung by Miguel’s booth where I met up with some Stallone fans that were familiar with my site. Miguel and I talked about the Rocky Balboa card sets that he’s putting together. Stallone / Rocky fans are going to love them.

I saw that Matt Wagner was getting ready to have Q & A session and headed over. The 45 minutes flew by as Matt talked about his career in comics. It was interesting to learn that Matt postponed doing Mage when he learned that DC was doing a take on King Arthur with Camelot 3000. Then after seeing what they had done, Matt decided that Mage would still be a new spin on the legend… and the rest is history. It’s hard to believe that Matt has been in comics for 25 years. It’s cool to see how his style has changed and he has matured as an artist. It’ll be interesting to see where the next 25 years takes him.

After the Matt Wagner panel, I swung by Steve Niles’ table to get a couple of books autographed. Steve said that the “30 Days of Night” movie is going to make a lot of fans happy. Of course, I can’t wait to see it! Then I made my way to Mike Higgins’ table to pick up my Stallone Judge Dredd sketch.
Joe Pekar and I shot the breeze over a couple of Cokes. Joe’s a guy to keep an eye on! I hope to get a Stallone piece from him at some point.

Higashi and I met up again. We stopped by to talk to Andy Smith, Gene Ha, Bill Tucci and others. Although Bill is best known for his creation Shi and drawing the female form, he showed us a cool Sgt. Rock piece that he created for a proposed series. We stopped in for a visit for Dave Johnson and then back over to Matt Wagner’s table. Matt had started the second attempt on the Jack Carter sketch, but wasn’t happy with it and decided to take a third stab at it. Higashi agreed to pick up the piece for me since I wasn’t coming back on Sunday.

Then it was over to Miguel’s booth again to touch base. The “Rocky Balboa” card set will be out in March featuring 72 cards from the movie. Originally, the card set was going to cover all of the Rocky movies, but after seeing how well received “Rocky Balboa” was, Miguel worked out a deal for two separate card sets. The second set, out later this year will cover all five Rocky movies. Each will be sold as complete sets in custom binders. I’ve seen mock-ups of some of the cards and the binders. Stallone / Rocky fans are going to love them! I’ll premiere the items and post updates on the SZ as they become available.
FX 2007 was a worthy show. It had something for everyone. If they can get back artists like Dave Johnson and Matt Wagner, I’ll return next year. And who knows, maybe by then they’ll have the opening day kinks worked out.
When I got into the show I made a beeline for Dave Johnson’s table. I already had one sketch by The Potentate in my collection, [a cool Rocky Balboa] and was hopeful that I’d get another to compliment it. Reverend Dave arrived about 15 minutes later and seemed surprised that he had people waiting. I spoke to Dave about my admiration for his work and he was genuinely humble. As he looked at my Stallone sketches, he commented about ones that he particularly liked. I think it’s always cool to hear artists talking about their craft and other artists that they admire. We agreed on the price and Dave said that he’d do me a nice Jack Carter.
My next stop was Matt Wagner’s table. Matt, like Dave Johnson, is one of my favorite comic creators. I’ve followed Matt’s work since his Comico days. Mage remains one of my all-time favorite graphic stories. I knew that Matt’s sketches were out of my price range, but I still wanted to meet the legend. Matt was as down-to-earth as Dave Johnson. We talked for a bit while I was looking at his pre-done con sketches. They were all sweet. Of course there weren’t any of Stallone. ; ) During the course of our conversation though, Matt agreed to do a smaller Jack Carter sketch that would work with my budget.
Getting a sketch from both Dave Johnson and Matt Wagner made my show. I wouldn’t be looking for more sketches despite the fact that it was a slow day for the artists. Still, I did make my way around the show to visit with Miguel at his Rocky Balboa booth, Andrew Robinson, Joe Pekar, Andy Smith, and the guys at Cadre’s Corner. In fact while I was talking to Cadre another guy came up and had a couple of pictures taken with some of the crew. As the guy was telling them how much he enjoyed their work, I realized that it was William “The Greatest American Hero” Katt! He must have noticed me looking at him because he reached out to shake hands and say, “Hi.” Surreal.
Dave Johnson finished my Jack Carter piece. It was a knockout… absolutely perfect. Then to top it off, The Potentate presented me with an autographed copy of his latest sketchbook as a bonus! [Later that evening, as I was looking at my sketchbook, I was surprised to find that my Rocky sketch was in it! Too cool.] It was a great ending to a fun day.

Remember when I told you about the Drink and Draw Social Club?

Pretty cool picture, huh?
My buddy, “Big” John Beatty is back, baby!
Who knows what other vital info you’ll learn just by clicking HERE.

It’s sad to say that many older comic book writers and artists end up financially strapped in their “golden years.” An organization called Heroes Initiative works to “provide a financial safety net for yesterdays creators who may need emergency medical aid, financial support for essentials of life and an avenue back into paying work.”
One of their recent efforts involved recruiting over 80 comic book artists [and even a writer or two] to draw a custom sketch on the blank cover of a specially produced issue of Ultimate Spider-Man #100.


300: The Art of the Film rates an “A”