Category: Trivia

Jake Rossen and Mental_Floss present Halt Citizen! 15 Facts About Robocop. Here are three of my favorites…

7. Weller Refused to Answer to His Real Name.
According to co-star Miguel Ferrer, Weller instructed the producers to issue a memo to the cast and crew advising that no one should refer to him by his real name: he preferred to be called by his character’s name, Murphy, or “Robo.” Ferrer went on to say that, having known Weller for years prior to the film, he enjoyed greeting him with “Hey, Pete.” Weller ignored him.

3. Stan Lee Turned It Down.
In 1984, Neumeier decided to see if he could spin the RoboCop script into a comic book to use as a launching pad for a feature. He ran the idea by Stan Lee; before Lee could commit one way or the other, he and Neumeier attended an early screening of The Terminator, which also had a humanoid as the main character. An impressed Lee told the writer, “Boy, you’re never going to top that!” and passed.

11. Some of the Actors Got Unsolicited Stunt Pay.
Kurtwood Smith and Ray Wise had been standing in such close proximity to a building explosion that the production—without any sense of humor—paid both men for “stunt work,” which amounted to roughly $400 apiece for the scene. But the actors didn’t feel their pay justified the risk to their life: neither was aware the explosion would be that big, and Smith’s coat ended up catching on fire.

Eric D. Snider and Mental_Floss present 15 Peachy Facts About Face Off.  Here are three of my favorites…

2. IT WAS WRITTEN WITH STALLONE AND SCHWARZENEGGER IN MIND.
Separately, they were among the top action stars of the day (the day being the early ’90s), so teaming them up was an irresistible idea. Moreover, they were both really famous, and as Colleary once said, “The movie doesn’t work unless the actors have a well-established persona” so audiences can appreciate them impersonating each other. (Editorial note: there’s no way Schwarzenegger and Stallone could have imitated one another’s mannerisms as well as Cage and Travolta do.) The two didn’t make Face/Off, but they did eventually make Escape Plan, in which they escape from a futuristic, off-the-grid, middle-of-the-ocean prison very much like the one in Face/Off.

12. THE JOKE ABOUT TRAVOLTA’S “RIDICULOUS CHIN” WAS TRAVOLTA’S OWN IDEA.
He said, “Nic [Cage]’s character is such an egomaniac. He loves himself—the way he talks, acts, walks, everything about himself. So, we just figured that it follows that he would hate being in my body, having my face. So I added a lot of lines where he makes fun of the way I look—like ‘this ridiculous chin,’ things like that.”

6. THE EPILOGUE, WHERE THE ARCHERS ADOPT CASTOR TROY’S ORPHANED SON, ALMOST DIDN’T HAPPEN.
It was part of the writers’ original story and survived all of their many rewrites, but Paramount didn’t think audiences would like an ending where the hero adopts his enemy’s son. Woo’s alternate idea was for the film to end with some ambiguity about whether or not Eve Archer had her real husband back. When a test audience found that unsatisfying—and, moreover, wanted to know what happened to Castor Troy’s kid—the studio ponied up the money to get the necessary cast members back to film the original ending. According to Werb, “The next time we tested, the numbers went through the roof. There was spontaneous and thunderous applause at the end.”

Roger Cormier and Mental_Floss present 16 Hardcore Facts About Full Metal Jacket. Here are three of my favorites…

2. VINCENT D’ONOFRIO GAINED 70 POUNDS TO PLAY LEONARD “GOMER PYLE” LAWRENCE.
In addition to the weight gain, D’Onofrio also shaved his head for the role, and was surprised by how much it affected him. ”It changed my life,” D’Onofrio told The New York Times in 1987. ”Women didn’t look at me; most of the time I was looking at their backs as they were running away. People used to say things to me twice, because they thought I was stupid.” To this day, it’s the most weight any actor has ever gained for a movie role.

5. ARNOLD SCHWARZENEGGER AND BRUCE WILLIS TURNED DOWN ROLES.
Schwarzenegger claimed he was too busy to play Animal Mother (the part that eventually went to Adam Baldwin). Bruce Willis was offered a part two days before he was to start shooting the first six episodes of Moonlighting, so he had to say no, too. Denzel Washington wanted in, but didn’t like that Kubrick didn’t send out a script beforehand to audition.

9. JOKER HAD A NAME.
It was J.T. Davis. In 1961, Specialist James T. Davis was the first recorded American battlefield casualty in Vietnam.

Garin Pirnia and Mental_Floss present 14 Facts About Flashdance.  Here are three of my favorites…

8. KEVIN COSTNER AUDITIONED TO PLAY NICK HURLEY.
Costner, who didn’t become famous until the mid-1980s, auditioned for the role of Nick Hurley, Alex’s boss and love interest in the film. Lyne paid Costner $200 to lie in bed with Beals, but it apparently didn’t work for him as the part went to Michael Nouri. In a strange twist of fate, prior to auditioning for Flashdance, Costner starred in an Apple commercial directed by Lyne. The commercial aired a few months after the film was released and has an uncanny resemblance to Flashdance: Costner on a bike, with a brown pit bull running beside him.

12. THE STUDIO WASN’T BANKING ON A HIT.
Lyne told Entertainment Weekly how Paramount thought the movie would be a flop. “In the two weeks before Flashdance came out, I literally couldn’t get anybody on the phone,” he said. “It was like everybody had run for the hills because they thought it was gonna be a total disaster. I didn’t know either. Paramount sold at least a quarter of their interest in the film in those two weeks. In other words, they saw the film, and thought, ‘Well, this is gonna go down the toilet.’” Luckily for Paramount and Lyne, the film opened to a healthy $4 million gross, which would be almost $10 million today. The film remained in the top 10 weekend box office for 15 weeks straight.

2. THE SONG “MANIAC” WAS ORIGINALLY COMPOSED FOR THE 1980 HORROR FILM MANIAC.
Michael Sembello and Dennis Matkosky’s original lyrics for “Maniac” were as follows: “He’s a maniac, maniac that’s for sure / He will kill your cat and nail him to the door.”

“That direction obviously wasn’t going to work,” Sembello told Song Facts. “Phil Ramone, producer of the soundtrack, [had] the vision to see the potential of the song, [and] asked us to change it to the present concept of a girl possessed with the passion of a gift for dance.” Which is how the far less gruesome lines “She’s a maniac, maniac on the floor / And she’s dancing like she’s never danced before” came about. “Without Phil it would not have happened,” says Sembello.

Eric D. Snider and Mental_Floss present 15 Fun Facts About Weird Science.  Here are three of my favorites…

9. THE SCENE WHERE GARY TALKS LIKE AN OLD AFRICAN-AMERICAN BLUESMAN WAS INSPIRED BY RICHARD PRYOR.
Hall recounted in an interview that he and John Hughes would “watch Richard Pryor movies on the weekend. And we would imitate this character called Mudball that Richard Pryor would do. And so it was really just a product of being Richard Pryor fans that John said, ‘Hey, why don’t we create this scene where you go into a bar and do that?’”

11. IT TAKES ITS TITLE FROM A 1950S COMIC BOOK, BUT OTHER SIMILARITIES ARE COINCIDENTAL.
EC Comics published 22 issues of Weird Science between 1950 and 1953, alongside more popular anthology titles like Tales from the Crypt. Hollywood mega-producer Joel Silver got the rights to all the old EC stuff in the ’80s, and Hughes was in his office one day when boxes of the comics were being delivered and unpacked. Seeing the title Weird Science, and thinking of a beautiful woman he and Silver had seen earlier that day, Hughes said, “What if two kids figure out a way to make that girl that was in the commissary?” This is according to Silver’s recollection, anyway. “I already had rights to the EC books, so that’s how I convinced them to let me have the title.” Now, there was a story in an issue of Weird Science that bore a superficial resemblance to Hughes’ idea—“Made of the Future,” in which a man builds a wife from a kit he got on a trip to the year 2150.

13. BILL PAXTON GOT HIS CHARACTER’S DISTINCTIVE MILITARY-STYLE HAIRCUT WITHOUT HUGHES’ PERMISSION.
His first day on the set, “I told [the film’s makeup artist] I wanted to do a haircut that was really intense,” Paxton told The AV Club in 2012. “He’s the one who suggested the flattop, but long on the sides and slicked back. And he was afraid he was going to lose his job to cut it like that without having it approved by the producer or the director, but I said, ‘Just do it.’” Fortunately, Hughes loved it, along with everything else Paxton brought to the character.

Hollywood.com recently posted 13 Interesting Facts About M. Night Shyamalan Movies.  Here are three of my favorites…

1. Sixth Sense was inspired by an episode of Are You Afraid of the Dark?.

According to M. Night, the film is based on the episode “The Tale of the Dream Girl”, where the premise was: the lead characters are being ignored by the friends/family and don’t understand that they are dead until the end of the episode.

5. M. Night wrote the screenplay for Unbreakable with Bruce Willis and Samuel L. Jackson in mind.

He always anticipated the two actors agreeing to do the film. This was also their fourth film together, after Loaded Weapon 1 (1993), Pulp Fiction (1994), and Die Hard: With a Vengeance (1995).

6. The Happening is the only movie of his in which M. Night does not physically appear.

He’s the voice of Joey, who calls out to Alma a few times in the film.

7. All of his films are set in, or very close to, Philadelphia.

Rob Hunter and Film School Rejects present 33 Things We Learned From Joe Carnahan’s The Grey Commentary.  Here are three four of my favorites…

11. The scene with Ottway waking up in the snow was shot in minus twenty degrees. “See Liam’s face, how red that is, there is no makeup on him,” says Carnahan. “They kept saying ‘you can’t put Liam in the snow, you can’t put Liam in the snow,’ but Liam went in the snow.” Barton says Carnahan and the guys complained so much about how cold it was, but the editing room was probably 75 degrees which was also pretty tough. “There was some days the espresso machine was jammed,” adds Hellmann.

13. Carnahan’s wife told him she thinks Ottway was the lone survivor and the rest were simply facets of his personality. “I thought that was really novel until ten other people, all women, said the same thing to me. I thought my god that’s an interesting little trend.” Barton recalls hearing her say that and thinking “Holy crap, what a great thing to say. We had never thought of that.”

21. The high-pitched howl emanating from the woods as the men scramble to start a fire after being chased by the wolves was actually made by Quentin “Rampage” Jackson. They recorded him and modified it some, but he’s the source.

****SPOILER ALERT****

33. The post-credits shot, a remnant of their attempts to capture Ottway’s fight with the wolves, was included for purely artistic reasons on Carnahan’s part. “It certainly, to me, doesn’t answer any questions,” says Barton, “in a good way.” Carnahan adds that a lot of people don’t seem to realize that’s the back of Neeson’s head resting on the wolf’s slowly breathing form.