Previews and Reviews that are Z's Views
The Dashcam poster isn’t bad but I do like the trailer better. The idea of accidentally being sent something you didn’t ask for but could get you killed for seeing… that’s an interesting (and scary) concept.
Deadlock is an impressive proof of concept short!
Deadlock
Created, produced, written, and directed by John X. Carey and Aqsa Altaf.
https://www.aqsajohnx.com/#/deadlock
Dalin Rowell at /Film posted Every James Cameron Film Ranked From Worst To Best. Before you click over, here are my rankings for top 7 Cameron films…
I love the poster and trailer for The Harder They Fall. I’ll take the plunge when it premieres on November 3rd!
This ain’t your grandaddy’s Western! Check out Jonathan Majors, Idris Elba, Zazie Beetz, Regina King, Delroy Lindo, LaKeith Stanfield, RJ Cyler, Edi Gathegi, Danielle Deadwyler and Deon Cole in this action-packed thrill ride that injects New Blood into the Old West. The Harder They Fall is directed by Jeymes Samuel and produced by Shawn ‘Jay Z’ Carter James Lassiter, Jeymes Samuel and Lawrence Bender.
Tom Savini is one of the most famous movie special effects creators in the world. This should be a fun documentary!
The Army of Thieves trailer is here and it looks like fun. I will admit I wouldn’t be so excited for Army of Thieves if it wasn’t in the Army of the Dead universe.
In this prequel to Zack Snyder’s Army of the Dead, small-town bank teller Dieter gets drawn into the adventure of a lifetime when a mysterious woman recruits him to join a crew of Interpol’s most wanted criminals, attempting to heist a sequence of legendary, impossible-to-crack safes across Europe.
Watch Army of Thieves on Netflix globally October 29
Nick Bartlett at /Film came up with an interesting list of The 14 Most Iconic Alfred Hitchcock Scenes Of All Time. Bartlett’s list is a good one. It includes my top five which are below…
The shower scene — Psycho (1960). I was pretty sure that this would be Bartlett’s number one Hitchcock iconic scene (and it is). It is my #1 as well. Bartlett goes on to say: “Not only is this the most iconic scene of Hitchcock’s career, but arguably the most impactful single scene in cinema history.” I’m not sure I would go that far, but maybe that scene is the most iconic in cinema history. (Sounds like another list for Bartlett to post!)
Crop dusting — North by Northwest (1959). When people talk about North by Northwest, this is the scene that gets the most attention. And rightly so.
Crows on the playground — The Birds (1963). This scene is so frightening thanks to Hitchcock. The first thing he did was compress time. There is no way that many birds could get to the playground in so short a time. Also his non use of sound of the birds arriving, makes the sound of their wings flapping all that scarier when they begin their attack.
The diner scene — The Birds (1963). The birds-eye view of the town below is ALWAYS a scene that people mention when they talk about The Birds.
Lisa gets caught — Rear Window (1954). This scene is chilling. A wheelchair bound Jimmy Stewart is watching from across the courtyard when his girlfriend is caught in the apartment of a man who killed and cut up his wife! Not only is Stewart helpless to do anything, but when his girlfriend secretly signals to Stewart she is caught by the killer… who then realizes he is being watched by Stewart. Hitchcock breaks an unwritten rule of directing: actors are not to look straight into the camera. When the killer does it appears he is looking directly at us. Chills every time!
Jay Sandrich has died at the age of 89. Mr. Sandrich was an award-winning director (5 Emmy Awards, 3 Director’s Guild Awards) best known for his work on The Mary Tyler Moore Show and The Cosby Show.
Jay Sandrich began his career as an Assistant Director working on I Love Lucy, The Red Skelton Show, The Untouchables, The Lucy-Desi Comedy Hour, The Dick Van Dyke Show and many others. Once Mr. Sandrich moved into the director’s chair he stayed busy working on The Danny Thomas Show, That Girl, Get Smart, The Ghost and Mrs. Muir, Here’s Lucy, The Odd Couple, and The Bob Newhart Show just to name a few. Often Mr. Sandrich would be hired to direct multiple episodes.
In 1970, Mr. Sandrich directed the pilot of The Mary Tyler Moore Show. He would go on to direct 119 of the show’s 168 episodes! Jay Sandrich also directed episodes of the MTMS spin-offs: Rhoda, Phyllis and Lou Grant. After the MTMS ended Mr. Sandrich continued to direct some of the most popular shows on television including: Welcome Back Kotter, WKRP in Cincinnati, Benson and Soap.
In 1980, Jay Sandrich directed the feature film Seems Like Old Times starring Chevy Chase, Goldie Hawn and Charles Grodin. Mr. Sandrich then returned to directing television shows including Night Court and The Golden Girls. Mr. Sandrich was then chosen as director for The Cosby Show. He not only directed the pilot but went on to direct 100 of the 197 episodes made!
Jay Sandrich continued to direct television projects that interested him, even adding episodes of The Office and Two and a Half Men to his resume. Jay Sandrich was named to the Television Academy Hall of Fame in 2020.
It’s hard to imagine just how many hours I’ve enjoyed of programs directed by Jay Sandrich. He directed some of the funniest episodes of several classic series. That doesn’t happen by accident. If you haven’t seen his lone feature film: Seems Like Old Times. You should consider giving it a go. I remember seeing Seems Like Old Times when it was first released and really enjoying it. Jay Sandrich knew how to bring out the best in the performers he worked with.
Our thoughts and prayers go out to Jay Sandrich’s family, friends and fans.
The poster for The Spore gets an “A” for effort. I like the use of art, but don’t think the poster excels at making me want to see the movie. The trailer works for me though. I plan to check out The Spore.
Lionsgate’s horror film THE SPORE will be arriving on Digital, on Demand and DVD November 9.
“Fleeing from civilization as a horrific plague ravages mankind. Meadow gets a lift from a stranger. When she sees that the driver is gruesomely infected, Meadow escapes and takes refuge in a cabin that’s abandoned…or is it? The apocalypse started days earlier when an evil spore, long dormant beneath an ancient ice field, was awakened by global warming. Now, as ten strangers try to evade the madness, some must succumb to the hideously mutating fungus and claim the survivors as their bitter prey.”
Liam Gaughan decided to come up with a list of The 14 Best Harrison Ford Movies. Before you click over, here are my top three using just the movies on Gaugham’s list. I’ve also included a few that didn’t make Gaugham’s list that would have made mine.
Raiders of the Lost Ark: Not only did Raiders give Ford his second franchise, but it cemented his place as one of the top stars in the world.
Witness: Perhaps Ford’s best character that he never returned to play in a sequel.
Blade Runner: There have been so many different versions and decades later a sequel so it’s hard to believe that Blade Runner was NOT a blockbuster when first released.
Movies that didn’t make Gaugham’s list but would have made mine…
I can usually tell pretty quickly watching a trailer if it is going to be my kind of film. Not so with Night Teeth. I started out thinking it wasn’t going to be for me, but the more I watched the more I liked what I was seeing. Night Teeth looks like Collateral with vampires. I plan to go along for the ride.
Benny’s entire world is turned upside down after picking up two mysterious girls who expose him to a secret world he never knew existed. He is suddenly hurled into their cryptic underworld on a mission to save his city from dripping in blood.
Yesterday we took a look at Clint Eastwood’s best roles. Today, thanks to Brent Lang at Variety, we’ll take a shot at listing Clint Eastwood greatest performances. Using just Lang’s list, here are my top five…
Harry Callahan in Dirty Harry. Eastwood was perfect in the role that had us cheering for a cop in a movie that would probably make Harry the villain in today’s world.
Blondie aka The Man with No Name in The Good, the Bad and the Ugly. Eastwood’s most iconic role in which he perfected the man of few words but quick guns.
Will Munny in Unforgiven. Eastwood’s performance anchored an Oscar-worthy (9 nominations) and Oscar-winning (Best Picture, Best Director, Best Supporting Actor and Best Film Editing) film.
Dave in Play Misty for Me. It was a first time for me. Seeing a big, tough guy terrorized by a woman. And who wouldn’t be?
Frankie Dunn in Million Dollar Baby: For me this was the first time Eastwood was playing an old man. The other roles came off as a guy getting older… on the brink of old age. I loved that being old didn’t mean life was over.
I like the poster for Vengeance is Mine. It’s also interesting that Harry’s wife and child were accidentally killed by murdering thieves making a getaway. Deal me in.
Harry is a broken man, struggling to come to terms with the murder of his wife and daughter 5 years previously. When he discovers the whereabouts of the killers he awakens from his grief and, filled with vengeance, seeks to destroy those who destroyed his life.
Directed by Hadi Hajaig
Starring Con O’Neill, Sarah Jane Potts, Anton Saunders
Look at the cast for Ida Red: Josh Hartnett, William Forsythe, Mark Boone Junior, Frank Grillo and Melissa Leo. Read the synopsis, view the trailer and if you’re a crime movie fan, get in line for a ticket (right behind me).
Crime boss Ida “Red” Walker (Oscar® winner Melissa Leo*) turns to her son, Wyatt (Josh Hartnett), to pull off one last heist to get out of prison. But with the FBI closing in, Wyatt must choose between family and freedom in this high-octane thriller.
Featuring: Josh Hartnett, Sofia Hublitz, William Forsythe, Deborah Ann Woll, George Carroll, Mark Boone Junior, Beau Knapp, with Frank Grillo, Melissa Leo
Passing, starring Tessa Thompson and Ruth Negga looks like a winner. I won’t let it pass me by!
A cornerstone work of Harlem Renaissance literature, Nella Larsen’s 1929 novel Passing is adapted to the screen with exquisite craft and skill by writer-director Rebecca Hall, who envelops the viewer in a bygone period that remains tragically present. The film’s extraordinary anchors are Tessa Thompson and Ruth Negga, meticulous as middle-class Irene and Clare, reacquainted childhood friends whose lives have taken divergent paths. Clare has decided to “pass” as white to maintain her social standing, even hiding her identity from her racist white husband, John (Alexander Skarsgård); Irene, on the other hand, is married to a prominent Black doctor, Brian (André Holland), who is initially horrified at Clare’s choices. As the film progresses, and resentments and latent attractions bristle, Hall creates an increasingly claustrophobic world both constructed and destabilized by racism, identity performance, and sexual frustration, leading to a shocking conclusion. A Netflix release.
