Category: Trivia

13 Monumental Facts About “North by Northwest”

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Eric D. Snider and Mental Floss present 13 Monumental Facts About North by Northwest.  Here are three of my favorites…

3. JAMES STEWART WANTED TO PLAY THE LEAD.
Stewart had been in four Hitchcock movies at this point, and he wanted North by Northwest to be the fifth. But while Hitch loved him, he didn’t think he was right for the glibly debonair Roger Thornhill. He wanted Cary Grant for the part. Not wanting to hurt Stewart’s feelings, Hitchcock waited until Stewart was committed to another film (Bell, Book and Candle) before casting the role.

4. CARY GRANT HAD NO IDEA WHAT WAS GOING ON.
The star found the screenplay baffling, and midway through filming told Hitchcock, “It’s a terrible script. We’ve already done a third of the picture and I still can’t make head or tail of it!” Hitchcock knew this confusion would only help the film—after all, Grant’s character had no idea what was going on, either. Grant thought the film would be a flop right up until its premiere, where it was rapturously received.

5. PART OF IT WAS SHOT SECRETLY.
You wouldn’t expect Hitchcock to have to sneak around, but even the Master of Suspense was no match for the United Nations, which did not allow filming at its New York headquarters, not even in the plaza outside. So to get the shot where Grant walks into the building, Hitchcock hid a camera in a nondescript truck and filmed in secret from across the street.

32 Things We Learned from Zack Snyder’s “Dawn of the Dead” Commentary

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Rob Hunter and Film School Rejects present 32 Things We Learned from Zack Snyder’s Dawn of the Dead Commentary.  Here are three of my favorites…

13. Snyder cameos during the opening credits montage as a soldier with a machine gun on the lawn of the U.S. Capitol.

19. The original’s Tom Savini, Ken Foree, and Scott H. Reiniger all cameo here as a sheriff, a preacher, and a general, respectively.

 

29. Someone after a test screening questioned Snyder as to why/how the zombies pause at the bottom of the stairs at 1:32:25, and it put him on the spot when they asked if the zombies could even do that. He replied, “in real life, no, but in film where you dramatize…”

116 Amazing Facts for People Who Like Amazing Facts

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Alvin Ward and Mental_Floss present 116 Amazing Facts for People Who Like Amazing Facts.  Here are three of my favorites…

50. Roger Ebert and Oprah Winfrey went on a couple dates in the mid-1980s. It was Roger who convinced her to syndicate her talk show.

62. Dolly Parton once entered a Dolly Parton look-a-like contest—and lost.

74. Herbert Hoover was Stanford’s football team manager. At the first Stanford-Cal game in 1892, he forgot to bring the ball.

15 Fun Facts About the Indiana Jones Movies

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Sean Hutchinson, Michael Arbeiter and Mental Floss present 15 Fun Facts About the Indiana Jones Movies.  Here are three of my favorites…

1. ONE DOG INSPIRED BOTH INDIANA JONES AND CHEWBACCA.
While developing the film with Spielberg and screenwriter Lawrence Kasdan, Lucas named the main character “Indiana Smith.” But Spielberg protested that it was too similar to the 1966 Steve McQueen western Nevada Smith and requested a change. The three agreed that the last name should be as universal and nondescript as “Smith,” so Lucas threw out “Jones” as a possibility. Indiana came from Lucas’ dog, an Alaskan malamute named Indiana. The big, hairy pup was also the inspiration for Chewbacca from Star Wars.

14. SEAN CONNERY SAID NO TO A CAMEO IN THE CRYSTAL SKULL.
As tempting as it may have been for Sean Connery to re-team with Ford on The Crystal Skull, the happily retired former James Bond turned down the part.

15. THE CRYSTAL SKULL INSPIRED AN ALTERNATIVE PHRASE TO “JUMP THE SHARK.”
Ever since Henry Winkler attempted to sail over a shark in a late-season episode of Happy Days, the phrase “jump the shark” has been used to describe the point where a television series goes off the rails in its ridiculousness. The Crystal Skull spawned an alternative phrasefor that, known as “nuking the fridge.” And Spielberg seemed surprisingly pleased about it.

“What people really jumped at was Indy climbing into a refrigerator and getting blown into the sky by an atom-bomb blast,” Spielberg told CNN. “Blame me. Don’t blame George. That was my silly idea. People stopped saying ‘jump the shark.’ They now say, ‘nuked the fridge.’ I’m proud of that. I’m glad I was able to bring that into popular culture.”

Was the Biggest Batman the Best?

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So how big is Batman, really?  That, of course, depends on which Batman you’re talking about.

The comic book Batman was supposed to be about 6’2″ and 210 pounds.  Adam West came closest to that version at 6’2″ and 200 pounds.  All of the other actors who played the Dark Knight, except for Ben Affleck, were smaller.

So does size matter?  Who made the best Batman?

You can check out a larger version of the chart here.

Source: Bleeding Cool.

15 Surprising Facts About “Splash”

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Roger Cormier and Mental Floss present 15 Surprising Facts About Splash. Here are three of my favorites…

2. RON HOWARD TURNED DOWN BIG DIRECTORIAL ASSIGNMENTS TO DO IT.
Ron Howard said no to directing Mr. Mom (1983) and Footloose (1984) to stay attached to Splash.

4. JOHN TRAVOLTA, CHEVY CHASE, BILL MURRAY, AND DUDLEY MOORE TURNED DOWN PLAYING ALLEN.
It was Louisa Velis, Howard’s longtime assistant, who suggested that Howard let Hanks audition. Steve Guttenberg also auditioned. He found out he didn’t get the part at the same time he heard he was getting screen tested for Police Academy (1984). Michael Keaton remembered being offered the role of Allen’s brother, Freddie—a part that eventually went to John Candy .


5. DIANE LANE TURNED DOWN PLAYING MADISON.
She said no to appear in Streets of Fire (1984) and The Cotton Club (1984).

13 Things You May Not Know About Bonnie and Clyde

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Vintage Everyday presents 13 Things You May Not Know About Bonnie and Clyde. Here are three of my favorites…

3. Bonnie was an honor student and a poet.
During her school days, Bonnie excelled at creative writing and penning verses. While she was imprisoned in 1932 after a failed hardware store burglary, she penned a collection of 10 odes that she entitled “Poetry from Life’s Other Side,” which included “The Story of Suicide Sal,” a poem about an innocent country girl lured by her boyfriend into a life a crime. Two weeks before her death, Bonnie gave a prescient poem to her mother entitled “The Trail’s End” that finished with the verse:

“Some day they’ll go down together;
And they’ll bury them side by side,
To a few it’ll be grief—
To the law a relief—
But it’s death for Bonnie and Clyde.”

 

1. Bonnie died wearing a wedding ring—but it wasn’t Clyde’s.
Six days before turning 16, Bonnie married high school classmate Roy Thornton. The marriage disintegrated within months, and Bonnie never again saw her husband after he was imprisoned for robbery in 1929. Soon after, Bonnie met Clyde, and although the pair fell in love, she never divorced Thornton. On the day Bonnie and Clyde were killed in 1934, she was still wearing Thornton’s wedding ring and had a tattoo on the inside of her right thigh with two interconnected hearts labeled “Bonnie” and “Roy.”

9. Bonnie and Clyde remained close to their families, even on the run.
In fact, it was their predictable pattern of stopping to visit family that aided the team of Texas Rangers and deputies who ambushed and killed them.

17 Bloody Facts About “Friday the 13th”

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Matthew Jackson and Mental Floss present 17 Bloody Facts About Friday the 13th. Here are three of my favorites…

1. THE ORIGINAL INSPIRATION WAS HALLOWEEN.
In 1978, producer and director Sean Cunningham was looking for a model on which to build a commercially successful film, and he found one in John Carpenter’s horror classic Halloween. The two films ultimately don’t share much other than very broad slasher tropes, but Cunningham says he “was very influenced by the structure of Carpenter’s film.”

7. SHELLEY WINTERS WAS THE FIRST CHOICE FOR MRS. VOORHEES.
For the now-iconic role of Mrs. Pamela Voorhees, Cunningham and company went in search of an actress with a recognizable name whose career was nevertheless on the decline, so she could be paid relatively little and the budget could stay low. Cunningham eventually made a list of actresses he was considering, and two-time Oscar winner Shelley Winters was his top priority. Winters wasn’t interested, and while fellow candidate and Oscar-winner Estelle Parsons actually negotiated to be in the film, she ultimately backed out. Cunningham also considered actresses Louise Lasser and Dorothy Malone right up until filming began, but ultimately the production wound up with Betsy Palmer in the role.

15. THE FINAL SCARE WAS SUPPOSEDLY NOT IN THE ORIGINAL SCRIPT.
The story of who invented the final scare in the film, in which a deformed Jason bursts out of the lake and grabs Alice (Adrienne King) from her canoe, is disputed. Victor Miller, Tom Savini, and uncredited screenwriter Ron Kurz all claim credit for it, Kurz because he claims to be the one who made Jason into a “creature,” and Savini because he claims the moment was inspired by a similar final scare in Carrie. Whatever the case, it left a lasting impression.

15 Thrilling Facts About “Basic Instinct”

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Garin Pirnia and Mental Floss present 15 Thrilling Facts About Basic Instinct. Here are three of my favorites…

1. THE SCRIPT SOLD FOR A RECORD $3 MILLION.
Back in the day, spec scripts could sell for millions of dollars. Joe Eszterhas joined that club when he sold Basic Instinct—a script that took him just 13 days to write—for $3 million in 1990. Eszterhas told The A.V. Club that the media liked to focus on a writer’s failures, which occurred when Eszterhas’ Showgirls tanked at the box office. “CBS Evening News came with a helicopter crew and found me on a beach in Florida and interviewed me about the money I got for Basic Instinct,” Eszterhas said. “The other thing that I don’t think was quite fair was that after that whole period, where scripts—mine and Shane Black’s and half a dozen other writers’ scripts—went for a lot of money, the media zeroed in on the box office for some of those scripts, and they always zeroed in on the failures … When Basic Instinct went on to earn $400 million worldwide, there were no stories that said, ‘[Executive producer] Mario Kassar paid three million bucks for this.’”

2. CATHERINE AND NICK WERE BASED ON REAL PEOPLE.
Before he became a multimillionaire screenwriter, Eszterhas was a police reporter for Cleveland’s The Plain Dealer. “I met a cop who just liked the action too much,” Eszterhas told Nerve. “He was always in the middle of shootings. He was a great cop on one level, but on another, you suspected he liked it too much. That’s what Nick Curran does in Basic Instinct. As Catherine says in the movie, he got too close to the flame. He loved the flame.”

Tramell also comes from a person Eszterhas knew in Ohio, this time a go-go dancer in Dayton. One night he picked the stranger up and they went back to his hotel room to have some fun. “She reached into her purse, and she pulled out a .22 and pointed it at me,” he told Nerve. “She said, ‘Give me one reason why I shouldn’t pull this trigger.’ I said, ‘I didn’t do anything to hurt you. You wanted to come here, and as far as I know, you enjoyed what we just did.’ And she said, ‘But this is all guys have ever wanted to do with me, and I’m tired of it.’ We had a lengthy discussion before she put that gun down. Those two random characters are where those parts of Basic Instinct come from.”

3. MICHAEL DOUGLAS AND PAUL VERHOEVEN APPROACHED THE MOVIE AS IF IT WERE A DETECTIVE NOVEL.
Verhoeven wanted to make a modern version of a Hitchcock thriller—except with a lot more sex. “In traditional films, the killer lurks in a house and the victim walks into the kitchen, turns on the radio, makes coffee, opens a book, gets comfortable—and then the killer strikes,” he told The New York Times. “In this film, the killer hides—but on the bed. The situation is the same, but the two people are facing each other in bed, not the kitchen.”

Douglas agreed with the film noir aspect of the movie. “Fatal Attraction was a picture close to home for a lot of people because you could identify with those characters,” he also told theTimes. “It was a reality tale, while Basic Instinct is like a detective novel that people like to read in the privacy of their homes. It’s almost Gothic. It’s certainly more dramatic. And the real question here is: Is anybody really worthy of redemption?”

13 Arresting Facts About “Cops”

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Jake Rosen and Mental Floss present 13 Arresting Facts About Cops. Here are three of my favorites…

6. THE SUSPECTS NEED TO GIVE THEIR PERMISSION TO APPEAR ON THE SHOW.
Contrary to popular belief, being arrested doesn’t absolve anyone of his or her right to not be filmed for a national television show. Producers on Cops have to get releases signed by arrestees and suspects. If they’re already handcuffed, the crew can follow them to jail and get them to sign there. Langley has said that proper timing is key when it comes to getting their permission—during a fight is a problem—and estimated that 95 percent of everyone filmed signs a waiver to appear. According to Langley, they simply want to be on television.

8. THE CREW HAS HAD TO JUMP IN.
The official Cops crew policy is that camera and microphone operators are there only to observe: They’re not allowed to interfere with anything going on. The exception, Langley says, is if an officer’s life is in danger. In one instance, a suspect was about to secure an officer’s weapon when the sound man put down his gear and jumped in; another show staffer administered CPR to a woman in need. He was a paramedic; the officer didn’t know the technique.

1. JOHN LANGLEY THOUGHT OF THE IDEA DURING A COCAINE BUST.
The producer was in charge of a crew covering a real-life drug raid for a 1983 documentary called Cocaine Blues when inspiration struck: He thought it would be a good idea to have a no-frills chronicle of the everyday experiences of police officers. While the concept (then titledStreet Beat) was simple, no one shared Langley’s enthusiasm. He was repeatedly told no show without a narrator, music, or plot could succeed.

12 Great Facts About “The Good, the Bad and the Ugly”

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Matthew Jackson and Mental Floss present 12 Great Facts About The Good, the Bad and the Ugly. Here are three of my favorites…

9. IT’S TECHNICALLY A PREQUEL.
Careful viewers of the “Dollars Trilogy” will note that, though it’s the final film, The Good, The Bad and The Ugly actually takes place prior to the other two films. Among the clues: Eastwood acquires his iconic poncho, worn in both A Fistful of Dollars and For a Few Dollars More, in the final minutes.

11. EASTWOOD TURNED DOWN A FOURTH FILM.
By the end of The Good, The Bad and The Ugly, Eastwood was done working with Leone—a famous perfectionist—and had resolved that he would form his own company and start making his own movies. Leone, on the other hand, wasn’t necessarily done with Eastwood. He even flew to Los Angeles to pitch him the role of “Harmonica” (ultimately played by Charles Bronson) in Once Upon a Time in the West. Eastwood wasn’t interested.

12. JOHN WAYNE WAS NOT A FAN OF EASTWOOD.
Before Leone’s Westerns hit America, heroic gunfighters were almost always portrayed as men who waited for the villain to draw their guns first, the idea being that these were men who wouldn’t kill unless they had to. Among these heroes was John Wayne, whose career was winding down just as Eastwood’s was heating up. According to Eastwood, director Don Siegel (who made several films with Eastwood, including Dirty Harry) once tried to get Wayne to be more like the “Dollars Trilogy” star during the filming of Wayne’s final film, The Shootist. Wayne, it turns out, was not a fan of Eastwood’s more ruthless Western style.

10 Hardcore Facts About “New Jack City”

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Andrew LaSane and Mental Floss present 10 Hardcore Facts About New Jack City. Here are three of my favorites…

1. IT WAS MARIO VAN PEEBLES’S DIRECTORIAL DEBUT. 
Mario Van Peebles—an actor and the son of filmmaker Melvin Van Peebles—has admitted that making his debut as a feature director with New Jack City was tough. He had directed episodes of shows like 21 Jump Street and Wiseguy, but the film was a different beast, especially in terms of the tone. “It’s tricky,” he told The Morning Call. “New Jack is a dangerous movie to make, I didn’t want to do a direct glorification of the Tone-Loc lifestyle. I had to be careful about that. I thought about the old Scarface movie, which was probably meant as a deterrent to crime because it depicts all the violence of that kind of lifestyle. But for kids who don’t have any way out, ‘Live Fast and Die Young’ is like a motto. For people with no opportunities, gangsters become role models.”

5. ICE T WAS LUKEWARM ON THE IDEA OF PLAYING AN UNDERCOVER NEW YORK CITY COP.
After he was given the script and realized that his character, Scotty Appleton, was a cop, Ice T was hesitant. His lifestyle and his music represented the exact opposite of what he would have to play on screen. “I started to survey all the people around me, people whose opinions I trusted the most,” Ice T wrote in Ice.  “‘Yo, I got offered this movie role,’ I said over and over. ‘But here’s the thing: they want me to be the man. I thought my old crime partners might start laughing. Or snap my head off. But they all had the same response. They got these puppy faces, turned real quiet for for a moment, then asked me, ‘Word? Ice, could I be in the movie?'”

6. MARTIN LAWRENCE WAS THE ORIGINAL POOKIE.
Chris Rock’s portrayal of the drug addict Pookie earned him praise from Roger Ebert and other reviewers, but he was not the first choice for the role. In a recent interview about the legacy of New Jack City, screenwriter Barry Michael Cooper revealed that comedian Martin Lawrence had the better audition and had secured the part. “He’ll admit it himself, his audition wasn’t great, at all,” Cooper said of Chris Rock. “Martin Lawrence, he came in and killed that audition. The person taping had to shut the camera off; everybody was on the floor [laughing].”

But shortly before production began, Lawrence’s mentor and fellow comedian Robin Harris passed away. “He didn’t take it well,” Cooper said. “He stepped out of the movie, and that’s when they gave the role to Chris Rock.” Lawrence later referenced the film in an episode of his sitcom, Martin, dressing like and quoting Snipes’ Nino Brown character while dragging around a stuffed dog.

14 Flesh-Eating Facts About “Cabin Fever”

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Jennifer M. Wood and Mental Floss present 14 Flesh-Eating Facts About Cabin Fever.  Here are three of my favorites…

6. THE SAME STUDIOS THAT PASSED ON PRODUCING THE FILM ENGAGED IN A BIDDING WAR FOR THE FINISHED PRODUCT.
Though Roth’s original plan for the film was to sell the script and have a studio produce it, no one was interested in buying it (hence the aforementioned eight-year process of getting it made). But a successful showing at the 2002 Toronto International Film Festival changed all that: the film sparked a bidding war, with Lionsgate ultimately emerging victorious. Roth was paid $3.5 million for the film, and promised $12 million in prints and advertising. Of the many studios competing to acquire Cabin Fever, most had already passed on producing it.

8. PETER JACKSON WAS A FAN.
After hearing about Cabin Fever from several of his The Lord of the Rings collaborators, Peter Jackson requested that a print be sent to him in New Zealand, where he was filming The Return of the King. Impressed by what he was seeing, Jackson shut down production on his own film—twice!—to screen Cabin Fever for his cast and crew. Eventually, Jackson invited Roth to The Lord of the Rings set, where he offered to supply Roth with a quote about the film for his production materials. It read: “Brilliant! Fantastic! Horror fans have been waiting years for a movie like Cabin Fever. I loved it!”

9. QUENTIN TARANTINO DECLARED ROTH “THE FUTURE OF HORROR.”
In a 2004 interview with Premiere, Quentin Tarantino talked at length about his admiration for Cabin Fever, and called Roth “the future of horror.” The admiration was mutual. Tarantino and Roth would go on to become good friends and regular collaborators. In addition to directing Thanksgiving, one of the fake trailers in the middle of Tarantino and Robert Rodriguez’s Grindhouse, and playing Dov in the film, Roth had a major role as Sergeant Donny Donowitz in Tarantino’s Inglourious Basterds (2009).

11 Last Meals of the Rich and Famous

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Eddie Deezen and Mental Floss present 11 Last Meals of the Rich and Famous [and 9 Honorable Mentions].  Using just the meals presented, here are the three I would pick…

8. ERNEST HEMINGWAY
By the time he reached his 60s, Hemingway was suffering from severe depression. Several electroshock therapy treatments had left him in a frazzled condition. After a failed suicide attempt in the spring of 1961 at his home in Idaho, Hemingway tried again on July 2 by putting a shotgun to his head. First, though, he ate his favorite meal: New York strip steak, baked potato, caesar salad, and a glass of Bordeaux.

Marilyn Monroe Selections from a Mexican buffet that had been delivered to her Brentwood home

Frank Sinatra A grilled cheese sandwich