Rambo by Jonas Scharf

Once a week Joblo.com posts Awesome Art We’ve Found Around the Net.  As you can imagine, they post awesome art that they, well, you get the idea.

I always enjoy seeing what JoBlo has found because with each post they list the artist’s name and a link to more of his/her art.  If you check it out you’ll discover amazing artists like Jonas Scharf who did the Rambo piece above.  Click on the photo and you can see a slightly bigger version.

The 50 Best Movie Fights You’ll Want to Watch Again and Again

GamesRadar posted The 50 Best Movie Fights You’ll Want to Watch Again and Again.  There are a lot of great choices in this list.  Using just their picks here are five of my favorites…

41. Enter the Dragon (1973)
The fight: Bruce Lee faces his last great opponent, Han, in a showdown finale featuring trick mirrors and deadly traps. Because, when Bruce was at the top of his game, the best way his opponent could hope to defeat him was through cunning.

Killer move: After much skulking around mirrored corridors, Lee finally catches Han out and delivers a final blow, high kicking him into his own spear.

40. Atomic Blonde (2017)
The fight: Charlize Theron’s spy has already been through a lot when she’s faced down by two attackers in a stairwell in Berlin during the Cold War, but that doesn’t stop her from kicking ass. This fight scene is so impressive due mainly to the fact that it goes on for a long time (the baddies seem to fight through many a mortal wound before finally going down) and the realistic brutality of the moves.

Killer move: Towards the end of the fight, one of the men pulls his own dagger out of his chest only for Theron to slammed it back into his throat multiple times and throw him down the stairs.

34. Rocky (1976)
The fight: THE sporting underdog story: the little-known Italian Stallion’s climactic bout with arrogant heavyweight champion Apollo Creed.

Killer move: Rocky’s sheer stamina. Having already taken a severe beating, Creed knocks him to the floor and throws his hands up in celebration. But his incredulous look is priceless as Rocky struggles back up to his feet…

16. John Wick (2014)
The fight: After declaring war on the Russian mob (who are indirectly responsible for killing his dog), Wick seeks out Alfie Allen’s Iosef Tarasov in the fancy sauna room of a nightclub. He cuts through Tarasov’s security with ease, practically punching them with bullets from his gun.

Killer move: This actually happens at the start of the scene, when Wick finds and kills Tarasov’s buddy, Victor in the changing room of the club.

10. Way of the Dragon (1972)
The fight: Bruce Lee and Chuck Norris put each other through their paces in this legendary battle from Way of the Dragon. Watch out for Chucks shoulder hair its worryingly prominent.

Killer move: The series of kicks that puts Norris on his backside. For a minute there, he almost looks worried.

And here are three that didn’t make the list that should have…

  • Nada [Roddy Piper] vs. Frank [David Keith] in They Live
  • Chaney [Charles Bronson] vs. Jim Henry [Robert Tessier] in Hard Times
  • A Number 1[Lee Marvin] vs. Shack [Ernest Borgnine] in Emperor of the North

Others?

37 Things to Look for the Next Time You Watch “Back to the Future”

Sean Hutchinson and Mental Floss present 37 Things to Look for the Next Time You Watch Back to the Future.  Here are three of my favorites…

6. MAYOR RED THOMAS FELL ON HARD TIMES.
When Marty sees the tramp on the bench in 1985 he shouts out the name “Red,” which could indicate this character is Red Thomas, the mayor of Hill Valley in 1955.  The photo of Thomas on his 1955 reelection campaign is actually Back to the Future’s set decorator, Hal Gausman.

7. THE GUY WHO THINKS MARTY IS “TOO DARN LOUD” PROBABLY LOOKS FAMILIAR.
The school administrator with the megaphone who chides Marty’s band, The Pinheads, for being too loud is singer Huey Lewis in his first acting role. The scene had an added irony as Lewis made The Pinheads stop playing his own song, “Power of Love,” which appeared on the Back to the Future soundtrack.
Marty also has a poster for the Huey Lewis & the News album “Sports” in his bedroom, and when Marty wakes up after getting back to the future in the improved 1985, Lewis’s soundtrack song “Back in Time” plays on his alarm clock radio.

10. UNCLE ‘JAILBIRD’ JOEY IS USED TO BEING BEHIND BARS.
Lorraine serves the family a cake for Marty’s unseen uncle Joey in 1985, which was supposed to celebrate his freedom from prison before he didn’t make parole.

Joey’s penchant for the slammer is brought up again when Marty sees baby Joey in 1955 when his mother says, “Joey just loves being in his playpen. He cries whenever we take him out so we just leave him in there all the time.”

11 Director’s Cuts That Changed a Movie’s Plot

Jason Plautz and Mental Floss present 11 Director’s Cuts That Changed a Movie’s Plot.  Here are three of my favorites with my thoughts…

5. PAYBACK (1999)
In the theatrical release of this Mel Gibson film, almost the entire third act differs from director Brian Helgeland’s original vision, which was unresolved until the release of a 2006 director’s cut. The most notable change, however, comes at the very end of the movie. In the theatrical release, Gibson’s character kills two top mob figures, then drives off happily with the female lead, Rosie, and his dog. In Helgeland’s version, Gibson is shot in a train station showdown. Rather than driving off happily with Rosie, she picks him up while he is bleeding and his fate is left up in the air.
Craig’s thoughts:  I love the fact that both versions of the film are available.  I have and am a fan of both.  Gibson’s theatrical version is more audience-friendly, and Helgeland’s more noir.  It’s great that we can have both.   Special note –  I love the opening sequence that shows how Parker comes back from near-dead to get the cash and items needed to take his revenge.

1. BLADE RUNNER (1982)

Blade Runner has actually gone through many iterations. There was the theatrical cut released in 1982 with a “happy ending” shoehorned in by the studio. Both director Ridley Scott and star Harrison Ford hated it, and Ford has even confessed that he wasn’t giving it his all when recording a voiceover that he called “not an organic part of the film.” Then came the “directors cut” in 1992 that Scott also disowned.

Finally, Warner Bros. worked with Scott in 2007 to release the Final Cut of Blade Runner, the only version over which Scott had complete control. It contained several changes (particularly to the score) and new scenes, but perhaps the most significant was the confirmation—or close to it—that Ford’s character Deckard actually was a replicant. Instead of the “happy ending” that shows Deckard and Rachel driving through a beautiful landscape, Scott’s ending is more ambiguous and simply shows them leaving Deckard’s apartment. Plus the appearance of an origami unicorn in front of Deckard’s door hints that he is, in fact, a replicant (a similar calling card had been used earlier in the film to denote replicants). In interviews about the new release, Scott confirmed that Deckard was a replicant in his version, although Ford said he believed the character was human.

Craig’s thoughts:  I saw Blade Runner during its initial theatrical release.  I liked it.  Didn’t love it.  Over the years I’ve seen so many different versions.  Some Blade Runner fans get pretty upset arguing if Deckard is a replicant or not.  I don’t have a strong opinion either way, although if he is, it creates a more shocking ending.

6. LÉON: THE PROFESSIONAL (1994)

In the original film, the relationship between the hitman Léon and his 12-year-old neighbor Mathilda was already a little dicey, what with the two of them collaborating on a series of murders. But the directors cut adds a whole new level of discomfort. In it, Mathilda—played by Natalie Portman in her film debut—is shown to be far more involved in the assassinations of a crew of drug dealers. She also sexually propositions Léon and plays a game of Russian roulette to force Léon to say that he loves her. Those scenes were in the original European release, but were cut because producers were concerned about how American audiences would react.

Craig’s thoughts:  I wonder how Leon would play in our current climate.  Having a child become a professional assassin would be a tough sale and definitely not politically correct. I’m glad the sexually suggestive scenes were cut.  I think the idea of Leon being a paternal influence is much more interesting than the alternative.

25 Things We Learned from John Woo’s “Mission Impossible 2” Commentary

Rob Hunter and Film School Rejects present 25 Things We Learned from John Woo’s Mission Impossible 2 Commentary.  Here are three of my favorites…

2. He was concerned about competing with Brian De Palma’s style, but Cruise was very adamant that he wanted Woo’s style for the second film. “He loved Face/Off, he loved all of my Hong Kong films.” Cruise said his goal was to have each film — each “episode” — be a different style from a different director. “That made me feel relaxed.”

7. Director and star clashed over some of the stunts as Woo wanted stunt doubles and Cruise was adamant about doing them himself. He told Woo he didn’t like “cheating” and that it’s too easy to spot when the actor is being doubled because of body movement, timing, etc. It didn’t help that Woo is himself afraid of heights. “I admire his courage.”

22. Cruise shared with Woo his love of Bruce Lee, so the director used that as inspiration for designing the end fight between Hunt and Ambrose.

14 Facts About Daniel Boone

Daniel Boone holds a special place in American History and the childhood memories of many my age.  Fess Parker portrayed Daniel Boone as a decent, fearless, fair man who’s exciting adventures were the basis of legend.

Lucas Reilly and Mental Floss present 14 Facts About Daniel Boone.  I hope the legend and the truth aren’t too far apart.  Here are three of my favorites…

6. HE ESSENTIALLY LIVED THE PLOT OF TAKEN.
In July 1776, Boone’s daughter Jemima, along with two other teenagers, were abducted by Cherokee and Shawnee Indians while they were out canoeing. With help from the girls—who were breaking twigs and leaving markings whenever they could—Boone managed to find them in just three days (just like Liam Neeson, he had a very particular set of skills). At least two of their captors were killed. The incident later inspired a scene in James Fenimore Cooper’s The Last of the Mohicans.

7. HE WAS A SHAWNEE CHIEF’S ADOPTED SON.
In February 1778, Boone and a party of men were captured by Shawnee Indians. Boone made an impassioned case to Chief Blackfish, asking the natives to spare their lives. In exchange, come spring he would ensure that Boonesborough would surrender peacefully. Boone’s plea worked. Not only did Chief Blackfish adopt Boone into the tribe, he made the frontiersman his son. “During our travels, the Indians entertained me well; and their affection for me was so great, that they utterly refused to leave me there with the others,” Boone said. He was given the name Big Turtle.

13. FAME ANNOYED HIM.
John Filson’s 1784 book The Discovery, Settlement and Present State of Kentucke made Boone famous. Soon, stories about Boone’s life were detaching from reality. He hated it: “Nothing embitters my old age [more than] the circulation of absurd stories … many heroic actions and chivalrous adventures are related of me which exist only in the regions of fancy. With me the world has taken great liberties, and yet I have been but a common man.”

10 Colorful Facts About “The Munsters”

Me-TV presents 10 Colorful Facts About The Munsters.  Here are three of my favorites…

1. The idea dates back to 1943.
The idea for a family of comedic Universal monsters dates back to the heyday of Universal monster pictures. In the early 1940s, the studio was still flying high off its monster franchises. It had recently launched The Wolf Man and The Phantom of the Opera. Lon Cheney Jr. was shambling along in The Ghost of Frankenstein. In 1943, Bob Clampett, an animator who worked on Looney Tunes cartoons, pitched the idea of a funny Monster family to Universal. After a couple years developing the concept, nothing came of it for two decades. Even in the 1960s, as interest picked back up, some at the studio believed it should be a cartoon.

8. The original Marilyn quit acting after 13 episodes — and a third Marilyn was used in the movie.
No Munster family member changed like Marilyn, Lily’s niece. Initially, Beverley Owen (pictured here) filled the role. Midway through season one, Owen quit the business entirely, to get married and focus on her family. She would later earn a masters degree in Early American History. Pat Priest popularized the role of Marilyn thereafter on the show. However, Universal recast the character for Munster, Go Home! The studio inserted Debbie Watson — 12 years younger — into the role, in hope of building the contracted starlet’s career.

9. The Drag-U-La was made with an illegally purchased coffin.
Reportedly, according to legend, a real coffin was used to make the awesome DRAG-U-LA hot rod seen in Munster, Go Home! The only catch that it was supposedly illegal to purchase a coffin without a death certificate in the state of California at the time. Richard “Korky” Korkes, the man who built the dragster, claimed he passed money under the table to a funeral home in North Hollywood, who left a coffin for him outside the back door.

 

10 Things You May Not Know About John Dillinger

Evan Andrews and History.com present 10 Things You May Not Know About John Dillinger.    Here are three of the most interesting things and my thoughts on each…

Dillinger helped bust his fellow gang members of out of jail.
Dillinger committed a string of high profile heists during the summer of 1933, but he was desperate to reunite with some of his old prison buddies to form an ace bank robbing gang. That September, he began plotting to break his would-be accomplices out of the Indiana State Prison at Michigan City. Dillinger conspired to have three .38 pistols hidden in a crate of thread bound for the jail’s shirt making factory, allowing 10 convicts—including experienced stickup men “Handsome” Harry Pierpont, Charles Makley and John Hamilton—to get the drop on their guards and escape. The timing couldn’t have been better. Dillinger had been arrested at a girlfriend’s house only a few days before, and was languishing in jail in Lima, Ohio. On October 12, the newly liberated Pierpont and two other men waltzed in the front door and busted him out, gunning down the county sheriff in the process.
Craig: The fact that Dillinger was able to bust his crime partners out of prison and they in turn able to free him from a jail started the legacy of John Dillinger.

He robbed police stations.
While most criminals stayed as far away from lawmen as possible, Dillinger was willing to march right into their headquarters with gun in hand. Shortly after being sprung from jail in October 1933, Dillinger and his band carried out a pair of audacious heists on the police stations at Auburn and Peru, Indiana. As bewildered deputies looked on, the gangsters emptied their gun cabinets of Thompson submachine guns, shotguns, rifles, tear gas guns, bullet proof vests and more than a dozen pistols. The crooks immediately put the arsenal to use committing a wave of bank heists that left two police officers dead.

Craig: Dillinger did have guts and a tendency for flash.  How many other criminals have you heard of who would dare rob a police station?

He escaped from jail using a wooden gun.
Dillinger was arrested in Tucson, Arizona in January 1934, after locals recognized a few of his heavily wanted accomplices. Following a flurry of media coverage, he was extradited to Indiana and confined to the jail in Crown Point to await trial. Authorities boasted that the jail was escape proof, but Dillinger would only remain a resident for a little over a month. On March 3, 1934, he forced his way out of the main cellblock by brandishing a phony gun. Dillinger claimed he had fashioned it from a block of wood, a razor handle and a coat of black shoe polish, but reports would later suggest it was smuggled into the prison by one of his attorneys. In any case, Dillinger used the wooden pistol to round up several guards and get his hands on a Thompson submachine gun. Once armed with real firepower, he made his way to the prison garage, stole the sheriff’s personal police car and motored to Chicago. Amazingly, Dillinger was back in action only three days later, teaming with gangster Baby Face Nelson and others to knock over a bank in Sioux Falls, South Dakota.

Craig: One of the things Dillinger is most famous for is his breakout from the “escape proof” jail using a fake wooden gun to round up several guards and get his hands on real fire-power.  Dillinger’s escapes and escapades made him a celebrity, but folks lose sight of the good people who ended up dead because of Dillinger before he met the same fate.

10 Things We Learned from the ‘Breaking Bad’ 10 Year Reunion [Comic-Con 2018]

Chris Evangelista and /Film present 10 Things We Learned from the ‘Breaking Bad’ 10 Year Reunion [Comic-Con 2018].  Be advised that major spoilers may be lurking if you proceed further.  Here are three of my favorite things learned and some of my thoughts about each…

2. Darkness Was Important
Breaking Bad was an extremely dark show, and the darkness was essential, as far as Vince Gilligan is concerned. “If the show is going to be about producing and selling meth, you want to take it seriously,” the creator said. “But you don’t have to make it some after school special – you just have to show the reality of why that’s a bad decision.” Gilligan also added that any time they needed to show a violent moment on Breaking Bad – like the episode “Krazy-8”, where Cranston’s Walter White has to strangle a man to death with a bike lock – it was important to never treat the violence as “entertainment”, but to rather highlight how unpleasant it was. “There has to be consequences,” Gilligan said. “If you don’t do that, you’re not doing the show justice.”
Craig’s thoughts:  Gilligan is so right.  Actions have consequences and bad actions can, or at least should weigh heavily on a character unless he/she is a sociopath.  The added layer brought realism and importance to those “dark” decisions.

4. Aaron Paul Misses Jesse
This may not seem like a huge revelation. But during the Hall H panel, actor Aaron Paul commented that he really “missed” playing tragic drug dealer Jesse Pinkman. What made this moment so memorable was the wealth of emotion in Paul’s voice – he sounded as if he was on the verge of tears as he uttered these words. It got to me.
Craig’s thoughts:  How can you not love how attached and appreciative some actors get to the characters that made them?

7. Bryan Cranston Would Frequently Trick Aaron Paul Into Thinking Jesse Was Going To Die
While Jesse Pinkman lived beyond the first season, and ended up surviving the series as a whole, Bryan Cranston would constantly prank Aaron Paul into thinking his character was going to die. As Paul and Cranston tell it, Cranston would come up to Paul and ask: “Have you read the latest script?” When Paul would say no, Cranston would give Paul a big hug and say, “I’m so sorry,” thus making Paul think his character was about to get bumped off. This apparently happened several times, and Paul apparently fell for it almost every time.
Craig’s thoughts: This is probably not a new story for most fans of Breaking Bad, but I think it is so funny that Cranston would mess with Paul like that… and of course Paul would fall for it!