Last of the Independents

Posted on by
Last week I ordered two graphic novels that I have been meaning to get for literally years. The first, which I’ll talk about today, is Last of the Independents by Matt Fraction and Kieron Dwyer.I’d meant to purchase Last of the Independents when it was first published back in 2003. I just never got around to it. But when Christopher Mills posted a perfect 6 out of 6 review for it on his Guns in the Gutters blog, my interest was rekindled. Then in this month’s issue of Criminal by Ed Brubaker and Sean Phillips [also worth picking up], Matt Fraction joined Charlie Huston and Greg Rucka [two of my favorite authors] in a discussion of 70’s crime movies. [The issue is worth picking up just to read their thoughts on the subject.] At any rate, Fraction talks about getting his title Last of the Independents from the unused title for “Charley Varrick” [a 70’s crime flick]. So I was sold and ordered Fraction and Dwyer’s graphic novel.

Last of the Independents is Fraction’s love letter to the creators and fans of the movie “Charley Varrick”. Like in the movie, a middle aged guy and his crew knock off a small town bank only to discover it’s mob money that they’ve stolen. There are other similarities, but never does this feel like anything more than a tip of the fedora to a movie, a genre and an era that had an enormous impact on crime fiction fans. Fraction’s story and script are first rate. He drops us in as the bank is being robbed and introduces us to the main characters quickly without wordy exposition. In fact, he often lets Kieron Dwyer’s art tell the tale. Dwyer’s art is perfect for the graphic novel. [I’ve been a fan of his work for some time and hope to someday see a piece by him in my Stallone Gallery.]

One final note, the graphic novel is presented in a “widescreen” format. I usually get annoyed by graphic novels that don’t fit nicely on the book shelf. The publisher, AIT/Planet Lar, must have realized how picky collector’s can be because this graphic novel comes with a vertical slipcover that makes it possible for it to be shelved on the bookcase with other “regular” graphic novels. Kudos for whoever worked out such a creative and simple solution.

Last of the Independents rates an “A”.

Happy, Happy to JBI

Posted on by
Yesterday I received an e-mail from my buddy, Wild Bill Black that several of Jim Ivey’s friends were getting together to belatedly celebrate Jim’s 82nd birthday. Although it was short notice, I worked it out so that I could get over and share in the festivities.

I first met Jim back in the mid-70’s [the decade, not his age]. Jim was the owner of The Cartoon Museum in Orlando, Florida and the main man behind OrlandoCon. My buddy, John Beatty and I were still in high school, but would make the trek over to buy our comics and original art from Jim. Jim’s shop was an amazing place. At the time there weren’t many places that you could buy original art, but Jim’s Cartoon Museum was wall to wall art. Kirby, Steranko, Barry Windsor-Smith, Paul Gulacy, John Buscema… and so much more. You never knew what you’d see or who you’d meet while at The Cartoon Museum. I can’t begin to tell you how much time I spent there and I wouldn’t trade one hour there for a day anywhere else. Beatty and I made the trek to Jim’s at least once a week. Usually we’d end up playing cards but always having a great time no matter what we were doing. When I moved to Orlando to attend UCF, I’d go to the shop several times a week [my wife always knew where to find me]. We’ve stayed in touch over the years, but never as often as I’d like.

So today about 15 of us met to celebrate Jim’s 82 birthday. Jim, true to form, had prepared cards for each of us [and true to form — had enclosed a scratch off lottery ticket. Mine was good for a free ticket!]. Each of us had brought cards and gifts and a story or two for Jim. In fact, Jim looks shocked in the photo above… I hope it wasn’t from something I said!


It was great seeing Jim again. It was also a lot of fun hanging with Wild Bill Black. Special props to “The AAB” for putting the plan in place. And once last shout out to Jim Ivey — “Happy, happy, SIR!”

Jericho!

Posted on by
Anyone watching Jericho? I am, have been since the start, and enjoy it more with every passing week. Normally I would have made sure that the nuclear mushroom cloud was pictured in the logo above, but the show has grown less about the bombs than it is about just SURVIVING. With a great cast of characters and enough subplots to keep us interested, this is a show to watch.
The season finale is next Wednesday, and I can’t wait. But if you haven’t been watching it, perhaps you should. My guess is that they’ll rerun all of the episodes this summer. You can get caught up and then be ready for the new season… which we all know started with a [big] bang!

Pike Takes the Lead

Posted on by
Robert Crais is one of my favorite authors. I’ve read [and enjoyed] all of his novels… and I’m proud to say that I’ve been with his sigature characters Elvis Cole and Joe Pike since their first appearance in The Monkey’s Raincoat. In each previous novel, Cole was always center stage with Pike coming in to back-up his partner. Pike was the tough, no-nonsense hardened gunman. We knew little about him other than he had a strict code of honor, he was loyal and he never backed up.

With The Watchman, Crais turns the tables and gives Joe Pike center stage when he agrees to protect a young heiress who has become the target of a hit squad. Seems she was in the wrong place at the wrong time and now the US Government wants her as a witness and a terrorist wants her dead. Pike is more than up to the task of protecting her [especially with Elvis Cole backing him]. The book is fast paced and just as good as the previous novels featuring Cole and Pike. I just wonder if long time readers are going to like the way Crais has filled in some of the blanks about Pike’s life. As for me, I can’t wait for their next “case” — no matter who is at center stage.

Guy Ritchie’s Gamekeeper

Posted on by
I read Guy Ritchie’s The Gamekeeper last night. Written by Andy Diggle with art by Mukesh Singh, and based on a concept by none other than [Madonna’s husband and film director] Guy “Lock, Stock, and Two Smoking Barrels” Ritchie.

Ritchie isn’t what caused me to pick up the comic though. I saw “Lock, Stock, and Two Smoking Barrels” and thought it was okay, and have never seen “Snatch” or possibly any of Ritchie’s other movies. [And NO, I didn’t buy it because of the Madonna connection.] I did buy it because I enjoyed Diggle’s work on The Losers and because the preview art looked pretty good.

In the opening issue nothing is as it first appears. A runaway shows up on a Scottish estate. He is taken to the owner of the estate, a kind older man, by the Checen groundskeeper [or should I say “Gamekeeper”]. Before the day is over the estate is attacked by several well-armed men. The runaway, the older man and the Gamekeeper are all more than what they seem at first glance. And that mystery is reason enough to come back for issue two.

MallowCon Report

Posted on by
Last weekend I had the good fortune to attend the first Comics Collector’s Comic-Con in Port St. Lucie. The show was put on by Keith Mallow [pictured above probably wondering how he ended up in a StalloneZone t-shirt]. You’ve heard me talk about Keith [and his lovely wife Monica] before. They’re good people [well, at least Monica is…]. I was there with my best buddy, Big John Beatty, who was a guest at the con. Here’s how the show went…
Beatty and I arrived early. The room was already packed with dealers. Keith led us back to Big John’s table. I was surprised to see Jesse “Cadre” Hansen set up at a table behind us. I should have known that Cadre would be at the con since he is “the hardest working man in comics.” Jesse had his latest project on hand, the #1 issue to Cornerstone which features four stories by the Cadre Corner Crew [say that three times fast!]. It’s a nice package, and I’d have said that even if Jesse didn’t give me a shout-out in the “Thank You” section!
Soon enough Ethan Van Sciver arrived. His table was next to Beatty’s. My buddy, John Higashi, had asked me to get a sketch from Ethan for him. Ethan agreed to the Star Wars piece [adding another figure to this one that he had drawn earlier].

I decided to take a walk around the room before the doors opened. There were quite a few dealers set up. Tim Gordon was there. Tim’s a great guy and he puts on the Tampa show that you’ve heard me brag about over the years. Keith Mallow and Tim are working together cross-promote their shows and see that they don’t overlap. Pictured above is a shot of the America Man table. They were giving away free copies of their America Man comic. Since the doors were getting ready to open, I headed back to Beatty’s table.

From the time the doors opened until almost closing time, the show stayed busy. Every fan I talked with said he/she was having a great time and making some good purchases. Dealers seemed to be doing good business as well. When both the fans and dealers are happy, you know it’s a great show!

Ethan was able to finish Higashi’s sketch, but then about an hour into the show suddenly had to leave. Hopefully, whatever emergency called him away was been positively resolved.

Beatty had a sketch list that kept him busy through the show. That coupled with a ton of autograph requests [and even a couple of newspaper interviews] made the day flow by quickly. Beatty was in the zone when it came to his sketches. Each one was a winner, but this Punisher sketch [purchased by uber Punisher fan Bart ] was my favorite of the show.

As the show came to an end, everyone started to say their good-byes. We told Tim that we’d be at his show in August, if we didn’t make the one in May. Cadre said that he and his crew would be down for the next Sketch Society meeting. We told Joe “Ladder Leg” that we’d see him at the next show. There was just one last thing to do before hitting the road… and that was to thank Monica and Keith for putting on a great show… I decided that it would be best for Beatty to thank Keith…

Statham & Some Sly Casting

Posted on by

It looks like Jason Statham may take the starring role as “Frankenstein” in the remake of Roger Corman’s cult classic “Death Race 2000.” Paul W.S. Anderson has written and is set to direct the updated actioner.

Although the remake was originally planned as a [pardon the pun] vehicle for Tom Cruise. Cruise has decided to pass on the starring role, but instead stay on as a producer. The original “Death Race 2000” was released in 1975 and starred David Carradine and a pre-“Rocky” Sylvester Stallone. Word is that Anderson would like for Sly to reprise his role as “Machine Gun Joe.”
This could be fun… especially if Sly returns.

Party-time in Port St. Lucie

Posted on by
If you’re anywhere near Port St. Lucie, Florida this Sunday you might want to swing by the community center [2195 SE Airoso Blvd.] for a Collector’s Comics mini-convention. My buddy, John Beatty will be there signing autographs and doing sketches. Ethan Van Sciver will also be on hand working his artistic magic. The show runs from 10:00am-4:30pm. Phone 772-878-2277 for more details. Hope to see you there!

Sanjaya vs Stern: Class Act?

Posted on by
Last night Sanjaya Malakar was voted off of American Idol. Truth be told, his time had come more than a couple of votes ago. And while it was time for Sanjaya to go, my bet is we haven’t seen the last of him. He has a solid fan base of little girls and enough “cuteness” and talent to at least get a shot a something. What? I’m not sure, but something.

Two more things before we close: 1] Sanjaya took more flack, bad comments and teasing than any other American Idol contestant that I can remember. Sanjaya kept his sense of humor and showed class through it all. 2] Sanjaya’s leaving puts a rest to the Howard Stern claim that Howard has the power [through his audience] to take Sanjaya to the finals and kill American Idol. Let’s just hope that Stern can show the same class as Sanjaya now that Stern’s mission has failed.

Cool "Crime" Cover — 1st in a Series

Posted on by
I’ve always thought this was one of the coolest covers.

Painted by Dan Brereton, it may have seen print elsewhere [Chris Mills would know!] before landing on the seventh issue of Draw! magazine. If it wasn’t painted for a specific story, it cries out for one to be written around it. It has all the right elements for a great crime saga… a tough dame, guns, money, and a rough thug [gotta wonder where that scar came from] on the run [note the hanging handcuff].

Bad Blood Leaves bad Taste

Posted on by
I’m a big fan of the UFC. I never miss The Ultimate Fighter. I seldom miss Ultimate Fight Nights, Inside the UFC, or UFC special events. Heck, I even can be drawn out of the house to attend the pay-per-views! In other words, UFC programming seldom disappoints. I would have said never disappoints, but I recently watched “Bad Blood: Dana White vs Tito Ortiz.”

If you’re a fan of the sport then you probably know that Dana White [co-owner of the UFC] and Tito Ortiz [one of the top fighters in the UFC] used to be good friends. This was before White took over the UFC and still acted as Tito’s manager. After that they had a terrible falling out and became bitter enemies.

So they decided that they’d end their feud in the ring. White used to box and Tito challenged him to a three round boxing match. The thing ended up taking on a life of it’s own. White had to have the bout sanctioned and fans were clammoring to see it.

The thing of it is, the fight never took place. For all of the hoopola, Tito decided two days before the event not to fight. He probably figured it was a no win situation for him. If he beat up Dana White, it would have been expected and he could come off as a bully. If he lost or even looked bad though, it could hurt his reputation as a fighter. So he bowed out.

Did that stop the UFC and SPIKE TV from hyping the event? No. In fact the show is airing several times. So let me save you an hour of your life: If you tune in expecting to see Dana White vs Tito Ortiz, you won’t. You’ll see a big build-up and a lot of hype but ultimately no pay-off. So my advice is to skip it and instead tune in to one of the other UFC shows, at least they have never disappointed!

Hundred-Dollar Baby

Posted on by
Robert B. Parker’s Hundred-Dollar Baby is his 34th Spenser novel. A new one comes out every year, and when you’ve been reading them for as long as I have, each new novel is like a visit from an old friend. That’s both good and bad. It’s good because the characters have a long history and are well-defined. It’s bad because after so many years the reader can anticipate how the story will unfold. With a long-running series like the Spenser novels, the journey becomes more important than the final destination. Well… normally that’s the case.

Hundred-Dollar Baby breaks that mold. Sure, the story begins like most Spenser novels when he accepts case for a young woman [who first appeared in two earlier books, Ceremony (1982) and Taming a Sea Horse (1986)]. The story moves along in a very predictable fashion until about 3/4 of the way through when it takes on an unexpected twist. Hundred-Dollar Baby concludes with one of the most memorable endings of any Spenser novel.

If you’ve never read Robert B. Parker’s Spenser, then I’d suggest that you start with The Goldwolf Manuscript [the first in the series]. If you used to read the Spenser novels, but drifted away, then Hundred-Dollar Baby would be a good place to rekindle your friendship.