Category: Celebs

“Compulsion” (1959) directed by Richard Fleischer, starring Orson Welles, Dean Stockwell, Diane Varsi and Bradford Dillman / Z-View

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Compulsion (1959)

Director:  Richard Fleischer

Screenplay: Richard Murphy; based on COMPULSION by Meyer Levin

Stars: Orson Welles, Dean Stockwell, Diane Varsi, Bradford Dillman, E.G. Marshall, Martin Milner, Richard Anderson, Robert F. Simon, Edward Binns, Robert Burton, Louise Lorimer, John Alban, Don Anderson, Terry Becker, Russ Bender and Gavin MacLeod .

Tagline: You know why we did it? Because we damn well felt like doing it!

The Plot…

Judd Steiner and Artie Straus are best friends.  It’s only natural.  They have much in common.  Both are from wealthy families.  They travel in the most elite social circles.  Both Judd and Artie have superior intellects.  Although still in their late teens, they’re law students.

Judd and Artie see everyone as less than them.  They feel because they are so intellectually superior laws don’t apply to them.  To that end, they have been committing small crimes just to prove they’re are so smart that they would never be caught.

Then they decide to commit the ultimate crime.

Murder.

They pick a young boy at random and kill him.

They’re confident that they left no clues.  And even more sure that if they did, with their superior intellect, no one could trip them up.

The best laid plans…

Thoughts (beware of spoilers)…

Compulsion is based on the real life murder trial of Nathan Leopold and Richard Loeb. Leopold and Loeb kidnapped and murdered a fourteen year old boy.  They did it to prove to themselves their superior intellect would allow them to commit the perfect crime.  Their families hired Clarence Darrow to defend them.  At the time, the case was considered the trial of the century.

When the film came out, Leopold sued for invasion of privacy.  Because he had written a book about the crime himself, he didn’t prevail. (Loeb wasn’t involved in the lawsuit.  He had been killed by another prison years before.)

Orson Welles received top billing but doesn’t appear on screen until 65 minutes into the 99 minute film.

It’s hard for me to believe that Compulsion wasn’t nominated for a single Academy Award.  I could see nominations for Best Screenplay, Best Direction, Best Actor (Dean Stockwell and Bradford Dillman) and Best Supporting Actor (Orson Welles).

Alfred Hitchcock did his own loose adaption of the Leopold-Loeb murder with his film Rope.

Compulsion (1959) rates 5 of 5 stars

“Curse of Frankenstein” (1957) directed by Terence Fisher, starring Peter Cushing and Christopher Lee / Z-View

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Curse of Frankenstein (1957)

Director:  Terence Fisher

Screenplay: Jimmy Sangster; based on FRANKENSTEIN by Mary Shelley

Stars: Peter Cushing, Hazel Court, Christopher Lee.

Tagline: PLEASE TRY NOT TO FAINT. Not recommended for people of nervous disposition.

The Plot…

As he waits for his execution, Victor Frankenstein recounts how he ended up headed to the gallows.  Frankenstein was obsessed with bringing the dead back to life since he was a boy.  Working with Paul Krempe, another scientist,  the two achieved success with reviving a dead dog.

Krempe wanted to share their results with the world.  Frankenstein wanted to keep their success a secret and begin experimenting with reviving dead humans.  Very quickly Krempe sees that Frankenstein is obsessed.  Frankenstein robs graves, pays for body parts and even resorts to murder to get the parts he needs.

When his creature comes to life, Frankenstein is shocked to learn he cannot control it.  And the monster isn’t happy.

Thoughts (beware of spoilers)…

Curse of Frankenstein was a huge box office success.  Over the years, the film’s reputation has grown.  I’m in the minority, because the movie just doesn’t resonate with me.  I hate the creature’s design.  It reminds me of a bad attempt to monsterize Cesare the the somnambulist from 1920’s The Cabinet of Dr. Caligari.  Dr. Frankenstein is totally unlikable, so who cares if he hangs?

Christopher Lee (who plays the monster) reportedly complained to Peter Cushing during the start of filming, that he had no lines.  Cushing replied, “You’re lucky. I’ve read the script.”  If this isn’t true, it should be.

As always, your mileage may vary but for me…

Curse of Frankenstein (1957) rates 2 of 5 stars

RIP: Joe Don Baker

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It was announced today that Joe Don Baker died on May 7, 2025.  No cause of death was given.  Mr. Baker was 89.

Joe Don Baker was a high school standout in football and basketball.  He attended North Texas State College on a sports scholarship.  Mr. Baker graduated with a BA in Business Administration.  Joe Don Baker then served two years in the US Army.  After his enlistment, Mr. Baker moved to New York City to attend the Actors Studio.

Joe Don Baker began getting stage work as well as guest appearances on television shows.  Mr. Baker’s big break came when he played Buford Pusser in Walking Tall.  By this point, Joe Don Baker was alternating between feature films and television roles, but Walking Tall was the film that made him famous.

Some of the television projects that feature Joe Don Baker include: Honey West; Iron Horse; Judd for the Defense; The Felony Squad; Bonanza; Gunsmoke (2 episodes); The Big Valley; Mod Squad; Bracken’s World; Lancer (3 episodes); The F.B.I.; The Most Deadly Game; The High Chaparral; Mission Impossible; Welcome Home Soldier Boys; Ironside; That Certain Summer; Doc Elliott; The Streets of San Francisco; To Kill a Cop; Power; Eischied (13 episodes); Edge of Darkness (6 episodes); In the Heat of the Night (4 episodes); Citizen Cohen; The Wild West; Traps; The Siege at Ruby Ridge; George Wallace; Poodle Springs and The Cleaner.

Some of Joe Don Bakers’ feature film appearances include: Cool Hand Luke; Guns of the Magnificent Seven; Wild Rovers; Junior Bonner; The Valachi Papers; Walking Tall; Charley Varrick; The Outfit; The Natural; Fletch; The Living Daylights; Cape Fear; Reality Bites; Congo; Goldeneye; Mars Attacks!; Tomorrow Never Dies; Joe Dirt; The Commission; The Dukes of Hazzard and Mud.

It’s impossible for me to pinpoint when I first saw Joe Don Baker because he appeared in so many of the shows I watched as a kid.  I do remember how much buzz he got for starring as Buford Pusser in Walking Tall.  I always enjoyed seeing Joe Don Baker show up in a show or movie, because he made everything he was in better.

Out thoughts and prayers go out to Joe Don Baker’s family, friends and fans.

“Count the Hours” (1953) directed by Don Siegel, starring Teresa Wright & Macdonald Carey / Z-View

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Count the Hours (1953)

Director:  Don Siegel

Screenplay: Doane R. Hoag, Karen DeWolf; story by Doane R. Hoag

Stars: Teresa Wright, Macdonald Carey, Dolores Moran, Adele Mara, Edgar Barrier, Ralph Dumke and Jack Elam.

Tagline: Strange things happen in the night!

The Plot…

Late one night, Fred Morgan and his live-in housekeeper are killed during a home invasion/robbery.  The next morning the bodies are discovered and the police arrive.  George and Ellen Braden are the first to be questioned.

George and Ellen Braden live in a small house on the farm and assist with the chores.  George says they didn’t hear anything.  His wife says she heard gunshots and told George.  This makes the police suspicious. The couple are brought in for more questioning.  Sixteen hours later George says he’ll sign anything to get them to let up on his wife.

George is charged with the murder of Fred Morgan and his housekeeper.  Doug Madison is assigned to serve as George’s defense counsel.  Doug starts out believing George is guilty.  Slowly as Doug digs into the case, he changes his mind.  With all the evidence pointing to guilt and George’s life on the line, the clock is ticking.

Thoughts (beware of spoilers)…

Count the Hours is a low budget thriller made in just 9 days!

John Alton, the Director of Photography, was given a budget of $4,000.00 for all of the equipment for rigging (overhead lighting, cables, brackets, piping, etc.).  Alton told the Producer that if he was given a raise of $2,000.00 to his salary, he would do it without rigging.  The lack of traditional studio lighting greatly contributes to the film’s atmosphere.

Director Don Siegel’s sixth outing as a feature film director.  His excellent direction (along with John Alton’s lighting) help make this low budget thriller a winner.

Count the Hours (1953) rates 3 of 5 stars

“Brawl in Cell Block 99” (2017) written & directed by S. Craig Zahler, starring Vince Vaughn and Don Johnson / Z-View

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Brawl in Cell Block 99 (2017)

Director:  S. Craig Zahler

Screenplay: S. Craig Zahler

Stars: Vince Vaughn, Jennifer Carpenter, Don Johnson, Victor Almanzar, Willie C. Carpenter, Mustafa Shakir, Clark Johnson, Michael Medeiros, Jonathan Lee and Tom Guiry.

Tagline: None.

The Plot…

Bradley Thomas is a 6’5″ bruiser with an anger problem.  When Bradley is laid off and unable to get work, he turns to dealing drugs.  Things go well for a while.  Then Bradley’s boss gets a new partner named Eleazar.  When Bradley is sent on a delivery with two of Eleazar’s thugs, things go sideways.  After a shootout with the police, Bradley is arrested, tried and sentenced to seven years in a medium-security prison.

Eleazar reaches out to Bradley.  Eleazar threatens to kill Bradley unborn child unless Bradley kills another inmate.  The problem is the other inmate is in Redleaf, a maximum security prison reserved for the worst of the worst.

Bradley does what he must to get transferred to Redleaf.  Once there, Bradley is the target of Warden Tuggs and the guards.  Worse still, Bradley learns that Eleazar and his gang on inmates of the prison.  Bradley has been set up for execution.

With no options and only a desire to save his wife and unborn child, Bradley prepares for what comes next.

Thoughts (beware of spoilers)…

If you only know Vince Vaughn from comedies, check out Brawl in Cell Block 99.  You’ll believe he’s a thug.  He put on 15 pounds of muscle working out for the role.

Don Johnson is excellent.

S. Craig Zahler wrote Brawl in Cell Block 99 before Bone Tomahawk.

Brawl in Cell Block 99 (2017) rates 5 of 5 stars

“Bad Times at the El Royale” (2018) written/directed by Drew Goddard, starring Jeff Bridges, Cynthis Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny, Lewis Pullman and Chris Hemsworth / Z-View

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Bad Times at the El Royale (2018)

Director:  Drew Goddard

Screenplay: Drew Goddard

Stars: Jeff Bridges, Cynthia Erivo, Dakota Johnson, Mayo Methot, Jon Hamm, Chris Hemsworth, Cailee Spaeny, Lewis Pullman, Nick Offerman, Mark O’Brien, Charles Halford and Shea Whigham.

Tagline: Seven strangers. Seven secrets. All roads lead here.

The Plot…

1959.  The El Royale used to be THE place to stay.  Now it’s luster is gone.  Felix O’Kelly checks in and hides a bag of money under the floorboards of a room.  Not long after, O’Kelly’s partner shows up.

And kills O’Kelly.

Ten years pass.  The El Royale is a dump.

One night four strangers arrive separately and check into separate rooms.   The four are: a priest named Daniel Flynn, a singer named Darlene Sweet, a salesman named Laramie Seymour Sullivan and a free spirit who calls herself Emily Summerspring.  Some of the four are not as they appear.  Among them is an FBI agent on a mission for J. Edgar Hoover.  One is looking for the missing bag of money.  The night will also involve a kidnapping, a cult and murder(s).

This night will be full of bad times at the El Royale.

Thoughts (beware of spoilers)…

Bad Times at the El Royale is under-rated.  Kudos to writer/director Drew Goddard and his great cast.

Bad Times at the El Royale (2018) rates 4 of 5 stars

“Dark Winds” Season 3 (2025) starring Zahn McClarnon, Kiowa Gordon, Jessica Matten, Deanna Allison and A. Martinez / Z-View

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Dark Winds Season 3 (2025)

Created by: Graham Roland

Director:  Chris Eyre (Eps 1, 4, 8), Michael Nankin (Eps 2, 3), Billy Luther (Ep. 5); Erica Tremblay (Ep. 6); Steven Paul Judd (Ep. 7)

Teleplay by:  John Wirth & Steven Paul Judd (Eps. 1, 5, 8), Rhiana Yazzie (Ep. 2),  Max Hurwitz & Billy Luther (Eps. 3, 6), Thomas Brady & Erica Tremblay (Eps. 4, 7) // Based on the Leaphorn & Chee novels by Tony Hillerman

Starring:  Zahn McClarnon, Kiowa Gordon, Jessica Matten, Deanna Allison, A Martinez, Tonantzin Carmelo, Alex Meraz, Derek Hinkey, Terry Serpico, Jenna Elfman, Flora Amanda, Raoul Max Trujillo, Christopher Heyerdahl, Carly Roland, Joseph Runningfox, Bodhi Okuma Linton, Robert Knepper, Ryan Begay, Bruce Greenwood and Jeri Ryan.

Tagline:  None

The Plot… (beware of spoilers)

Sheriff Joe Leaphorn (McClarnon) and his deputy Jim Chee (Gordon) are trying to locate a missing Navajo boy.  Leaphorn and Chee learn the missing boy witnessed a murder.  The killer is on the kid’s trail as well.  Matters are complicated when FBI agent Sylvia Washington shows up to investigate a murder case.  Joe Leaphorn is her main suspect.  Leaphorn’s marriage begins to fall apart when Special Agent Washington informs Leaphorn’s wife that her husband may be a murderer.  

Bernadette Manuelito is settling in to her new job as a border patrol cop.  Any job is hard when you’re the rookie. Manuelito is put into a tough situation when she discovers that an influential, rich landowner may be involved with drug running.  Advised to back off, she digs deeper.  Learning that at least one person in her department is on the take, Manuelito doesn’t know who to trust.  Her time is running out, since she’s now a target of a former CIA assassin.

Thoughts 

Dark Winds: Season 3 builds on the actions Joe Leaphorn took in season 2.  It’s not often we see the ramifications of a character impacting others.  The relationship between Joe and Emma seems real.

I liked the dual mysteries presented this season.

Dark Winds provides the best creep/scary villains.  Raoul Max Trujillo as Budge Baca continues the tradition.

Zahn McClarnon, Kiowa Gordon, Jessica Matten and Deanna Allison have real chemistry.  I look forward to Season 4.

“Marked Woman” (1937) starring Bette Davis and Humphrey Bogart / Z-View

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Marked Woman (1937)

Director:  Lloyd Bacon, Michael Curtiz (uncredited)

Screenplay: Robert Rossen, Abem Finkel, Seton I. Miller (uncredited)

Stars: Bette Davis, Humphrey Bogart, Isabel Jewell, Mayo Methot, Eduardo Ciannelli, Raymond Hatton, William B. Davidson, Kenneth Harlan, Robert Strange and Allen Jenkins.

Tagline: A Star Teaming You’ll Never Forget!

The Plot…

Johnny Vanning (Ciannelli) controls all the rackets.  Vanning owns all the city’s hot spots. If  you want a night out with booze, gambling and women, Vanning will be getting a kickback.  Vanning’s latest purchase is a night club he names Club Intimate.  Before the club reopens Vanning meets with the “hostesses” – Mary, Gabby, Emmy Lou, Florrie, and Estelle.  Vanning makes it clear he expects the girls to push the booze, encourage the gambling and give the men whatever they want.

Mary (Davis) doesn’t like the new direction or Vanning.  She needs the money though, since she’s putting her kid sister through college.  One of Mary’s dates drinks waay to much (and orders drinks for the group). He then tops it off by losing big time at the craps table.  At the end of the evening he writes a check for his loses and the booze.

On the way to dropping Mary off, the man laughs, telling her the check will bounce and he’s had a great time.  Mary is shocked.  This rube thinks he’ll catch a plane back home and all will be forgotten.  Mary makes it clear that Vanning has killed for a lot less.  The man’s only hope is to leave right away.  He agrees.

The next morning, the police show up at Mary’s door.  Her “date” was found murdered.  David Graham (Bogart), the District Attorney, knows that Mary could be the witness that finally brings down Vanning.  Mary knows how Vanning deals with snitches.  Plus there’s her sister she needs to worry about.

Mary’s in a tough spot and it’s about to get worse.

 

Thoughts (beware of spoilers)…

For a hospital scene, Bette Davis’ character is to have been badly beaten.  Her face is bruises and her head bandaged.  The make-up department didn’t want to obscure Davis’ face. So few bandages were used.  When the crew broke for lunch, Bette Davis went to her personal doctor. She described the damage her character was to have.  The doc then put on appropriate coverings.  When Davis returned to the lot, the gate guard saw her and phoned Hal B. Wallis (the film’s executive producer) to say Miss Davis had been in an accident.

Although married, Humphrey Bogart fell in love with  Mayo Methot during filming.  Once Bogart divorced his second wife, he married Methot.  That marriage lasted until 1945 when he fell in love with Lauren Bacall during filming of To Have and Have Not.

Michael Curtiz filmed some scenes when director Lloyd Bacon was on his honeymoon.

Bette Davis shines in this role.

Marked Woman (1937) rates 3 of 5 stars

“Catch-22” (1970) directed by Mike Nichols, starring Alan Arkin / Z-View

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Catch-22 (1970)

Director:  Mike Nichols

Screenplay: Buck Henry based on CATCH-22 by Joseph Heller

Stars: Alan Arkin, Martin Balsam, Richard Benjamin, Art Garfunkel, Jack Gilford, Buck Henry, Bob Newhart, Anthony Perkins, Paula Prentiss, Martin Sheen, Jon Voight, Bob Balaban, Susanne Benton, Norman Fell, Charles Grodin, Austin Pendleton, Peter Bonerz, Philip Roth, Bruce Kirby, Richard Libertini and Orson Welles.

Tagline: The nice thing about war is that the person who kills you really has nothing against you. Personally.

The Plot…

Captain John Yossarian is a U.S. Army Air Force B-25 bombardier during World War II.  A bombardier’s job is dangerous enough, but Yossarian’s commanding officer, Colonel Cathcart, is making it worse.  Normally once a bombardier has flown 25 missions, he’s rotated out.  Colonel Cathcart keeps raising the required number of missions before rotation out.  It now stands at 80.  Which is basically a death sentence.

Yossarian decides if a doctor agrees he is no longer fit for duty, he will be taken from the flight rotations.  When Yossarian talks to the doctor, he learns of Catch-22.  Because bombing flights are so dangerous, you’d have to be crazy to do them.  But if you ask to be relieved of duty because of the danger, it shows you’re not crazy, just prudent.  If you’re not crazy, you have to fly.

Yossarian is haunted by the bloody death of a young turret gunner who was killed on a flight with Yossarian.  But that doesn’t make him crazy, just someone who cares.  As Yossarian looks around he sees the madness of war.  Their squadron commander, Major Major has never flown a single bombing mission. Further, Major Major refuses to see people while he’s in his office.  They must see him when he’s out. But they must make their appointments when he is in. Colonel Cathcart is more concerned with getting good press than the safety of his men.  And those are just tips of the iceberg.

But Yossarian has a plan.  He’ll prove he’s insane.  But how do you look crazy among all the madness?

Thoughts (beware of spoilers)…

Catch-22 features Art Garfunkle and Bruce Kirby film debuts.

Bob Newhart, Peter Bonerz, and Jack Riley all appear in the film.  Bonerz and Riley would go on to be regulars in The Bob Newhart Show.

Stacey Keach originally had the role of Colonel Cathcart.  Director Mike Nichols fired him over creative differences and brought in Martin Balsam to fill the role.

Paula Prentiss has a scene with full frontal nudity.  It was one of the first times a major Hollywood actress bared all in a Hollywood production.

John Jordan, the second unit director, refused to wear a harness during a bomber scene.  Jordan died when he slipped out of the open tail turret and fell 4,000 feet into the ocean.

Catch-22 (1970) rates 4 of 5 stars

RIP: James Foley

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It was announced today that James Foley died earlier this week after a long battle with brain cancer.  Mr. Foley was 71.

James Foley graduated from the State University of New York at Buffalo.  Mr. Foley then earned a Masters of Fine Arts degree in film study and production from USC (the University of Southern California).  It was there Hal Ashby saw one of James Foley’s student films and asked him to submit something to Ashby’s production company.  Unfortunately the production company folded before anything came of the offer.  Still, word was out about James Foley, a young director to keep an eye on.

Because of the buzz created by Hal Ashby, James Foley secured his first feature film, Reckless starring Aidan Quinn and Daryl Hannah.  James Foley would continue to direct feature films, television projects and music videos for the rest of his career.

Some of James Foley’s television and video projects include: Madonna: Dress You Up (Opening Sequence); Madonna Live: The Virgin Tour (Opening Sequence); Madonna: Live to Tell; Madonna: Papa Don’t Preach; Madonna: True Blue; Madonna: Who’s That Girl;  Madonna: The Look of Love; Deep Purple: King of Dreams; Twin Peaks; Gun; Hannibal; Red Zone; House of Cards (12 episodes); Wayward Pines; Billions (2 episodes); Fifty Shades Darker and Fifty Shades Free.

Some of the feature films directed by James Foley include: Reckless; At Close Range; Who’s That Girl; After Dark, My Sweet; Glen Garry Glen Ross; Fear; The Chamber; The Corrupter and Confidence.

My favorite James Foley film is Glen Garry Glen Ross.  Foley’s direction made a film that lacked physical action, fights or gun battles and instead focused on dialogue exciting and tension filled.

Out thoughts and prayers go out to James Foley’s family, friends and fans.

“The Time Machine” (1960) directed by George Pal, starring Rod Taylor, Alan Young and Yvette Mimieux / Z-View

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The Time Machine (1960)

Director:  George Pal

Screenplay: David Duncan based on THE TIME MACHINE by H.G. Wells

Stars: Rod Taylor, Alan Young, Yvette Mimieux, Tom Helmore, Whit Bissell, Doris Lloyd, Paul Frees and Sebastian Cabot.

Tagline: You Will Orbit into the Fantastic Future!

The Plot…

New Year’s Eve 1899… George Wells (Taylor) has created a time machine that works!  Wells decides to go into the future.  He wants to see what kind of utopian society awaits.  Wells is disappointed to learn that instead of paradise, World Wars await.  Wells decides to go far into the future hoping for something better.

Wells lands in the year 802,701.  What at first seems like a perfect world turns out to be anything but.  Humans are treated like cattle by creatures called Morlocks.  Making things worse, Wells’ time machine is now in their possession.

Thoughts (beware of spoilers)…

The Time Machine won one Academy Award for Best Effects, Special Effects – Gene Warren, Tim Baar

Alan Young (best known as Wilbur on the Mr. Ed television series) is the only actor to appear in this film and the 2002 remake.

The Time Machine features the first starring role in a feature film for both Rod Taylor and Yvette Mimieux.

The Time Machine (1960) rates 3 of 5 stars

“Doc Savage: The Man of Bronze” (1975) starring Ron Ely / Z-View

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Doc Savage: The Man of Bronze (1975)

Director:  Michael Anderson

Screenplay: Joe Morhaim, George Pal based on THE MAN OF BRONZE by Kenneth Robeson

Stars: Ron Ely, Paul Gleason, William Lucking, Eldon Quick, Darrell Zwerling, Paul Wexler, Robyn Hilton, Pamela Hensley, Bob Corso, Alberto Morin, Victor Millan, Michael Berryman and Carlos Rivas.

Tagline: His body…a physical phenomenon. His mind…a mental marvel. His fight…to right all wrongs. His name…enough to strike terror into the hearts of the most hardened criminals!

The Plot…

Doc Savage returns from his Fortress of Solitude at the Artic Circle and learns that his father has died.  Doc believes his dad was murdered and decides to investigate.  He will be joined by his team, “The Amazing Five”, and it’s a good thing since they will be going up against Captain Seas and “the green death”.

Thoughts (beware of spoilers)…

Ron Ely directed some of the second unit scenes.

Doc Savage: The Man of Bronze was the last completed film for director/producer George Pal.

Although the film is pretty faithful to the Doc Savage tales, the feel of the movie is off.  It’s not played straight which is fine.  But it falls flat when it should shine.  Getting the balance of humor, camp and action isn’t an easy task.  At times I was reminded of The Great Race or the Batman television show of the 1960s.  They got it right.

The movie starts with Doc Savage alone at his Fortress of Solitude at the artic circle.  He gets up from sitting in the lotus position wearing just shorts (a towel?).  Doc heads to his New York City apartment high atop a skyscraper.  When Doc arrives, his five team members are there.  Doc said he picked up the feeling (from the Artic Circle!) that they were upset and so he rushed home.  They inform Doc his dad has died.  Doc is stunned.  Ok.  So Doc picked up on the team being upset but totally missed the feeling that his dear old dad had died?

That is just one of the things that started to bug me.  Others include when everyone piles into the car and Doc jumps on the sideboard and points straight ahead as the car takes off.  Before the team gets on the plane Doc gives a motivational speech that doesn’t motivate.  I tapped out when it showed Doc’s nemesis in a giant cradle rocking back and forth.   Your mileage could vary, but Doc Savage: The Man of Bronze just didn’t work for me.

Doc Savage: The Man of Bronze (1975) rates 1 of 5 stars

“Riffraff” (1947) starring Pat O’Brien, Walter Slezak and Anne Jeffreys / Z-View

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Riffraff (1947)

Director:  Ted Tetzlaff

Screenplay: Martin Rackin

Stars: Pat O’Brien, Walter Slezak, Anne Jeffreys, Jerome Cowan, George Givot, Marc Krah, William Alland, Bobby Barber and Percy Kilbride.

Tagline: None.

The Plot…

A plane leaves Peru for Panama with just two passengers.  The plane lands with just one.  His name is Charles Hasso (Krah).

Hasso immediately hires Dan Hammer (O’Brien) to be his bodyguard for two days.  Before Hammer can start, he gets a call from Walter Gredson (Cowan), a big shot oil executive.  Gredson says that a man, with a map of wildcat oil wells was coming to meet him.  The man got on the plane in Peru but never made it to Panama.  Charles Hasso was the other passenger.  Gredson believes Hasso now has the map.  Gredson offers Hammer a lot of money to find Hasso and the map.

Dan Hammer is a tough guy who is known as a man who can get things done.  This time he may be in over his head.  Especially when Eric Molinar (Slezak) gets in the mix.

Thoughts (beware of spoilers)…

Riffraff opens with six and a half minutes of scenes without dialogue.  It is considered one of movies’ classic openings/sequences.

Pat O’Brien doesn’t look like a typical tough PI, but more than holds his own in that department.

Riffraff (1947) rates 4 of 5 stars