The 50 Greatest Comedies

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Empire Magazine took a look at The 50 Greatest Comedies.  Using just their list, here are my top three with their rankings & comments as well as mine…

12. Dr Strangelove

Stanley Kubrick‘s jet black comedy famously stars Peter Sellersplaying three separate roles and wildly improvising in all of them. He’s the buttoned-down British Group Captain Lionel Mandrake; the ineffectual US President Merkin Muffley; and the mechanically-armed cartoon ex-Nazi Dr Strangelove (real name “Merkwürdigliebe”) who can’t quite get out of the habit of calling the president “Mein Fuhrer”. Sellers was also supposed to play Texan Air Force Major TJ “King” Kong, but injured himself and couldn’t work in the fighter plane’s cockpit (he was replaced by Slim Pickens). Devastatingly deadpan, this has the darkest of all imaginable endings, which is all the more impressive given that it originally climaxed with a pie fight. Kubrick, wisely, thunk again.

Dr. Strangelove is the perfect mix of comedy and drama with a strong message that will leave you laughing at the absurdity of nuclear escalation.  Dr. Strangelove is played straight which makes it all the funnier.  Some comedies aren’t as funny on repeat viewings but Dr. Strangelove offers increased pleasure with each visit. And remember, “There’s no fighting in the war room!”

35. Young Frankenstein

Slap bang in the middle of Mel Brooks‘ 1970s run of movie parodies, Young Frankenstein is obsessive in its devotion to the Universal take on Frankenstein’s monster (down to using the same props and lab equipment as the 1931 film) but also willing to go to any length for a gag. Physical humour brings the wordplay to life, and there’s even a legendary dance number in ‘Puttin’ On The Ritz’. Brooks and co had so much fun shooting that the writer-director even added scenes near the end of production just so they could keep on going, resulting in a disastrously long first cut that required a marathon editing session to bring down to the swift, 106 minute final running time.

Young Frankenstein is the perfect merging of two genres (horror and comedy) to create a classic.  Brooks was at his best with a cast in sync with his vision.  Blazing Saddles was released around the same time as Young Frankenstein, but while Blazing Saddles seems a bit dated, Young Frankenstein is timeless.

34. Step Brothers

Will Ferrell and John C. Reilly play pampered fortysomethings whose juvenile worlds collide when their single parents get married, in this classic Adam McKay comedy. Often overlooked as the difficult third album following Anchorman and Talladega Nights, it can actually hold its head high in that company, and Reilly is great Ferrell foil. The pair are currently at work on Etan Cohen’s Holmes And Watson.

I absolutely love this movie. This pairing of Ferrell and Reilly is perfect. So many laughs and stuff that would just get eye-rolls from other actors.  Sure, I’ve seen this same pairing in other comedies, and they’re ok.  Step Brothers rules.

Since we’re talking comedies, I have to give shout-outs to 3 movies that I saw in crowded theaters and the audiences (myself included) roared with laughter throughout the viewings:

  • Airplane (the original)
  • 10 (yeah, with Bo Derek and Dudley Moore)
  • Richard Pryor Live in Concert

I’ve seen them at home and without the large audience, they just weren’t quite as funny.