The 100 Best Horror Movies of All Time, According to Critics
Josh Lynch at Business Insider posted The 100 Best Horror Movies of All Time, According to Critics. Lynch’s list is a good one worth checking out.
Here are three of my favorites and some comments…
69. “28 Days Later” (2003)
Critic score: 86%
Audience score: 85%
What critics said: “The movie’s craft makes the dread of a killer virus contagious: viewers may feel they have come down with a case of secondhand SARS or sympathetic monkeypox.” — Time
What Craig said: I’m a huge fan of 28 days later. While quite a few folks like to argue if 28 days later is truly a zombie film or not, I’d rather spend the time re-watching it.
39. “Train to Busan” (2016)
Critic score: 95%
Audience score: 88%
What critics said: “A zombie movie content not to aspire to any loftier subtextual readings needs little more than a skilled choreographer of action, and there’s plenty of evidence that this film had one in Yeon.” — The AV Club
What Craig said: Train to Busan came out of nowhere to be one of my favorite horror films in recent years. I hadn’t heard the buzz before seeing it. This is a zombie movie with heart. Dong-seok Ma should be a breakout star. If you haven’t caught the Train to Busan you owe it to yourself to give it a ride. Just be aware that not everyone makes it to the final stop.
2. “The Cabinet of Dr. Caligari” (1920)
Critic score: 100%
Audience score: 89%
What critics said: “Undoubtedly one of the most exciting and inspired horror movies ever made.” — Time Out
What Craig said: Of the three movies from this list that I chose to highlight, I’ll bet that The Cabinet of Dr. Caligari is the one that has been seen the least by those reading this. It has three strikes against it:
1. It is a silent film.
2. It is a foreign silent film.
3. It is nearly 100 years old.
The Cabinet of Dr. Caligari has a twist ending that would make M. Night Shamalan and Rod Serling high-five. When I first watched The Cabinet of Dr. Caligari I thought the choices being made in set design were due to budget restrictions and experimentation with expressionism and the relatively new form of story-telling called film. I was wrong… at least partially.
The Cabinet of Dr. Caligari tells the tale of a serial killer hypnotist who uses a somnambulist to commit murders. The film takes advantage of the lack of color film and makes the most of a light and shadow with sets that are off-kilter.
If you haven’t seen The Cabinet of Dr. Caligari and you’re a film lover, give it a try.



























































