Category: Trivia

12 Timely Facts About “High Noon”

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Eric D. Snider and Mental_Floss present  12 Timely Facts About High Noon.  Here are three of my favorites…

4. IT’S (BASICALLY) IN REAL TIME, BUT THE TERM “REAL TIME” DIDN’T EXIST YET.
Foreman wrote that he was interested “in telling a motion picture story in the exact time required for the events of the story itself.” Today we call that “real time,” but according to Webster’s, the term wasn’t coined till 1953. (By the way, the movie is 84 minutes long but covers about 100 minutes of time. The many clocks we see on the walls must move a little bit faster than real ones do.)

7. RIO BRAVO  WAS MADE IN RESPONSE TO IT. 
Among the Hollywood types who hated High Noon were John Wayne (he called it “the most un-American thing I’ve ever seen in my whole life”) and Howard Hawks, director of classics like His Girl Friday and The Big Sleep. Hawks and Wayne teamed up for Rio Bravo, a similar story to High Noon, but one where the sheriff never shows fear or self-doubt. Hawks said, “I made Rio Bravo because I didn’t like High Noon … I didn’t think a good town marshal was going to run around town like a chicken with his head cut off asking everyone to help. And who saves him? His Quaker wife. That isn’t my idea of a good Western.” Sick burn, Hawks.

9. THE PAINED LOOK ON GARY COOPER’S FACE DIDN’T REQUIRE MUCH ACTING.
The veteran actor was 51 when the film was shot, and he looked every bit of it (and then some). Stomach ulcers and back problems plagued him, and he was in particular distress the day they shot the wedding scene, where he has to pick up Grace Kelly. His personal life was a mess, too, as he was separated from his wife and his very public affair with Patricia Neal was coming to an end. No wonder he looks so haggard and weary.

14 Blockheaded Facts About “A Charlie Brown Christmas”

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Jake Rosen and Mental_Floss present 14 Blockheaded Facts About A Charlie Brown Christmas.  Here are three of my favorites…

5. SNOOPY’S VOICE IS JUST SPED-UP NONSENSE.
The early Peanuts specials made use of both untrained kids and professional actors: Peter Robbins (Charlie Brown) and Christopher Shea (Linus) were working child performers, while the rest of the cast consisted of “regular” kids coached by Melendez in the studio. When Schulz told Melendez that Snoopy couldn’t have any lines in the show—he’s a dog, and Schulz’s dogs didn’t talk—the animator decided to bark and chuff into a microphone himself, then speed up the recording to give it a more emotive quality.

7. CHARLIE BROWN’S HEAD WAS A NIGHTMARE TO ANIMATE.
Because Melendez was unwilling to stray from Schulz’s distinctive character designs—which were never intended to be animated—he found himself in a contentious battle with Charlie Brown’s noggin. Its round shape made it difficult to depict Charlie turning around; as with most of the characters, his arms were too tiny to scratch his head. Snoopy, in contrast, was free of a ball-shaped cranium and became the show’s easiest figure to animate.

10. CBS HATED IT, TOO.
After toiling on the special for six months, Melendez and Mendelson screened it for CBS executives just three weeks before it was set to air. The mood in the room was less than enthusiastic: the network found it slow and lacking in energy, telling Melendez they weren’t interested in any more specials. To add insult, someone had misspelled Schulz in the credits, adding a “T” to his last name. (Schulz himself thought the whole project was a “disaster” due to the crude animation.)

43 Things We Learned from the “Mission Impossible: Rouge Nation” Commentary

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Rob Hunter and Hollywood.com present 43 Things We Learned from the Mission Impossible: Rouge Nation Commentary.  Here are three of my favorites…

4.    Hanging Ethan Hunt (Cruise) off the side of the A-400 plane was originally McQuarrie’s idea. “I was joking when I said it,” he explains. “I did not think you’d take me seriously.”

18.    It was Cruise’s idea to have Hunt be shot — an idea McQuarrie didn’t think would work because Hunt would be walking around for the rest of the film with a bullet in his gut — but Cruise added “six months later” and boom.

26.    The opera sequence was originally written to end with Hunt and Faust simply leaving out the back exit, but Cruise was having none of it. “This is Mission: Impossible! You can’t just walk out a back door!”

35 Fabulous Facts About Frank Sinatra

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Mental_Floss presents 35 Fabulous Facts About Frank Sinatra. Here are three of my favorites…

27. SINATRA DIDN’T LIKE MARLON BRANDO, AND BRANDO DIDN’T LIKE SINATRA.
Sinatra was always known as one of Hollywood’s most likeable stars, but Marlon Brando apparently didn’t agree. The two didn’t hit it off when they starred in 1955’s Guys and Dolls. Sinatra, who allegedly wanted Brando’s role in the film, referred to his co-star as “Mr. Mumbles,” while Brando nicknamed Sinatra “Mr. Baldy.”

32.  THE BEATLES’ “SOMETHING” WAS ONE OF SINATRA’S FAVORITE SONGS.
Frank may not have loved (okay, he hated) rock and roll, but he was a big fan of the George Harrison-penned “Something.” The song became a sample in Sinatra’s live set toward the end of his career.

34. HE WAS A TOOTSIE ROLL FAN.
According to dead-celebrity expert Alan Petrucelli, Ol’ Blue Eyes was buried with some Tootsie Rolls, along with a few other choice effects, including cigarettes, a lighter, and a bottle of Jack Daniels.

19 Things You Never Knew About “Breaking Bad”

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Hollywood.com presents 19 Things You Never Knew About Breaking Bad.  Here are three of my favorites…

5.      The GPS coordinates that repeatedly appear throughout the show, N34 59 20 W106 36 52, actually corresponds to the location of the studio where the show filmed.

6.      Showtime, HBO, and TNT all initially passed on Breaking Bad.  FX began production on it, but eventually passed in favor of Courteney Cox’s Dirt in an attempt to increase female viewership. HBO wasn’t interested and TNT liked it but couldn’t have a meth kingpin as a main character.

14.   The title of the final episode, “Felina,” is an anagram for “finale.”   The letters can also spell out the atomic numbers for various elements: Fe Li Na, or blood, meth, and tears.

20 of the Most Surprising Numbers About “Seinfeld”

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Worthy presents 20 of the Most Surprising Numbers About Seinfeld.  Here are three of my favorites…

1. $40,000,

2. $1 million

3. $110 million

During the 1991 to 1992 season, Jerry Seinfeld was paid $40,000 per episode. During the show’s final season, 1997 to 1998, he was paid $1 million per episode. He was offered $110 million to do a tenth season, but he turned down NBC’s offer to continue. He decided that nine seasons completed the show, and that is another story about numbers that was revealed when Vanity Fair did a cover story of him in 1998 when the series finally ended. He was quoted as saying “Nine is cool.” He had discovered that the number nine means completion in numerology. Learning that the Beatles stayed together nine years and then broke up was also an inspiration to Seinfeld. It turns out that nine is also a highly significant number in his life:

• He was born in 1954 (5 plus 4 = 9).

• He graduated high school in 1972 (7 plus 2 = 9).

• His first Tonight Show appearance was in 1981 (8 plus 1 =9).

• His sitcom Seinfeld first aired in 1989 (1 plus 9 plus 8 plus 9 = 27; 2 plus 7 = 9).

• The show was shown at 9 P.M.

• The show ended in 1998, which also equals 27 and, of course 2 plus 7 =9.

Seinfeld also said that when he thought about the end of the show, he felt that nine was his number.

18 Fun Facts About “The Naked Gun”

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Roger Cormier and Mental_Floss present 18 Fun Facts About The Naked Gun.  Here are three of my favorites…

6. THEY DREW FROM SEVERAL OLDER MOVIES.
The Charlotte Rampling and Robert Mitchum movie Farewell, My Lovely (1975) was where the scene of Priscilla Presley gliding down the stairs came from (the falling part was the comedic twist). The assassination attempt on Charles de Gaulle in The Day of the Jackal (1973) gave ZAZ the idea for the assassination plot against Queen Elizabeth II. Mad magazine, the Dirty Harry movies, and the cop series M Squad were other cited sources of satirization.

8. IT WAS JOHN HOUSEMAN’S FINAL FILM ROLE.
Houseman played the middle finger-raising driving instructor. Houseman collaborated with Orson Welles on the infamous The War of the Worlds radio broadcast and on Citizen Kane. In 1974, he won a Best Supporting Acting Oscar for the his role in The Paper Chase. A week before The Naked Gun was released, Houseman also made a cameo in Scrooged.

17. THE NAKED GUN THEME SONG PLAYED AT NIELSEN’S FUNERAL.
Nielsen passed away on November 28, 2010 at the age of 84 and was laid to rest in Fort Lauderdale. Dominik Hauser’s theme played as the Canadian Mounted Police carried his coffin.

21 Thrilling Facts About Michael Jackson’s “Thriller”

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Roger Cormier and Mental_Floss present 21 Thrilling Facts About Michael Jackson’s Thriller.   Here are three of my favorites…

3. THE ALBUM’S TITLE WAS ALMOST MIDNIGHT MAN.
Quincy Jones asked arranger/songwriter Rod Temperton to come up with an album title. He wrote down 200 to 300 possible titles in his hotel room before deciding on Midnight Man. The next morning he woke up and the word “Thriller” popped into his head. “Something in my head just said, this is the title,” recalled Temperton. “You could visualize it on the top of the Billboard charts. You could see the merchandising for this one word, how it jumped off the page as ‘Thriller.'”

5. VINCENT PRICE MADE LESS THAN $1000 FOR HIS WORK ON THE TITLE TRACK.
Jones’ then-wife Peggy Lipton knew Price. The horror movie legend managed to record his part in two takes. Once the album got big, Price expressed frustration over his meager paycheck and said that Jackson had stopped taking his calls.

19. THE “THRILLER” MUSIC VIDEO COST $500,000.
The Showtime cable network footed $300,000 of the budget for the rights to first air the music video and the “making of” feature, with MTV paying the rest to broadcast it after Showtime. Jackson asked John Landis to direct the video after seeing his work on the movie An American Werewolf in London. “I want to turn into a monster,” Jackson told Landis. “Can I do that?” Landis wrote the disclaimer that appears in the beginning of the video because Jehovah’s Witnesses (a group which Jackson belonged to at the time) told the artist that “Thriller” endorsed Satanism.

14 Fascinating Facts About “Slingblade”

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Roger Cormier and Mental_Floss present 14 Fascinating Facts About Slingblade.  Here are three of my favorites…

2. BEFORE THE FEATURE, THERE WAS A SHORT FILM TITLED SOME FOLKS CALL IT A SLING BLADE FEATURING MOLLY RINGWALD.
The 29-minute movie was released in 1994, written by Thornton and directed by George Hickenlooper. Molly Ringwald portrayed the newspaper reporter in Hickenlooper’s version; she was replaced by Sarah Boss in the feature. Thornton did not mention the short during theSling Blade Oscar press tour because he had a falling out with Hickenlooper, who was claiming the movie was based on the short, while Thornton said it was based on his one-man show. At the time, Thornton said he “would have been glad to have talked about the short if George hadn’t bad-mouthed me all over town. This whole thing is based on the character, and I created that before I ever knew George Hickenlooper existed.”

5. RITTER GAVE VAUGHAN THE LAST NAME “CUNNINGHAM” AS A REFERENCE TO HAPPY DAYS.
The former Three’s Company star revealed as much on Late Night with Conan O’Brien in 1997. As an in-joke to some of his friends who were on the cast of Happy Days, Ritter made his character a Cunningham to open up the possibility that Vaughan was actually Chuck, Richie and Joanie’s older brother from season one of Happy Days, who was written out of the show and never spoken of by any of the characters again after he disappeared. In Ritter’s mind, Chuck had a “different alternative lifestyle” that he was too ashamed to reveal to his parents. Thornton had no idea this was the reasoning behind the surname choice.

13. HARVEY WEINSTEIN PAID $10 MILLION FOR THE DISTRIBUTION RIGHTS AFTER WATCHING THE FIRST 30 MINUTES.
The head of Miramax initially agreed to give Thornton the final say on editing. Weinstein then saw the rest of the movie and wanted Thornton to cut 20 minutes. Martin Scorsese told Thornton not to change his edit, before Weinstein went ahead and edited it without Thornton’s knowledge. For what it’s worth, Sling Blade producer Larry Meistrich later admitted that Weinstein’s edit was better than Thornton’s.

17 Facts About “Misery”

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Roger Cormier and Mental_Floss present 17 Facts About Misery.  Here are three of my favorites…

3. BETTE MIDLER TURNED DOWN THE ROLE OF ANNIE WILKES.
Midler thought it was too violent. She later called herself “stupid” for her decision. The Princess Bride, Butch Cassidy and the Sundance Kid, and All the President’s Menscreenwriter William Goldman wrote Misery with then unknown but respected theater actress Kathy Bates in mind.

4. JAMES CAAN WAS FAR FROM THE FIRST CHOICE TO PLAY PAUL SHELDON.
Kevin Kline, Michael Douglas, Harrison Ford, Dustin Hoffman, Robert De Niro, Al Pacino, Richard Dreyfuss, Gene Hackman, and Robert Redford all said no to the role of Paul Sheldon. William Hurt said no twice. Warren Beatty showed a lot of interest and gave Reiner and Goldman ideas for the character before having to turn them down, too, because he had to keep working on Dick Tracy.

14. CAAN AND BATES CLASHED OVER THEIR ACTING METHODS.
Caan believed in as little rehearsal as possible. Bates, with her theater background, was used to practicing a lot. When Bates commented to Reiner that Caan wasn’t attempting to relate or listen to her, Reiner told her to use that frustration toward her character.

9 Little Known Facts About Mark Twain

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Hayley Igarashi and Good Reads present 9 Little Known Facts About Mark Twain.  Here are three of my favorites…

1. At the peak of his fame, a letter addressed to “Mark Twain, God Knows Where” was actually delivered.
This was not an isolated occurrence. Other successfully delivered letters were addressed to “Mark Twain, Somewhere,” “Mark Twain, c/o President Roosevelt. The White House,” and “Mark Twain, Somewhere, (Try Satan).”

3. In another world, The Adventures of Tom Sawyer might’ve been written by Thomas Jefferson Snodgrass.
Most people know Mark Twain is the pen name of Samuel Clemens, but did you know about the author’s other pseudonyms? He also tried out the pen names W. Epaminondas Adrastus Perkins, Sergeant Fathom, John Snooks, and Thomas Jefferson Snodgrass.

6. Nikola Tesla and Twain became friends because of a very effective electrical charge.
Few friendships have been forged under more unusual circumstances. Desperate to find a cure for his constipation, Twain visited one of Nikola Tesla’s salons, where the scientist conducted some of his more outlandish experiments. One electrical charge and a few x-rays later, Twain was cured. The two men remained friends for the rest of their lives.

30 Facts About Your Favorite Steven Spielberg Movies

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Mental_Floss presents 30 Facts About Your Favorite Steven Spielberg Movies.  Here are three of my favorites…

7. TOM SELLECK WAS SUPPOSED TO PLAY INDIANA JONES.
Prior to the production’s start date in May 1980, George Lucas and Spielberg set up shop in the old Lucasfilm corporate headquarters to begin the casting process. Actors and actresses in consideration for the lead roles of Indiana Jones and his tough but beautiful companion Marion Ravenwood included Jane Seymour, Debra Winger, Mark Harmon, Mary Steenburgen, Michael Biehn, Sam Shepard, Valerie Bertinelli, Bruce Boxleitner, Sean Young, Don Johnson, Dee Wallace (who would later go on to star as the mother in Spielberg’s E.T.), Barbara Hershey, and even David Hasselhoff.

For Indy, Lucas and Spielberg eventually settled on actor Tom Selleck. But when CBS got wind of what the two were up to, the network legally barred Selleck—the lead of the hit show Magnum, P.I.—from appearing in the film. Spielberg then suggested Harrison Ford as a quick replacement, but Lucas was reluctant to cast Ford because he was already Han Solo in hisStar Wars films. But Spielberg’s quick thinking prevailed, and Ford was added to the cast just two weeks before principal photography began. (A similar snafu happened with Danny DeVito, the first choice to play Indy’s jovial companion Sallah, who couldn’t take the part due to his contractual obligation to appear on the popular ABC show Taxi.)

12. SPIELBERG REFUSED TO ACCEPT A SALARY FOR SCHINDLER’S LIST.
Though Spielberg is already an extremely wealthy man as a result of the many big-budget movies that have made him one of Hollywood’s most successful directors, he decided that a story as important as Schindler’s List shouldn’t be made with an eye toward financial reward. The director relinquished his salary for the movie and any proceeds he would stand to make in perpetuity, calling any such personal gains “blood money.” Instead, Spielberg used the film’s profits to found the Shoah Foundation, which was established to honor and remember the survivors of the Holocaust by collecting personal recollections and audio visual interviews.

20. GARTH BROOKS NEARLY PLAYED PRIVATE JACKSON IN SAVING PRIVATE RYAN.
Frank Darabont was hired to do uncredited rewrites on Saving Private Ryan, and created the role of the Bible-quoting sniper, Private Jackson, to be played by country singer Garth Brooks. Brooks dropped out of the movie after Spielberg came onboard and cast Tom Hanks in the lead role. Apparently Brooks didn’t want to play second fiddle to Hanks, but Spielberg offered him a chance to play another role of his choosing. Instead of a specific role, Brooks allegedly said he wanted to play the “bad guy,” but in Saving Private Ryan there is no real bad guy other than the entire Wehrmacht, so Spielberg ultimately decided to drop Brooks from the movie.

10 Back-And-Forth Facts About Abbott and Costello

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Mark Mancini and Mental_Floss present 10 Back-And-Forth Facts About Abbott and Costello.  Here are three of my favorites…

1. LOU COSTELLO WAS ONCE AN AMATEUR BOXER.
As a young competitor, Louis Cristillo fought in 12 matches under the alias “Lou King.” With 11 victories and one draw, Cristillo’s boxing career was off to an impressive start—until his father abruptly forced him into an early retirement. A multi-sport athlete, Cristillo could also light up a basketball court, despite his below-average height of 5’ 5”. In fact, he was once reportedly crowned Paterson, New Jersey’s foul shot champion.

Athleticism would help Cristillo earn his first few Hollywood gigs. While struggling to become an actor during the late 1920s, he appeared as a stunt double in a handful of films, most notably The Trail of ’98 (1928). Unfortunately, Cristillo was seriously injured during that shoot and decided to move back east, where he planned on taking voice lessons. Since “talkies” were rising in popularity, this seemed like a smart move but Cristillo’s modest personal fortune only got him as far as St. Joseph, Missouri. It was there that he got his first taste of live theater and developed the bumbling persona he retained throughout his career. During this time, Cristillo chose yet another stage name: Lou Costello (a nod to silent film actress Helene Costello).

5. IN 1942, THEY RAISED $85 MILLION FOR AMERICA’S WAR EFFORT.
On their own dime, Abbott and Costello toured 78 cities in 34 days, with the proceeds funding Uncle Sam’s war bonds and stamps. En route, they were treated like national heroes—the good people of Lincoln even made them both honorary admirals in the fictitious Nebraska Navy.

6. COSTELLO HATED THE SCRIPT FOR ABBOTT AND COSTELLO MEET FRANKENSTEIN.
Between 1940 and 1956, Abbott and Costello made nearly 40 movies together. By 1948, sheer overexposure weakened their popularity with filmgoers, who began to tire of their antics. Then along came this blockbuster horror-comedy, which rejuvenated the duo’s cinematic career and launched several genre-mixing follow-ups, including Abbott and Costello Meet the Invisible Man (1951), Abbott snf Costello Meet Dr. Jekyll and Mr. Hyde(1953), and Abbott & Costello Meet the Mummy (1955).

However, Costello almost derailed Abbott and Costello Meet Frankenstein during pre-production. At one point, he barged into producer Robert Arthur’s office and claimed “My [five-year-old] daughter could write a better script than this. You’re not serious about making it, are you?” Arthur eventually calmed Costello by promising to hire the star’s favorite director, Charles Barton.

14 Moving Facts About “Planes, Trains and Automobiles”

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Roger Cormier and Mental_Floss present 14 Moving Facts About Planes, Trains and Automobiles.   Here are three of my favorites…

1. JOHN HUGHES ONCE HAD A HELLISH TRIP TRYING TO GET FROM NEW YORK CITY TO CHICAGO.
Before he became a screenwriter, Hughes used to work as a copywriter for the Leo Burnett advertising agency in Chicago. One day he had an 11 a.m. presentation scheduled in New York City on a Wednesday, and planned to return home on a 5 p.m. flight. Winter winds forced all flights to Chicago to be canceled that night, so he stayed in a hotel. A snowstorm in Chicago the next day continued the delays. The plane he eventually got on ended up being diverted to Denver. Then Phoenix. Hughes didn’t make it back until Monday. Experiencing such a hellish trip might explain how Hughes managed to write the first 60 pages of Planes, Trains and Automobiles in just six hours.

13. IN THE ORIGINAL ENDING, DEL FOLLOWED NEAL ALL THE WAY HOME.
Hughes decided during the editing process that instead, John Candy’s character would be “a noble person” and finally take the hint from Martin’s character, and let Neal return home alone, before Neal has a change of heart and finds Del again.

14. IN THE SCENE WHERE NEAL THINKS ABOUT DEL ON THE TRAIN, MARTIN DIDN’T KNOW THE CAMERA WAS ON.
In order to get the new ending he wanted, Hughes and editor Paul Hirsch went back to look for footage they previously didn’t think would be used. Hughes had kept the cameras rolling in between takes on the Chicago train, without his lead’s knowledge, while Martin was thinking about his next lines. Hughes thought Martin had a “beautiful expression” on his face in that unguarded moment.