Mike and I arrive in Charlotte at a little after 7PM on Thursday. While checking in to the Weston we see Hal, Matt and Kwan from the Comic Art List. Brian Stelfreeze and Cully Hamner are also in the lobby.
I call James “The James” Howell and he tells me he’ll arrive at the hotel in a few minutes. Mike and I put our things in our room. We freshen up a bit and head back down to the lobby. It’s been about 10 minutes and still no “The James.” Matt, Hal, Mike and I head back up to my room to wait for “The James” to arrive.
Matt remembered to bring me a Stallone piece that Steve McNiven did for me at MegaCon after I left. Heroes hasn’t even started and I already have a new addition to my gallery! ; ) “The James” arrives and so we head down to the lobby.
As we’re all getting ready to go out for dinner, “The James” says, “Have you all seen Batman Begins? Wasn’t it great?” Everyone has seen it and agrees… except for me.
I say that I liked the movie, but had a few problems with it. “The James” gives me a look like I just threw up in his cereal [he’s the king of giving people looks]. “What problems did you have?” he asks. So I begin to lay out a few of them. With each one “The James” looks pained and then gives me a rationalization.
As we’re walking, Brian Stelfreeze, Cully and their crew appear. We all say, “Hi” and stop to talk for a minute. Brian then says, “Have you all seen Batman Begins? Wasn’t it great?” [“The James” gives me a smug smile.] Everyone nods and says, “yeah”… everyone except for me. I say, “I liked it, but had some problems with it.” Since we’re all going out in different directions, I say that I’ll talk to him about it later.
We head over to dinner, and all through the course of the meal the discussion is Batman Begins. Everyone but “The James” agrees that I’ve brought up some valid concerns. “The James” just doesn’t see it. He’s like Tom Cruise talking about Katie Holmes when it comes to Batman Returns. We all head back to the hotel and end up talking art, comics, movies and playing a movie trivia game. “The James” is nearly unbeatable.
The next morning, I’m up early. Mike is sleeping in and coming over after the show starts, but since I’ve scored a special guest pass via John Higashi [who is arriving on Saturday], I can get in early. “The James” and I meet in the lobby and decide to pass on the $16 breakfast buffet and go for the $2.75 bagel. We hang out in the lobby and talk to different folks as they pass through. Rico comes by looking for some dish soap to wash his baby’s bottle. Casey Jones passes through and says that he’s going to have a Stallone piece for me by the end of this show! Matt and Hal come down.
Brian Stelfreeze and Cully come through. Someone brings up Batman Begins [it wasn’t me, I promise]. I tell Brian some of my concerns. He listens and says, “You know, you’re right. I hadn’t thought of that!” [I give “The James” a smug smile.] I say, “Overall I liked it though and expect the sequel to be even better.”
We all head over to the show. I get in James Jean’s line for Paul Singh who can’t make the show. Man, it seems that everyone wants something from James Jean. I give him Paul‘s reference and money for Paul and say that John Higashi will take the art back with him.
I stop by and say, “Hi” to Adam and Alison. I get on Rick Leonardi’s list. He says he’s going to draw Rambo. I look for Nat Jones who hasn’t arrived yet. I talk with Mike Ploog and lay the groundwork for John Higashi to get a take home commission. I get on Cliff Chiang‘s list.
I spend a lot of the day hanging out with the guys from Tsunami Studios: Gary McKee, Jason Walker, Mike Torrence and Brian Walker. I set up a watercolor Stallone piece from Gary and Jason and I agree to a future Stallone piece. I check back on Nat Jones throughout the day, but he looks to be a no show… as does Craig Hamilton.
Dinner that night is at Uno’s. There are 14 of us so we get two tables. The place is packed, but we get seated pretty quickly. I’m at the quiet table [yeah, Gary McKee is at the other one and no Beatty this year].
After dinner we head up to the Tsunami Studios room. Brian Walker gifts me a Stallone piece that he did! We’re all laughing and talking junk when some of us discover that two of the people sitting at Gary’s table for dinner, work in the porn industry! Gary is also shocked and we’re all laughing because he didn’t know that when he shared his beef tips with the woman. Gary gets all flustered which makes everyone laugh harder.
The next morning I am awakened at 6AM by a phone call from John Higashi. He’s driven through the night [on 2 hours of sleep after a full day of work] and is ready for some breakfast. I get cleaned up and head down. John arrives and we find a Burger King for some “nourishment.” As we’re eating John maps out his strategy. He’s a day late [but NOT a dollar behind] and he writes down names and locations of artists on his “hit list.” Military invasions have been planned with less strategy and I know that Higashi is on a mission.
The show opens and I discover that Higashi hit the ground running. Literally. And carrying several bags of art. Higashi is already on several artists’ lists and he’s also picking up commissions and pages that he worked deals on before the show even started!
I see Rick Leonardi who has completed my Rambo piece! Cool! Very cool!
I meet Howard Chaykin. He is one of my comic idols. If Howard writes or draws it, I’ll buy it. Meeting Chaykin is so cool. He tells me about a new comic that he has coming out. It’s in the tradition of Peckinpaugh. It’s called Generations and sounds awesome. Chaykin also tells me about a noir comic that he’d like to do, but so far he hasn’t found a publisher. It’s a very and dark realistic story. I hope that it finds a home. Chaykin says that he’s doing head sketches for ACTOR, but we’d be better off with a home commission. I decide to wait and see if I can work out something later. Meeting Howard Chaykin has been a highlight of ANY convention I’ve ever been to.
Nat Jones arrives! I head over and talk to him. Nat says that he usually doesn’t sketch at shows, but because he knows I am a fan of his work [and maybe because it’s obvious that the piece won’t end up on ebay], and because my theme is different, he agrees to a sketch! Yeah, baby. I pick up the sketch later in the afternoon and love it. Cobra by Nat Jones.
I get word that Craig Hamilton has arrived. “The James” and I head over to his table. Craig has a piece that he completed for “The James.” It’s Snow and Big Bad Wolf and it is sooo sweet. I set up a commission with Craig, who decides to do it as a take home piece since he couldn’t get to me last year at Heroes. Craig promises it will be really nice. How could it not be, since Craig is doing it?
Gary McKee has been working all day on my Stallone watercolor piece. He opted to do Sly as The Punisher. It was cool seeing Gary work on it from concept sketch to finished piece. And I agree with Gary, Sly would have made an excellent Punisher.
I see a lot of friends including Tim Gordon [from The Tampa Comic and Toy Convention], Robert Jewell, and others. Richard “Jaws” Kiel is there. I guess it goes without saying, that he’s HUGE. As the show winds down for day two, we head back to the hotel for the Art Auction. The room is packed. Higashi bids on a few items and wins one. After the auction, Mike and I decide on pizza in the room. Normally we’d hang out with the guys again, but tonight we opt to play some poker [for fun] and watch “Tombstone.” Man, Val Kilmer owns that movie. He should have won an Oscar!!
The next morning, we check out of the room and head over to the last day of the show. The group immediately gets in Mike Ploog‘s line. Mike‘s old school. I grew up on his “Werewolf by Night,” “Frankenstein” and work for Warren. Mr. Ploog is [and has been since the con opened] drawing FREE headshots for fans. Up to this point, I’ve never asked an artist to draw Stallone when they’re sketching for free. It’s one thing to whip out Batman or Spider-Man or a character that they’ve probably drawn dozens of times. It’s a whole different can of worms to ask them to draw a real person. But this is Mike Ploog!! I decide to ask him to draw Jack Carter and I use Brian Stelfreeze‘s piece as reference. When it’s my turn, I hand over my sketchbook and reference and Mike draws me a nice little Stallone headshot! Whoo-hooo! I have Mike Ploog in my Stallone Gallery!
I check in with Casey Jones and he’s done me a great, great piece. It’s Sly from Oscar and the design on the sketch is awesome. Casey, you are the MAN!!!
Cliff Chiang has completed his Stallone piece. It’s a really sweet piece of Rocky and Adrian. Cliff has really captured the essence of both of these characters. I absolutely love it!
Heroes has once again been a great show. I was able to hang out with my son and friends, meet artists who’ve I’ve admired and even get new artwork for my Stallone Gallery. I should have better pictures of the artists and scans of my new pieces posted within the next week.
I’m already looking forward to next year to do it all again!
“Five years ago, a narcotics cop was sent undercover, down into the criminal structure of the city. Henever came back. He went native. Five years later, he’s running the city’s prime drugs gang.
Beatty, Higashi and I drove down the night before. It’s become a tradition that we go down a day ahead of the show, hang out with other collectors and eat dinner at a place called Sweet Tomatoes.
Higashi started getting that predator look in his eyes and I knew that soon he would be in full con mode. The doors opened and the crowd headed in. As we were walking to the artist area, I saw Randy Martin had set up and so I stopped to chat with him. Higashi continued to make his way to Ethan’s spot center stage.
I decided to head over to the film room when suddenly Captain Battle and his Battle Team appeared.
That’s the look that 
John got wind of Hoffman’s comments and responded:
Brian Walker surprised me with this fun sketch of Sly as 
I knew that my sketch from Cliff Chiang was going to be very good. How could it not be, it’s Cliff Chiang! What I didn’t know was that Cliff was going to follow Casey Jones‘ lead and create one of my all-time favorite pieces. Not only did Cliff add Adrian to the mix, but he also captured the essence of their characters. 
Frank Miller
