Category: Movies

‘Invasion of the Body Snatchers’ (1956) Trivia

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Rob Hunter and Film School Rejects present  22 Things We Learned from Joe Dante’s ‘Invasion of the Body Snatchers’ Commentary. Here are three of my favorites …

11. Sam Peckinpah, who has a small role in the film, was apparently very quiet on set. He can be seen in the basement at 37:32.

13. They disagree over when exactly Dr. Dan Kauffman (Larry Gates) became a pod person. Dante thinks he’s one for the first time when Miles and Becky arrive in their bathrobes, but McCarthy says he’s been one since the earlier car ride. “Hmm, interesting,” says Dante, clearly not believing him but choosing instead to be a gentleman and a fan.

16. Siegel once snuck into Wynter’s house and hid a pod prop beneath her bed. No one challenges her on the commentary to prove she’s still human.

This version of Invasion of the Body Snatchers is one of my favorite horror films.  I fondly remember watching it many times over the years — with my favorite viewings being hosted by Sammy Terry late at night at my grandparents house.

11 Legendary Facts About “Enter the Dragon”

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Matthew Jackson and Mental Floss present  11 Legendary Facts About Enter the Dragon. Here are three of my favorites …

2. THE LOOK WAS INSPIRED BY A COMIC STRIP.
Enter the Dragon was made quickly, on a tight schedule, and with a budget much more constrained than what we commonly associate with action movies today. As a result, Heller and Weintraub had to start concerning themselves with getting sets built in Hong Kong even before Michael Allin’s script was completely finalized. To do that, Heller looked to his childhood and to a comic strip about adventures in China that he’d loved, Terry and the Pirates.

“It was high chroma reds, blues, golds, and it just lent itself to this project so closely,” Heller said.

So, with Terry and the Pirates in mind, Heller began working with a sketch artist to design various sets, including Han’s (Kien Shih) underground layer, the banquet hall on the island, and other key areas of Han’s domain. From there, the sketches were turned over to set builders in Hong Kong, and construction was underway

8. THE ICONIC MIRRORED ROOM WAS NOT IN THE SCRIPT.
It’s impossible now to imagine Enter the Dragon without the iconic final fight between Lee and Han, which takes place in a mirrored room that replicates Lee’s movements several times over as he delivers his famous kicks. Once upon a time, though, this was nowhere in the script, and only came about because Heller noticed the effect mirrors had at a Hong Kong hotel where he was eating one day.

“I took Bruce and showed it to him. He thought it was too fragmented, that you couldn’t get any action that would mean anything out of it,” Heller recalled. “Bob Clouse and I really fought hard for it, and we created this mirrored room.”

Clouse and Heller pushed ahead with the mirror concept, and once they showed the set to Lee and he was able to move around in the space, he became a believer. A special “closet” made of mirrors with a hole cut in one side for the camera lens was built, so that the cameraman would always blend into the rest of the scene, and filming of the famous sequence began. According to Hubbs, though, working for hours on end in that environment created a unique set of challenges.

“I remember that I would always have to touch, because if I’m looking at something, they might not be there, they might be over there,” Hubbs said. “I found that I could only be in there for a couple of hours, and I’d have to go out and sit down and look at a wall and real dimension, because it’s like there was a fourth dimension in there.”

9. LEE CHOREOGRAPHED THE FIGHT SCENES HIMSELF.
Lee was not just the star of Enter the Dragon. He also played a key role in how it was staged, as the screenplay would often describe action sequences by simply saying “This Will Be Choreographed by Mr. Bruce Lee.” As Heller recalled, Lee would often walk through the various sets, particularly Han’s underground lair, and look for details and props that he could then incorporate into each sequence, with the help of Clouse. Together, they worked closely to engineer the film’s iconic fight sequences, and by the time early footage from the film was available, Lee was so excited that he didn’t want Enter the Dragon to end. According to Weintraub, he later went back to Hong Kong to shoot the early sparring sequence at the monastery with his friend Sammo Hung.

The 20 Best Horror Movies of All Time

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Rebecca Pahle and Mental Floss present The 20 Best Horror Movies of All Time. Pahle’s list is a good one that made narrowing down to my top three tough, but here they are with my thoughts on each…

NIGHT OF THE LIVING DEAD (1968):  is one of those rare movies that influences a genre.  Can you imagine the billions (trillions?) of dollars that would have been lost if George Romero had never made NOTLD?  Romero made a horror movie with a layer of social commentary that shocked and inspired.

THE EXORCIST (1973): is perhaps the scariest movie ever made.  Its the kind of scary that stays with you and invades your mind in the dark hours of the night when you’re trying to sleep.  Here’s a true story involving The Exorcist:

Back in the pre-internet days when the only way to see a movie at home was through HBO or a similar service, I was fortunate enough to have both HBO and a video recorder.  A friend of mine didn’t have cable but did have a VCR.  He asked me to record The Exorcist for him.  I did.  He lived alone and decided to watch the movie late one night. When he turned off the VCR, the counter was at 666.  What are the odds?  Needless to say, he didn’t sleep the rest of the night.

THE SILENCE OF THE LAMBS (1991): doesn’t usually come to mind when I think of horror movies.  It does meet the criteria but I always think of it as a cop movie.  Still, it did make Pahle’s list and it is one of the top three films selected, so of course it made it to my selections as well.

The 10 Wildest Horror Westerns

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Brad Gullickson and Film School Rejects present The 10 Wildest Horror Westerns. I have to admit, at first I thought, “Have there been 10 worthy horror westerns?” – then I saw Gullickson’s list and agreed there have.  So using just Gullickson’s list, I selected three and made sure that they met the western criteria and were scary.  So here are three of my favorites …

Westworld (1973)
Set in the future (at the time of its release), Westworld slips into the horror western genre by a technicality.  See the monster is a robot cowboy that has gone on a killing spree.  Boy, rereading that sentence, Westworld sounds stupid.  But it’s not.  It’s actually a very entertaining film — especially to the 15 year old me who loved seeing it on the big screen.  And have no worries, it holds up well.

Near Dark (1987)
A modern western with a vampire twist.  I love Near Dark.  It was great to see Aliens cast mates reunited.  How cool is it to imagine a family of vampires some who turned during the Civil War, traveling the modern day west and doing what vampires do best.  Wrap in a love story, a father’s quest to save his son and a vampire turned as a child who will forever have the child’s body but an adult’s desires and you have one heck of a horror-western!

Bone Tomahawk (2015)
Some may argue that Bone Tomahawk isn’t a horror film.  Those that do haven’t seen the movie.  What’s scarier than cannibalistic Troglodytes?  Nothing.  And if you think we’re splitting hairs to get Bone Tomahawk classified as a horror film, then watch it and see what Troglodytes split.

A couple more comments…

High Plains Drifter (1973) – Is one of my least favorite Eastwood movies.  And while it does meet the criteria to be a western/horror film, it only does so by the thinnest of margins being a western with an avenging ghost… that’s not scary.

Ravenous (1999) – Is a strange hybrid.  A western set in the 1840’s with a few cannibals.  Well, one main one anyway.  It’s a good movie… but definitely different.

The Valley of the Gwangi (1969) – 10 year old me saw this at a drive-in and loved it!  How could I not, I had to be the demographic it was aiming for — Cowboys and Dinosaurs!!  Sad to say I saw it years later and it had lost some of it’s coolness.  Ok, a lot of it’s coolness.

 

11 Chilling Facts About Shirley Jackson’s “The Haunting of Hill House”

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Anna Green and Mental Floss present 11 Chilling Facts About Shirley Jackson’s The Haunting of Hill House.  Using just Green’s list, here are three of my favorites …

2. JACKSON HAD A TERRIFYING SLEEPWALKING EXPERIENCE WHILE WRITING THE NOVEL …
Early on in the writing process, Jackson awoke one morning to find something terrifying atop her writing desk: A note, with the words “DEAD DEAD” scrawled upon it, written in her own handwriting. Jackson, who loved ghost stories but did not believe in ghosts, brushed the strange discovery off as sleepwalking. In “Experience and Fiction,” she wrote that she used the strange note to motivate her, explaining, “I decided that I had better write the book awake, which I got to work and did.”

3. … AND MADE AN UNSETTLING DISCOVERY WHILE RESEARCHING HAUNTED HOUSES.
Before she began writing The Haunting of Hill House, Jackson scoured magazines and newspapers for photos of houses that seemed haunted. During her research, she stumbled upon a photo of a house in California that had a particular air of “disease and decay.” She was so struck by it, she asked her mother, who lived in California, if she could find any additional information about the house. Her mother’s response shocked Jackson: Not only was she familiar with the house, but Jackson’s own great-grandfather had built it. After standing empty for many years, the house had been set on fire—possibly by a group of townspeople.

11. THE NOVEL HAS A LOT OF FAMOUS FANS.
Stephen King, Neil Gaiman, Guillermo del Toro, and Carmen Maria Machado are all huge fans. Del Toro included Hill House in a series of six classic horror novels he curated for Penguin, Maria Machado called it “the scariest novel I’ve ever read,” and Neil Gaiman has written that, while plenty of novels have scared him, Hill House “beats them all.” Stephen King, meanwhile, has written that Hill House has one of the best openings he’s ever read, calling it “the sort of quiet epiphany every writer hopes for.”

The 13 Most Disturbing Moments in Stephen King Adaptations

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Sharon Knolle and SyFy Wire present: The 13 Most Disturbing Moments in Stephen King Adaptations.  You know how this game is played:  Using just Knolle’s list, here are my top three (beware for spoilers follow) …

3.  Salem’s Lot (1979): “Let me in!”
If you’ve seen the 79 adaptation of Salem’s Lot, then you know the scene.  Our young hero, Mark, is in bed on a foggy night mourning the death of his friend Danny.  Slowly out of the fog Danny floats up to Mark’s bedroom window and repeatedly scratches on the glass with an evil smile.  Oh, and did I mention that the bedroom is on the second floor?

2. Carrie (1976): “Do it!”
I’m changing the game just a bit.  Knolle picks the classic horror film Carrie and the pig killing scene.  I agree with the choice of the movie, but I’ll take a different scene, if you don’t mind.  See, I saw Carrie at a midnight movie during it’s first release.  I had just turned 18 and was there with my girlfriend.  I’ve always been one who jumped a lot during scary movies, but being a young man with a girl to impress, I had to stay cool… macho.  I’m proud to say I made it through Carrie without embarrassing myself.  We were at the last scene, Carrie’s friend was laying flowers on her grave and soon credits would roll.

Then Carrie’s hand suddenly shot out of the fresh grave and grabbed her friend’s wrist.  I let out a scream (a manly scream I assure you) and nearly jumped out of my seat and into the row behind me.  That disturbs me to this day.

1.  The Mist (2007): That ending
The ending of The Mist stayed with me for a long while.  Although it was a bold choice, I didn’t like it on my first viewing as much as I’ve grown to.  Now, I believe that the decision to go with the ending selected is one of the reasons the movie is so powerful.

David, his young son, and three others have faced monsters and murderous people and survived.  Their hope was to drive out of the mist and to safety.  Sadly their car runs out of gas and they’re still in the mist surrounded by monsters.  To leave the car will bring the monsters and certain death.  To stay in the vehicle means a slow death by starvation.  David has a gun with 4 bullets.  The adults agree a fast death by bullet is the best alternative.  David kills all four including his sleeping son, but has no bullet left for himself.  He leaves the car expecting a painful death from a monster when he hears… and then sees army vehicles breaking through the fog with other survivors.  If they’d just held on for a few more minutes…