Category: Movies

15 Facts About John Carpenter’s “Christine”

Sean Hutchinson at Mental Floss posted 15 Facts About John Carpenter’s Christine.  Here are three of my favorites…

2. JOHN CARPENTER SIGNED ON SIMPLY BECAUSE HE WANTED A JOB.
Kobritz approached John Carpenter after the critical and financial failure of his 1982 adaptation of The Thing, which is now widely regarded as one of the filmmaker’s best.

The pair previously worked together on Carpenter’s 1978 TV movie Someone’s Watching Me! and Carpenter agreed to take on the project because he wanted to jump immediately into another movie after his first high-profile box office flop.

8. KEVIN BACON WAS ORIGINALLY CAST AS ARNIE.

Carpenter held auditions in California and New York, looking for the right fresh faces for the teen characters in the film, and he found the perfect newcomer for Arnie: Kevin Bacon.

The now-famous actor’s only other significant work at the time was bit parts in Animal House and Friday the 13th, and Kobritz and Carpenter thought Arnie’s transformation from dweeby hero to suave villain was a perfect fit for Bacon. But after being cast, Bacon dropped out when he was offered a starring role in Footloose.

Carpenter went back the the drawing board to cast Arnie, and eventually found actor Keith Gordon in a play in New York City. Carpenter initially took to Gordon as Arnie because of the actor’s previous appearance in Brian De Palma’s thriller Dressed to Kill.

7. CARPENTER DIDN’T WANT TO CAST MOVIE STARS.

Columbia execs wanted a star-studded cast to round out their King adaptation, and suggested that Brooke Shields—coming off the hit film The Blue Lagoonbe cast as Leigh, and Scott Baio be cast as Arnie. But Carpenter didn’t want recognizable faces in the movie as a way to stress that the titular car was the real star of the movie.

The 100 Best Horror Movies of All Time, According to Critics

Josh Lynch at Business Insider posted The 100 Best Horror Movies of All Time, According to Critics.  Lynch’s list is a good one worth checking out.

Here are three of my favorites and some comments…

69. “28 Days Later” (2003)

Critic score: 86%

Audience score: 85%

What critics said: “The movie’s craft makes the dread of a killer virus contagious: viewers may feel they have come down with a case of secondhand SARS or sympathetic monkeypox.” — Time

What Craig said:  I’m a huge fan of 28 days later.  While quite a few folks like to argue if 28 days later is truly a zombie film or not, I’d rather spend the time re-watching it.

39. “Train to Busan” (2016)

Critic score: 95%

Audience score: 88%

What critics said: “A zombie movie content not to aspire to any loftier subtextual readings needs little more than a skilled choreographer of action, and there’s plenty of evidence that this film had one in Yeon.” — The AV Club

What Craig said:  Train to Busan came out of nowhere to be one of my favorite horror films in recent years.  I hadn’t heard the buzz before seeing it.  This is a zombie movie with heart.  Dong-seok Ma should be a breakout star.  If you haven’t caught the Train to Busan you owe it to yourself to give it a ride.  Just be aware that not everyone makes it to the final stop.

2. “The Cabinet of Dr. Caligari” (1920)

Critic score: 100%

Audience score: 89%

What critics said: “Undoubtedly one of the most exciting and inspired horror movies ever made.” — Time Out

What Craig said: Of the three movies from this list that I chose to highlight, I’ll bet that The Cabinet of Dr. Caligari is the one that has been seen the least by those reading this.  It has three strikes against it:

1.  It is a silent film.

2.  It is a foreign silent film.

3.  It is nearly 100 years old.

The Cabinet of Dr. Caligari has a twist ending that would make M. Night Shamalan and Rod Serling high-five.  When I first watched The Cabinet of Dr. Caligari I thought the choices being made in set design were due to budget restrictions and experimentation with expressionism and the relatively new form of story-telling called film.  I was wrong… at least partially.

The Cabinet of Dr. Caligari tells the tale of a serial killer hypnotist who uses a somnambulist to commit murders. The film takes advantage of the lack of color film and makes the most of a light and shadow with sets that are off-kilter.

If you haven’t seen The Cabinet of Dr. Caligari and you’re a film lover, give it a try.

“Rocky” Movie Series Posters by Tony Stella!

Check out this very cool poster for Rocky III created by Tony Stella!

Source: Film ’89.

In response to Film ’89’s tweet featuring Tony Stella’s Rocky III poster, Stella posted the following…

Wow!  I was, pardon the expression since we’re talking about Rocky, knocked out.  I then clicked over to Stella’s Tumbler and fond other different and equally amazing posters created by Tony Stella for the Rocky films.   I think my favorite may be the Rocky II poster, but they’re all awesome.

SHOT BY SHOT: MEETING GILL-MAN IN ‘CREATURE FROM THE BLACK LAGOON’

Will Digravio and Film School Rejects present SHOT BY SHOT: MEETING GILL-MAN IN CREATURE FROM THE BLACK LAGOON.   If you’re a fan of The Creature of the Black Lagoon, then you know the scene.  Kay Lawrence (Julie Adams) is taking a swim while unknown to her, the Creature is right below her.  It’s a tense, exciting scene and Digravio does a fine job of taking us through it.

I do have one nit to pick though.  Digravio wrote…

By all accounts, Creature from the Black Lagoon is not a great film. It’s a classic and loved by those (like me) who think that Gill-man is one of the coolest monsters.

I beg to differ.  Creature from the Black Lagoon is a great film.  It is a classic and loved by those who think the Creature is one of the coolest monsters, and by those who love classic (monster) films!

 

Taco Bell Will Celebrate “Demolition Man” at Comic-Con 2018

 

2018 is the 25th anniversary of the Warner Bros. film Demolition Man, and to celebrate Taco Bell is bringing back Nacho Fries nationwide and planning a special set-up at Comic-Con.  Taco Bell…

…will offer a Demolition Man pop-up and a futuristic and upscale Taco Bell dining experience near the convention center, where you’ll presumably be able to pick up some Nacho Fries while you wait. You can stop by 658 Fifth Ave in San Diego from 6PM-12AM nightly for free food, and no badge is required. There will also be exclusive Taco Bell and Demolition Man merchandise available for purchase.

I wonder if Sly and Wesley Snipes will be involved?

If any readers of this site are going to Comic-Con and check this out, we’d love to hear a report!

Source: SDCCBlog.

31 Things We Learned from Tony Scott’s “Revenge” Commentary

Yesterday we looked at the films of Tony Scott.  That brought to mind one of my favorite Tony Scott movies, Revenge.   Today we take a look at Rob Hunter and Film School Rejects’ 31 Things We Learned from Tony Scott’s Revenge Commentary.  Here are three of my favorites and my thoughts…

1. John Huston apparently worked for ten years attempting to bring this adaptation to the screen, and when that was no longer a possibility Scott, who had kept a close eye on the project, came aboard. Huston’s big roadblock was his producer, Ray Stark, who felt squeamish as to the story’s harsher elements. Scott says the theatrical cut of this film is Stark’s while this director’s cut is his preferred version. “He should never have made Revenge,” says Scott, “because it was something that was very contrary to his taste.”
Craig’s Thoughts:  I could definitely have seen Revenge as a John Huston film.  Revenge feels like a modern throw-back to The Postman Always Rings Twice or Double Indemnity.  And did you notice Scott said the director’s version is his preferred version of Revenge?  I didn’t even know there was a director’s version.  There is and I’m ordering a copy today.

19. Rocky the dog’s death scene strikes me as something that probably wouldn’t fly these days. They attached “an explosive pack” aka a squib to the dog’s chest and a snatch wire to his back, and when the dog barked Scott instructed the effects guys to trigger the exploding pack and yank the cable so the dog would fly into the wall. Scott tried to get a second take, but Rocky refused to bark again. “But he’s still around, he’s sixteen,” he promises. He also notes that test audiences gave them grief for what they did to the dog without mentioning that Costner gets beat to near death and Stowe has her face slashed in the same scene.
Craig’s Thoughts:  Yeah, the dog death scene would never fly today.  I’m surprised it did then, but that’s what makes this film seem realistic.  What Costner goes through to rescue Stowe and what she endures until rescued… whew!

30. The final face-off between Cochran and Tibey was shot in Mexico, but Stark and the studio requested Scott shoot additional footage with more dialogue to help explain both men’s motivations. Scott hated it and cut all of the new footage from the film.
Craig’s Thoughts:  I am so stoked to see this film again, especially since it will be the director’s cut a version totally new to me.

Revenge Unrated Director’s Edition Blu-Ray

 

Ranking the Films of Tony Scott

Film School Rejects presents Celebrating the Films of Tony Scott.    Here are my three favorites and thoughts on each following FSR’s comments.

6. The Last Boy Scout (1991)
The second film in Scott’s unofficial “sloppy quadrilogy” (along with Beverly Hills Cop 2, The Fan, and Domino) is the best of the bunch for various reasons, but first out of the gate is the script by Shane Black. He’s riffing on his own Lethal Weapon, but while Richard Donner’s film wants to be liked, Black’s in a far more aggressive and mean-spirited mood here. Scott’s direction meets him beat for beat delivering memorable action set-pieces and a pair of charismatic leads (Bruce Willis, Damon Wayans) against an ugly story populated by uglier supporting characters. It’s a terrifically scuzzy affair delivered without the exaggerated stylistic flourishes that mar those previously mentioned titles, and it entertains like gritty gangbusters. – Rob

Craig’s Thoughts:  I was a huge fan of Shane Black (coming of Lethal Weapon and Predator) and Bruce Willis was the perfect choice to star.  I loved the combination of action and humor and remember liking The Last Boy Scout more than most folks.  The scene with the killer in the alley is priceless.

 

8. Revenge (1990)
My Kevin Costner love is well-documented and most certainly plays a role in my appreciation for this darkly somber character drama, but luckily I’m also a sucker for doomed love stories. It’s a far more sedately paced film than you’ll find across much of Scott’s filmography, and while time is given to the ridiculously steamy affair between Costner and Madeleine Stowe, even more is afforded to his desperate search for her after they’ve been violently separated. It’s not a pleasant movie for anyone involved, but its grip on human nature is undeniable as a man’s best and worst intentions and abilities lead to tragic consequences. Scott released a director’s cut of the film years later that actually runs 23 minutes shorter, and as with Mel Gibson’s Payback there’s value in both distinctly different versions. – Rob

Craig’s Thoughts:  I ended up liking Revenge a whole lot more than I thought I would.  And again, a lot more than the critics.  I’ve never seen the shorter director’s cut.  I may have to search that out.

 

3. Man on Fire (2004)
Based on A. J. Quinnell’s novel of the same name, this was a passion project for Scott that he wanted to make since the 1980’s with Marlon Brando as his lead. The original plan was adapt the novel as his second feature and set it in Italy as the country was rife for kidnappings at the time. But the director’s lack of experience saw the project escape him only to be adapted by Élie Chouraqui in 1987. Fortunately, though, he got to realize his dream eventually and the long wait paid off, because Man on Fire is a goddamn masterpiece. Denzel’s characters have rarely been this emotionally-charged or vicious as he plays a washed-up former mercenary who’s hellbent on revenge when the young girl he’s tasked with protecting gets kidnapped by some scumbags. This desire for both vengeance and redemption reignites his spark — and things get bloody. The brutality is ample and our sick demand for violent thrills is more than satiated, but the movie is also peppered with some touching and moving moments which make it so much more than your average body count action flick. – Kieran

Craig’s Thoughts:  My favorite Tony Scott movie.  Can you imagine Brando in the role?  Maybe at his peak, but Brando in the 80’s?  Yikes!

One other thought – It was difficult not to include True Romance. I love that movie and on a different day it may have edged out The Last Boy Scout.